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Journal articles on the topic 'Experimental poetry, Latin American'

Author: Grafiati

Published: 4 June 2021

Last updated: 7 February 2022

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1

Bachmann, Pauline, and Jasmin Wrobel. "Redes da Poesia Experimental: Arquivos, Sítios, Coleções." Matlit Revista do Programa de Doutoramento em Materialidades da Literatura 7, no. 1 (November 17, 2019): 237–46. http://dx.doi.org/10.14195/2182-8830_7-1_13.

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Apresentação sumária de oito sítios web relacionados com o tema deste número "Redes da Poesia Experimental". Figuram na seleção os seguintes sítios web: Arquivo Digital da PO.EX: Poesia Experimental Portuguesa; poesia concreta: o projeto verbivocovisual; Archivo Guillermo Deisler (1940-1995); Arquivo Centro de Arte Experimental Vigo; Stephanie Strickland Papers, 1955-2016; Documents of 20th-century Latin American and Latino Art; Archiv Sohm e The Sackner Archive of Visual and Concrete Poetry. DOI: https://doi.org/10.14195/2182-8830_7-1_13

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2

Alvarado Borgoño, Miguel. "Néstor García Canclini y la antigua búsqueda de una antropología literaria latinoamericana." Literatura y Lingüística, no. 22 (May 27, 2015): 59. http://dx.doi.org/10.29344/0717621x.22.123.

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ResumenEn este artículo se realiza una lectura del libro Cortázar, Una Antropología Poética de Néstor García Canclini. Ello con el fin de identificar los puntos de inicio de una antropología literaria como género híbrido. Sostenemos así la independencia de las escrituras experimentales de las antropologías literarias latinoamericanas de las escrituras experimentales desarrolladas en Europa y Norteamérica desde la corriente postmoderna.Palabras clave: Antropología – literato – poesía – CortázarAbstractIn this article a reading of the book: Cortázar. Una Antropología Poética, it with the purpose of to identify the points of beginning of a literary anthropology like hybrid sort. We base therefore the independence of the experimental writings of the Latin American literary anthropologies of the developed experimental writings on Europe and North America from the postmodern current.Key words: Anthropology – literacy – Cortázar – poetry*

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3

Gutiérrez Marx, Graciela G. "Invisible Artists, or the Net Without a Fisherman … (My Life in Mail Art)." ARTMargins 1, no. 2–3 (June 2012): 147–51. http://dx.doi.org/10.1162/artm_a_00018.

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Perhaps we can think that mail art derives from Dada and link it to Fluxus, Filliou's proposal of an eternal network, and the highly innovative poetry and experimental art, born at the same time in different countries. GGMarx practiced collective creation, in poor areas of the southern cone of South America. In a broader and ideologically more sensitive context, a folk art appeared, thanks to the popular struggles in Cuba, México, Brazil, Chile, Bolivia, Peru, Nicaragua, Venezuela, Uruguay, Colombia, Ecuador and Argentina. The liberation movements, developed during the seventies, have marked the direction of Latin American mail-art intercourse. But they acquired their real strength in Argentina in 1976, when the Military Terrorist State was implanted and started the time of art = life.

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López Fernández, Laura. "Nuevas formas y soportes de escritura poética en Latinoamérica." Monteagudo 24 (October 23, 2019): 161–77. http://dx.doi.org/10.6018/monteagudo.400221.

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En este artículo se exploran distintas modalidades de escritura experimental en Latinoamérica, desde la perspectiva de la función que ejercen los medios y tecnologías en el proceso compositivo. A pesar de la heterogeneidad de estilos, se hace hincapié en ciertas constantes y en sus implicaciones discursivas debido a que proponen un cambio de paradigma estético y cultural que rompe con las expectativas tradicionales de lo que se entiende por texto, poema, autor y lector. Dentro de esta línea creativa se sitúan escrituras como IP Poetry de Gustavo Romano, la biopoesía de eduardo Kac, las instalaciones e intervenciones poéticas de José Aburto, así como otros modos de escritura poética como la performativa o la videopoesía. This article explores different modalities of experimental writing in Latin America from the role of mediums and technologies in the compositional process. Despite the heterogeneity of styles, emphasis is placed on certain constants and their discursive implications that propose a change of aesthetic and cultural paradigm, breaking with traditional expectations of what is meant by text, poem, author and reader. Within this creative line we can include IP Poetry by Gustavo Romano, eduardo Kac’s biopoetry, installations and poetic interventions by José Aburto, as well as other styles of poetic writing such as performative and videopoetry.

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5

Perriam, Chris. "Latin American Poetry and Song." Hispanic Research Journal 10, no. 1 (February 2009): 52–55. http://dx.doi.org/10.1179/174582009x380148.

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John Taylor. "Poetry Today: "The Landscapes of Latin American Poetry"." Antioch Review 70, no. 3 (2012): 577. http://dx.doi.org/10.7723/antiochreview.70.3.0577.

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7

Nelson, William Javier, and Marvin A. Lewis. "The Black Latin American in Poetry." Phylon (1960-) 46, no. 2 (1985): 176. http://dx.doi.org/10.2307/274416.

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8

Carter, June. "La Negraas Metaphor in Afro-Latin American Poetry." Caribbean Quarterly 31, no. 1 (March 1985): 73–82. http://dx.doi.org/10.1080/00086495.1985.11672065.

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9

Iriarte, Fabián O. "Twentieth-Century Latin American Poetry: A Bilingual Anthology." Translation Review 53, no. 1 (March 1997): 27–30. http://dx.doi.org/10.1080/07374836.1997.10524064.

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10

Suarez, Daniel A. Romero. "Latin American Cancer Poetry: Medicine, Political Violence and Collective Memory." MLN 136, no. 2 (2021): 292–312. http://dx.doi.org/10.1353/mln.2021.0016.

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11

Mantecon, A. V. "Experimental Latin American Cinema: History and Aesthetics." Hispanic American Historical Review 95, no. 1 (January 1, 2015): 182–83. http://dx.doi.org/10.1215/00182168-2837228.

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12

Ku, Taehun. "Modern American Experimental Poetry: Objectivism and Language Poet." British and American Language and Literature Association of Korea 121 (June 17, 2016): 1–16. http://dx.doi.org/10.21297/ballak.2016.121.1.

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13

Guerrero, Gustavo. "Materialism, Realism, and Prosaism in Latin American Poetry of the Nineties." Review: Literature and Arts of the Americas 51, no. 1 (January 2, 2018): 28–34. http://dx.doi.org/10.1080/08905762.2018.1485286.

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14

Carrera, María José. "Samuel Beckett’s Translations of Latin American Poets for UNESCO." Samuel Beckett Today / Aujourd’hui 31, no. 1 (April 11, 2019): 53–65. http://dx.doi.org/10.1163/18757405-03101005.

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Abstract Samuel Beckett’s self-avowed slight acquaintance with the Spanish language did not prevent him from tackling the translation of a poem by the Chilean Gabriela Mistral, as well as a whole anthology of Mexican poetry. Little attention has been paid to this sideline in Beckett’s career. This paper contextualizes Beckett’s involvement in these two UNESCO projects and shows, with recourse to his translation manuscripts, the intensity of the author’s work despite his distaste for these commissions.

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Damon, M. "Race and the Avant-Garde: Experimental and Asian American Poetry since 1965; Poetic Obligation: Ethics in Experimental American Poetry after 1945." American Literature 82, no. 1 (January 1, 2010): 216–18. http://dx.doi.org/10.1215/00029831-2009-088.

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Usandizaga Lleonart, Helena. "Presentation. Latin American Poetry Since the 70s: Interior Voices and Social Spaces." Mitologías hoy 15 (June 30, 2017): 9. http://dx.doi.org/10.5565/rev/mitologias.459.

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Kim, Daejoong. "Dialectics of Aesthetic Politics in Asian American Experimental Poetry." Journal of East-West Comparative Literature 42 (December 31, 2017): 219–39. http://dx.doi.org/10.29324/jewcl.2017.12.42.219.

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18

Boll, Tom. "Penguin Books and the Translation of Spanish and Latin American Poetry, 1956–1979." Translation and Literature 25, no. 1 (March 2016): 28–57. http://dx.doi.org/10.3366/tal.2016.0236.

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This article accounts for the social interactions that gave rise to Penguin's translation of Spanish and Latin American Poetry during the 1950s, 60s, and 70s. Drawing on the Actor-Network Theory of Bruno Latour, it traces the editorial discussions that led to the adoption and abandonment of different translation policies: the dual-language subseries of the Penguin Poets, which employed prose translation; and the verse translation of the Penguin Modern European and Latin American Poets. Often regarded as an institution, Penguin is revealed as a focal point for conflicting initiatives that came from within and without the organization.

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Barrow, Sarah. "Cynthia Tomkins,Experimental Latin American Cinema: History and Aesthetics." Screen 57, no. 1 (March 2016): 109–11. http://dx.doi.org/10.1093/screen/hjw007.

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Pollack, Sarah. "The Poet’s Fading Face: Alberto Girri, Rafael Cadenas and Posthumanist Latin American Poetry." Confluencia: Revista Hispánica de Cultura y Literatura 30, no. 1 (2014): 13–30. http://dx.doi.org/10.1353/cnf.2014.0020.

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Pendzik, Susana. "The creative explosion of experimental theatre: The Latin American perspective." Drama Therapy Review 3, no. 2 (October 1, 2017): 313–19. http://dx.doi.org/10.1386/dtr.3.2.313_7.

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22

Cullhed, Anders. "Avatars of Latin Schooling: Recycling Memories of Latin Classes in Western Poetry: Five Paradigmatic Cases." Journal of Latin Cosmopolitanism and European Literatures, no. 1 (June 12, 2019): 17–33. http://dx.doi.org/10.21825/jolcel.v0i1.8249.

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This paper tries to elucidate the significance of Latin schooling for the production of poetry by lining up five typical cases of recycling Roman texts, from the Middle Ages to the twentieth century. The French poet Baudri de Bourgueil (ca 1050–1130) rewrote Ovid’s Heroides 16–17 within a cultural context, characteristic of the incipient “Ovidian age,” aetas ovidiana, based on classroom practices such as paraphrase, accessus and glosses, presupposing a sense of historical continuity – or translatio studii et imperii – from Antiquity down to the twelfth century. In his great work, The Comedy, the Florentine Dante Alighieri (1265–1321) reused Ovid in a quite different way, representative of the allegorizing tendencies noticeable in Italy and France towards the end of the Ovidian age. The Early Modern motto ad fontes, on the other hand, presupposed a breach between ancient and present times, none the less possible (and surely commendable) to bridge by means of imitation within the framework of studia humanitatis and a new philological culture, made possible by the printing press. This cultural paradigm shift is illustrated by a look at a famous sonnet by the Spanish Golden Age poet Francisco de Quevedo (1580–1645). Finally, our modern and postmodern era, characterized by an ambivalent attitude to the classical heritage, is represented by the Anglo-American poet T.S. Eliot (1888–1965) and his Swedish successor Hjalmar Gullberg (1898–1961), both of whom remembered their Latin classes in their mature poetry, marked by irony, distance and, probably, nostalgia.

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Taylor, Claire. "Entre "Born Digital" y herencia literaria: el diálogo entre formatos literarios y tecnología digital en la poética electrónica hispanoamericana." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, no. 27 (January 3, 2017): 79. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.2017271541.

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Este artículo propone analizar la poética electrónica en un contexto latinoamericano y dentro de una tradición literaria hispánica. El artículo parte de la hipótesis de que los nuevos géneros ciberliterarios existen en constante diálogo con una tradición arraigada de experimentación literaria en América Latina: varios de los géneros ciberliterarios emergentes, tales como la poesía-twitter, la novela-hipertexto, o el blog literario, dialogan con movimientos literarios precursores como la poesía concretista, los caligramas, el testimonio, la crónica, y muchos otros. El artículo ofrece un análisis comparativo de dos obras de poética electrónica hispanoamericana que dialogan con movimientos literarios precursores. Se enfoca en particular en la obra colaborativa Women: Memory of Repression in Argentina (2003) y en Radikal Karaoke de Belén Gache (2011), y propone entender estas obras como parte de un continuum de posibles negociaciones entre tecnologías digitales y géneros literarios establecidos. This article aims to analyse electronic poetry in a Latin American context, and as part of a Hispanic literary tradition. The article starts off from the premise that new digital literary genres exist in a constant dialogue with a long-standing tradition of literary experimentation in Latin America. It argues that many of the emerging digital literary genres, such as twitter-poetry, hypertext novels, or literary blogs, dialogue with prior literary movements or genres such as concrete poetry, caligrammes, testimonios, crónicas, and much more. Within this context, the article offers a comparative analysis of two works of electronic poetry from Latin American which dialogue with prior literary movements. It focuses in particular on the collective piece, Women: Memory of Repression in Argentina (2003) and Radikal Karaoke by Belén Gache, and aims to understand both of these works as on a continuum of possible negotiations between digital technologies and established literary genres.

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Palma Castro, Alejandro, and Gabriel Hernández Espinosa. "Disruptions in Latin American Poetry: Places of Enunciation and Spaciality of the Message in Guillermo Deisler’s and Nucleo Post-Arte’s Visual Poetry." Mitologías hoy 15 (June 30, 2017): 217. http://dx.doi.org/10.5565/rev/mitologias.448.

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25

Monte Casablanca, Antonio, and Crystal Neill. "“Notes and Letters”: Music of the City in Flight / Trans-Migratory Poetry. By Antonio Monte Casablanca. Translated by Crystal Neill, with Amanda Minks and Lila Ellen Gray." Ethnomusicology Translations, no. 11 (May 26, 2021): 1–29. http://dx.doi.org/10.14434/emt.no.11.32396.

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In this essay I draw from memory studies and Latin American cultural studies to reflect on Notas y Letras (Notes and Letters), a collaboration by the Nicaraguan band Nemi Pipali and the poet Adolfo Beteta. I analyze these artistic expressions, music and poetry, at their place of convergence—the city of Managua—making audible some of the mechanisms that combine symbolic universes in Nicaraguan culture. This transdisciplinary reading allows me to propose that 1) music becomes a social marker of performative memory, transmitted by sounds present in hybrid Latin American cities, and 2) the migrant subject is displaced and divided between the center and the periphery. Citation: Monte Casablanca, Antonio. “Notes and Letters”: Music of the City in Flight / Trans-Migratory Poetry. Translated by Crystal Neill, with Amanda Minks and Lila Ellen Gray. Ethnomusicology Translations no. 11. Bloomington, IN: Society for Ethnomusicology, 2021. Originally published in Spanish as “‘Notas y Letras’: Música de la ciudad en fuga / Poesía transmigratoria.” Revista de Historia (Instituto de Historia de Nicaragua y Centroamérica) 33/34 (2015): 108-129.

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Sharma, Amrita. "Innovation and the Poetic Discourse: Reading Experimental Trends in Post-War American Poetry." SMART MOVES JOURNAL IJELLH 8, no. 1 (January 28, 2020): 8. http://dx.doi.org/10.24113/ijellh.v8i1.10371.

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This paper aims at analysing the rise of innovative and experimental poetics within the American poetic grounds and the factors that remain extremely influential in establishing an alternate poetic culture that emerged with the rise of modernism within poetic circles. With influential and significant American poetic voices like Ezra Pound, T.S. Eliot and innovative women poets like Gertrude Stein popularising the use of ‘experimental’ techniques within the processes of poetic construction, the American poetic culture witnessed the rapid growth of an alternate realm of poetic activity that particularly gained significant recognition in the post-war era. This paper attempts to present an overview of the various post-war poetic groupings that contributed to the establishment of an experimental tradition within contemporary American poetics.

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DeVirgilis, Megan. "Hearth and Home and Horror: Gothic Trappings in early C20th Latin American Short Fiction." Gothic Studies 23, no. 2 (July 2021): 201–16. http://dx.doi.org/10.3366/gothic.2021.0094.

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The Gothic short form in Latin America has yet to receive focused scholarly attention. Yet, despite no early Gothic novel tradition to speak of, the Gothic mode emerged in poetry and short fiction, representing particular anxieties and colonial/postcolonial realities specific to the region owing in part to a significant increase in periodicals. Focusing on two case studies – Clemente Palma's ‘La granja blanca’ (Peru, 1904) and Horacio Quiroga's ‘El almohadón de plumas’ (Uruguay, 1917) – this article will explore how Latin American authors classified as modern, modernista, and criollista were experimenting with Gothic forms, adapting the design of the traditional Gothic novel to intensify its effect and reach a wider readership. Demonstrating a particular influence of Poe, a unity of effect is created, one that suggests that the home is a place of horrors, not comfort, and the uniquely horrifying settings and plot ultimately challenge established moral codes and literary tendencies.

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Colon, David. ""Now what the DEFFIL can that mean!": The Latin American Roots, Rhetoric, and Resistance of Concrete Poetry." Journal of Latino/Latin American Studies 1, no. 1 (November 2003): 41–54. http://dx.doi.org/10.18085/llas.1.1.7874310hq428562x.

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Stocco, Melisa. "Approaching Self-Translation in Latin American Indigenous Literatures. The Mapuche Bilingual Poetry of Elicura Chihuailaf and Liliana Ancalao." Hispanófila 179, no. 1 (2017): 141–55. http://dx.doi.org/10.1353/hsf.2017.0014.

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Andermann, Jens. "Placing Latin American memory: Sites and the politics of mourning." Memory Studies 8, no. 1 (December 22, 2014): 3–8. http://dx.doi.org/10.1177/1750698014552402.

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This introduction sketches out some spatial and locational aspects of memory and mourning in postdictatorial Latin America. The special issue aims to shed light on memorial sites’ role in the process of reclaiming individual and collective stories from victims of dictatorial repression. If, as Susana Draper has argued, during Latin America’s “return to democracy,” an “architectonics of transition” inscribed in urban spaces new diagrams of citizenship and exclusion predicated on the timeless present of consumption, memory’s “architectures of affect” commemorating victims of past state terror represent both an interruption and a challenge to neoliberalism’s postdictatorial city. Beyond the limits of the urban, rural landscape and the marking of diasporic locations of exile overseas also speak to the dispersive and uprooting effects of violence. The collection also asks for the frictions emerging between global forms of commemoration and local constellations of historical experience as manifest in particular sites.

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Pedrazzini, Yves, and Godefroy Desrosiers-Lauzon. "Asphalt bandits: Fear, insecurity, and uncertainty in the Latin American city." Emotion, Space and Society 4, no. 2 (May 2011): 95–103. http://dx.doi.org/10.1016/j.emospa.2010.12.005.

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Ji, Meng. "Exploring Chinese Experimental Literary Translation: Translation of Latin American Magic Realism into Modern Chinese." Fudan Journal of the Humanities and Social Sciences 8, no. 3 (June 3, 2015): 355–63. http://dx.doi.org/10.1007/s40647-015-0081-z.

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Gargallo, Francesca. "Escritura de mujeres, escritura de las diferencias." La Manzana de la Discordia 1, no. 1 (March 8, 2016): 107. http://dx.doi.org/10.25100/lamanzanadeladiscordia.v1i1.1441.

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Resumen: Se rastrea la historia contemporánea de la literaturalatinoamericana escrita por mujeres, mostrando temáticas queprofundizan en la diferencia sexual y sus consecuencias parala escritura. Se exploran las consecuencias para la narrativa yla poética de las autoras, de temas como la eroticidad femeninay la especificidad del cuerpo de la mujer, y el lugar que ésteocupa en las historias familiar, nacional y continental. Seindaga asimismo sobre las formas en las cuales sus narracionescontribuyeron al meta-relato del patriarcado latinoamericano.A la vez, en este trabajo se registran las huellas dejadas en lanarrativa y la poética de estas autoras por las resistenciasfemeninas frente al orden patriarcal.Palabras clave: Escritura de mujeres, Diferencia sexual, Feminismo,Literatura latinoamericana, Narrativa, PoéticaAbstract: The contemporary history of Latin American literaturewritten by women is traced, showing the themes that delve intosexual difference and its consequences for writing. Theconsequences of feminine eroticism and the specificity ofwomen’s bodies for the writers’ narratives and poetry areexplored, as well as the place the body occupies in the family,national and continental histories. The way in which theirnarratives contributed to the meta-story of Latin Americanpatriarchy is taken into account. At the same time, this paperrecords the imprints feminine resistance to the patriarchal orderleaves in these authors’ narrative and poetic work.Key words: Women’s writing, sexual difference, feminism,Latina American literatura, narrative, poetry

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White, Ashanti L. "Race and the Avant-Garde: Experimental and Asian-American Poetry Since 1965 (review)." Callaloo 34, no. 1 (2011): 210–13. http://dx.doi.org/10.1353/cal.2011.0019.

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McCaffery, Steve. "Race and the Avant-Garde: Experimental and Asian American Poetry since 1965 (review)." University of Toronto Quarterly 80, no. 2 (2011): 373–74. http://dx.doi.org/10.1353/utq.2011.0031.

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Paul Lai. "Race and the Avant-Garde: Experimental and Asian American Poetry Since 1965 (review)." MELUS: Multi-Ethnic Literature of the U.S. 35, no. 2 (2010): 209–12. http://dx.doi.org/10.1353/mel.0.0096.

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KHARITONOVA, NATALIA. "El viaje transatlántico de Rafael Alberti en 1935." Bulletin of Hispanic Studies: Volume 98, Issue 4 98, no. 4 (April 1, 2021): 339–56. http://dx.doi.org/10.3828/bhs.2021.20.

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This article studies, from the perspective of Transatlantic Studies, literary works by Rafael Alberti along with archival documents concerning his travel to the Americas in 1935. In his poetry collection, 13 bandas y 48 estrellas. Poema del Mar Caribe and travel diary, ‘Encuentro en la Nueva España con Bernal Díaz del Castillo’, published in 1936, Alberti challenges the traditional perception of Latin American republics as former colonies. Although Alberti insists on his affiliation with the anti-imperialism of the Comintern, the article reveals an underlying conflict in the dialogue established by the Spanish poet within the American space. His writings rework components of conservative political doctrine such as Hispanoamericanismo and literary exoticism. In addition, Alberti exploits Hermann Keyserling’s conception of tellurism to shape his vision of the Americas. The article shows how the innovative message of solidarity with Latin America emerges in Alberti’s work on the basis of a complex ideological and aesthetic ground.

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Bermudez, Ramón, José Roberto Bermudez, and Daniela Sanjinés. "El Tunal Experimental: 40 Years Later an Experimental Housing Project in Bogotá, Colombia, 1972." Modern Housing. Patrimonio Vivo, no. 51 (2014): 40–47. http://dx.doi.org/10.52200/51.a.48yl3pdt.

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At the beginning of the 70s in Bogotá, Colombia, an experimental housing project tried to respond, with adaptable and intelligent solutions, to the challenges of an increasingly urbanized country. It utilized a Low-Rise, High-Density (LRHD) urban system that enhanced the flexibility and the incremental process of housing units cells. This paper aims first, to explain the historical background and the objectives of an experimental project in a Latin American context; then to expose its innovative architectural proposals and finally, to evaluate its evolution in its 5th decade of existence.

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Cohen. "Reading the Williams (-Amaral) Translations of Latin American Poetry: How to Appreciate the “Carlos” Personae of the Late Years." William Carlos Williams Review 33, no. 1-2 (2016): 18. http://dx.doi.org/10.5325/willcarlwillrevi.33.1-2.0018.

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Cohen, Jonathan. "Reading the Williams(-Amaral) Translations of Latin American Poetry: How to Appreciate the “Carlos” Personae of the Late Years." William Carlos Williams Review 33, no. 1-2 (2016): 18–41. http://dx.doi.org/10.1353/wcw.2016.0013.

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Freire, Mela Dávila, and Pamela Sepúlveda Arancibia. "Artwork or document? Latin American materials at the Study Centre of the Museum of Contemporary Art of Barcelona (MACBA)." Art Libraries Journal 37, no. 4 (2012): 15–20. http://dx.doi.org/10.1017/s0307472200017685.

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The Study Centre at the Museum of Contemporary Art of Barcelona has, since its inception in 2007, amassed a wealth of material relating to Latin American art. Its collecting policy addresses the relationship of contemporary works of art to their documentation and aims to compensate for the lack of a tradition of public collecting of documentary and bibliographic material relating to 20th-century contemporary art practices. The collection now includes influential artist publications such as concrete poetry, magazines, mail art, books of photography and even fiction written by artists, as well as special materials from letters to photographic negatives, alongside information from galleries, cultural spaces and artistic centres.

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Gargallo Celentani, Francesca. "Así de líquida: Aralia López González, escriba, maestra, amiga." Interpretatio. Revista de Hermenéutica 5, no. 1 (March 10, 2020): 75–87. http://dx.doi.org/10.19130/iifl.it.2020.5.1.0007.

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The way in which Aralia López relates to women and men involved a constant weaving of interpretations and proposing utopias in order to understand that a new personal and collective subjectivity is created by narrative and poetry. Aralia, a poet and an indispensable voice of Latin American feminist literary criticism, cultivated the friendship between women and the expression of feminine difference. Her work and way of life questioned the masculine patriarchal hegemony and casted serious doubts on traditional ideas and practices harmful to freedom.

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Bravo, Karent, Camilo Quintero, Catalina Agudelo, Stiveen García, Adriana Bríñez, and Edison Osorio. "CosIng database analysis and experimental studies to promote Latin American plant biodiversity for cosmetic use." Industrial Crops and Products 144 (February 2020): 112007. http://dx.doi.org/10.1016/j.indcrop.2019.112007.

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Glover, Adam. "Alejandra Pizarnik and the Poetics of Radical Incarnation." Religion and the Arts 21, no. 4 (2017): 514–44. http://dx.doi.org/10.1163/15685292-02104003.

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Generally appreciated as one of the most original and creative voices in twentieth-century Latin American poetry, Alejandra Pizarnik (Argentina, 1936–1972) has not been regarded as a religious poet. Yet despite her explicit disavowal of all forms of religious commitment, Pizarnik’s work is nonetheless animated by fundamentally theological concerns. This article examines in detail the theological motif of “incarnation” in Pizarnik’s verse. It argues that, despite her avowed secularism, Pizarnik frames her own poetic project in explicitly incarnational language and that this theologically inflected vision underwrites her conception of poetic meaning-making.

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Marxen, Eva, Luis F. González, Reslie Cortés, Cristina Valencia Mazzanti, and Renata Matsuo. "Researching With Poetic and Artistic Dispositifs." Cultural Studies ↔ Critical Methodologies 21, no. 4 (June 1, 2021): 319–32. http://dx.doi.org/10.1177/15327086211019955.

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This article presents the experience of the workshop Investigar con dispositivos artísticos y poéticos (Researching with poetic and artistic dispositifs), carried out in the special interest group A Day in Spanish and Portuguese (ADISP), in the frame of the Fifteenth International Congress of Qualitative Inquiry (ICQI), in 2019. The goal of this workshop was to show the panorama of the uses and implications of the arts, poetry, and narratives as a methodological strategy in qualitative research. The theoretical framework to development the workshop included the poetic inquiry approach and the artistic dispositif. The experience of the workshop shows the social, political, and critical impact of combining art and poetry. This combination allows researchers to go beyond more traditional research practices such as interviews and ethnographies. We hope to contribute to promote these alternative methodologies in the Latin American researchers’ communities and audiences.

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Raine, A. "The Feminist Avant-Garde in American Poetry; Lyric Interventions: Feminism, Experimental Poetry, and Contemporary Discourse; Gertrude Stein: The Language That Rises, 1923-1934." American Literature 79, no. 3 (September 1, 2007): 627–30. http://dx.doi.org/10.1215/00029831-2007-031.

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PERRIAM, CHRIS. "Gwen Kirkpatrick, "The Dissonant Legacy of Modernismo. Lugones, Herrera y Reissig, and the Voices of Latin American Poetry" (Book Review)." Bulletin of Hispanic Studies 69, no. 1 (January 1992): 97. http://dx.doi.org/10.3828/bhs.69.1.97b.

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Marmolejo-Ramos, Fernando. "A call to arms: time to do cognitive science in Latin America." International Journal of Psychological Research 1, no. 2 (December 30, 2008): 41–52. http://dx.doi.org/10.21500/20112084.919.

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Previous theoretical reviews about the development of Psychology in Latin America suggest that Latin American psychology has a promising future. This paper empirically checks whether that status remains justified. In so doing, the frequency of programs/research domains in three salient psychological areas is assessed in Latin America and in two other regions of the world. A chi-square statistic is used to analyse the collected data. Programs/research domains and regions of the world are the independent variables and frequency of programs/research domains per world region is the dependent variable. Results suggest that whereas in Latin America the work on Social/Organizational Psychology is moving within expected parameters, there is a rather strong focus on Clinical/Psychoanalytical Psychology. Results also show that Experimental/Cognitive Psychology is much underestimated. In Asia, however, the focus on all areas of psychology seems to be distributed within expected parameters, whereas Europe outperforms regarding Experimental/Cognitive Psychology research. Potential reasons that contribute to Latin Americas situation are discussed and specific solutions are proposed. It is concluded that the scope of Experimental/Cognitive Psychology in Latin America should be broadened into a Cognitive Science research program.

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Monge, Carlos Francisco. "Andanzas españolas de la poesía costarricense." LETRAS, no. 40 (July 24, 2006): 75–91. http://dx.doi.org/10.15359/rl.2-40.4.

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Se describe analíticamente un recorrido histórico de los vínculos literarios, culturales y editoriales entre la producción poética costarricense del siglo xx, y la tradición lírica castellana. Sitúa las letras costarricenses en su contexto hispanoamericano, y señala algunos hitos que podrían explicar etapas y aspectos significativos de su desarrollo literario. An analytical description is provided of the literary, cultural and publishing ties existing between Costa Rican twentieth-century poetry and the Spanish lyric tradition. It situates Costa Rican letters in their Latin American context and suggests certain milestones which could explain significant stages and aspects of its literary development.

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Novillo-Corvalán, Patricia. "Pablo Neruda's Transnational Modernist Networks: Colombo-Madrid-London-Buenos Aires (1927–1933)." Modernist Cultures 12, no. 2 (July 2017): 198–225. http://dx.doi.org/10.3366/mod.2017.0168.

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This article positions Pablo Neruda's poetry collection Residence on Earth I (written between 1925–1931 and published in 1933) as a ‘text in transit’ that allows us to trace the development of transnational modernist networks through the text's protracted physical journey from British colonial Ceylon (now Sri Lanka) to Madrid, and from José Ortega y Gasset's Revista de Occidente (The Western Review) to T. S. Eliot's The Criterion. By mapping the text's diasporic movement, I seek to reinterpret its complex composition process as part of an anti-imperialist commitment that proposes a form of aesthetic solidarity with artistic modernism in Ceylon, on the one hand, and as a vehicle through which to interrogate the reception and categorisation of Latin American writers and their cultural institutions in a British periodical such as The Criterion, on the other. I conclude with an examination of Neruda's idiosyncratic Spanish translation of Joyce's Chamber Music, which was published in the Buenos Aires little magazine Poesía in 1933, positing that this translation exercise takes to further lengths his decolonising views by giving new momentum to the long-standing question of Hiberno-Latin American relations.

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