Relevant bibliographies by topics / Experimental theater – Poland

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  1. Journal articles
  2. Dissertations / Theses
  3. Books

Academic literature on the topic 'Experimental theater – Poland'

Author: Grafiati
Published: 4 June 2021
Last updated: 15 February 2022

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Journal articles on the topic "Experimental theater – Poland"

1

Szuster, Magdalena. "“Alchemy and smoke in a bottle” – contemporary improvisational theater in Poland and the United States." Acta Universitatis Lodziensis. Folia Litteraria Polonica 40, no. 2 (2018): 107–38. http://dx.doi.org/10.18778/1505-9057.40.05.

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The article is an attempt to capture improvisational theater as a modern dynamic phenomenon through analyzing its features, definitions and traits in order to characterize the genre and to systematize the current state of knowledge on the subject matter. By comparing and contrasting various aspects and notions of impro(v) in Poland and the United States, the study not only looks at the theater of improvisation through the prism of the “relocation” of the form from its original grounds and implementing it in within a different tradition, but also shows the experimental flexibility of the genre
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2

Tomaszewska, Ewa, and Marzenna Wiśniewska. "Kronika życia i twórczości Jana Dormana (1912–1986)." Pamiętnik Teatralny 68, no. 3-4 (2019): 13–140. http://dx.doi.org/10.36744/pt.9.

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Jan Dorman (b. Dębowa Góra, now Sosnowiec, 1912–d. Będzin, 1986) was a teacher, director, stage designer, author of texts for theatre, founder of the Experimental Child’s Theatre (ETD) in Sosnowiec (1945–1951) and The Children of Zagłębie’s Theatre (TDZ) in Będzin, which has been named after him (1951–1977), lecturer at the Faculty of Puppetry in Wrocław, Branch of the State Academic School of Theatre (PWST) in Krakow, now Stanisław Wyspiański Academy of Theatre Arts (1978–1986), promoter of culture in Będzin. His theatre practice situated itself between children’s theatre, young spectator’s t
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3

Zurowski, Andrzej. "‘Pulling Faces at the Audience’: the Lonely Theatre of Tadeusz Kantor." New Theatre Quarterly 1, no. 4 (1985): 364–68. http://dx.doi.org/10.1017/s0266464x00001780.

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With Grotowski and Szajna, Tadeusz Kantor has become one of a trio of contemporary exponents of experimental theatre whose influence has spread far beyond the boundaries of their native Poland: and Kantor himself has toured widely with his three major works. The Dead Class, Wielopole, Wielopole, and Where Are the Snows of Yesteryear? Both in his published manifestoes and in forthright interviews about his approach, as also through his personal participation as on-stage ‘conductor’ of his productions. Kantor has proclaimed a theatre philosophy rooted in his own past as surrealist painter and cr
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4

Tyszka, Juliusz. "Grotowski in New York City, 1993: Expectations, Hopes, and Stereotypes." New Theatre Quarterly 35, no. 02 (2019): 150–68. http://dx.doi.org/10.1017/s0266464x1900006x.

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The legacy of Jerzy Grotowski twenty years after his death still presents a powerful challenge for theatre-makers, not only in experimental theatre, and theoreticians – which is also how it was during his life. This retrospect by Juliusz Tyszka on the Grotowski seminar organized by Robert Findlay and Robert Taylor for the Program in Educational Theatre, at New York University in February 1993, is a testimony to his achievements, offering insights into the opinions and reflections of American artists, critics, and scholars on the importance of Grotowski, and the impact of his theatrical output
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Porubcansky, Anna. "Song of the Goat Theatre: Artistic Practice as Life Practice." New Theatre Quarterly 26, no. 3 (2010): 261–72. http://dx.doi.org/10.1017/s0266464x1000045x.

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In this article Anna Porubcansky discusses the work of Song of the Goat Theatre not only in its artistic practice, but as a life practice. Based in Wrocław in Poland, the group continues a Polish tradition of experimental theatre practice as seen in the work of Juliusz Osterwa, Jerzy Grotowski, and Włodzimierz Staniewski. A fundamental influence on Song of the Goat has been the belief in Buddhism of its co-founders Grzegorz Bral and Anna Zubrzycki, which has shaped a performance practice rooted in the principles of interconnection and compassion. The group focuses its work on ‘coordination’, a
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Niziołek, Katarzyna. "‘I remember little. Almost nothing’. Participatory theatre as a means to access subjugated memories." Memory Studies, January 7, 2021, 175069802098204. http://dx.doi.org/10.1177/1750698020982047.

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The article presents and discusses the interdisciplinary, collaborative and participatory research project Bieżenki. Thematically, the project is devoted to the history of the so-called bieżeństwo – a migration of people from eastern Poland during the First World War, forced by the retreating Russian Army, when the Germans broke through the eastern frontline in 1915. The stories of those refugees, among whom were a number of Rus’ peasants, and within that group, women with children (the term bieżenki signifies female war refugees), make up a crucial part of the regional history that has been l
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7

Heinsalu, Rein. "Postmodernistlikke jooni eesti noore režissuuri lavastustes 1969–1975 / Postmodernist Traits in the Performances of Young Estonian Directors 1969-1975." Methis. Studia humaniora Estonica 12, no. 15 (2017). http://dx.doi.org/10.7592/methis.v12i15.12117.

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Teesid: 1960. aastate lõpus toimusid eesti teatris suured muutused. Ilmus nähtus, mida hakati nimetama nooreks režissuuriks. Eeskätt on see seotud Evald Hermaküla, Jaan Toominga, Kalju Komissarovi, Kaarin Raidi jt nimedega. Noor režissuur tõstis mässu ahtaks muutunud realismi raamide vastu, mis ei vastanud noore põlvkonna teatriootustele. Olles mõjutatud ideeliselt radikaalsest eksperimentaalteatrist USAs, aga ka Jerzy Grotowski katsetustest ning teistest avangardsetest liikumistest, muutis see füüsilist teatrikeelt. Tõusis improvisatsiooni osakaal. Teater lakkas olemast dramaturgiliste teksti
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Dissertations / Theses on the topic "Experimental theater – Poland"

1

Georges, Pierre Marie. "Dramatic space : Jerzy Grotowski and the recovery of the ritual function of theatre." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=32820.

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This thesis explores temporal forms of architectural meaning through the investigation of the dramatic space of "ritual theatre." In particular, it analyzes the thought and several theatrical productions of the twentieth century Polish theatre director, Jerzy Grotowski: Grotowski is of particular interest because he designed a "total dramatic space" that incorporated both the actors and the spectators (although without necessarily integrating them) for each of his dramatic works. In each case, the spatial relationships created by the theatrical architecture were indissolubly connected to the m
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Books on the topic "Experimental theater – Poland"

1

Alternative theatre in Poland, 1954-1989. Harwood Academic Publishers, 1996.

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2

A journey through other spaces: Essays and manifestos, 1944-1990. University of California Press, 1993.

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3

Grotowski, Jerzy. Grotowski: Teksty zebrane. Instytut im. Jerzego Grotowskiego, 2012.

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4

Janusz, Degler, Ziółkowski Grzegorz, and Ośrodek Badań Twórczości Jerzego Grotowskiego i Poszukiwań Teatralno-Kulturowych (Wrocław, Poland), eds. Mój Grotowski. Ośrodek Badań Twórczości Jerzego Grotowskiego i Poszukiwań Teatralno-Kulturowych, 2006.

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5

The theatre of Grotowski. Methuen, 1985.

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Kumiega, Jennifer. The theatre of Grotowski. Methuen, 1985.

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Grotowski Women and Contemporary Performance Routledge Advances in Theatre and Performance Studies. Taylor & Francis Ltd, 2013.

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