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Books on the topic 'Experimental theatre'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Walsh, Ian R. Experimental Irish Theatre. Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137001368.

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2

Kirby, Michael. A formalist theatre. University of Pennsylvania Press, 1987.

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3

Kirby, Michael. A formalist theatre. University of Pennsylvania Press, 1987.

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4

Walsh, Ian R. Experimental Irish theatre: After W.B. Yeats. Palgrave Macmillan, 2012.

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5

Kirby, Michael. A formalist theatre. University of Pennsylvania Press, 1987.

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6

Shank, Theodore. American alternative theatre. St. Martin's Press, 1988.

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7

Bonnie, Marranca, Foreman Richard 1937-, Breuer Lee, and Wilson Robert 1941-, eds. The theatre of images. Johns Hopkins University Press, 1996.

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8

Finburgh, Clare. Contemporary French theatre and performance. Palgrave Macmillan, 2011.

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9

Andrew, Davies. Other theatres: The development of alternative and experimental theatre in Britain. Barnes & Noble, 1987.

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10

Etchells, Tim. Experimental theatre: A submission to ACE Drama. Forced Entertainment, 1995.

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11

Petryt︠s︡ʹkyĭ, Anatoliĭ. Teatralʹni stroï ta dekorat͡siï: Zi zbirky Muzei͡u teatralʹnoho, muzychnoho ta kinomystet͡stva Ukraïny. Maĭster Knyh, 2012.

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12

Astle, Robert. Theatre without borders. Signature Editions, 2002.

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13

Astle, Robert. Theatre without borders. Signature Editions, 2003.

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14

Ian, Watson. Towards a third theatre: Eugenio Barba and the Odin Teatret. Routledge, 1993.

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15

Innes, C. D. Avant Garde Theatre. Taylor & Francis Inc, 2004.

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16

Artaud, Antonin. Artaud on theatre. Methuen Drama, 2001.

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17

1896-1948, Artaud Antonin, Schumacher Claude, and Artaud Antonin 1896-1948, eds. Artaud on theatre. Methuen Drama, 1991.

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18

León, Paulo César. Al margen de lo bello: Sobre la atracción por el teatro en la historia contemporánea. El Colegio de México, Centro de Estudios Históricos, 2020.

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19

Morrow, Martin. Wild theatre: The history of One Yellow Rabbit. Banff Centre Press, 2003.

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20

Phillips, Sue. Making RE make sense: Theatre of learning, experimental RE. Standards for Education, 2003.

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21

iskusstv, Rossiĭskiĭ institut istorii, ed. "Zolotoĭ sezon" sovetskogo teatra 1921/1922: Nauchnoe izdanie. RIII, 2016.

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22

Dobrowlanska-Sobczak, Monika Joanna. Das Spiel mit dem Zuschauer: Die Bedeutungsgenerierung im polnischen Bildertheater am Beispiel von "Szczelina" Leszek Madziks, "Replika" Józef Szajnas und "Niech sczezna artyści" Tadeusz Kantors. Peter Lang International Academic Publishers, 1999.

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23

Ann, Schmidman Jo, Kimberlain Sora, Terry Megan, and Omaha Magic Theatre, eds. Right brain vacation photos: New plays and production photographs, 1972-1992. Omaha Magic Theatre, 1992.

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24

Barbara, Moore. Action theatre: The happenings of Ken Dewey. Franklin Furnace Archive, 1987.

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25

Judith, Helmer, and Malzacher Florian, eds. Not even a game anymore: The theatre of Forced Entertainment = das theater von Forced Entertainment. Alexander Verlag, 2004.

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26

Roose-Evans, James. Experimental Theatre. Routledge, 2013. http://dx.doi.org/10.4324/9781315001951.

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27

Shank, Theodore. Experimental Theatre. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199731497.013.029.

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28

Roose-Evans, James. Experimental Theatre. Routledge, 1989.

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29

Whitmire, Ethelene. The Harlem Experimental Theatre. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038501.003.0006.

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This chapter explores Regina's involvement with the Harlem Experimental Theatre. Regina's participation in the little theater movement began with her involvement with the theater company founded by her friend W. E. B. Du Bois. Sometime during 1924, Du Bois contacted Supervising Librarian Ernestine Rose and asked for permission to use the basement of the 135th Street Branch for a theater group, named the CRIGWA (Crisis Guild of Writers and Artists) Players—which was later changed to KRIGWA. Du Bois wanted to use the basement stage to produce three or four plays in 1926 and from four to six play

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30

Magdalena: International women's experimental theatre. Berg, 1989.

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31

European Performative Theatre. Taylor & Francis Group, 2019.

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32

Cascetta, Annamaria. European Performative Theatre. Taylor & Francis Group, 2021.

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33

Experimental Irish theatre: After W.B. Yeats. Palgrave Macmillan, 2012.

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34

Experimental Theatre: Creating and Staging Texts. Waveland Press, 1996.

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35

Community theatre in Australia. Methuen Australia, 1987.

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36

Puchner, Martin. Against Theatre. Palgrave Macmillan, 2014.

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37

A formalist theatre. University of Pennsylvania Press, 1987.

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38

Experimental theatre: From Stanislavsky to Peter Brook. 4th ed. Routledge, 1989.

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39

Williams, David. Collaborative Theatre: The 'Theatre du Soleil' Sourcebook (Making Theatre). Routledge, 1998.

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40

Williams, David. Collaborative Theatre: The 'Theatre du Soleil' Sourcebook (Making Theatre). Routledge, 1999.

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41

Other theatres: The development of alternative and experimental theatre in Britain. Macmillan Education, 1987.

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42

Heile, Björn. Toward a Theory of Experimental Music Theatre. Edited by Yael Kaduri. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199841547.013.001.

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Abstract:

Although recent years have seen the emergence of sustained research on experimental music theater, most of this is largely of a descriptive nature. To address the shortcomings of such approaches, this chapter outlines a theory of experimental music theater based on a clear definition and a number of constitutive features. A number of theoretical terms from the fields of performance theory and theater practice are introduced, namely “showing doing” (Richard Schechner), “non-matrixed performance” and “non-matrixed representation” (Michael Kirby), and “metaxis” (Augusto Boal). The analytical effe

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43

Roose-Evans, Jam. Experimental Theatre: From Stanislavsky to Peter Brook. Routledge, 1996.

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44

Experimental Theatre from Stanislavsky to Peter Brook. Routledge, 2002.

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45

Roose-Evans, James. Experimental Theatre: From Stanislavsky to Peter Brook. Taylor & Francis Group, 2016.

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46

Walsh, I. Experimental Irish Theatre: After W. B. Yeats. Palgrave Macmillan Limited, 2012.

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47

Roose-Evans, James. Experimental Theatre: From Stanislavsky to Peter Brook. Taylor & Francis Group, 2013.

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48

Roose-Evans, James. Experimental Theatre: From Stanislavsky to Peter Brook. Taylor & Francis Group, 2013.

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49

Walsh, Ian R. Experimental Irish Theatre: After W. B. Yeats. Palgrave Macmillan, 2012.

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50

Roose-Evans, James. Experimental Theatre: From Stanislavsky to Peter Brook. Taylor & Francis Group, 2013.

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