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Relevant bibliographies by topics / Experimental theatre / Dissertations / Theses

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Dissertations / Theses on the topic 'Experimental theatre'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Mikkola-Parnanen, Marja. "Experimental theatre in Old Town, Alexandria, Virginia." Thesis, Virginia Polytechnic Institute and State University, 1995. http://hdl.handle.net/10919/53403.

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Theatre would be radical, arousing, inspiring, challenging popular emotion, presenting native problems. Human strength and aspiration would go there for inspiration..." - Frank Lloyd Wright- Bruce Brooks Pfeiffer, Gerald Nordland: Frank Lloyd Wright in the realm of ideas, Bynum, NC: Southern Illinois University Press, 1988, page 100<br>Master of Architecture

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2

Cook, Patricia Margaret Anne de Gruchy Carleton University Dissertation Canadian Studies. "National cultures and popular theatre; four collective companies in Quebec and Newfoundland." Ottawa, 1986.

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3

Thompson, Juli A. "Ariane Mnouchkine and the Theatre du Soleil /." Thesis, Connect to this title online; UW restricted, 1986. http://hdl.handle.net/1773/10228.

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4

Parsons, Rosemary Frances. "Group devised theatre a theoretical and practical examination of devising processes /." Master's thesis, Australia : Macquarie University, 2007. http://hdl.handle.net/1959.14/71211.

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Thesis (MPhil)--Macquarie University, Division of Society, Culture, Media and Philosophy, Department of Critical and Cultural Studies, 2007.<br>Bibliography: leaves 241-251.<br>Introduction -- Re-devising theatre: towards a genealogy of devising practice -- Pre-devising: group formation, development and games -- Devising theatre: This is not an exit -- Conclusion.<br>This non-traditional thesis explores the practical and theoretical processes of group-devised theatre. The research informing this thesis is derived from two interrelated components - a practical project in group devising, and a t

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5

Ribeiro, Cristina Sanches. "The Living Theatre e a criação coletiva : intersecções no teatro brasileiro." Universidade do Estado de Santa Catarina, 2016. http://tede.udesc.br/handle/handle/2591.

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Submitted by Luiza Kleinubing (luiza.kleinubing@udesc.br) on 2018-03-19T19:36:46Z No. of bitstreams: 1 CRISTINA SANCHES RIBEIRO.pdf: 1576413 bytes, checksum: 2458aaf5b53d0e457d5665f4cdc30b20 (MD5)<br>Made available in DSpace on 2018-03-19T19:36:46Z (GMT). No. of bitstreams: 1 CRISTINA SANCHES RIBEIRO.pdf: 1576413 bytes, checksum: 2458aaf5b53d0e457d5665f4cdc30b20 (MD5) Previous issue date: 2016-09-09<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES<br>This thesis aims to investigate the collective creation development in the North American theater following the trajecto

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Hoppe, Meredith A. "Breaking tradition reaching for the avant-garde in theatre for young audiences /." Orlando, Fla. : University of Central Florida, 2009. http://purl.fcla.edu/fcla/etd/CFE0002968.

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7

Karafistan, Rachel. "Shamanic dimensions within theatre practice today : an experimental and theoretical investigation." Thesis, University of Brighton, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.366633.

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8

Entell, Bettina S. "Post-Tian'anmen: a new era in Chinese theatre experimentation during the 1990s at Beijing's China National Experimental Theatre/CNET." Thesis, University of Hawaii at Manoa, 2002. http://hdl.handle.net/10125/3016.

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The 1990s was a period of rapid transformation in China. Leaders Jiang Zemin and Zhu Rongji accelerated policies initiated by Deng Xiaoping, as China embraced "Socialism with Chinese Characteristics." Far-reaching socioeconomic and cultural change cut across every facet of Chinese society and had a tremendous impact on huaju ("spoken drama") and the State Theatre System. This study examines how and to what extent the conditions and challenges of the 1990s fostered a climate for experimentation and impacted the aesthetics of huaju. The research first establishes a context for huaju--its evoluti

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9

Theodoridou, Danae. "Short (research) stories : drama and dramaturgy in experimental theatre and dance practices." Thesis, Roehampton University, 2013. http://hdl.handle.net/10142/283932.

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This practice-as-research project discusses modes, processes and aesthetics of contemporary dramaturgy, as practiced in experimental theatre and dance works in Europe from the 1990s onwards. In order to do this, the project draws particularly on discourses around ‘drama’ and suggests that the term can be redefined and usefully rehabilitated for both analysis and the creation of experimental performances. More specifically, this project defines drama (deriving from the Greek dro=act) as stage action, and dramaturgy (deriving from the Greek drama + ergo= work) as a practice that works endlessly

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Hamilton, Margaret School of Media Film &amp Theatre UNSW. "From the 'New Wave' to the 'Unnameable': post-dramatic theatre & Australia in the 1980s & 1990s." Awarded by:University of New South Wales. School of Media, Film & Theatre, 2005. http://handle.unsw.edu.au/1959.4/24266.

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The object of this dissertation is to re-assess Australian examples of ???performance??? in light of discourses and directions in dramaturgy that have emerged since the 1970s internationally. The thesis applies Hans-Thies Lehmann???s comprehensive theory of post-dramatic theatre to explicate examples of departures from dramatic theatre in view of the expansive field of inquiry implied by the description ???performance??? or ???new media arts??? and general cultural-political theory. To examine the de-centralisation of text specific to post-dramatic theatre the dissertation analyses firstly, ma

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Gorman, Sarah A. "Millennial anxiety and the drive to narrative closure in experimental British theatre : a study of postmodern theatre and formal innovation." Thesis, Lancaster University, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.421616.

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12

Wood, Nicole E. "Conducting Experiments: On the Connections Between Experimental Art Praxes and Performance Studies." OpenSIUC, 2015. https://opensiuc.lib.siu.edu/dissertations/1047.

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This dissertation explores experimentation--across experimental music, experimental theatre, and experimental film, in addition to the term's etymology, scientific usage, and colloquial deployment--in order to derive a deeper understanding of what we mean when we say an artwork is experimental, and how this term can help us understand current artistic praxes and products emerging from performance studies contexts. In this document, I advocate for the term experimental performance as both an umbrella term and as a specific genre name for the artistic activity of contemporary artists working bet

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Droth, Barbara Elektra. "Live art, life art : a critical-visual study of three women performance artists and their documentation." Thesis, University of Sussex, 2014. http://sro.sussex.ac.uk/id/eprint/48339/.

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This thesis is a 'practice-led' project that uses observational documentation methods, a long-term collaboration with three live artists, and a narrative analysis to encourage a visual display of 'knowing' the person who makes live art, the performance work itself and the reality of producing and archiving live art. My practice of documenting live performances produces digital representations of the three artists I collaborated with. The fragmented and non-linear expressions of the live performances, which can be viewed in the video documents, also find echo in the life history interviews of t

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Lee, Carrie Kathryn. "Something Beautiful: Craft and Survival in North American Alternative Theatre Companies." Connect to this title online, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1155844310.

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15

Budde, Antje. "Kulturhistorische Bedingungen, Begriff, Geschichte, Institution und Praxis des Experimentellen Theaters in der VR China." Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät III, 1999. http://dx.doi.org/10.18452/14813.

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Ausgangspunkt der vorliegenden Arbeit war es, das theaterhistorische Phänomen des chinesischen experimentellen Theaters komparatistisch sowohl als das Ergebnis der Begegnung zweier sehr verschiedener kulturhistorischer Linien (China/ Europa) zu beschreiben als auch in den traditionellen Kontext chinesischer Theaterinnovationen einzuordnen und aus ihm heraus zu erklären. Behandelt wird u.a. der machtpolitische Kontext interkultureller Begegnungen. Es stellt sich die Frage, ob man auf einem "transzendentalen Hügel hockend" China beobachten kann. Man ist immer wieder mit der Frage konfrontiert,

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Heron, Jonathan. "A different kind of failure : towards a model of experimental theatre as transdisciplinary performance." Thesis, University of Warwick, 2015. http://wrap.warwick.ac.uk/77132/.

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This thesis draws on practice-as-research (PaR) and its documentation to investigate experimental theatre as transdisciplinary performance. I include case studies from my practice with Fail Better Productions and consider multi-/inter-/trans-disciplinary methods in theatre studies. Examples of twentieth-century experimental theatre are studied to define ‘three problems’ in performance: the organic/mechanical, theatrical/scientific and playful/experimental. The concept of ‘entanglement’ further develops my understanding of PaR methodology. In Chapter 1, Samuel Beckett’s later dramatic works are

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Georges, Pierre Marie. "Dramatic space : Jerzy Grotowski and the recovery of the ritual function of theatre." Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=32820.

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This thesis explores temporal forms of architectural meaning through the investigation of the dramatic space of "ritual theatre." In particular, it analyzes the thought and several theatrical productions of the twentieth century Polish theatre director, Jerzy Grotowski: Grotowski is of particular interest because he designed a "total dramatic space" that incorporated both the actors and the spectators (although without necessarily integrating them) for each of his dramatic works. In each case, the spatial relationships created by the theatrical architecture were indissolubly connected to the m

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Batzoglou, Antonia. "Towards a theatre of psychagogia : an experimental application of the Sesame approach into psychophysical actor training." Thesis, Central School of Speech and Drama, 2012. http://crco.cssd.ac.uk/381/.

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This thesis based in practice as research proposes a pedagogical model for supporting the actor’s inner psychological process within the area of psychophysical actor training. By invoking Socrates’ concept of psychagogia, I critically examine key aspects of psychophysical actor training in order to clarify the conceptual and pragmatic meaning of ‘psyche’ within the psychophysical process. Socrates describes psychagogia as the educational art of leading the psyche towards dialectical examination of the good. It is Aristotle, however, who identifies the art of tragedy as the greatest form of psy

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Falcone, Maria Giovanna. "Verso una nuova (?) definizione di teatro politico: Strategie di scrittura scenica nelle creazioni multidiscilplinari di Motus." Doctoral thesis, Universitat Autònoma de Barcelona, 2015. http://hdl.handle.net/10803/328412.

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In questo studio ci proponiamo di esplorare la definizione di “politico” nel teatro, applicandola all'intero percorso della compagnia italiana di teatro sperimentale Motus. L'ipotesi è rinvenire nell'opera del gruppo la “politicità” insita in vari livelli della sua produzione: in primis quello organizzativo, esplorato sin dal debutto nella scena contemporanea, in cui la definiamo insieme ad altri gruppi delle sua generazione come “isole nella rete”, fino alla recente occupazione di spazi come il teatro Valle a Roma e Macao a Milano. Nel primo segmento d'analisi esploreremo le opere degl

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Rospigliosi, Bustamante Renzo Jorge. "Sobre la performatividad de los objetos sonoros en el gig-theatre: El proceso creativo de Prisión Euforia." Bachelor's thesis, Pontificia Universidad Católica del Perú, 2020. http://hdl.handle.net/20.500.12404/16854.

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Haxton, Robert Peter. "Refusal and rupture as a postdramatic revolt : an analysis of selected South African contemporary devised performances with particular focus on works by First Physical Theatre Company and the Rhodes University Drama Department." Thesis, Rhodes University, 2014. http://hdl.handle.net/10962/d1015671.

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This mini-thesis investigates the concepts of refusal and rupture as a postdramatic revolt and how these terms can be applied and read within the context of analysing contemporary devised performance in South Africa. The argument focuses on the efficacy of Hans-Thies Lehmann’s postdramatic terminology and the potential of its use in an appreciation of contemporary performance analysis. I investigate the potential in South African contemporary devised performance practice to challenge prevailing modes of traditional dramatic expectation in order to restore the experience of discovery and questi

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22

Rups-Eyland, Annette Maie, University of Western Sydney, of Arts Education and Social Sciences College, and School of Social Ecology and Lifelong Learning. "Centre of the storm : in search of an Australian feminist spirituality through performance-ritual." THESIS_CAESS_SELL_Rups-Eyland_A.xml, 2002. http://handle.uws.edu.au:8081/1959.7/771.

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The outward form of the text in which the spiritual search is housed is 'performance-ritual', that is, performed 'ritual'. This genre has its 'performance' roots in the dance pioneers and its 'ritual' roots in the Christian church. The contents of this performed text is influenced by an emerging ecofeminist consciousness. In this way, the thesis has a grassroots inspiration as well as crossing academic areas of performance studies, ritual studies, and feminist spirituality. The project begins by an examination of 20th Century feminist and ecofeminist writing on spirituality, which evokes the s

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Johnston, Emma Anne. "Between Liminality and Transgression: Experimental Voice in Avant-Garde Performance." Thesis, University of Canterbury. Theatre and Film Studies, 2014. http://hdl.handle.net/10092/10068.

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This thesis explores the notion of ‘experimental voice’ in avant-garde performance, in the way it transgresses conventional forms of vocal expression as a means of both extending and enhancing the expressive capabilities of the voice, and reframing the social and political contexts in which these voices are heard. I examine these avant-garde voices in relation to three different liminal contexts in which the voice plays a central role: in ritual vocal expressions, such as Greek lament and Māori karanga, where the voice forms a bridge between the living and the dead; in electroacoustic music an

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Kalouda, Petr. "Slovácké divadlo I." Master's thesis, Vysoké učení technické v Brně. Fakulta architektury, 2018. http://www.nusl.cz/ntk/nusl-377238.

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The subject of this diploma thesis is the location and design of a theater building in the body of a regional center - the town of Uherské Hradiště. The existing theater building is housed in a rented Sokolovna (sport-cultural building) on Tyršovo Square. There is also a small stage in a house on Mariánské náměstí. The capacity of the auditorium of the large scene is 370 spectators, corresponding to the needs of the city and the region. However the size of the stage is completely inadequate, the height of the flytower, the absence of back and side stages, Also, the workshops and warehouses are

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McDermott, Paul Francis. "From the dance floor to the concert hall: Creating a unique compositional voice fusing Electronic Dance Music traditions with experimental practice." Thesis, The University of Sydney, 2021. https://hdl.handle.net/2123/27609.

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The aim of this practice-based research project is to investigate innovative techniques in the composition and presentation of electronic music that draw on the history of Electronic Dance Music (EDM) and seek to discover new modes of expressive listening experiences removed from the dance floor environment. This study will help illuminate the differing expectations of the dance floor and the concert hall as an investigation of ways to expand the creative potential of both perspectives. A review of electroacoustic and EDM music and the musicological literature will be undertaken to understand

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26

Farris, Charles Adron. "Charles Mee's Hotel Cassiopeia a directorial composition in search of the 'inner life' /." Oxford, Ohio : Miami University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1247861560.

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27

Rups-Eyland, Annette Maie. "Centre of the storm : in search of an Australian feminist spirituality through performance-ritual." Thesis, View thesis View thesis, 2002. http://handle.uws.edu.au:8081/1959.7/771.

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The outward form of the text in which the spiritual search is housed is 'performance-ritual', that is, performed 'ritual'. This genre has its 'performance' roots in the dance pioneers and its 'ritual' roots in the Christian church. The contents of this performed text is influenced by an emerging ecofeminist consciousness. In this way, the thesis has a grassroots inspiration as well as crossing academic areas of performance studies, ritual studies, and feminist spirituality. The project begins by an examination of 20th Century feminist and ecofeminist writing on spirituality, which evokes the s

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Farris, Charles Adron III. "CHARLES MEE’S HOTEL CASSIOPEIA: A DIRECTORIAL COMPOSITION IN SEARCH OF THE ‘INNER LIFE’." Miami University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=miami1247861560.

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Sauer, Vincent Philip. "Short Opera for Five Voices." Bowling Green State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1490715372901732.

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30

Connor, Russya. "The poetics of gravity: Performance experiments from the natural environment to the stage." Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2014. https://ro.ecu.edu.au/theses/1561.

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Gravity understood scientifically is normally accepted as a dictate, however when encountered creatively, the possibilities for playing with and learning from gravity in natural environments are plentiful. This practice-led research explores gravity in both artistic and functional contexts. Two nature-specific sports (ocean diving and rock-climbing) and then later, aerial silk work, acted as springboards for explorations of creative expression derived from the states of submersion and suspension. To ‘really feel’ gravity, I decided to explore its effects and impressions, physically and emotion

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Lessa, Larissa. "Subversão e resistência no Japão pós-guerra: os filmes de Terayama Shūji." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/8/8157/tde-22102018-162052/.

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Esta pesquisa tem como objetivo o mapeamento do espaço que ocupa Terayama Shūji, poeta, escritor, dramaturgo e diretor de cinema japonês, frente ao período histórico a que pertenceu e frente às teorias da vanguarda e do pós-modernismo. A investigação se inicia com o período do pós-guerra no Japão, quando em meio a protestos e ansiedades políticas, floresce na capital do país uma nova vanguarda artística. O primeiro capítulo é dedicado a um exame do teatro angura e da nova onda do cinema, dois movimentos dos quais Terayama fez parte. Procura-se então delinear suas propostas artísticas e s

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Cavalcanti, Johana de Albuquerque. "Teatro experimental (1967-1978) - pioneirismo e loucura à margem da agonia da esquerda." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/27/27156/tde-08032013-143628/.

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A partir da compressão mais ferrenha da ditadura de 1964 no Brasil, e de um diálogo mais direto com as vanguardas que ocorrem no mundo, após 1968 abrem-se novas perspectivas de criação nas artes e, especificamente, no teatro, resultando numa revolução de comportamento e cultural que, apesar de nascer em pleno \"sufoco\", paradoxalmente apresenta uma riqueza de novas propostas. Tais propostas formarão o triângulo da contracultura (tropicalismo - movimento marginal - cultura alternativa) que marcará espaço na década de 1970 pela diferença. Na conquista do direito de confrontar-se com o estabelec

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Mateer, Shelley Megan. "Living History as Peformance: An Analysis of the Manner in which Historical Narrative is Developed through Performance." Bowling Green State University / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1136660752.

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Sprenkeling, Lobke. "INCIPIT: The search for a multidisciplinary language at the crossroads of Antiquity and Contemporaneity." Doctoral thesis, Universitat Politècnica de València, 2016. http://hdl.handle.net/10251/62682.

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[EN] SUMMARY OF THE THESIS The PhD thesis "INCIPIT: The search for a multidisciplinary language at the crossroads of Antiquity and Contemporaneity" focusses on the influence of the methodology of Historically Informed Performance practice on the creation of a Contemporary Music Theatre performance. The framework and creative basis for their connection is the Divina Commedia of Dante Alighieri (1265-1321). In music theatre it is not only about music as one of the scenic elements; musical thinking structures the entire theatrical process. It is a genre-between-genre, where various art disciplin

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Pavlíček, Tomáš. "Slovinské národní divadlo v Lublani." Master's thesis, Vysoké učení technické v Brně. Fakulta architektury, 2009. http://www.nusl.cz/ntk/nusl-215579.

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Slovene national theatre in the centre of Ljubljana as a part of existing city block. The composition of buildings creates new urban areas as a continuation of the urban axis of Josip Plečnik. The basic principle was to resolve the issues of entry into building, the definition and organization of space inner block, the creation and cultivation of new and existing urban areas. Unifying element of the whole composition is solution to the facade, which paraphrases the high order, typical for the surrounding buildings and significant not only for cultural buildings. As a contrast to massive and he

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Magris, Erica. "Théâtres élargis : les technologies audiovisuelles dans les pratiques théâtrales italiennes [1965-2005]." Thesis, Paris 3, 2009. http://www.theses.fr/2009PA030170.

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Cette thèse se propose d'analyser les enjeux de l'utilisation théâtrale des technologies audiovisuelles par l'étude du théâtre italien des quarante dernières années. L'Italie occupe en effet une position particulière dans le paysage théâtral européen : berceau du théâtre moderne, elle possède une tradition théâtrale spécifique qui a produit des réactions uniques lors de sa rencontre avec la mise en scène européenne. Dans les années soixante, l'éclosion des pratiques expérimentales a conduit à l'élaboration d'une culture théâtrale nouvelle dans laquelle les technologies de l'image et du son jou

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Déchery, Chloé. "Corporéités quotidiennes : nouvelles pratiques du corps en scène dans la performance en France et en Angleterre, 1991-2011." Thesis, Paris 10, 2011. http://www.theses.fr/2011PA100172.

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Un pan représentatif de la scène performative contemporain, en France, comme en Angleterre, se distingue par un intérêt commun pour la question du corps quotidien. Faisant fi des principes de représentation, de logique narrative ou de personnage, les praticiens d’aujourd’hui investissent des corporéités ordinaires et faillibles produisant des état de présence diffractés ainsi qu’un régime de spectateur fondé sur la reconnaissance d’une commune incompétence. Au moyen de temporalités scéniques suspendues, d’un ralentissement du mouvement et d’une inflexion des logiques de représentation et de pe

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Magris, Erica. "Théâtres élargis : les technologies audiovisuelles dans les pratiques théâtrales italiennes (1965-2005)." Doctoral thesis, Scuola Normale Superiore, 2009. http://hdl.handle.net/11384/86195.

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Résumé: Cette thèse se propose d'analyser les enjeux de l'utilisation théâtrale des technologies audiovisuelles par l'étude du théâtre italien des quarante dernières années. L'Italie occupe en effet une position particulière dans le paysage théâtral européen : berceau du théâtre moderne, elle possède une tradition théâtrale spécifique qui a produit des réactions uniques lors de sa rencontre avec la mise en scène européenne. Dans les années soixante, l'éclosion des pratiques expérimentales a conduit à l'élaboration d'une culture théâtrale nouvelle dans laquelle les technologies de l'image et du

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Marquez, Tamayo Lily A., and University of Lethbridge Faculty of Arts and Science. "Transdiscipline : in the search for new forms of theatrical expression." Thesis, Lethbridge, Alta. : University of Lethbridge, Faculty of Arts and Science, 2006, 2006. http://hdl.handle.net/10133/268.

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This document describes and analyses the process of research and production for the experimental play Via Marina: A woman's journey. Based on a personal experience between the Mexican and the Canadian lifestyles, Via Marina presents a vision toward the benefits of transdisciplinarity for the stage. By definition, transdisciplinarity is a new approach marked by the rapid advance of technology that seeks to create new areas of knowledge working between, across and beyond disciplines. For my Master's project I expermented among New Media, Women's Studies and Theatre Arts to learn to intertwine th

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Westling, Carina E. I. "The making of postdigital experiential space : Punchdrunk Company, 2011-2014." Thesis, University of Sussex, 2017. http://sro.sussex.ac.uk/id/eprint/68360/.

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This thesis presents my original contribution to knowledge, a combination of critical media and performance theories to analyse the production and augmentation of postdigital experiential spaces in Punchdrunk Theatre Company. Distributed agency is key to Punchdrunk's work, with makers within the company and audiences both being active participants in meaning-making, across complex and detailed interfaces. In order to investigate the making cultures on ‘both sides' of the interface, I undertook a two-year participant study as a researching designer within the company during the build of the pro

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Gordon, Wendy A. "The marriage of musical theater and the avant-garde: The musical theater of Tina Landau as experimental theater." Thesis, The University of Arizona, 2004. http://hdl.handle.net/10150/292018.

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Tina Landau's writing and directing work has gained increasing prominence over the last decade. She has made strides in both the experimental and the musical theater arenas, and her accomplishments in each are noteworthy independent of each other. However, her concurrent interest and success in both arenas, which are commonly viewed as quite disparate, make her work particularly interesting. These interests, which might seem incongruent, are actually interrelated; her work in one area influences her work in the other, a fact which is evident both in her rehearsal process and the end products.

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Ponce, Gabriela. "Staging Crave, a play by Sarah Kane." OpenSIUC, 2012. https://opensiuc.lib.siu.edu/theses/1063.

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Crave, the play I chose to direct as my thesis final project, constitutes a complex and crude portrait of our time, a moment in history marked by violence and individualism. These themes permeate the whole script, with its experimental and poetic style constitutes a challenge at the moment of staging it. This document is intended precisely to register the whole process of staging Crave. The first chapter presents the pre-production research, in which I trace the artistic trajectory of the author, British playwright Sarah Kane, in the context of experimental theater. I also analyze the play, an

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Anan, Nobuko. "Playing with America parody and mimesis in contemporary Japanese women's performance /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1930321591&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Swindell, Alisa. "Development of an administration: administrative internship with Zeitgeist Theatre Experiments, Inc." ScholarWorks@UNO, 1997. http://scholarworks.uno.edu/aa_rpts/41.

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This thesis is a report on an administrative internship that was conducted at Zeitgeist Theater Experiments, Inc. from June to October of 1997. The internship fulfilled a requirement for the degree of Master of Arts Administration. Arts administration issues that are covered within the text are: fiscal management, marketing, fundraising. Board development, budget planning, and volunteer coordination. The nature of the internship, its specific tasks and responsibilities, are described in the report. The essay reviews the history of Zeitgeist as an organization and analyzes managerial problems o

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Skordis, Ranza (Ranza Nora-J). "Improvisation and playmaking : a look at some improvisation techniques and their applications during the directing process." Thesis, Stellenbosch : Stellenbosch University, 2003. http://hdl.handle.net/10019.1/53461.

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Thesis (MDram)--Stellenbosch University, 2003.<br>ENGLISH ABSTRACT: In this thesis the author investigates aspects of the use of improvisation and improvisational methods, techniques and exercises by modem practitioners. The study commences with a look at the beginnings of modem improvisation in the nineteenth century, when improvisation was used only tentatively by performers as a preproduction aid to the exploration of character and personal response. In more recent times the process has become one of collaboration and research; as a means of selfdiscovery, as a means of text creation

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CEVA, ANTONIA LANA DE ALENCASTRE. "THE NEGRO ON THE SCENE: THE PEDAGOGICAL PROPOSAL OF THE NEGRO EXPERIMENTAL THEATER." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2006. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=9659@1.

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COORDENAÇÃO DE APERFEIÇOAMENTO DO PESSOAL DE ENSINO SUPERIOR<br>CONSELHO NACIONAL DE DESENVOLVIMENTO CIENTÍFICO E TECNOLÓGICO<br>Este trabalho tem por finalidade analisar a dimensão educativa do Teatro Experimental do Negro (TEN), uma das entidades do movimento negro, fundada em 1944, por Abdias do Nascimento, no Rio de Janeiro. O principal objetivo desta entidade era combater o racismo e reivindicar o reconhecimento de uma identidade negra, tendo o teatro, as aulas de alfabetização e iniciação cultural, como veículos educativos e de construção identitária. No contexto das décadas de 1

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Miranda, Rita Alves. "O teatro experimental de Brecht." Pontifícia Universidade Católica de São Paulo, 2013. https://tede2.pucsp.br/handle/handle/11641.

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Made available in DSpace on 2016-04-27T17:27:05Z (GMT). No. of bitstreams: 1 Rita Alves Miranda.pdf: 2197473 bytes, checksum: 27e1b604e4f02f387a522aa42435e2a0 (MD5) Previous issue date: 2013-10-23<br>Conselho Nacional de Desenvolvimento Científico e Tecnológico<br>This master s thesis aims to approach the passage of Bertolt Brecht through the theater history and the influence of his proposal for the contemporary art. Initially, we analyzed Brecht s criticism towards some traditional conceptions of theater and the path taken by the author to think the crisis of drama that had settled times be

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Heras, López María. "Towards new forms of learning. Exploring the potential of participatory theatre in sustainability science." Doctoral thesis, Universitat Autònoma de Barcelona, 2015. http://hdl.handle.net/10803/329007.

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Frente a las limitaciones de la ciencia convencional para abordar la complejidad y los retos del cambio socio-ambiental global, la ciencia de la sostenibilidad emerge como un enfoque científico estratégico. Desde este enfoque, se enfatiza la necesidad de conectar múltiples fuentes de conocimiento con la correspondiente acción en contextos específicos, para facilitar interacciones y transiciones hacia la sostenibilidad. Por su potencial transformador y de aprendizaje, la ciencia de la sostenibilidad ofrece oportunidades metodológicas para la generación de conocimiento práctico, la incorporación

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Medina, Junior Clodoaldo. "Bem-vindos a nossa historia! : Teatro Experimental de Comedia de Araraquara (1955-1962)." [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284659.

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Orientador: Neyde de Castro Veneziano Monteiro<br>Acompanha anexo em DVD: Santo Antonio e a Vaca<br>Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes<br>Made available in DSpace on 2018-08-13T18:32:10Z (GMT). No. of bitstreams: 1 MedinaJunior_Clodoaldo_D.pdf: 92731350 bytes, checksum: 746a6ae8f3cba779851655e40ac7ae6b (MD5) Previous issue date: 2009<br>Resumo: O teatro, como processo criativo, é uma arte para ser exercida em conjunto, por vários, e não isoladamente. A montagem de um espetáculo, ainda que um monólogo, exige trabalho intelectual e também braçal, exige um

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Van, Niekerk Dion. "Theatre and science, with specific reference to Shelagh Stephenson's An experiment with an air pump (1999)." Thesis, Rhodes University, 2002. http://hdl.handle.net/10962/d1004270.

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Science has featured intermittently as the subject of theatrical texts since Thomas Shadwell first represented the Renaissance scientist in The Virtuoso (1676). The late twentieth century, however, saw an incremental growth in theatre's interest in scientific exploration, a growth concommitant with the vast impact that science has had on technology, warfare and the machinations of political power. The tensions generated by the disjuncture between the rationality of science and the unpredictability of human society have provided a rich source of material for theatrical investigation into the hu

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