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Books on the topic 'Experimental Writing Technique'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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1

Reinfeld, Linda. Language poetry: Writing as rescue. Louisiana State University Press, 1992.

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2

Digital fictions: Storytelling in a material world. Ablex Pub., 2000.

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3

Othermindedness: The emergence of network culture. University of Michigan Press, 2000.

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4

Othermindedness: The emergence of network culture. University of Michigan Press, 2001.

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5

The end of books--or books without end?: Reading interactive narratives. University of Michigan Press, 2000.

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6

Turci, Monica. Approaching that perfect edge: A reading of the metafictional writings of Michael Ondaatje (1967-1982). Pàtron Editore, 2001.

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7

1957-, Kerr Heather, and Nettelbeck Amanda, eds. The space between: Australian women writing fictocriticism. University of Western Australia Press, 1998.

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8

Metamorphosizing the Novel: Kay Boyle's Narrative Innovations (Writing About Women : Feminist Literary Studies, Vol 7). Peter Lang Publishing, 1994.

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9

Shoji, Satoru, Remo Proietti Zaccaria, and Satoshi Kawata. Holographic laser processing for three-dimensional photonic lattices. Edited by A. V. Narlikar and Y. Y. Fu. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199533053.013.9.

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This article describes a holographic laser-processing method for independently controlling the lattice symmetry and lattice constant in three-dimensional photonic lattices. With this approach, optical periodicity is created in lower dimensions and three-dimensional periodicity is obtained by a combination of several lower-dimensional periodic structures. The proposed holographic laser-processing method is compared with the standard four-beam technique. Examples of experimental demonstration achieved in photosensitive polymers are given. The article also introduces a multiphoton direct-writing
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10

Watson, Tim. Culture Writing. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190852672.001.0001.

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Focusing on the 1950s and early 1960s, Culture Writing argues that the period of decolonization in Britain, the United States, France, and the Caribbean was characterized by dynamic exchanges between literary writers and anthropologists. As the British and French Empires collapsed and the United States rose to global power, and as intellectuals from the decolonizing world challenged the cultural hegemony of the West, some anthropologists began to assess their discipline’s complicity with imperialism and experimented with literary forms and techniques. The book shows that the “literary turn” in
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11

Levy, Benjamin R. Metamorphosis in Music. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199381999.001.0001.

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In the 1950s and 1960s György Ligeti went through a remarkable transition from writing music in the style of Bartók to working at the cutting edge of the avant-garde. Through careful study of the sketches and drafts, as well as analysis of the finished scores, Metamorphosis in Music takes a detailed look at this compositional evolution. The book begins with Ligeti’s synthesis of folk music and modernism in Musica ricercata and continues through the turn of the 1970s, examining nearly every major work as well as numerous unpublished studies. It shows Ligeti’s early discovery of twelve-tone tech
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12

Morris, Pam. Worldly Realism. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474419130.003.0001.

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A preliminary discussion of Northanger Abbey and Jacob’s Room, foregrounds Austen’s and Woolf’s insistence upon non-heroic, unexceptional protagonists, the challenge their writing poses to existing genres and its disjunction from established, consensual interpretive systems. Jacques Ranciére’s concept of consensual and dissensual regimes of the perceptible, and recent accounts of the constitutive relationship of inanimate objects with self, provide a theoretical framework for discussing these experimental aspects of each writer’s work. The chapter maps an epistemological tradition linking thes
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13

Toye, John. Liberal development, 1925–46. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198723349.003.0005.

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Keynes’s writings are often disregarded in the context of economic development, overlooking that Russia was a developing country in his lifetime. He wrote about the experimental economic techniques that the Soviet government employed. He visited Russia three times and wrote A Short View of Russia in which he explained and criticized Bolsheviks’ policy of export and import monopolies, an overvalued exchange rate, inflationary government finance, and the subsidization of industry. These were policies that many developing countries adopted after decolonization. Keynes’s conclusion was that they w
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14

Ludlow, Morwenna. Art, Craft, and Theology in Fourth-Century Christian Authors. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198848837.001.0001.

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Ancient authors commonly compared writing with painting. The sculpting of the soul was a common philosophical theme. This book takes its starting-point from such figures to recover a sense of ancient authorship as craft. The ancient concept of craft (ars, technē) spans ‘high’ or ‘fine’ art and practical or applied arts. It unites the beautiful and the useful. It includes both skills or practices (like medicine and music) and productive arts like painting, sculpting, and the composition of texts. By using craft as a guiding concept for understanding fourth-century Christian authorship, this boo
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15

Lerner, Ross. Unknowing Fanaticism. Fordham University Press, 2019. http://dx.doi.org/10.5422/fordham/9780823283873.001.0001.

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We may think we know what defines religious fanaticism: violent action undertaken with dogmatic certainty. But the term “fanatic,” from the European Reformation to today, has never been a stable term. Then and now it has been reductively defined to justify state violence and to delegitimize alternative sources of authority. Unknowing Fanaticism rejects the simplified binary of fanatical religion and rational politics and turns to Renaissance literature to demonstrate that fanaticism was integral to how both modern politics and poetics developed, from the German Peasant Revolts of the 1520s to
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