Books: 'Experimentation culture'

1

Williams, Goldhagen Sarah, and Legault Réjean 1956-, eds. Anxious modernisms: Experimentation in postwar architectural culture. Montréal: Canadian Centre for Architecture, 2000.

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2

Christa, Knellwolf, and Goodall Jane R, eds. Frankenstein's science: Experimentation and discovery in Romantic culture, 1780-1830. Aldershot, England: Ashgate, 2008.

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3

Thomas, Shaw. Rape culture. [Toronto?]: Dept. of Agriculture, 1993.

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4

Kaihatsukyoku, Japan Kagaku Gijutsuchō Kenkyū. Jikken dōbutsu no kaihatsu tō ni kansuru kenkyū seika hōkokusho: Dai I-ki Shōwa 57--59-nendo, dai II-ki Shōwa 60--61-nendo. [Tokyo]: Kagaku Gijutsuchō Kenkyū Kaihatsukyoku, 1988.

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5

Animals and Science: Anthropological Approaches (Conference) (2005 University of Manchester). Animals and science: From colonial encounters to the biotech industry. Newcastle upon Tyne, UK: Cambridge Scholars Publishing, 2010.

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6

Assoku, R. K. G. The human-animal bond: Science to the rescue! Accra: Ghana Universities Press, 1988.

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7

Carter, Adrian J., and Helmut Kettenmann. Cell culture models as alternatives to animal experimentation for the testing of neuroprotective compounds in stroke research: Practical handbook of methods. Jülich: Forschungszentrum Jülich, 1999.

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8

Halle, Willi. Toxizitätsprüfungen in Zellkulturen für eine Vorhersage der akuten Toxizität (LD50) zur Einsparung von Tierversuchen. Jülich: Forschungszentrum Jülich, 1998.

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9

Adamczyk, Georges. Architecture Competitions and the Production of Culture, Quality and Knowledge: An International Inquiry. Edited by Jean-Pierre Chupin, Carmela Cucuzzella, and Bechara Helal. Montreal, QC, Canada: Potential Architecture Books, 2015.

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10

Schmitz, Sabine. Der Experimentator: Zellkultur. 3rd ed. Heidelberg: Spektrum Akad. Verl., 2011.

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11

Bessmertnaia zhizn' Genrietty Laks. Moskva: Kar'era Press, 2010.

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12

Rossi, Monica, and Federica Ottone, eds. Teorie e sperimentalismo progettuale per la ricerca in tecnologia dell’architettura / Theories and experimental design for research in architectural technology. Florence: Firenze University Press, 2013. http://dx.doi.org/10.36253/978-88-6655-406-6.

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Il volume, che raccoglie riflessioni intorno al tema della città, intesa come campo di sperimentazione, traccia un panorama aggiornato della ricerca dottorale e post-dottorale in Tecnologia dell’Architettura, da cui traspare la volontà di offrire spunti teorici di ampio respiro e, contemporaneamente, testimoniare una vasta gamma di applicazioni specialistiche. Nell’approccio ambientale, che accoglie i suggerimenti dei territori valorizzandone la "cultura materiale", appare il tratto comune sul quale sono impostate molte delle tematiche di ricerca qui esposte. The book, that gathers reflections on the theme of the city, intended as field of experimentation, gives an updated panorama of the doctoral (PhD) and postdoctoral research in Architectural Technology, and offers ample theoretical insights as well as a large collection of specialized applications. The environmental approach, that welcomes suggestions from the surrounding areas, highlighting the "material culture", shows the common traits that are present in many of the research themes here exposed.

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13

United States. National Bioethics Advisory Commission. Research involving human biological materials: Ethical issues and policy guidance. Rockville, MD (6100 Executive Boulevard, Suite 5B01, Rockville, 20892-7508): The Commission, 1999.

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14

Research involving human biological materials: Ethical issues and policy guidance. Rockville, Md. (6100 Executive Blvd., Ste. 5B01, Rockville 20892-7508): National Bioethics Advisory Commission, 1999.

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15

Intercultural utopias: Public intellectuals, cultural experimentation, and ethnic pluralism in Colombia. Durham, N.C: Duke University Press, 2005.

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16

Marshall, Patricia Loomis. Ethical challenges in study design and informed consent for health research in resource-poor settings. Geneva, Switzerland: World Health Organization, 2007.

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17

Pagliaro, Annamaria, and Brian Zuccala, eds. Luigi Capuana: Experimental Fiction and Cultural Mediation in Post-Risorgimento Italy. Florence: Firenze University Press, 2019. http://dx.doi.org/10.36253/978-88-6453-916-4.

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Luigi Capuana: Experimental Fiction and Cultural Mediation in Post-Risorgimento Italy. The studies in this collection revisit established critical positions which confine Luigi Capuana’s work within the orbits of Naturalism and Positivism. A variety of theoretical readings in the volume investigate how the author’s experimentalism and eclectic interests respond to positivist ideology, the limitations of scientific practices, and the conflicts and anxieties of the fin de siècle which arise from a change in intellectual attitudes towards new ways of interpreting reality. The volume’s three sections focus on cultural mediation and the construction of socio-literary identities, gender representation and metaliterature, and on the author’s experimentation with the natural, supernatural and fantastic. Each section illustrates how the search for the new and experimentalism constitute driving forces in the author’s artistic investigation and production, making his work an important source for a new reading of the fin de siècle’s epistemological revision.

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18

Skloot, Rebecca. The Immortal Life of Henrietta Lacks. New York: Crown Publishers, 2009.

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19

The Immortal Life of Henrietta Lacks. New York: Crown Publishing Group, 2010.

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20

Skloot, Rebecca. The immortal life of Henrietta Lacks. New York: Broadway Paperbacks, 2011.

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21

Skloot, Rebecca. The immortal life of Henrietta Lacks. New York: Broadway Paperbacks, 2011.

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22

Skloot, Rebecca. The Immortal life of Henrietta Lacks. New York, USA: Crown Publishers, 2010.

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23

Skloot, Rebecca. The immortal life of Henrietta Lacks. New York: Crown Publishers, 2009.

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24

Skloot, Rebecca. The immortal life of Henriette Lacks. Waterville, Me: Thorndike Press, 2010.

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25

Skloot, Rebecca. The immortal life of Henriette Lacks. Waterville, Me: Thorndike Press, 2010.

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26

Skloot, Rebecca. The immortal life of Henrietta Lacks. Detroit: Large Print Press/Gale Cengage Learning, 2011.

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27

Degl’Innocenti, Daniela, and Giampiero Nigro, eds. Un panno medievale dell’azienda pratese di Francesco Datini. Florence: Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-584-4.

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The volume concludes a multi-year study conceived and carried out by the Museo del Tessuto of Prato, which involved public bodies and cultural institutions in the city motivated by the desire to see one of the identifying products of the Prato textile district returned to contemporary life: its cloth. The idea to experimentally reconstruct the cloth arose from the study of some documents of the Datini Fund, a unique archival complex in the world for historical and economic studies on the Middle Ages. The collective and interdisciplinary project is documented in a volume created in collaboration with the International Institute of Economic History “F. Datini”. The historical contributions on the manufacturing and commercial management of the Datini cloth are followed by a second part that documents the study and experimentation phases of its reconstruction.

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28

P, King Nancy M., Henderson Gail 1949-, and Stein Jane, eds. Beyond regulations: Ethics in human subjects research. Chapel Hill, NC: University of North Carolina Press, 1999.

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29

The immortal life of Henriette Lacks. Waterville, Me: Thorndike Press, 2010.

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30

The immortal life of Henrietta Lacks. New York: Crown Publishers, 2009.

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31

(Editor), Sarah Williams Goldhagen, and Réjean Legault (Editor), eds. Anxious Modernisms: Experimentation in Postwar Architectural Culture. The MIT Press, 2002.

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32

(Editor), Sarah Williams Goldhagen, and Réjean Legault (Editor), eds. Anxious Modernisms: Experimentation in Postwar Architectural Culture. The MIT Press, 2001.

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33

Christa, Knellwolf, and Goodall Jane R, eds. Frankenstein's science: Experimentation and discovery in Romantic culture, 1780-1830. Aldershot, England: Ashgate, 2008.

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34

Frankenstein's science: Experimentation and discovery in Romantic culture, 1780-1830. Aldershot, England: Ashgate, 2008.

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35

Goodall, Jane. Frankenstein's Science: Experimentation and Discovery in Romantic Culture, 1780 1830. Taylor & Francis Group, 2016.

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36

Iberian and Latin American Studies - Catalan Culture: Experimentation, Creative Imagination and the Relationship with Spain. Gwasg Prifysgol Cymru / University of Wales Press, 2018.

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37

Era Of Experimentation American Political Practices In The Early Republic. University of Virginia Press, 2014.

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38

Watson, Tim. Culture Writing. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190852672.001.0001.

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Focusing on the 1950s and early 1960s, Culture Writing argues that the period of decolonization in Britain, the United States, France, and the Caribbean was characterized by dynamic exchanges between literary writers and anthropologists. As the British and French Empires collapsed and the United States rose to global power, and as intellectuals from the decolonizing world challenged the cultural hegemony of the West, some anthropologists began to assess their discipline’s complicity with imperialism and experimented with literary forms and techniques. The book shows that the “literary turn” in anthropology took place earlier than has conventionally been assumed, in the 1950s rather than the 1970s and 1980s. Simultaneously, some literary writers reacted to the end of modernist artistic experimentation by turning to ethnographic methods for representing the people and cultural practices of Britain, France, and the United States, bringing anthropology back home. The book discusses literary writers who had a significant professional engagement with anthropology and brought some of its techniques and research questions into literary composition: Barbara Pym (Britain), Ursula Le Guin and Saul Bellow (United States), Édouard Glissant (Martinique), and Michel Leiris (France). On the side of ethnography, there is analysis of works by anthropologists who adopted literary forms for their writing about culture: Laura Bohannan (United States), Michel Leiris and Claude Lévi-Strauss (France), and Mary Douglas (Britain). The book concludes with an afterword that shows how the literature–anthropology conversation continues into the postcolonial period in the work of the Indian author-anthropologist Amitav Ghosh and the Jamaican author-sociologist Erna Brodber.

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39

Cox, Christoph, and Daniel Warner, eds. Audio Culture. Bloomsbury Publishing Inc, 2017. http://dx.doi.org/10.5040/9781501318399.

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The groundbreaking Audio Culture: Readings in Modern Music (Continuum; September 2004; paperback original) maps the aural and discursive terrain of vanguard music today. Rather than offering a history of contemporary music, Audio Culture traces the genealogy of current musical practices and theoretical concerns, drawing lines of connection between recent musical production and earlier moments of sonic experimentation. It aims to foreground the various rewirings of musical composition and performance that have taken place in the past few decades and to provide a critical and theoretical language for this new audio culture. This new and expanded edition of the Audio Culture contains twenty-five additional essays, including four newly-commissioned pieces. Taken as a whole, the book explores the interconnections among such forms as minimalism, indeterminacy, musique concrète, free improvisation, experimental music, avant-rock, dub reggae, ambient music, hip hop, and techno via writings by philosophers, cultural theorists, and composers. Instead of focusing on some “crossover” between “high art” and “popular culture,” Audio Culture takes all these musics as experimental practices on par with, and linked to, one another. While cultural studies has tended to look at music (primarily popular music) from a sociological perspective, the concern here is philosophical, musical, and historical. Audio Culture includes writing by some of the most important musical thinkers of the past half-century, among them John Cage, Brian Eno, Ornette Coleman, Pauline Oliveros, Maryanne Amacher, Glenn Gould, Umberto Eco, Jacques Attali, Simon Reynolds, Eliane Radigue, David Toop, John Zorn, Karlheinz Stockhausen, and many others. Each essay has its own short introduction, helping the reader to place the essay within musical, historical, and conceptual contexts, and the volume concludes with a glossary, a timeline, and an extensive discography.

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40

Young, Jill. Courage Advantage: 3 Mindsets Your Team Needs to Cultivate Fierce Discipline, Incredible Fun, and a Culture of Experimentation. Author Academy Elite, 2020.

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41

Hayton, Jeff. Culture from the Slums. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780198866183.001.0001.

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Culture from the Slums explores the history of punk rock in East and West Germany during the 1970s and 1980s. These decades witnessed an explosion of alternative culture across divided Germany, and punk was a critical constituent of this movement. For young Germans at the time, punk appealed to those gravitating toward individual and cultural experimentation rooted in notions of authenticity—endeavors considered to be more “real” and “genuine.” Adopting musical subculture from abroad and rearticulating the genre locally, punk gave individuals uncomfortable with their societies the opportunity to create alternative worlds. Examining how youths mobilized music to build alternative communities and identities during the Cold War, Culture from the Slums details how punk became the site of historical change during this era: in the West, concerning national identity, commercialism, and politicization; while in the East, over repression, resistance, and collaboration. But on either side of the Iron Curtain, punks’ struggles for individuality and independence forced their societies to come to terms with their political, social, and aesthetic challenges, confrontations which pluralized both states, a surprising similarity connecting democratic, capitalist West Germany with socialist, authoritarian East Germany. In this manner, Culture from the Slums suggests that the ideas, practices, and communities which youths called into being transformed both German societies along more diverse and ultimately democratic lines. Using a wealth of previously untapped archival documentation, Culture from the Slums reorients German and European history during this period by integrating alternative culture and music subculture into broader narratives of postwar inquiry and explains how punk rock shaped divided Germany in the 1970s and 1980s.

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42

Hesitancy And Experimentation In Enlightenment Spain And Spanish America Studies On Culture And Theatre In Memory Of Il Mcclelland. Routledge, 2011.

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43

Experimentation and Interpretation: The Use of Experimental Archaeology in the Study of the Past. Oxbow Books, 2010.

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44

Bollington, Lucy, and Paul Merchant, eds. Latin American Culture and the Limits of the Human. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9781683401490.001.0001.

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Latin American Culture and the Limits of the Human curates an important series of case studies of the posthuman imaginaries and nonhuman tropes employed in a broad range of Latin American cultural texts, from the narratives of Las Casas to new media and installation art in contemporary Mexico, Colombia, and Argentina. The book’s introduction highlights the ways the figure of the “limit” has functioned as an important site of aesthetic, ontological, and political experimentation and reworking in Latin American cultural production, and underlines the potentialities and possible risks associated with the use of posthuman frameworks in the region. The different chapters examine the ways human borders and boundaries have been tested, undermined, and reformulated in relation to issues including dictatorial violence and drug war necropolitics, ecological storytelling, indigenous thought systems, gender, race, history, and new materialism. The book as a whole marshals a wide range of theoretical frameworks and points to the complex ways Latin American culture intersects with and departs from global formulations of humanism and the posthuman.

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45

Lewis, Hannah. French Musical Culture and the Coming of Sound Cinema. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190635978.001.0001.

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French Musical Culture and the Coming of Sound Cinema examines film music practices in France during a period of widespread artistic and creative experimentation: the transition from silent to synchronized sound film. While this period in Hollywood has been examined from a range of scholarly perspectives, the transition to sound in France—and the unique interactions between French sound cinema and French musical discourses—remains underexplored. In France, debates about sound cinema were fierce and widespread, and many filmmakers addressed theoretical questions about the potential of the new technology head-on, articulating their responses to these questions both in writing and in their films. Music played an integral role in the debate. Lewis argues that debates about sound film had a powerful effect on French musical culture of the early 1930s, and that diverse French musical styles and traditions—from Les Six, to the opera house, to the popular music-hall—played a crucial role in shaping the cinematic soundscape. Filmmakers experimented with music’s role in sound cinema within a range of genres, including avant-garde surrealist cinema (Luis Buñuel and Jean Cocteau), recorded theater (Marcel Pagnol), early poetic realism (Jean Renoir, Jean Vigo), and the film musical (René Clair). Lewis’s analysis of the experiments undertaken in these few important years in French cinematic history encourages readers to challenge commonly held assumptions of how genres, media, and artistic forms relate to one another, and how these relationships are renegotiated during moments of technological change.

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46

Goddard, Michael, Benjamin Halligan, and Paul Hegarty, eds. Reverberations. Continuum International Publishing Group, 2012. http://dx.doi.org/10.5040/9781501382840.

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Noise permeates our highly mediated and globalised cultures. Noise as art, music, cultural or digital practice is a way of intervening so that it can be harnessed for an aesthetic expression not caught within mainstream styles or distribution. This wide-ranging book examines the concept and practices of noise, treating noise not merely as a sonic phenomenon but as an essential component of all communication and information systems. The book opens with ideas of what noise is, and then works through ideas of how noise works in contemporary media, to conclude by showing potentials within noise for a continuing cultural renovation through experimentation. Considered in this way, noise is seen as an essential yet excluded element of contemporary culture that demands a rigorous engagement. Reverberations brings together a range of perspectives, case studies, critiques and suggestions as to how noise can mobilize thought and cultural activity through a heightening of critical creativity.Written by a strong, international line-up of scholars and artists, Reverberations looks to energize this field of study and initiate debates for years to come.

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47

Marchessault, Janine, and Will Straw, eds. The Oxford Handbook of Canadian Cinema. Oxford University Press, 2019. http://dx.doi.org/10.1093/oxfordhb/9780190229108.001.0001.

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The Oxford Handbook of Canadian Cinema offers an overview of the current state of thinking around Canadian cinema. The volume was conceived to register the variety of voices expressing themselves within Canadian cinema with special attention paid to Indigenous, Quebecois, and diasporic identities. As well, the volume acknowledges that Canadian cinema increasingly finds its place within a broad conception of “screen cultures,” which extend into the divergent realms of small-scale artistic experimentation and large-scale public spectacle. Insofar as these realms have played a vital role in establishing Canada’s presence within international screen culture, they are given special emphasis here. Rather than a straight historical account of cinema in Canada, this Oxford Handbook looks at the technological complexes, geographical spaces, and identity formations in which that cinema has emerged and developed.

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48

Marks, Peter. Literature of the 1990s. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474411592.001.0001.

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Placing literary creativity within a changing cultural and political context that saw the end of Margaret Thatcher and rise of New Labour, this book offers fresh interpretations of mainstream and marginal works from all parts of Britain. Based on a framework of thematically-structured accounts, the individual chapters cover national identity, ethnicity, sexuality, class, celebrity culture, history and fantasy in literature from Wales, Scotland, Northern Ireland and England. It offers its readers a comprehensive view of the changing and challenging literary landscape in this period, critically examining the fiction, poetry and drama as well as representative films, art and music. Placed within the broader context of a transformative political and cultural environment that included Margaret Thatcher and Tony Blair, Damian Hirst and Princess Diana, the book captures the energetic and sometimes provocative experimentation that typified the final decade of the twentieth century.

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49

Eagleton, Mary. The Feminist Novel. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198749394.003.0028.

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This chapter defines ‘the feminist novel’ as a novel produced within an awareness of contemporary feminist debates, but by no means promoting any party line. It focuses on three particular concerns that have resonated throughout the post-1968 novel — the desire to become ‘free women’, the rewriting of culture and history, and the interest in female relationships. The chapter shows that, though the women of the feminist novel are not ‘free’, they certainly test the boundaries of proper femininity. In addition, feminist rewriting of cultural and literary narratives has both reconceptualized ‘woman’ and her history and led to experimentation with different modes, narrative structures, and voices. And finally, alongside uncertainties about new modes of social relation, the feminist novel continues to express hopefulness.

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50

Kahn, Andrew, Mark Lipovetsky, Irina Reyfman, and Stephanie Sandler. Institutions. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199663941.003.0032.

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This chapter explores the development of Russian modernism and avant-garde trends into the 1920s in relation to the new institutions of the Silver Age (1890s–1917), pausing on why the period has proven hard to define. It discusses key modernist journals and the social contexts, including groups and societies, that were formative for writers. How these cultural processes changed in Soviet Russia under a regime of political and aesthetic state control, and in Russia Abroad, is charted. While Socialist Realism became the dominant aesthetic from the 1930s, the chapter shows how innovations in language and theory (including Formalism and structuralism) as well as independent literary institutions bypassed official doctrines and led to important experimentation. The chapter tracks a number of phenomena bridged unofficial literary culture and the post-Soviet literary field.

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Books on the topic 'Experimentation culture'

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