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Books on the topic 'Experimenteel toneel'

Author: Grafiati

Published: 4 June 2021

Last updated: 29 July 2024

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Consult the top 26 books for your research on the topic 'Experimenteel toneel.'

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1

Joe, Kelleher, and Ridout Nick, eds. Contemporary theatres in Europe: A critical companion. New York: Routledge, 2006.

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2

Shank, Theodore. American alternative theatre. New York: St. Martin's Press, 1988.

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3

Shank, Theodore. Beyond the boundaries: American alternative theatre. Ann Arbor, MI: The University of Michigan Press, 2003.

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4

Carson, Neil. Harlequin in Hogtown: George Luscombe and Toronto Workshop Productions. Toronto: University of Toronto Press, 1995.

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5

Judith, Helmer, and Malzacher Florian, eds. Not even a game anymore: The theatre of Forced Entertainment = das theater von Forced Entertainment. Berlin: Alexander Verlag, 2004.

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6

Staging the Post-Avant-Garde: Italian Experimental Performance After 1970 (Stage and Screen Studies). Peter Lang Publishing, 2002.

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7

Ridout, Nicholas, and Joe Kelleher. Contemporary Theatres in Europe: A Critical Companion. Taylor & Francis Group, 2006.

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8

Ridout, Nicholas, and Joe Kelleher. Contemporary Theatres in Europe: A Critical Companion. Taylor & Francis Group, 2006.

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9

Ridout, Nicholas, and Joe Kelleher. Contemporary Theatres in Europe: A Critical Companion. Taylor & Francis Group, 2006.

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10

Pronko, Leonard Cabell. Avant-Garde: The Experimental Theater in France. University of California Press, 2021.

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11

Pronko, Leonard Cabell. Avant-Garde: The Experimental Theater in France. University of California Press, 2021.

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12

Pronko, Leonard Cabell. Avant-Garde: The Experimental Theater in France. University of California Press, 2023.

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13

Roose-Evans, James. Experimental Theatre. Routledge, 1989.

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14

Experimental theatre: From Stanislavsky to Peter Brook. 4th ed. London: Routledge, 1989.

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15

Reenactment: On Performing Remains. Routledge, 2009.

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16

(Editor), Freda Chapple, and Chiel Kattenbelt (Editor), eds. Intermediality in Theatre and Performance (Themes in Theatre 2) (Themes in Theatre). Rodopi, 2006.

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17

Dissonanz und Klangfarbe: Instrumentationsgeschichtliche und experimentelle Untersuchungen. Bonn: Verlag für Systematische Musikwissenschaft, 1985.

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18

Tenney, James. Excerpts from “An Experimental Investigation of Timbre—the Violin”. Edited by Larry Polansky, Lauren Pratt, Robert Wannamaker, and Michael Winter. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038723.003.0005.

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James Tenney presents excerpts from his 1966 essay “An Experimental Investigation of Timbre—the Violin.” The research was carried out at the School of Music and the Computation Center at Yale University. Tenney first provides a description of the experiment as well as the equipment and computer programs he used in his investigation. In particular, he discusses the basic approach to sound analysis and synthesis that employs a digital computer with peripheral equipment for translating a signal from “analog” to digital form (for analysis) and from digital to analog form (for synthesis). The analysis programs used in this study comprise a “pitch-synchronous” system, while the sound-generating program used to synthesize violin tones is Max V. Mathews's “Music IV Compiler.” Tenney then explains the experimental results and concludes with a proposal for further research and a request for continued support by the National Science Foundation, laying special emphasis on spectral parameters and envelope and modulation parameters.

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19

Bishop, Tom. From the Left Bank: Reflections on the Modern French Theater and Novel. New York University Press, 1996.

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20

Selim, Bernardo, and Kannan Ramar. Beyond positive airway pressure therapy: experimental and non-conventional treatments in sleep apnoea. Oxford University Press, 2018. http://dx.doi.org/10.1093/med/9780198784906.003.0259.

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With decreased adherence to positive airway pressure therapy to treat sleep apnoeas, non-conventional treatments based on new therapeutic targets are emerging. In central sleep apnoea syndrome associated with heart failure, phrenic nerve stimulation and non-conventional pharmacological treatments such as carbonic anhydrase inhibitors, gas therapies, and cardiac devices are novel alternative therapies. In obstructive sleep apnoea, a better understanding of predominant pathophysiological pathways is characterizing diverse clinical phenotypes. For patients with low arousal threshold, sedatives or hypnotics might be effective, whereas for those with unstable ventilatory control, carbonic anhydrase inhibitors or oxygen might improve obstructive sleep apnoea. For patients with upper airway muscle dysfunction, an increase in pharyngeal tone might be beneficial. This chapter describes ‘experimental’ therapies and novel technologies to treat these disorders.

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21

Koresky, Michael. Bathed in the Fading Light. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038617.003.0001.

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This chapter examines the film career of British director Terence Davies. The cinema of Davies is one of contradictions—between beauty and ugliness, the real and the artificial, progression and tradition, motion and stasis. These opposites reflect a certain struggle, for the filmmaker and his characters, to make sense of a confusing and sometimes violent world. For Davies, this struggle constitutes a reckoning with his past, a highly personal account of a fractured childhood; for the viewer it has resulted in one of the richest, most idiosyncratic, and arrestingly experimental bodies of work put out by a narrative filmmaker. The chapter focuses on the distinct emotional quandaries Davies' films evoke in the viewer and proposes that their tonal and political in-betweenness is a form of cinematic queering. Through the exploration of their contradictions, these films function within seemingly recognizable generic parameters only to then explode and thus queer conventional notions of narrative cinema.

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22

Iverson, Jennifer. Electronic Inspirations. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190868192.001.0001.

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Cold War electronic music—made with sine tone and white-noise generators, filters, and magnetic tape—was the driving force behind the evolution of both electronic and acoustic music in the second half of the twentieth century. Electronic music blossomed at the Westdeutscher Rundfunk (WDR [West German Radio]) in Cologne in the 1950s, when technologies were plentiful and the need for cultural healing was great. Building an electronic studio, West Germany confronted the decimation of the “Zero Hour” and began to rebuild its cultural prowess. The studio’s greatest asset was its laboratory culture, where composers worked under a paradigm of invisible collaboration with technicians, scientists, performers, intellectuals, and the machines themselves. Composers and their invisible collaborators repurposed military machinery in studio spaces that were formerly fascist broadcasting propaganda centers. Composers of Cold War electronic music reappropriated information theory and experimental phonetics, creating aesthetic applications from military discourses. In performing such reclamations, electronic music optimistically signaled cultural growth and progress, even as it also sonified technophobic anxieties. Electronic music—a synthesis of technological, scientific, and aesthetic discourses—was the ultimate Cold War innovation, and its impacts reverberate today.

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23

Tobin, Robert. Privilege and Prophecy. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780190906146.001.0001.

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For much of its history, the Episcopal Church has been regarded as the religion of choice for American elites. Alongside other mainline denominations, Episcopalianism formed part of an unofficial Protestant establishment that set the tone for public life in the United States well into the 1960s. Since the close of the Second World War, however, the Episcopal Church increasingly began to experience a crisis of identity, as its leaders sought to make it more responsive to the rapid changes underway in American society. Shaped by their exposure to the Great Depression and the war, this group of predominantly liberal white men ensured that social action became a defining feature of the church’s agenda during this period. Educated, energetic, and well-resourced, these leaders pursued a range of experimental ministries, learning programs, and policy reforms that would gradually shift the church’s self-image from that of custodian of tradition to catalyst for change. Certain ironies attended this process, not least the propensity of these men to take for granted their own privileged status while lobbying assiduously against the established order. Still, whatever their shortcomings and contradictions, this generation of liberal leaders oversaw the transformation of the Episcopal Church during the years 1945–1979. The church they inherited was widely regarded as a bastion of WASP wealth and respectability; the one they eventually handed over was known for its commitment to progressive causes.

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24

Hogh-Olesen, Henrik. The Aesthetic Animal. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190927929.001.0001.

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The Aesthetic Animal answers the ultimate questions of why we adorn ourselves; embellish our things and surroundings; and produce art, music, song, dance, and fiction. Humans are aesthetic animals that spend vast amounts of time and resources on seemingly useless aesthetic activities. However, nature would not allow a species to waste precious time and effort on activities completely unrelated to the survival, reproduction, and well-being of that species. Consequently, the aesthetic impulse must have some important biological functions. An impulse is a natural, internal behavioral incentive that does not need external reward to exist. A number of observations indicate that the aesthetic impulse is exactly such an inherent part of human nature, and therefore it is a primary impulse in its own right with several important functions. The aesthetic impulse may guide us toward what is biologically good for us and help us choose the right fitness-enhancing items in our surroundings. It is a valid individual fitness indicator, as well as a unifying social group marker, and aesthetically skilled individuals get more mating possibilities, higher status, and more collaborative offers. This book is written in a lively and entertaining tone, and it presents an original and comprehensive synthesis of the empirical field, synthesizing data from archeology, cave art, anthropology, biology, ethology, and experimental and evolutionary psychology and neuro-aesthetics.

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25

Levy, Benjamin R. Metamorphosis in Music. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199381999.001.0001.

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In the 1950s and 1960s György Ligeti went through a remarkable transition from writing music in the style of Bartók to working at the cutting edge of the avant-garde. Through careful study of the sketches and drafts, as well as analysis of the finished scores, Metamorphosis in Music takes a detailed look at this compositional evolution. The book begins with Ligeti’s synthesis of folk music and modernism in Musica ricercata and continues through the turn of the 1970s, examining nearly every major work as well as numerous unpublished studies. It shows Ligeti’s early discovery of twelve-tone technique, the influence of electronic music on his orchestral writing, and his involvement with the absurdist Fluxus group, and it argues that the repertoire of techniques he developed in this experimental period was incrementally codified into the composer’s personal style in the mid- and late 1960s. The conclusion looks at Ligeti’s approach to form and expression at the turn of the 1970s, when one phase of his metamorphosis had run its course, and the new challenge of composing an opera loomed on the horizon. Throughout the book, sketch study works alongside comments from interviews—counterbalancing the composer’s crafted public narrative, revealing hidden influences, lingering attachments, and insights into the creative process, and ultimately helping complete the picture of how he found his voice in a generation straddling the divide between the modern and postmodern eras.

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26

Booker, M. Keith. Postmodern Hollywood. Praeger, 2007. http://dx.doi.org/10.5040/9798400699528.

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Postmodernism is essential to American culture today. We can see its manifestations on billboards and on television; we can hear its tone on the radio and in everyday conversation; and we can even sense its outlook in how we live our lives. This volume presents an accessible and brief summary of postmodernism, especially as it pertains to American cinema-one of the central players and leading lights in the development of this cultural attitude. Four distinct sections investigate postmodernist fragmentation, musical use, and pastiches of previous television shows and cinematic genres in such films as Quentin Tarantino'sPulp Fiction, David Lynch'sMulholland Drive, and Sofia Coppola'sMarie Antoinette. Discussions of the phenomenon of postmodernism have established certain characteristics that are typical of postmodernist culture. These characteristics include formal fragmentation, a tendency toward a particular kind of nostalgia, and the use of materials and styles borrowed from previous films and other cultural products. This volume presents a brief summary of the characteristics that have typically been associated with postmodernism, especially as they pertain to film. It illustrates those characteristics with discussions of a wide variety of American films of the past thirty years, noting how those films participate in the phenomenon of postmodernism. Emphasis is on popular, commercial films, rather than the more esoteric, experimental products that have sometimes been associated with postmodern film. Booker's work contains detailed discussions of a wide variety of American films—including classics likeSullivan's TravelsandThe Last Picture Show, and recent successes such asScream, Natural Born Killers, Memento, Moulin Rouge, andFight Club—noting how these films participate in the phenomenon of postmodernism, and how they have helped to shape its current form.

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