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Books on the topic 'Exploring identity through Science and Art'

Author: Grafiati

Published: 11 December 2022

Last updated: 31 July 2025

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1

Katz, Phyllis. Exploring science through art. F. Watts, 1990.

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2

Chapman, Caroline. Battles & weapons: Exploring history through art. Two-Can, 2007.

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3

Kohl, MaryAnn F., K. Whelan Dery, and Jean Potter. Science Arts: Exploring Science Through Hands-On Art Projects. Chicago Review Press, Incorporated, 2020.

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Kohl, MaryAnn F., K. Whelan Dery, and Jean Potter. Science Arts: Exploring Science Through Hands-On Art Projects. Chicago Review Press, Incorporated, 2020.

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5

Gonzalez-Torres, Miguel Angel. Who Am I?: Exploring Identity Through Sexuality, Politics and Art. Phoenix Publishing House, 2024.

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6

Gonzalez-Torres, Miguel Angel. Who Am I?: Exploring Identity Through Sexuality, Politics and Art. Karnac Books, 2024.

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7

Gonzalez-Torres, Miguel Angel. Who Am I?: Exploring Identity Through Sexuality, Politics and Art. Ninth Gate Publishing, The, 2024.

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8

Thomas, Bonnie. Creative Expression Activities for Teens: Exploring Identity Through Art, Craft and Journaling. Kingsley Publishers, Jessica, 2011.

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9

Creative expression activities for teens: Exploring identity through art, craft and journaling. Jessica Kingsley Publishers, 2011.

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10

School, Students Of Hisar. S. T. E. A. M Punks: Students Exploring Science Through Writing and Art. Lulu Press, Inc., 2021.

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11

Vuyst, Sara De, Despina Chronaki, Cosimo Marco Scarcelli, and Sergio Villanueva Baselga. Gender and Sexuality in the European Media: Exploring Different Contexts Through Conceptualisations of Age. Taylor & Francis Group, 2021.

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12

Vuyst, Sara De, Despina Chronaki, Cosimo Marco Scarcelli, and Sergio Villanueva Baselga. Gender and Sexuality in the European Media: Exploring Different Contexts Through Conceptualisations of Age. Taylor & Francis Group, 2021.

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13

Gender and Sexuality in the European Media: Exploring Different Contexts Through Conceptualisations of Age. Taylor & Francis Group, 2021.

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14

Ewence, Hannah, and Helen Spurling. Visualizing Jews Through the Ages: Literary and Material Representations of Jewishness and Judaism. Taylor & Francis Group, 2015.

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15

Ewence, Hannah, and Helen Spurling. Visualizing Jews Through the Ages: Literary and Material Representations of Jewishness and Judaism. Taylor & Francis Group, 2015.

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16

Visualizing Jews Through the Ages: Literary and Material Representations of Jewishness and Judaism. Taylor & Francis Group, 2015.

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17

Freeman, Margaret H. The Poem as Icon. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190080419.001.0001.

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The objective in this book is to show how poetry enables us cognitively to aesthetically access, experience, and identify with the visible and invisible “being” of reality, with art as one cognitive expression of the aesthetic faculty, science another. Just as scientific knowledge of reality is achieved through physically exploring the far reaches of the visible and invisible worlds, so is poetic experience achieved through iconically simulating in semblance the “being” of reality that integrates both self and world in participatory unity. “Being” here should not be understood as the existence

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18

Paul, Sharon J. Art & Science in the Choral Rehearsal. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190863760.001.0001.

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In recent decades, cognitive neuroscience research has increased our understanding of how the brain learns, retains, and recalls information. At the same time, social psychology researchers have developed insights into group dynamics, exploring what motivates individuals in a group to give their full effort, or conversely, what might instead inspire them to become freeloaders. This book explores the idea that choral conductors who better understand how the brain learns, and how individuals within groups function, can lead more efficient, productive, and enjoyable rehearsals. Armed with this kn

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19

Dibben, Nicola, Lisa Perrott, Nabeel Zuberi, Alex Jeffery, Áine Mangaoang, and Lutz Koepnick. Cybermedia. Edited by Carol Vernallis, Carol Vernallis, Holly Rogers, et al. Bloomsbury Publishing Inc, 2022. http://dx.doi.org/10.5040/9781501357077.

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We’re experiencing a time when digital technologies and advances in artificial intelligence, robotics, and big data are redefining what it means to be human. How do these advancements affect contemporary media and music? This collection traces how media, with a focus on sound and image, engages with these new technologies. It bridges the gap between science and the humanities by pairing humanists’ close readings of contemporary media with scientists’ discussions of the science and math that inform them. This text includes contributions by established and emerging scholars performing across-the

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20

Water: A Portfolio of Thirty Original Watercolours Exploring the Sensory and Aesthetic Properties of Water Through the Lens of Science and Ancient Philosophy, Expounding the Art of Being Curious. AuthorHouse, 2023.

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Water: A Portfolio of Thirty Original Watercolours Exploring the Sensory and Aesthetic Properties of Water Through the Lens of Science and Ancient Philosophy, Expounding the Art of Being Curious. AuthorHouse, 2023.

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22

Rojas, Fabio, and Charlotta Stern, eds. Sociology and Classical Liberalism in Dialogue. The Rowman & Littlefield Publishing Group, Inc., 2024. https://doi.org/10.5040/9798216270362.

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The motivation for this open access title, Sociology and Classical Liberalism in Dialogue: Freedom is Something We Do Together is based on two observations: first, sociology as a field is populated with scholars on the left and second, (few but still) classical liberals and libertarian scholars are found in neighboring social science fields, such as economics, political science, and political philosophy. Can scholarship benefit if sociology and classical liberal ideas are in dialogue? To answer the question, the book gathers sociologists, criminologists, demographers, and political scientists

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23

Nicholson, Daniel J., and John Dupré, eds. Everything Flows. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198779636.001.0001.

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This collection of essays explores the metaphysical thesis that the living world is not ontologically made up of substantial particles or things, as has often been assumed, but is rather constituted by processes. The biological domain is organized as an interdependent hierarchy of processes, which are stabilized and actively maintained at different timescales. Even entities that intuitively appear to be paradigms of things, such as organisms, are actually better understood as processes. Unlike previous attempts to articulate processual views of biology, which have tended to use Alfred North Wh

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24

Newman, Saul, and Tihomir Topuzovski. Postanarchism and Critical Art Practices. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350410374.

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Engaging with contemporary debates about the political role of art in an era of total market subsumption, this book shows how artists respond to the challenges of political authoritarianism, police violence, right-wing populism, ‘post-truth’ discourse, economic inequality, pandemics, and the environmental crisis, transforming the public sphere in new and unexpected ways. Going beyond sterile debates about identity politics, diversity and representation that beset the mainstream media, university campuses and other cultural domains, the volume illustrates the ways in which artists are opening u

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25

Early, Jaye. Confessional Video Art and Subjectivity. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781350400238.

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This is the first book of its kind to examine the development of the confessional subject in video art and demonstrate how it can provide a vital platform for navigating the politics of self, subjectivity, and resistance in society.In doing so, it reframes video art – the most ubiquitous and yet most understudied art form of recent decades – as an urgent socio-political tool that is increasingly popular among contemporary artists as a means of exploring a broad range of social issues, from politics and identity, to the body and technologies of self-representation. Analysing a diverse selection

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26

Alexander, Leslie M., and Walter C. Rucker, eds. Encyclopedia of African American History. ABC-CLIO, 2010. http://dx.doi.org/10.5040/9798400607714.

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A fresh compilation of essays and entries based on the latest research, this work documents African American culture and political activism from the slavery era through the 20th century. Encyclopedia of African American Historyintroduces readers to the significant people, events, sociopolitical movements, and ideas that have shaped African American life from earliest contact between African peoples and Europeans through the late 20th century. This encyclopedia places the African American experience in the context of the entire African diaspora, with entries organized in sections on African/Eur

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27

Lozada, María Cecilia, ed. Andean Ontologies. University Press of Florida, 2019. http://dx.doi.org/10.5744/florida/9780813056371.001.0001.

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Andean Ontologies is a fascinating interdisciplinary investigation of how ancient Andean people understood their world and the nature of being. Exploring pre-Hispanic ideas of time, space, and the human body, these essays highlight a range of beliefs across the region’s different cultures, emphasizing the relational aspects of identity in Andean worldviews. Studies included here show that Andeans physically interacted with their pasts through recurring ceremonies in their ritual calendar and that Andean bodies were believed to be changeable entities with the ability to interact with nonhuman a

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28

Stoker, Valerie, ed. A Cultural History of Hinduism In the Age of Empires. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350024342.

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This is Volume 4 in the A Cultural History of Hinduism Series. The series spans the temporal frame of 2000 B.C.E. to 2017 through six volumes representing distinctive time periods that each contain an introduction plus eight chapters on eight themes that are applicable across all of the time periods: Sources of Authority; Body and Mind; Social Organization and Everyday Norms; Identity, Difference and Dialogue; Power and Politics; Visual Culture; Lineages and Emerging Exemplars and Movements; and Global Context. Each volume may be read on its own, or the reader can examine similarities and diff

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29

Egginton, Heidi, and Zoë Thomas, eds. Precarious Professionals: Gender, Identities and Social Change in Modern Britain. University of London, 2021. http://dx.doi.org/10.14296/202110.9781912702633.

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'Precarious Professionals' uncovers the inequalities and insecurities which lay at the heart of professional life in nineteenth- and twentieth-century Britain. The book challenges conventional categories in the history of work, exploring instead the everyday labour of maintaining a professional identity on the margins of the traditional professions. Situating new historical perspectives on gender at the forefront of their research, the contributors explore how professional cultures could not only define themselves against, but often flourished outside of, the confines of patriarchal codes and

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30

Burnett, Charles, and Sébastien Moureau, eds. A Cultural History of Chemistry in the Middle Ages. Bloomsbury Publishing Plc, 2022. http://dx.doi.org/10.5040/9781474203777.

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A Cultural History of Chemistry in the Middle Ages covers the period from 600 to 1500 in European and Islamic cultures. Arabic theories and terminology for the science of matter were introduced into the West and became known as ‘alchemy’. Based in experiment and innovation – and bound up in networks of mining, manufacturing, trade and commerce – alchemical practice largely focused on the production of new substances through various processes. At the same time, alchemy was deeply theoretical, exploring the development of mineralogy, the perfection of corruptible matter, the prolongation of life

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31

Kollnitz, Andrea. Becoming Leonor Fini. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781350212626.

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Italian-Argentine artist Leonor Fini (1907-1996) can be seen as the original artist-celebrity; her self-mythologization was promulgated by some of the 20th century’s most prominent photographers, from Henri Cartier-Bresson to Dora Maar. Exploring her self-fashioning and dressing-up practices in light of recent theories of performativity, this book highlights how Fini’s extension of artistic creative practices, from painted artworks to her self-creation through costumes, masks and fashion, allowed her to become a living artwork to be created and recreated on daily basis. Applying a multisensory

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32

Gillett, Molly-Claire. Irish Lacemaking. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781350465541.

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Following the career of the Irish lace designer and inspector Emily Anderson (1856-1948), and exploring the contemporary relevance of her work, this book charts a path through the many institutions, organizations, philanthropic initiatives and government bodies that supported, promoted and monitored the crafting and design of lace in Ireland from the late 19th century onwards. The story of lace’s introduction in Ireland to provide work and sustenance during the Irish Famine is a well-known element of social history, yet the development of the craft – as a set of techniques and designs, with a

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33

Kemp, Martin, Robert B. Simon, and Margaret Dalivalle. Leonardo's Salvator Mundi and the Collecting of Leonardo in the Stuart Courts. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198813835.001.0001.

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In Leonardo’s Salvator Mundi and the Collecting of Leonardo in the Stuart Courts the ‘Three Salvateers’—Robert Simon, Martin Kemp and Margaret Dalivalle—give a first-hand account of the discovery of the lost Renaissance masterpiece; from its purchase for $1,175 in a New Orleans auction house in 2005, to the worldwide media spectacle of its sale to a Saudi prince for $450 million in 2017. A behind-the-scenes view of the painstaking processes of identification, consultation, scientific analysis, conservation, and archival research that underpinned the attribution of the painting to Leonardo, the

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34

Cuillé, Tili Boon. Divining Nature. Stanford University Press, 2020. http://dx.doi.org/10.11126/stanford/9781503613362.001.0001.

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The Enlightenment remains widely associated with the rise of scientific progress and the loss of religious faith, a dual tendency that is thought to have contributed to the disenchantment of the world. In her wide-ranging and richly illustrated book, Tili Boon Cuillé questions the accuracy of this narrative by investigating the fate of the marvelous in the age of reason. Exploring the affinities between the natural sciences and the fine arts, Cuillé examines the representation of natural phenomena—whether harmonious or discordant—in natural history, painting, opera, and the novel from Buffon a

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35

Burchmore, Alex, ed. Material Selves. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350416475.

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What do Persian robes of honour, 20th-century still-life painting, fur garments, and 18th-century porcelain all have in common? Prized, possessed and modelled, they highlight the deep connections we share with cultural objects. Establishing new connections between people and things via artistic media and material culture, this highly interdisciplinary volume brings together both established and emerging scholars in the fields of art history, material culture, museum and heritage studies and literary studies to investigate the intersection of the personal with the material. Raising vital questi

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36

Heal, Bridget. A Magnificent Faith. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198737575.001.0001.

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This book explains how and why Lutheranism—a confession that insisted upon the pre-eminence of God’s Word—became a visually magnificent faith, a faith whose adherents sought to captivate Christians’ hearts and minds through seeing as well as through hearing. Although Protestantism is no longer understood as an exclusively word-based religion, the paradigm of evangelical ambivalence towards images retains its power. This is the first study to offer an account of the Reformation origins and subsequent flourishing of the Lutheran baroque, of the rich visual culture that developed in parts of the

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37

Millar, Lesley, and Alice Kettle, eds. Reading the Thread. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350320529.

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Reading the Threadbrings together artists, theorists and designers to explore the nature and use of cloth as a means of record and communication. Cloth is constructed from threads and, in acknowledging its qualities of recording or communicating a story, we are reading the threads – the read thread. There is also, however, an East Asian myth that when you are born you are linked by an invisible red thread to your soul mate; no matter what you do, this red thread connects you to your fate and, although the thread may become tangled or infinitely long, it will never break. Exploring histories of

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38

Spencer, Amy, ed. Ambient Stories in Practice and Research. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9781350234161.

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From a range of academic and practice-led perspectives, this book explores how a combination of place-based writing and location-based technologies are producing new kinds of experimental ambient literary experience.In so doing, it unpacks how situated literary experiences delivered through text, audio and sensor-based delivery offer distinctive new forms of reading and listening and lay the ground for a new poetics of situated writing practices. Exploring an experimental, practice-based approach to digital literary forms and its emerging poetics, this book critically examines the ecology of a

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39

Stone, Dan, ed. The Oxford Handbook of Postwar European History. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199560981.001.0001.

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The postwar period is no longer current affairs but is becoming the recent past. As such, it is increasingly attracting the attentions of historians. Whilst the Cold War has long been a mainstay of political science and contemporary history, recent research approaches postwar Europe in many different ways, all of which are represented in this volume. As well as diplomatic, political, institutional, economic, and social history, this book contains articles that approach the past through the lenses of gender, espionage, art and architecture, technology, agriculture, heritage, post colonialism, m

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40

Elgie, Robert, Emiliano Grossman, and Amy G. Mazur, eds. The Oxford Handbook of French Politics. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199669691.001.0001.

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The Oxford Handbook of French Politics provides a comprehensive and comparative overview of political science research on France. The volume brings together established and emerging scholars who specialize in the study of France to reflect on the evolution of the French political system through the lens of political science. The Handbook is organized into three sections: the first sectionidentifies foundational concepts for the French case, including chapters on republicanism and social welfare; the second focuses on thematic large-scale processes, such as identity, governance, and globalizati

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41

Wulf, Andrew James. U.S. International Exhibitions during the Cold War. The Rowman & Littlefield Publishing Group, Inc., 2015. https://doi.org/10.5040/9798881818623.

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Although cultural diplomacy has become an increasingly fashionable term embraced by academics, foreign-service personnel, and private sector commercial and cultural interests, the very practice of this idea remains conspicuously challenging to define. This book takes on this problem, advancing a new understanding of cultural diplomacy that results from a historical investigation of a single area of government and private sector partnership, and what became in the mid-twentieth century the most prominent manifestation of this alliance—the cultural exhibitions sent abroad to “tell America’s stor

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