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1

Young, A. W. Facial Expression Recognition. London ; New York : Psychology Press, 2016. | Series: World: Psychology Press, 2016. http://dx.doi.org/10.4324/9781315715933.

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2

Darris, Dobbs, ed. Animating facial features and expression. Rockland, Mass: Charles River Media, 1999.

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3

Ikeda, Susumu. Hito no kao matawa hyōjō no shikibetsu ni tsuite: Shoki no jikkenteki kenkyū o chūshin to shita shiteki tenbō. Suita-shi: Kansai Daigaku Shuppanbu, 1987.

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4

Tetsuo, Yamaori. Nihonjin no kao: Zuzō kara bunka o yomu. Tōkyō: Nihon Hōsō Shuppan Kyōkai, 1986.

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5

International, Symposium on the Facial Nerve (8th 1997 Ehime-ken Japan). New horizons in facial nerve research and facial expression. The Hague: Kugler, 1998.

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6

Peck, Stephen Rogers. Atlas of facial expression: An account of facial expression for artists, actors, and writers. Oxford: Oxf.U.P.(N.Y.), 1990.

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7

Atlas of facial expression: An account of facial expression for artists, actors, and writers. New York: Oxford University Press, 1987.

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8

Roberts, Barbara. Face reading: How to know anyone at a glance. Encinitas, CA: Healing and Insight Publishers, 2009.

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9

Universität Innsbruck. Institut für Psychologie, ed. Current and future perspectives in facial expression research: Topics and methodological questions : proceedings of the international meeting at the Institute of Psychology, University of Innsbruck, Austria, September 28-29, 2007. [Innsbruck]: Innsbruck University Press, 2009.

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10

Yang, Henning Hai Lee. Mian xiang: The Chinese art of face reading. London: Vega, 2001.

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11

Joan, Grindell, and Grindell Mark, eds. Let's make faces: Have fun drawing different faces for different feelings! Arlington, Tex: Future Horizons, 2008.

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12

Nummenmaa, Tapio. Pure and blended emotion in the human face: Psychometric experiments. Helsinki: Suomalainen Tiedeakatemia, 1992.

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13

Szarota, Piotr. Psychologia uśmiechu: [analiza kulturowa]. Gdańsk: Gdańskie Wydawn. Psychologiczne, 2006.

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14

Mente, Boye De. Asian face reading: Unlocking the secrets hidden in the human face. Boston, Mass: Journey., 2003.

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15

Whiteside, Robert L. Face language: A guide to meeting the right person. Hollywood, Fla: Lifetime Books, 1992.

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16

Smallman, Steve. If the wind changes. Mankato, Minn: QEB Pub., 2012.

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17

The mechanism of human facial expression. Cambridge [England]: Cambridge University Press, 1990.

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18

Human facial expression: An evolutionary view. San Diego: Academic Press, 1994.

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19

Simon, Mark. Facial expressions: A visual reference for artists. New York: Watson-Guptill, 2005.

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20

Facial expressions: A visual reference for artists. New York: Watson-Guptill, 2005.

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21

Figuren des Ausdrucks: Formation einer Wissenskategorie zwischen 1700 und 1850. München: Wilhelm Fink, 2012.

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22

Gomi, Taro. Tonimo kakunimo suteki na nakama. Tōkyō: Ehonkan, 1995.

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23

Kasuga, Takehiko. Ganmen kō. Tōkyō: Kinokuniya Shoten, 1998.

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24

Hen na kao. Tōkyō: Hakusensha, 2011.

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25

Pienkowski, Jan. Faces. Harmondsworth, Middlesex: Penguin, 1988.

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26

Claudine, Haroche, ed. Histoire du visage: Exprimer et taire ses émotions, XVIe-début XIXe siècle. Paris: Rivages, 1988.

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27

The face of people. (Glasgow): (N. Morris), 1985.

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28

Carter, Sandra E., and Vaughan T. Bailey. Facial expressions: Dynamic patterns, impairments and social perceptions. Hauppauge, N.Y: Nova Science Publisher's, 2012.

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29

Löffler, Petra. Affektbilder: Eine Mediengeschichte der Mimik. Bielefeld: Transcript, 2004.

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30

W, Young Andrew, ed. Face perception. London: Psychology Press, 2012.

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31

Koe to kao no chūseishi: Ikusa to soshō no jōkei yori. Tōkyō: Yoshikawa Kōbunkan, 2007.

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32

Zimmer, Márta. Arcészlelés. Budapest: Akadémiai Kiadó, 2013.

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33

Asthana, H. S. Facial asymmetry in expression of emotion: A neurocultural perspective. New Delhi: Concept Pub. Co., 2012.

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34

ill, Cook Joel, and Kuon Vuthy ill, eds. Mayor Jalapeno Hal. Austin, Tex: Eakin Press, 2003.

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35

al-Abʻād al-nafsīyah li-taʻbīrāt al-wajh al-wāridah fī al-Qurʼān al-karīm. [Ḥāʼil]: al-Sirr Aḥmad Sulaymān, 2003.

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36

Henrietta, Spalding, ed. The invisible smile: Living without facial expression. Oxford: Oxford University Press, 2008.

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37

The artist's complete guide to facial expression. New York: Watson-Guptill Publications, 1990.

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38

Bai, Xiang, Yi Fang, Yangqing Jia, Meina Kan, Shiguang Shan, Chunhua Shen, Jingdong Wang, et al., eds. Video Analytics. Face and Facial Expression Recognition. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-12177-8.

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39

Carving facial expressions. Fresno, Calif: Linden Pub., 1997.

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40

Baldi, Camillo. El lenguaje secreto del rostro: Cómo descifrarlo e interpretarlo. Barcelona: Editorial De Vecchi, 1997.

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41

Prodger, Phillip. An annotated catalogue of the illustrations of human and animal expression from the collection of Charles Darwin: An early case of the use of photography in scientific research. Lewiston, N.Y: Edwin Mellen Press, 1998.

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42

Teague, Kati. Faces: Vietnamese and English. Toronto, Canada: Editions Renyi, 1990.

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43

Haller, Bernard. Le visage parle. Paris: Balland, 1988.

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44

Teague, Kati. Faces. Toronto: Editions Renyi, 1990.

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45

ill, Howarth Daniel, ed. If the wind changes. Mankato, Minn: QEB Pub., 2012.

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46

Teague, Kati. Faces: Japanese and English. Toronto, Canada: Editions Renyi, 1990.

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47

Cotter, Bill. Little face, big face. Naperville, Illinois: Sourcebooks, Incorporated, 2017.

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48

Yanagihara, Ryōhei. Kao kao don'na kao. Tōkyō: Kogumasha, 1988.

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49

Fernández-Dols, José-Miguel. Natural Facial Expression. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190613501.003.0024.

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The notion that there are universal facial expressions of basic emotion remains a dominant idea in the study of emotion. Inspired by pragmatics, and based on behavioral ecology and psychological constructionism, this chapter provides an alternative to the concept of facial expression of basic emotion: the concept of natural facial expression. Actual, observable natural facial expressions do not mean self-contained, discrete basic emotions; they are instead related to different components of diverse emotional episodes. Their communicative function is not semantic (e.g., a smile does not means happiness) but pragmatic (e.g., a smile prompts, on the receiver’s side, important inferences about the context and course of the interaction between sender and receiver).
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50

Human Facial Expression. Elsevier, 1994. http://dx.doi.org/10.1016/c2009-0-02293-4.

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