Journal articles: 'Expression de la spatialité'

1

Campaner, Thomas. "Résumé: “Noir” ou “invisible”: sens expressifs de la spatialité musicale." Chiasmi International 9 (2007): 275. http://dx.doi.org/10.5840/chiasmi2007947.

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Jacobson, Kirsten. "The Interpersonal Expression of Human Spatiality." Chiasmi International 8 (2006): 157–73. http://dx.doi.org/10.5840/chiasmi2006822.

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Ouyang, Wen-Chin. "Utopias, Dystopias and Heterotopias: The Spatiality of Human Experience and Literary Expression." Middle Eastern Literatures 15, no. 3 (December 2012): 227–31. http://dx.doi.org/10.1080/1475262x.2012.726572.

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Hoffmann, Thomas. "Asketiske rum i Koranen og tidlig islamisk Muhammadbiografi: Om et overset fænomen i askese-studier." Religionsvidenskabeligt Tidsskrift, no. 64 (March 11, 2016): 138. http://dx.doi.org/10.7146/rt.v0i64.23332.

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Focusing on the Qur’ān and the early biographical literature on Muhammad, I present the thesis that asceticism takes on a special spatial expression in Islam. This is expressed in three types of 'cramped' and ‘fixated’ spatiality: 1) in concrete physical form, 2) in language and literature, and 3) in ritualized embodiment. This thesis I link theoretically to more recent research in spatiality, particularly Edward Soya’s conceptualization of First-, Second-, and Thirdspaces. Finally, I fit this in with the paradoxical and far-reaching argument that these cramped and fixed spatialities, which find expression in introvert and world-eschewing First- & Secondspaces, ultimately give rise to a Thirdspace with highly extrovert and revolutionary potentials. In addition, I introduce briefly to the concept of asceticism and its treatment (and lack thereof) within three subject areas, i.e., research in Late Antiquity, research in the so-called Axial Age, and Islamic/Qur’ānic studies.

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Littig, Sabine. "Adpositional expression of spatiality in Adamawa languages with focus on the Samba-Duru group." Language in Africa 1, no. 3 (December 25, 2020): 266–91. http://dx.doi.org/10.37892/2686-8946-2020-1-3-266-291.

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A recurrent topic in language typology are adpositions within a cross-linguistic perspective. This paper questions whether there are similarities in form and function of spatial adpositions in Adamawa languages. Based on data of existing grammars and fieldwork results, form and function of the adpositions in question will be presented and discussed. The main result is that almost all languages show a generic adposition expressing spatial relations in general. First a theoretical overview about formal and functional features of adpositions is presented. This is completed with an excerpt of the relation between spatial marking and noun classes and a short introduction in spatial deixis. The theoretical explanations are followed by an empirical comparative study which attempts to empirically back up the theoretical conclusions and presents the results.

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Blais, Hélène. "Coloniser l'espace : territoires, identités, spatialité." Genèses 74, no. 1 (2009): 145. http://dx.doi.org/10.3917/gen.074.0145.

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Harris, Bridget, and Laura Vitis. "Digital intrusions: technology, spatiality and violence against women." Journal of Gender-Based Violence 4, no. 3 (October 1, 2020): 325–41. http://dx.doi.org/10.1332/239868020x15986402363663.

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Technologies have transformed self-expression, interactions and relationships. Temporal and geographic boundaries have been tested and overcome by instantaneous and borderless contact, communication and monitoring. Unfortunately, this has provided new channels and opportunities to extend and exacerbate gendered violence and other forms of hate. We contend that the unique features of digital harms warrant attention, but ultimately online harms cannot be divorced from those which occur offline. Drawing on what Kelly (1987; 1988; 2012) conceptualised as a ‘continuum of violence’ (and what Stanko, 1985, refers to as climates of ‘unsafety’), digital violence is, we suggest, part of the spectrum of harm to which women are exposed throughout their life-worlds. The industries that create technologies do not exist in a vacuum, and we explore how the workforce, design and management of platforms not only reflects but reinforces ‘offline’ inequalities and facilitates violence. There are challenges in harnessing technology but, in closing, we explore ways that women can claim and create digital spaces to resist violence and seek ‘justice’.

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Zanetti, Thomas. "Matérialité et spatialité d’une mémoire meurtrie." Géographie et cultures, no. 105 (March 1, 2018): 31–50. http://dx.doi.org/10.4000/gc.6381.

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Wunenburger, Jean-Jacques. "Bachelard, une phénoménologie de la spatialité." Nouvelle revue d’esthétique 20, no. 2 (2017): 99. http://dx.doi.org/10.3917/nre.020.0099.

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Kesteloot, Christian. "Spatialité et développements de la géographie." Espaces Temps 40, no. 1 (1989): 84–89. http://dx.doi.org/10.3406/espat.1989.3469.

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Cruz-Saito, Mizuki, Masatsugu Nishida, and Philippe Bonnin. "Le tatami et la spatialité japonaise." Ebisu 38, no. 1 (2007): 55–82. http://dx.doi.org/10.3406/ebisu.2007.1483.

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Petit, Jean-Luc. "La spatialité originaire du corps propre." Revue de Synthèse 124, no. 1 (December 2003): 139–71. http://dx.doi.org/10.1007/bf02963403.

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Martinet, Marie-Madeleine. "Hyperbole donquichottesque et spatialité cervantine chez Sterne." Revue de littérature comparée 319, no. 3 (2006): 261. http://dx.doi.org/10.3917/rlc.319.0261.

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Courville, Serge, and Normand Séguin. "Spatialité et temporalité chez Blanchard : propos d’heuristique." Cahiers de géographie du Québec 30, no. 80 (1986): 293. http://dx.doi.org/10.7202/021806ar.

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15

Jacobson, Kirsten. "Résumé: L’expression interpersonnelle de la spatialité humaine." Chiasmi International 8 (2006): 173. http://dx.doi.org/10.5840/chiasmi2006823.

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Downes, Paul. "A Living Spatial Movement of Relation. Reconceptualising Ricœur’s Oneself as Another and Heidegger’s Being and Time." Études Ricoeuriennes / Ricoeur Studies 11, no. 2 (March 17, 2021): 111–32. http://dx.doi.org/10.5195/errs.2020.495.

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Beyond the disparate and mainly fleeting references to life in Ricoeur’s Oneself as Another, whether as life as power, living well and with others, or as Ricoeur’s attempt to develop a concept of embodied subjectivity as flesh, which is presumably living flesh, not dead flesh, a further and arguably primordial life principle needs emphasis, namely, living space. Ricoeur’s recognition of the vital significance of space primordiality, as a pivotal dimension that is even prior to language, offers a significant conceptual leap in Ricoeur’s later work, Oneself as Another. Ricoeur’s proposed ontology of the flesh is one dimension towards expression of an authentic phenomenology of spatiality, though not necessarily the only one. Building upon but going beyond Ricoeur, the article explores concentric and diametric spatial interplay in relation to the early Heidegger’s existential spatiality, Angst and care, as candidate living spatial movements. This proposed primordial spatial discourse re-examines Ricoeur’s conatus as power to act, and his quest for a structure of relation to the other that is not closure, separation, or diametric opposition.

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Rosemberg, Muriel. "La spatialité littéraire au prisme de la géographie." Espace géographique 45, no. 4 (2016): 289. http://dx.doi.org/10.3917/eg.454.0289.

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Simont, Juliette. "Figures de la spatialité chez Sartre, Kant, Foucault." Les Temps Modernes 632-633-634, no. 4 (2005): 585. http://dx.doi.org/10.3917/ltm.632.0585.

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19

Gomes, Paulo C. da Costa, and Théo Fort-Jacques. "Spatialité et portée politique d’une mise en scène." Géographie et cultures, no. 73 (March 1, 2010): 7–22. http://dx.doi.org/10.4000/gc.1815.

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Gaulejac, Fabienne de, and Alain Gallo. "L'animal et la nouveauté : représentation ou acto-spatialité ?" Intellectica. Revue de l'Association pour la Recherche Cognitive 22, no. 1 (1996): 169–84. http://dx.doi.org/10.3406/intel.1996.1521.

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21

Russon, John. "Résumé: La spatialité de la conscience de soi." Chiasmi International 9 (2007): 220. http://dx.doi.org/10.5840/chiasmi2007938.

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22

Martouzet, Denis. "Voisinage et injonction au vivre-ensemble : analyse relationnelle." Nouvelles perspectives en sciences sociales 11, no. 2 (July 26, 2016): 261–85. http://dx.doi.org/10.7202/1037109ar.

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Cet article interroge la relation de voisinage à partir de l’analyse de la figure du voisin dans la culture populaire (dictons, littérature, bande dessinée…) : figure péjorative, elle est globalement contredite par les discours, beaucoup plus positifs, recueillis lors d’entretiens semi-directifs sur le rapport spatial et social à l’environnement de l’individu. Il en ressort que la relation de voisinage, en plus de la spatialité, a deux dimensions majeures : la temporalité et la potentialité. Le voisin, parce qu’il demeure à proximité, est potentiellement nuisible ou utile. Par cette simple potentialité, la relation de voisinage fait que l’individu n’est pas exactement ce qu’il est, il est aussi le résultat de la proximité du voisin et de la relation de voisinage en tant que triplet spatialité/temporalité/potentialité. L’article vise ainsi à proposer une définition du concept de relation.

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Zamiatin, Dmitri. "Post-City (II): Cartographies of Imaginaton and Co-spatiality Politics." Sotsiologicheskoe Obozrenie / Russian Sociological Review 18, no. 1 (March 2019): 9–35. http://dx.doi.org/10.17323/1728-192x-2019-1-9-35.

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From a methodological standpoint, a comprehensive study of post-urbanism implies a cognitive fixation of any spatial event as co-spatial. We can talk about the co-existence of different cognitive/ontological regimes in the post-urban reality, which themselves can also be called co-spatial. Co-spatialities, understood as communicative event nodes, can be considered as key elements in a prototypical imagination map of post-urban space. Post-urban geo-cultures, producing a variety of cartographies of the imagination, are fundamentally heterotopic. Different communities become post-urban in forming their transversal cartographies of the imagination, constantly proliferate, become more and more co-spatial and, consequently, generate this post-politics which is aimed at accelerating a multiple dispersion of communicative events. Post-urban communities create post-political situations in which the cartographies of the imagination becomes the bases of new urban landscapes or new geo-cultures. The post-city develops practices and processes of hetero-textuality when the texts of individual geo-cultures do not assume a common space of reading, a plan of value, or a plan of expression, and only comes into existence in terms of consistent landscape modulations immanent to imaginary cartographies. Any post-city cartography of imagination supports special landscape modes which create the realities of material and mental character. Any cartography of imagination can be thought of phenomenologically as the line becomes a particular identity of individuals and communities. Post-nomadic mobilities lead to the coexistence of multitudes of such cartographies whose event co-spatialities create a post-political communities, and manipulate differences of the “velocity” of multiple communicative discourses. The creation of new cartographies of imagination forms post-urbanism as an art of detailed co-spatialities.

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24

Lindborg, PerMagnus. "Interactive Sonification of Weather Data for The Locust Wrath, a Multimedia Dance Performance." Leonardo 51, no. 5 (October 2018): 466–74. http://dx.doi.org/10.1162/leon_a_01339.

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To work flexibly with the sound design for The Locust Wrath, a multimedia dance performance on the topic of climate change, the author developed software for interactive sonification of climate data. An open-ended approach to parameter mapping allowed tweaking and improvisation during rehearsals, resulting in a large range of musical expression. The sonifications represented weather systems pushing through Southeast Asia in complex patterns. The climate was rendered as a piece of electroacoustic music, whose compositional form—gesture, timbre, intensity, harmony, spatiality—was determined by the data. The article discusses aspects of aesthetic sonification, reports the process of developing the present work and contextualizes the design decisions within theories of cross-modal perception and listening modes.

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Bouchard, Pierre-Olivier. "La spatialité de l’Histoire dans l’œuvre de Dominique Fortier." @nalyses. Revue des littératures franco-canadiennes et québécoise 14, no. 2 (February 28, 2020): 66–85. http://dx.doi.org/10.18192/analyses.v14i2.4620.

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BAIK, Sou Linne. "Subjectivité et spatialité : autour des oeuvres romanesques de Beauvoir." Études de Langue et Littérature Françaises 110 (June 15, 2017): 111–41. http://dx.doi.org/10.18824/ellf.110.04.

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27

Sekimura, Makoto. "L’identité humaine et la spatialité dans la culture japonaise." Caietele Echinox 40 (June 28, 2021): 199–208. http://dx.doi.org/10.24193/cechinox.2021.40.16.

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"The Japanese still retain a certain traditional sensitivity in their relationship to the world. With a tendency to integrate with nature or their environment and to depend on others, they favor the relationship to others, as well as that between humankind and the world, which determines their identity. It is through integration into the circumstantial dimension that human beings form themselves and become aware of themselves. It follows that collective identity is stronger and more dominant than individual identity. This human way of being constitutes an essential aspect of Japanese culture and is represented in the architecture of traditional Japanese houses. Reflection on the spatiality specific to the Japanese lifestyle can promote a deep dialogue about human identity between different cultures."

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Nofal, Faris Osmanovich. "Metaphysical Foundations of Spatiality in the Teachings of the Classical Mutakallims (VIII-XIII centuries)." Philosophy of Religion: Analytic Researches 5, no. 1 (2021): 18–31. http://dx.doi.org/10.21146/2587-683x-2021-5-1-18-31.

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The article reviews Muslim mutakallimūn’s doctrines of VIII–XIII centuries about metaphysic basis of spatiality. Using a huge amount of Mutazili’, Ashari’ and Zaydi’ treatises, the author analyzes three the most significant conceptual blocks of physical theories of Muslim theologists – cosmologic, macro- and microspatial. The study shows, that pre-islamic time’s mythologems, which partially consist in a Muslim mythological corpus texti, specify basic theoretical coordinates of kalām cosmology. The latter, in its turn, bases on general Semitic intuition of hierarchy layout of metaverse. As for indigenous speculation of Mutakalimūn’s about tridimentional microspace, it has found its expression in elaborating the categories of makān and djiha – to denote virtual or real whereabouts of the entity and the void. In the end, Middle-East philosophers-atomists interpreted microspace – hayyiz predicatively connected with the sense of tiny matter particles, as geometrical unexpanse, which serves as ontology base both for one- or two-dimensionality and for three-dimensional complex entities. Separately the article offers original Mutakallimūn’s theories, which refer to the problems of reciprocity between spiritual entities and physical space.

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Abravanel, Nicole. "L'historicité en milieu sépharade ou le primat de la spatialité." Vingtième Siècle. Revue d'histoire 117, no. 1 (2013): 183. http://dx.doi.org/10.3917/vin.117.0183.

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Di Méo, Guy. "Subjectivité, socialité, spatialité : le corps, cet impensé de la géographie." Annales de géographie 675, no. 5 (2010): 466. http://dx.doi.org/10.3917/ag.675.0466.

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Siino, Corinne. "De la spatialité des acteurs politiques locaux : territorialités et réticularités." Sud-Ouest européen, no. 49 (December 3, 2020): 84–87. http://dx.doi.org/10.4000/soe.6917.

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Routledge, P. "Space, Mobility, and Collective Action: India's Naxalite Movement." Environment and Planning A: Economy and Space 29, no. 12 (December 1997): 2165–89. http://dx.doi.org/10.1068/a292165.

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Contemporary theories of social movements have failed adequately to address the spatiality of collective action. I argue that an analysis of collective action that pays due attention to the spatiality of movement practice can provide an important complement to social movement theories. This spatiality of social movement agency involves an analysis of how spatial processes and relations across a variety of scales, as well as the particularities of specific places, influence the character and emergence of social movements, and how social movements use space strategically. Using the notions of locale, location, and sense of place as an interpretive framework I argue that a spatialized analysis of conflict provides important insights into social movement experience. First, it informs us of the broader spatial context within which social movements are located; second, it informs us of the spatial and cultural specificity of movements; third, it informs us of the cultural expressions of social movement agency; and, fourth, it informs us of how the strategic use of space may constrain or enable collective action. I contextualize these arguments by analyzing the Maoist insurgency of the Naxalite movement, which first emerged in India during the late 1960s.

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Trouillet, Pierre-Yves. "Violences et spatialités du sacrifice hindou en Inde du Sud." Cahiers de géographie du Québec 53, no. 150 (February 11, 2010): 317–34. http://dx.doi.org/10.7202/039183ar.

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RésuméL’article pose la question des correspondances entre champ sacré, champ social et champ spatial relatives aux expressions violentes du sacrifice et du système des castes, dans un village du sud de l’Inde. Il s’agit de voir, dans le contexte spécifique du village de Mailam au Tamil Nadu, combien les spatialités des violences du sacrifice hindou révèlent une géographie socioreligieuse idéologique de l’espace villageois, porteuse de violences symboliques qui se retrouvent dans les enjeux d’un conflit local opposant une caste dominante à une caste intouchable.

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Bakis, Henry. "« La spatialité d’Internet », compte-rendu de la thèse de Boris Beaude." Netcom, no. 23-1/2 (June 1, 2009): 171–74. http://dx.doi.org/10.4000/netcom.945.

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35

Dumont, Augustin. "Actologie, géologie et spatialité de l'image dans Les Disciples à Saïs." Revue de métaphysique et de morale 62, no. 2 (2009): 263. http://dx.doi.org/10.3917/rmm.092.0263.

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36

VOIROL, JÉRÉMIE. "Warriorz: Graffiti-writing, spatialité et performances à Bienne by Tadorian, Marc." Social Anthropology 19, no. 1 (January 25, 2011): 132–33. http://dx.doi.org/10.1111/j.1469-8676.2010.00142_19.x.

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37

Terentowicz-Fotyga, Urszula. "Defining the dystopian chronotope: Space, time and genre in George Orwell’s 'Nineteen Eighty-Four'." Beyond Philology An International Journal of Linguistics, Literary Studies and English Language Teaching, no. 15/3 (December 17, 2018): 9–39. http://dx.doi.org/10.26881/bp.2018.3.01.

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The paper examines George Orwell’s Nineteen Eighty-Four as a canonical example of the dystopian novel in an attempt to define the principal features of the dystopian chronotope. Following Mikhail Bakhtin, it treats the chronotope as the structural pivot of the narrative, which integrates and determines other aspects of the text. Dystopia, the paper argues, is a particularly appropriate genre to consider the structural role of the chronotope for two reasons. Firstly, due to utopianism’s special relation with space and secondly, due to the structural importance of world-building in the expression of dystopia’s philosophical, political and social ideas. The paper identifies the principal features of dystopian spatiality, among which crucial are the oppositions between the individual and the state, the mind and the body, the high and the low, the central and the peripheral, the past and the present, the city and the natural world, false and true signs.

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Herd, David, and Stephen Collis. "Making space for the human: Rights, the Anthropocene and recognition." European Journal of American Culture 39, no. 1 (March 1, 2020): 13–27. http://dx.doi.org/10.1386/ejac_00008_1.

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This article addresses the tension between two expressions of post-war spatiality. It was the aim of the Universal Declaration of Human Rights, the article observes, to achieve a formulation of the human from which no person might fall out. At the same time, as the category of the human as attribute of persons struggled to extend itself, so the effects of the so-called Anthropocene became greatly accelerated. The article argues that these forms of spatiality must be thought in relation to one another. It contends that to understand the degree to which the Universal Declaration was spatial in its understanding, it is necessary to read that document alongside such post-war writers as Charles Olson and Hannah Arendt. It considers how far, in various post-war geopolitical imaginaries, one finds resources for thinking about human movement in our own moment, and how such thinking can address the Anthropocene and its still accelerating effects.

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Rosemberg, Muriel. "Spatialité du déracinement dansLa Petite Fille de Monsieur Linh, de Philippe Claudel." Annales de géographie 709-710, no. 3 (2016): 405. http://dx.doi.org/10.3917/ag.709.0405.

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HARLEY, MARIA ANNA. "Spatiality of sound and stream segregation in twentieth century instrumental music." Organised Sound 3, no. 2 (August 1998): 147–66. http://dx.doi.org/10.1017/s1355771898002088.

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Let us imagine a situation: a listener seated in a concert hall witnesses a performance by a trumpet player (standing on the stage) of a sequence of four quarter-notes, with the pitches of B[flat ]3–A3–C4–B3. The listener chooses to ignore the immediate physical surroundings and hears one of the following: (i) four trumpet sounds equally spaced in time, (ii) a sequence of intervals – minor second, minor third, minor second, (iii) an instance of set 4-1, (iv) a motive referring to the name of BACH. The `web of interpretants' (term from Nattiez 1987/1990) surrounding a simple musical fact is already quite dense, even though we have only considered its aspects relating to pitch, pitch class and pitch notation (representation by letters). What if the performer's gestures, the facial expressions, the direction of the bell of the instrument became important? Might one say, then, that the music has become theatre?

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Iogna-Prat, Dominique. "The Meaning and Usages of Medieval Territory." Annales. Histoire, Sciences Sociales 72, no. 1 (March 2017): 91–100. http://dx.doi.org/10.1017/ahsse.2019.3.

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Based on Florian Mazel’s book L’évêque et le territoire. L’invention médiévale de l’espace (ve–xiiie siècle), this article seeks to revisit the spatial turn that has marked medieval studies in France over the last thirty years. Historians of dominium in the feudal period draw on the phenomena of incastellamento or inecclesiamento to suggest a territorial anchoring of populations around the “poles” or “cells” of domination represented by the castle, the church, the cemetery, and the parish. Mazel, however, offers a reflection on another scale. He sees territory as a space for the expression of political sovereignty, with the Church and its establishment of a new form of spatiality—the diocese—preceding the state as an institution realized via a territorial construction. Through its focus on the diocese, this analysis concentrates on a scale which makes sense within a general hierarchical dynamic of ecclesial spatialization, from top to bottom, from local to universal. But it also and above all enables an interrogation of how the territorial practices of the medieval Church made possible the transition to space in the modern, homogeneous and isotropic, sense.

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Hijazi, Rita, Amani Sabra, and Moustafa Al-Hajj. "Annotation Automatique Des Connaissances Spatiales En Arabe." European Scientific Journal, ESJ 14, no. 14 (May 31, 2018): 218. http://dx.doi.org/10.19044/esj.2018.v14n14p218.

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In this paper, we introduce a rule-based approach to annotate Locative and Directional Expressions in Arabic natural language text. The annotation is based on a constructed semantic map of the spatiality domain. Challenges are twofold: first, we need to study how locative and directional expressions are expressed linguistically in these texts; and second, we need to automatically annotate the relevant textual segments accordingly. The research method we will use in this article is analytic-descriptive. We will validate this approach on specific novel rich with these expressions and show that it has very promising results. We will be using NOOJ as a software tool to implement finite-state transducers to annotate linguistic elements according to Locative and Directional Expressions. In conclusion, NOOJ allowed us to write linguistic rules for the automatic annotation in Arabic text of Locative and Directional Expressions.

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43

Picandet, Lucie. "Hitler, un film d’Allemagne, une machine de mémoire. Spatialité de l’art du deuil." Hors dossier 26, no. 1 (July 6, 2016): 129–47. http://dx.doi.org/10.7202/1037005ar.

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Cet article propose une lecture poétique du processus psychique de deuil engagé dans Hitler, un film d’Allemagne (Hitler, ein Film aus Deutschland, 1977), de Hans Jürgen Syberberg, et tente de fournir une clé d’interprétation esthétique à cette oeuvre singulière en confrontant les dispositifs d’espace et de temps du film à ceux des arts de la mémoire. En s’appuyant sur ces pratiques mnémoniques qui visent à structurer la pensée par les « images » (imagines) et les « lieux » (loci) de la mémoire, l’auteure interroge la dimension artistique du deuil chez Syberberg, à travers trois exemples qui révèlent une progression dans les opérations de mutation psychique de l’image de Hitler. Quelle(s) forme(s) et fonction(s) le dispositif filmique prend-il dans ces opérations de spatialisation et de mécanisation de la mémoire et de l’oubli propres au travail du deuil ?

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44

Soudière, Martin de La. "Philippe Bonnin, Une ethnographie au long cours. Images habitées. Photographie et spatialité, 2007." Strates, no. 14 (January 1, 2008): 271–72. http://dx.doi.org/10.4000/strates.6703.

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45

Desportes, Marc. "L'Ère technique de la spatialité urbaine. Le cas des infrastructures routières, 1900-1940." Les Annales de la recherche urbaine 68, no. 1 (1995): 211–12. http://dx.doi.org/10.3406/aru.1995.1915.

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46

Tetsurō, Watsuji. "Extraits de Fūdo." Dossier 64, no. 2 (December 11, 2008): 327–44. http://dx.doi.org/10.7202/019502ar.

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Fūdo (Milieux humains), publié en 1935, est l’ouvrage le plus célèbre de Watsuji Tetsurō (1889-1960), au-delà même de son oeuvre majeure, Éthique (Rinrigaku). Il a été reçu en effet principalement comme un essai sur l’identité japonaise. Mais définir l’identité japonaise n’était pas pour Watsuji l’objectif principal de ce livre. Fūdo a été conçu en réponse à Sein und Zeit (1927) de Heidegger. À l’accent mis sur la temporalité par le maître livre, il répond en mettant l’accent sur la spatialité ; et à l’historialité heideggérienne (Geschichtlichkeit), il répond par le concept de fūdosei, qu’il définit comme « le moment structurel de l’existence humaine », c’est-à-dire la dynamique de la spatialité concrète où chaque être humain est engagé de par sa relation existentielle avec autrui et avec les choses de son milieu. Ce concept central, créé par Watsuji, est ici rendu par le néologisme médiance (du latin medietas, moitié), qui exprime la dualité de l’humain concrètement replacé dans son milieu (fūdo) : une dimension individuelle (que Watsuji appelle hito) et une dimension relationnelle (que Watsuji appelle aida), le couplage (la médiance) de ces deux « moitiés » de l’être s’incarnant dans l’être humain concret (ningen). La traduction porte sur le préambule et sur le premier chapitre de Fūdo, où Watsuji présente puis expose sa théorie générale des milieux humains et de la médiance, ainsi que, à titre d’exemple, sur deux extraits où il interprète le milieu désertique (c’est-à-dire le monde arabo-musulman) et le milieu bucolique (à savoir l’Europe).

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Bourdeau, Philippe, Jean Corneloup, Pascal Mao, and Éric Boutroy. "Les interactions entre cultures sportives de montagne et territoires : un état des lieux de la recherche française depuis 1990." Cahiers de géographie du Québec 48, no. 133 (December 22, 2004): 33–46. http://dx.doi.org/10.7202/009761ar.

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RésuméLes relations entre cultures sportives et territoires constituent un champ de recherche en plein essor en France depuis le début des années 1990. Une grille de lecture socio-spatiale est appliquée à un corpus de textes géographiques, sociologiques, historiques et ethnologiques portant sur cette question. Cette démarche est orientée selon quatre registres conceptuels (espace, spatialité, territoire, territorialité) et interactionnels (physique, fonctionnel, organisationnel, existentiel), qui mettent en perspective l’orientation thématique et le point de vue théorique des travaux pris en compte. Cet état des lieux des représentations scientifiques permet d’expliciter le phénomène de co-construction temporelle des cultures sportives et de leurs espaces d’action.

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Vauthier, Simone. "Tableaux imaginaires dans un roman de Hugh Hood." Études littéraires 28, no. 3 (April 12, 2005): 77–90. http://dx.doi.org/10.7202/501135ar.

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Le roman de Hugh Hood, A New Athens , offre un large champ d'enquête à qui s'intéresse à l'inscription du pictural dans la fiction. Le présent article étudie de manière détaillée deux descriptions de tableaux imaginaires et leur fonctionnement dans l'économie du roman. mis en oeuvre par des stratégies et des procédés variés, le jeu avec la linéarité et la spatialité remet en cause l'idée couramment reçue selon laquelle le visuel est synchronique et le verbal diachronique. Dans ce roman d'un écrivain catholique, l'opposition entre mot et image se résout dans un système de signes qui a sa source dans l'Énergie Divine.

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Zilberberg, Claude. "La poétique de l’image selon Bachelard." Estudos Semióticos 15 (April 11, 2019): 1–10. http://dx.doi.org/10.11606/issn.1980-4016.esse.2019.156342.

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Ce travail propose une interprétation de la Poétique de l’espace (1957) de Gaston Bachelard. Dans sa discussion de l’ouvrage du philosophe, Claude Zilberberg met à contribution des concepts fondamentaux de la sémiotique tensive dans ses développements de la toute dernière phase, dont notamment les « modes sémiotiques », à savoir le mode d’efficience (survenir vs. parvenir), le mode d’existence (saisie vs. visée) et le mode de jonction (concession vs. implication). L’auteur évoque en outre les subvalences de la tonicité, du tempo, de la temporalité et de la spatialité, de même que le rôle joué par les « styles syntaxiques » dans les choix opérés par les sujets de l’énonciation.

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Audet, René. "Tectonique essayistique." Études littéraires 37, no. 1 (June 7, 2007): 119–31. http://dx.doi.org/10.7202/012829ar.

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Résumé Partant du conflit théorique possible entre le discours de type narratif et la poétique essayistique, cet article explore les modalités de présence de la narrativité dans l’essai à partir d’un recueil récent de Pierre Nepveu, Lectures des lieux. L’ajout d’un paramètre, celui du lieu, problématise sous un autre angle la poétique essayistique chez Nepveu, conjuguant la spatialité à la temporalité du récit. Il émerge de cette analyse l’idée que le lieu apparaît comme un prisme à travers lequel l’essayiste peut lire la culture (l’essai créant un déplacement) et que l’exploration des lieux, sur le mode narratif, le conduit à envisager les objets culturels dans une continuité historique ou selon le récit de leur lecture.

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Journal articles on the topic 'Expression de la spatialité'

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