Relevant bibliographies by topics / Expression of grief

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Expression of grief'

Author: Grafiati
Published: 4 June 2021
Last updated: 6 February 2022

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Journal articles on the topic "Expression of grief"

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O’Connor, Mary-Frances, Christian R. Schultze-Florey, Michael R. Irwin, Jesusa M. G. Arevalo, and Steven W. Cole. "Divergent gene expression responses to Complicated Grief and Non-complicated Grief." Brain, Behavior, and Immunity 37 (March 2014): 78–83. http://dx.doi.org/10.1016/j.bbi.2013.12.017.

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Packman, Wendy, Betty J. Carmack, Rachel Katz, France Carlos, Nigel P. Field, and Craig Landers. "Online Survey as Empathic Bridging for the Disenfranchised Grief of Pet Loss." OMEGA - Journal of Death and Dying 69, no. 4 (December 2014): 333–56. http://dx.doi.org/10.2190/om.69.4.a.

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The current cross-cultural study investigated grief reactions of bereaved individuals following the death of a pet. We used qualitative methodology to compare, analyze, and report responses of U.S. and French Canadian participants to the last open-ended question on our online pet loss survey. We explored the degree to which our data illustrated pet loss as disenfranchised grief and asked whether there are differences and commonalities in the expression of grief between the two samples. Four major themes emerged: lack of validation and support; intensity of loss; nature of the human pet relationship; and continuing bonds. Findings confirm that, for both the U.S. and French Canadian participants, pet loss is often disenfranchised grief and there are ways to facilitate expressions of grief. Many participants wrote that the survey was therapeutic. Our survey allowed participants to express their grief in an anonymous, safe way by serving as empathic bridging and a willingness to help others.
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Dragut, Adrian. "Grief - The Expression of Romanian Artistic Spirituality." International Journal of Art Design Education 18, no. 2 (May 1999): 213–16. http://dx.doi.org/10.1111/1468-5949.00176.

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Koblenz, Jessica. "Growing From Grief." OMEGA - Journal of Death and Dying 73, no. 3 (March 10, 2015): 203–30. http://dx.doi.org/10.1177/0030222815576123.

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Currently, there are 2.5 million children in the United States who suffered the loss of a parent. Grieving children are more likely to experience symptoms of depression and anxiety compared with their nongrieving peers. Adults ( N = 19) who experienced a loss during childhood were interviewed to assess what was most helpful and most harmful in coping through the years following the death. The qualitative descriptions were coded and analysis of common themes determined. Five theoretical constructs were found: adjustment to catastrophe, support, therapy, continuing a connection with the deceased parent, and reinvestment. The findings have clinical applications for bereaved children, their families, and clinical programs targeting this population. The unique insights provide an emotionally salient expression of their experiences and provide a framework for how best to support this group.
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Costa, Beth M., Lesley Hall, and Jan Stewart. "Qualitative Exploration of the Nature of Grief-Related Beliefs and Expectations." OMEGA - Journal of Death and Dying 55, no. 1 (August 2007): 27–56. http://dx.doi.org/10.2190/cl20-02g6-607r-8561.

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Societal expectations of grief impact the experience of bereavement. The congruence of societal expectations with current scientific understanding of grief is unknown. Therefore two qualitative studies explored community perceptions of grief. In study one, three small focus groups ( N = 9) examined grief-related expectations associated with hypothetical scenarios of bereavement. In study two, the impact of grief-related perceptions on the lived experience of bereavement for 11 individuals was explored through semi-structured interviews. Across both studies, elements of a traditional stage model view of grief were evident, with participants viewing emotional expression of grief as important. An avoidant coping style in the bereaved was considered problematic. Findings of study two suggested that grief-related beliefs may impact the bereavement experience via appraisal of the grief response and willingness to support bereaved individuals. The studies suggested that stage model assumptions in the beliefs of the general population persist, although there was a recognition of diversity in the grief response.
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Elder, Jessica, and Laurie A. Burke. "Parental Grief Expression in Online Cancer Support Groups." Illness, Crisis & Loss 23, no. 2 (March 24, 2015): 175–90. http://dx.doi.org/10.1177/1054137315576617.

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Ellis, Richard R., and Lois C. Dick. "When Our Clients Sing their Blues." OMEGA - Journal of Death and Dying 24, no. 4 (June 1992): 289–300. http://dx.doi.org/10.2190/jclm-eddx-ular-83w5.

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Some grievers find it helpful to interact with a grief counselor, someone who is effective in aiding the grieving process. Here, we examine the parallels found between the interactions of grievers with their grief counselors and those of musical blues performers with their audiences. There is a traditional musical/lyrical form known as the blues; there are conventional instrumental musical accompaniments within the blues form; and there are accepted interactive behaviors between blues performers and their audiences. Similar conventions and traditions exist in grief counseling. The wellspring of the traditional blues/blues performance and of grief/grief counseling is the human need for expression.
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McKay, Kathy, and Joe Tighe. "Talking through the Dead: The Impact and Interplay of Lived Grief after Suicide." OMEGA - Journal of Death and Dying 68, no. 2 (March 2014): 111–21. http://dx.doi.org/10.2190/om.68.2.b.

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In the aftermath of suicide, grief becomes a multi-faceted experience. Traditionally, this grief was silenced where the shame attached to suicide invalidated a person's need for expression. Even now, it can be difficult for people to fully articulate their grief, let alone find an empathetic audience. How do we examine this grief to more clearly hear the voices of the bereaved, and to better understand how to support those who are grieving a suicide death? Indeed, the ripple of suicide grief touches more than those traditionally considered to be impacted by the death. Whole communities can be affected and it cannot be presumed that researchers do not have their own lived experiences of suicide bereavement. In this way, the newly-opened discourse around the experience of suicide grief needs to be dissected within more practical and appropriate research. A balance needs to be created in research where the voices of grief can be included but the experiential context understood and respected.
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Funk, Laura M., Sheryl Peters, and Kerstin Stieber Roger. "The Emotional Labor of Personal Grief in Palliative Care: Balancing Caring and Professional Identities." Qualitative Health Research 27, no. 14 (September 9, 2017): 2211–21. http://dx.doi.org/10.1177/1049732317729139.

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The paid provision of care for dying persons and their families blends commodified emotion work and attachments to two often-conflicting role identities: the caring person and the professional. We explore how health care employees interpret personal grief related to patient death, drawing on interviews with 12 health care aides and 13 nurses. Data were analyzed collaboratively using an interpretively embedded thematic coding approach and constant comparison. Participant accounts of preventing, postponing, suppressing, and coping with grief revealed implicit meanings about the nature of grief and the appropriateness of grief display. Employees often struggled to find the time and space to deal with grief, and faced normative constraints on grief expression at work. Findings illustrate the complex ways health care employees negotiate and maintain both caring and professional identities in the context of cultural and material constraints. Implications of emotional labor for discourse and practice in health care settings are discussed.
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Francis, Linda E., Georgios Kypriotakis, Elizabeth E. O’Toole, Karen F. Bowman, and Julia Hannum Rose. "Grief and Risk of Depression in Context." OMEGA - Journal of Death and Dying 70, no. 4 (March 2015): 351–79. http://dx.doi.org/10.1177/0030222815573720.

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We investigated the relationships of grief and depression to cancer caregiving in early bereavement. We began with three expectations: (a) each outcome would reflect different situational predictors, (b) grief would be more directly related to such predictors, and (c) components of grief would relate differently to the caregiving context and depressed mood. We conducted telephone interviews with family caregivers of incurable cancer patients from two hospitals. A total of 199 family caregivers were interviewed at the time of the patient’s diagnosis and reinterviewed 3 months after the patient’s death. Results showed grief severity was predicted by caregiving circumstances, but bereavement depressed mood was largely unrelated to caregiving. Grief was the main predictor of depressed mood and mediated almost all other effects. We conclude that while grief may trigger depression, the dissimilar connection to context means that the two emotional states should not be equated based purely on similarity of expression.
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Dissertations / Theses on the topic "Expression of grief"

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Shulla, Rachel Marie, and Rachel Marie Shulla. "Sex Differences in Behavioral and Psychological Expression of Grief During Adolescence: A Meta-Analysis." Thesis, The University of Arizona, 2017. http://hdl.handle.net/10150/625154.

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Adolescence is a time of emotional growth and maturity, as well as increased autonomy. With such environmental changes, combined with specific age-related neurological development, adolescent behavioral research has documented a collection of age-specific behaviors universally observed during this time in development. Adolescent egocentric behaviors have been documented for years, and grief during this developmental period can exacerbate these behaviors. This meta-analysis synthesizes the results of 14 independent studies (N = 6,979 participants) that examined sex differences in internalized, externalized, and PTSD symptoms associated with grief during adolescence. While no mean-level differences were found between adolescent females and males in externalizing behaviors associated with grief (d = 0.03), on average, females reported higher levels of internalized grief responses (d = 0.18) and higher levels of PTSD symptoms (d = 0.36) than their male counterparts. Findings suggest the need for additional, more nuanced research to investigate possible sex differences in externalized behaviors relating to grief. In addition, research should examine whether tailored therapeutic and intervention measures and resources are needed for adolescents experiencing internalized grief and PTSD symptoms given sex differences in these reactions.
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Eriksson, Grubb Adam, and Louise Martin. "Närståendes uttryck av sorg och behov vid dödsfall." Thesis, Ersta Sköndal högskola, Institutionen för vårdvetenskap, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:esh:diva-1029.

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Welch, Kate. "Expressions of grief on the early modern stage." Thesis, University of Oxford, 2014. https://ora.ox.ac.uk/objects/uuid:bc057f32-cb0a-4e30-8575-44947e3a4c12.

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This thesis investigates the ways mourning was performed on the early modern stage. "Expressions of Grief on the Early Modern Stage" re-evaluates widely accepted accounts of theatrical and literary mourning, intervening in two major debates. The first is the extent to which theatrical mourning is an expression of mourning for a Catholic past, a familiar account that is complicated by asking what happens when mourning is future-oriented, rehearsing for a death still to come. The second intervention disrupts the notion of a linear progression from stoical, anti-grief attitudes to increasing sympathy for mourners by revealing a variety of responses to staged mourning across this time period. I identified seventy-eight plays from 1580-1642 that feature extended or notable scenes of mourning, and created a database to track accompanying gestures, associated playing companies, playhouses, and playwrights, and dates of composition and performance (when known). The thesis focuses on four aspects of the dramaturgy of mourning that emerged from this research: mourning as preemptive or strategic; mourning displaced by revenge; mourning performed as explicitly false; and, throughout, the way mourning deploys the vertical axis of the stage structure and the actor's body. The following chapters examine mourning through the specific gestures of prostration and kneeling, through motion (the rising and falling in the history plays as revenge takes the place of mourning), and the metadramatic bracketing of mourning in fake funerals. Examining specific gestures and the use of the stage space, reveals the way mourning was performed both "out of joint" - that is, out of the expected time sequence - and "out of place", using verticality in unexpected ways, lowering the body to take control of the gaze and the dramatic moment; framing 'above' as strategically advantageous while the confined theatrical space forces the actors to descend. Analysing prostration scenes in George Peele's David and Bethsabe and in Titus Andronicus reveals additional substantiation for Peele's role as a collaborator with Shakespeare. Looking at the three parts of Henry VI through the thematic lens of mourning contributes to the debate over the order of composition, offering tentative support for the 1-2-3 sequence. Tracking fake funerals over this time period revealed a sharp increase in this device after 1603, which the final chapter suggests is related to anxieties over public performances of mourning after Elizabeth I's death and one of the worst plague years on record. Performances of theatrical mourning thus occur displaced in time, preemptive requests for a death not to happen rather than the belated wish to bring the dead back to life. Mourning in the theatre occurs out of place: testing classbased mourning scripts; moving up and down the vertical axis of the stage; performing a transitory state of emotion through transitory gestures; deploying submissive poses that turn out to hold surprising theatrical and strategic power.
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VAN, HOUTEN Sjoukje Marloes. "Greed, grief, a gift. War-traumatized women and contextualizing expressive arts therapy." Digital Commons @ Lingnan University, 2016. https://commons.ln.edu.hk/cs_etd/31.

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This dissertation explores the universality of trauma-storing in the body and the need for contextualization when it comes to treatment. Of the two central themes addressed, the first is war-related trauma and the intersection of expressive arts therapy and South (East) Asia (Nepal and Hong Kong in particular) with its specific imagery, art, and culture, and to see how both feed into each another and can transform as a result. The question is how to locally sensitize expressive arts therapy, which has its roots in Europe and the United States, to the Hong Kong setting; more specifically, to working with Nepali women who try to make Hong Kong their new home. The dissertation suggests a holistic, locally, and culturally sensitive approach to expressive arts therapy. This means adjusting the expressive arts framework and practices to the local and cultural setting, as well as looking at the resources (myths, dance forms, breathing practices, rituals, etc.) present in the local culture and including them in the anthropological approach to trauma transformation. The second theme addressed is the importance of critically reflecting on power within therapeutic relationships, especially in trauma treatment, and recognizing the ontological underpinnings underlying therapy as well as our ‘human self-concept’, which leads to the acknowledgement of only a certain type of human experience, that of conscious, self-aware subjects in control of their acts. The latter leaves little room for understanding traumatic experiences, in which trauma victims seem to be unable to remember or shape the traumatic event. In Walter Benjamin’s dissertation, any kind of representation of our personal and collective identities is seen as a curation. When approaching history as a ‘collection’ of memories, it creates room for traumatic experiences to exist. Benjamin’s dissertation is applied to understanding trauma in such a way where it is precisely the discontinuity, the disparities, the ruptures of history and memory that make trauma visible; these are the gifts handed to the next generation. It is the piecing together of fragments and uncertainties that transforms trauma into a space of insight, creating meaning from what is known and unknown, bridging the stories and images of history present in our implicit and explicit memory. In the critical reflection on traumatology, a Foucauldian approach is taken regarding the therapist-client relationship. Foucault speaks of a top-down apparatus with policies that act under the guise of ‘protect and serve’, and language that frames the clients as a helpless victim in need of ‘betterment’ by the therapist. The only way for therapists to tackle the problem of trauma and psychotherapy, and to admit its social/cultural construction and the role of power, is to read themselves into the problem, to go beyond one-way mirroring, to analyze their pathology, and attempt to change patterns of communication that reproduce the psy-complex apparatus. In this thesis the latter is done by including the creative and analytic reflections of expressive arts therapists and of the author herself.
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Webb-Ferebee, Kelly. "Expressive Arts Therapy with Bereaved Families." Thesis, University of North Texas, 2001. https://digital.library.unt.edu/ark:/67531/metadc2861/.

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Most current grief programs support the children and/or parents of bereaved families rather than the family as a whole. This exploratory study was a quantitative and qualitative investigation of the use of expressive arts therapy with bereaved families during a weekend camp experience and a series of followup sessions. The purpose of the study was to determine the effectiveness of using expressive arts activities in improving the functioning of the bereaved family as a whole as well as individual family members. Participants included eight families who lost a child to a chronic illness between 2 to 36 months months prior to the onset of the study. Children ranged in age from 3 to15, and parents ranged in age from 26 to 66, for a total of 27 participants. The Child Life Department at Children's Medical Center of Dallas, a division of The University of Texas Southwestern Medical Center in Dallas, Texas recruited the families. Participants received flyers and invitational letters and registered through the mail. Families attended a weekend camp where they experienced a wide variety of expressive arts activities in a combination of group formats: multi-family groups, parents' group, developmental age groups for children, total childrens' group, individual family group, mothers' group, and fathers' group. The research design was a pretest/posttest quasi-experimental control group design, but a control group could not be established. Therefore, one-tailed t-tests were used to compare participant functioning between the beginning and end of the study. Instruments used in this study included the Family Environment Scale, the Behavior Assessment System for Children the Beck Anxiety Inventory and the Beck Depression Inventory. In addition, the researcher used qualitative analysis to assess contents of family members' and counseling staff's journals, expressive arts products, and family members' evaluations. Results of this exploratory study indicated some improvements in children's, parents' and total family functioning. Expressive arts therapy shows promise in effecting constructive change in bereaved families and is deserving of further research.
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Collison, Elizabeth A. "Evaluating the Pennebaker Paradigm with Bereaved Emerging Adults: Applications of Text Analysis." VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4436.

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Bereavement is an important research area as it can result in grief reactions that lead to serious psychological and health consequences, particularly for the at-risk group of emerging adults (Arnett, 2000; Balk, Walker, & Baker, 2010; Fisher, Murray, & Frazer, 1985; Stroebe, Schut, & Stroebe, 2007). Expressive writing is a well-researched intervention for trauma and adjustment, yet research repeatedly has revealed null results with the classic Pennebaker paradigm as a bereavement intervention (Stroebe et al., 2002; Stroebe, Schut, & Stroebe, 2006). It may be premature, however, to conclude expressive writing is ineffective for the bereaved due to limitations in extant research. For example, Pennebaker’s paradigm is based on the premise that participants freely choose the stressful topic to write about, whereas expressive writing bereavement studies have required participants to write about their loss (Collison & Gramling, manuscript in preparation). The present study reports on data from a larger study (Konig, Eonta, Dyal, & Vrana, 2014; N=246) that assessed psychological and physiological outcomes in college students who wrote about a traumatic stressor using Pennebaker’s paradigm. This provided the opportunity to rigorously test it with bereavement and compare death loss to other forms of trauma. Analyses examined the impact of expressive writing with the bereaved who freely identified death loss as the traumatic stressor (n=69) and were randomly assigned to either emotional disclosure or control writing on outcome measures of physical symptoms (PILL), event-related distress (DTS), and depression (CES-D). Linguistic Inquiry and Word Count (LIWC; Pennebaker, Mayne, & Francis, 1997) and Latent Semantic Analysis (LSA; Campbell & Pennebaker, 2003) results were also used to compare these groups. Exploratory analyses investigated potential differences between the bereaved and those who endorsed a non-bereavement trauma (“other trauma”; n=71) using outcome measures and text analytic techniques (i.e., PILL, DTS, CES-D; LIWC, LSA). Results were consistent with findings from previous expressive writing studies with the bereaved, in that the intervention resulted in no detectable benefits when compared with control writing. No remarkable differences between the bereaved and “other trauma” participants emerged. Researchers’ time may be better spent examining more clinically relevant writing exercises for bereavement interventions.
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Kohut, Mary K. "Assessment of Expressive Therapies in Summer Bereavement Camps." Ursuline College / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=urs1210946513.

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Weiskittle, Rachel E. "The Efficacy of a Group Visual Art Bereavement Intervention with Older Adults." VCU Scholars Compass, 2019. https://scholarscompass.vcu.edu/etd/5940.

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Research on expressive art interventions for bereavement has burgeoned in recent years. Studies have supported their effectiveness in facilitating participants’ adjustment to loss (e.g., Rosner, Kruse, & Hagl, 2010; Uttley, 2015) and have revealed the frequency with which they are clinically implemented (Thompson & Neimeyer, 2014). Clinicians and recipients of expressive art interventions advocate for their helpfulness in grief processing (e.g., Gamino, 2015). Publications have highlighted particular visual art modules that facilitate adaptive adjustment to loss by providing avenues for self-expression, meaning making and continuing bonds with the deceased (Neimeyer, 2016), but few studies have quantitatively investigated whether they improve bereavement outcomes. Efficacy of treatment modalities are especially warranted for bereaved subgroups at elevated risk for developing symptoms of complicated grief, such as socioeconomically vulnerable older adults, as they are among those most likely to benefit from intervention but face the most barriers to accessible treatment (Ghesquiere, 2013; Newson et al., 2011). This longitudinal study investigated the feasibility and efficacy of a 4-week grief support group with visual art modalities for bereaved older adults residing in government subsidized independent living facilitates in the community. Measured outcomes included meaning made from the loss, continued bonds with the deceased, perceived social support, personal growth, and negative bereavement experiences such as symptoms of complicated grief and depression. Findings from this study support the feasibility and acceptability of implementing an art-based grief support group for socioeconomically vulnerable older adults. Significant improvement was found in meaning made from the loss, personal growth, and negative grief symptoms. Depressive symptoms significantly decreased immediately following completion of the group, but these levels returned closer to baseline levels at one-month follow up. Participants who screened positively for complicated grief at baseline reported greater improvement in their negative grief symptoms and depression, consistent with the extant literature that the bereft in highest distress receive the most benefit from grief intervention. As complicated grief is more prevalent in the older adult population than other age groups, further investigation on the efficacy and effectiveness of targeted bereavement support is warranted.
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Bullock, Ashley Brown. "The Expression and Regulation of Sadness in Complicated Grief." Thesis, 2012. https://doi.org/10.7916/D8T72VTR.

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The current study examined the role of context sensitive emotional responding in normal and pathological adjustment to loss among conjugally bereaved persons later in bereavement. We specifically focused on investigating how participants with complicated grief (CG) emotionally responded in comparison to a non-pathological bereaved group. We comprehensively measured the emotional responding behaviors (i.e., facial displays of emotion and head movements) of participants as they watched an evocatively sad or neutral film and also examined their emotion experience via self-report. We anticipated that CG participants would show and report less emotional context-sensitivity (i.e., less sadness and more negative emotions other than sadness) than non-pathological bereaved participants in the sad condition. Our findings demonstrate differences in both the emotional expression and emotional experience of the CG group compared with the non-pathological bereaved group in the context of a sad film. Our findings both support and extend our predictions. While overall participants more commonly expressed the prototypical sadness expressions in the sad condition than the neutral condition, a number of notable interaction effects emerged. Specifically, non-pathological bereaved participants were significantly more likely to express sadness expressions that involved the orbicular oculi muscles (i.e., AU 6 or the "cheek raiser"), the outer muscles that orbit the eyes, than CG participants in the sad condition. Research evidences how the orbicular oculi muscles are associated with "genuine" or more intense expressions of happiness and the current study suggests that the orbicular oculi muscles also distinguish between sadness expressions. In addition, while both groups were more likely to report feeling greater sadness in the sad condition than the neutral condition, CG participants were more likely to feel disgust and anger than non-pathological bereaved participants in the sad condition, pointing to unique pattern of context insensitive emotional responding. We found that CG is "complicated" in part due to its high co-morbidity rates with Major Depressive Disorder (MDD) and Post-traumatic Stress Disorder (PTSD). While controlling for the effects of MDD and PTSD did not significantly change our results, the high co-morbidity rate of CG with MDD (74%) and PTSD (68%) begs us to consider the pan-diagnostic nature of chronic grief-related pathology. In sum, the current study highlights grief-related pathology as a distinct clinical problem and points to how emotion context-insensitivity importantly plays a role in the maintenance of grief-related problems.
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Allen, Molly Evangeline. "Portraits of Grief: Death, Mourning and the Expression of Sorrow on White-Ground Lêkythoi." Thesis, 2017. https://doi.org/10.7916/D8KD296M.

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In Athens in the early 5th century BCE, a new genre of funerary vase, the white-ground lêkythos, appeared and quickly grew to be the most popular grave gift for nearly a century. These particular vases, along with their relatively delicate style of painting, ushered in a new funerary scene par excellence, which highlighted the sorrow of the living and the merits of the deceased by focusing on personal moments of grief in the presence of a grave. Earlier Attic funerary imagery tended to focus on crowded prothesis scenes where mourners announced their grief and honored the dead through exaggerated, violent and frenzied gestures. The scenes on white-ground lêkythoi accomplished the same ends through new means, namely by focusing on individual mourners and the emotional ways that mourners privately nourished the deceased and their memory. Such scenes combine ritual activity (i.e. dedicating gifts, decorating the grave, pouring libations) with emotional expressions of sadness, which make them more vivid and relatable. The nuances in the characteristics of the mourners indicate a new interest in adding an individual touch to the expression, which might “speak” to a particular moment or variety of sadness that might relate to a potential consumer. To facilitate a meaningful discussion of the range of ways that white-ground painters articulated grief and lament in their vases, the dissertation is divided into six chapters, each of which concentrates on a particular type of mourner: women, men, elderly men, infants, vocal visitors and the deceased. Discussing the visual iconography across these different groups demonstrates that the shared and individual, public and private, intentional and candid aspects of grief and mourning can be shown simultaneously and that it was of interest to the Athenians to look at images that incorporated all of these aspects.
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Books on the topic "Expression of grief"

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Thomas, Bruce St. Empowering children through art and expression: Culturally sensitive ways of healing trauma and grief. London: Jessica Kingsley Publishers, 2007.

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A time to mourn, a time to dance: The expression of grief and joy in Israelite religion. University Park, Pa: Pennsylvania State University Press, 1991.

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Katz, Rothman Barbara, ed. Centuries of solace: Expressions of maternal grief in popular literature. Philadelphia: Temple University Press, 1992.

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Wolfelt, Alan D. Healing Your Grieving Heart for Teens: 100 Practical Ideas--Simple tips for understanding and expressing your grief. Fort Collins, Colorado: Companion Press, 2001.

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Douleurs: Societes, personne et expressions (Sciences). Editions Eshel, 1992.

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B, Claverie, ed. Douleurs: Sociétés, personne et expressions. Paris: Editions Eshel, 1992.

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McKay, Matthew, and Patrick Fanning. Expressing Feelings: How to Improve Your Relationship Through Direct and Healthy Expression of Feelings (Couple Skills). New Harbinger Publications, 1994.

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Kozlova, Ekaterina E. Maternal Grief as an Archetype in the Psychology of Grief and Ancient Near East. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198796879.003.0001.

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This chapter surveys recent grief studies, which show that amongst various types of bereavement maternal grief is regarded as the most intense type and is the most persistent. It also looks at anthropological studies that show how interrupted motherhood often leads to various forms of socio-political and religious engagement among women constituting a form of grief-driven activism. Building on these studies, this chapter examines the extant ancient Near East sources—mythologies, liturgies, medical texts, royal chronicles, etc.—showing that in the taxonomy of both death-related and non-death-related types of grief and their emotive and ritual expression, maternal grief was seen as archetypal and was implemented paradigmatically.
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Johnson, Paul, and Bruce St Thomas. Empowering Children throught Art and Expression: Culturally Sensitive Ways of Healing Trauma and Grief. Jessica Kingsley Publishers, 2007.

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Thompson, Barbara E. Grief and the Expressive Arts. Routledge, 2014. http://dx.doi.org/10.4324/9780203798447.

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Book chapters on the topic "Expression of grief"

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Moschini, Lisa B. "An Expression of Grief and Loss." In Art, Play, and Narrative Therapy, 226–46. New York, NY : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781351170925-7.

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Westgaard, Hege. "“Like a Trace”: The Spontaneous Shrine as a Cultural Expression of Grief." In Spontaneous Shrines and the Public Memorialization of Death, 147–75. New York: Palgrave Macmillan US, 2006. http://dx.doi.org/10.1007/978-1-137-12021-2_8.

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Thompson, Barbara E., and Joy S. Berger. "Grief and Expressive Arts Therapy." In Grief and Bereavement in Contemporary Society, 303–13. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003199762-28.

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Hass-Cohen, Noah, and Joanna Clyde Findlay. "Recovery from Grief and Pain." In Art and Expressive Therapies Within the Medical Model, 132–53. New York, NY : Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9780429400087-13.

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O’Donovan, Sheila. "Using Expressive Arts Following the Death of a Friend." In Understanding Child and Adolescent Grief, 78–91. New York, NY : Routledge, 2017. | Series: Death, dying, and bereavement: Routledge, 2017. http://dx.doi.org/10.4324/9781315164250-7.

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Lachlan, Kenneth A. "The Role of Technology in Expressions of Grief." In The Wiley Handbook of the Psychology of Mass Shootings, 153–69. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2016. http://dx.doi.org/10.1002/9781119048015.ch9.

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Binder, James. "Supporting Families Expressing Grief While Giving Bad News." In Pediatric Interviewing, 127–34. Totowa, NJ: Humana Press, 2009. http://dx.doi.org/10.1007/978-1-60761-256-8_9.

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Parker, John. "Grief and Mourning." In In My Time of Dying, 58–75. Princeton University Press, 2021. http://dx.doi.org/10.23943/princeton/9780691193151.003.0005.

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This chapter considers the most striking aspect of the scene that greeted the young Charles Bannerman, the Gold Coast's first African newspaperman, as he entered his late aunt's house: the dominant role of women in managing the newly dead and in exuberant expressions of grief and rituals of mourning. It discusses the gendered dynamics of grief and mourning and the sensory spectacle of funeral celebrations. The chapter analyzes the startling juxtaposition of grief and gaiety in funeral celebrations, the combination of 'very high spirits' and 'unmistakable signs of grief', that struck Bannerman. Neither of these features was unique to local funerary cultures: distinctions in gender roles with regard to the expression of grief and to scripted mourning rituals have been noted across time in many parts of the world, while revelry has been observed as a characteristic of African American funerals in the slave and post-emancipation societies of the New World. The chapter investigates how gender roles informed grief and mourning among the Akan and their neighbours. It then explains the widely reported combination of intense lamentation and explosive revelry in funeral celebrations.
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Erskine, Andrew. "Cicero and the expression of grief." In The Passions in Roman Thought and Literature, 36–47. Cambridge University Press, 1997. http://dx.doi.org/10.1017/cbo9780511586163.005.

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"Low spirits, anxiety, grief, dejection, despair." In The Works of Charles Darwin: Vol 23: The Expression of the Emotions in Man and Animals, 152–68. Routledge, 2016. http://dx.doi.org/10.4324/9781315476575-16.

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Conference papers on the topic "Expression of grief"

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Bhat, Raj Nath. "Language, Culture and History: Towards Building a Khmer Narrative." In GLOCAL Conference on Asian Linguistic Anthropology 2019. The GLOCAL Unit, SOAS University of London, 2019. http://dx.doi.org/10.47298/cala2019.3-2.

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Genetic and geological studies reveal that following the melting of snows 22,000 years ago, the post Ice-age Sundaland peoples’ migrations as well as other peoples’ migrations spread the ancestors of the two distinct ethnic groups Austronesian and Austroasiatic to various East and South–East Asian countries. Some of the Austroasiatic groups must have migrated to Northeast India at a later date, and whose descendants are today’s Munda-speaking people of Northeast, East and Southcentral India. Language is the store-house of one’s ancestral knowledge, the community’s history, its skills, customs, rituals and rites, attire and cuisine, sports and games, pleasantries and sorrows, terrain and geography, climate and seasons, family and neighbourhoods, greetings and address-forms and so on. Language loss leads to loss of social identity and cultural knowledge, loss of ecological knowledge, and much more. Linguistic hegemony marginalizes and subdues the mother-tongues of the peripheral groups of a society, thereby the community’s narratives, histories, skills etc. are erased from their memories, and fabricated narratives are created to replace them. Each social-group has its own norms of extending respect to a hearer, and a stranger. Similarly there are social rules of expressing grief, condoling, consoling, mourning and so on. The emergence of nation-states after the 2nd World War has made it imperative for every social group to build an authentic, indigenous narrative with intellectual rigour to sustain itself politically and ideologically and progress forward peacefully. The present essay will attempt to introduce variants of linguistic-anthropology practiced in the West, and their genesis and importance for the Asian speech communities. An attempt shall be made to outline a Khymer narrative with inputs from Khymer History, Art and Architecture, Agriculture and Language, for the scholars to take into account, for putting Cambodia on the path to peace, progress and development.
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Moghaddam, Saeed, and Kenneth T. Kiger. "Experimental Study of Microscale Bubble Growth and Departure Dynamic Over a Surface With Constant Heat Flux Boundary Condition." In ASME 2003 Heat Transfer Summer Conference. ASMEDC, 2003. http://dx.doi.org/10.1115/ht2003-47240.

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Boiling heat transfer has been the subject of research for many years, with a substantial amount of effort devoted to understanding the microscale transport processes of nucleate boiling. This information is essential to determine appropriate expressions for the boiling heat transfer coefficient. As a result, several different competing models based on the bubbling dynamics and its associated heat transfer mechanisms have been hypothesized to account for the sensible and latent heat transport and liquid motion adjacent to the heat transfer surface. Many of the early models were based on the assumptions that growth, departure and the associated pumping action of the bubbles are responsible for heat transfer during nucleate boiling. Jakob [1] and Rohsenow [2] were apparently the first to postulate that the process of growth and departure of the bubble is responsible for the induced motion of the liquid adjacent to the heat transfer, as in any single-phase convection process. Rohsenow [2] modeled the heat transfer by using bubble diameter as a characteristic length to determine a Nusselt number based on a defined Reynolds and Prandtl number. Even with the same line of reasoning, Rohsenow’s analysis resulted in a different formulation compared to Froster and Zober [3], who implemented an alternate hypothesis for the velocity of the bubble interface used in defining the Reynolds number. Other models of this nature were also proposed by Forster and Greif [4] and Zuber [5].
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