Relevant bibliographies by topics / Expressionism (Architecture)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Expressionism (Architecture)'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Expressionism (Architecture)"

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Stolyarova, Elena G., and Andrey Ev Berezin. "Aesthetic principles of expressionism in modern architecture." Urban construction and architecture 14, no. 1 (2024): 150–56. http://dx.doi.org/10.17673/vestnik.2024.01.17.

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The purpose of the article is to study the aesthetic principles of expressionism that influenced the development of modern architecture. An analysis of the concepts and means of artistic expression of the direction under study is proposed. The conditions for the emergence and formation of expressionism, its artistic methods of expression from conventionally realistic to abstract, as well as the manifestation of this direction of art in architectural design are considered. A brief analysis of the connection between expressionism and other parallel trends or movements of art of the twentieth century is given. Variations of expressionism from the standpoint of abstract art are identified, where the search for interactivity between the artist and the viewer in the process of visual perception of the painting is indicated. It is concluded that imagination is one of the main ways of artistic thinking in the process of author’s artistic design. The manifestation of the aesthetic principles of expressionism in the architecture of individual countries is considered. It has been revealed that expressionism in architecture is characterized by a departure from traditional forms in order to achieve the maximum emotional impact on the recipient. The study of the stated topic allows us to draw a conclusion about the relevance of expressionism at the beginning of the 21st century, which, with its traditions, continues the achievements of expressionism of the 20th century. and at the same time gives a new impetus to artistic expressions of the personal views of artists and architects on the ongoing processes in society. Parallels of the beginning of the 20th – beginning of the 21st centuries. revealed similarities in the aesthetic principles of the formation of the subject-spatial architectural environment. Expressionist techniques, means and methods of working on a painting or object are most accurately able to express the feelings of artists and architects, their psychological stress, the conviction that the viewer must go through a new experience while looking at an architectural or artistic work.
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Fazra Risky Nasution and Morida Siagian. "Contemporary Art Gallery (Expressionism Architecture)." International Journal of Architecture and Urbanism 4, no. 2 (2020): 174–80. http://dx.doi.org/10.32734/ijau.v4i2.4520.

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Some issues prove that the development of art in Medan is relatively slow and does not become a concern of the public because of the availability of minimal and inadequate space, while Medan is a multicultural city in terms of art, many artists in the city of Medan have great potential. The construction of contemporary art gallery aims to meet the needs and facilities of art activities in the city of Medan because Medan does not yet have a decent art gallery for art activities, from exhibitions, artwork making space, to fine arts training venues and also as a center for art development likeness of the City of Medan. This gallery plans to be a productive place or place to introduce and provide attractive insights or knowledge to local people and tourists and to be able to preserve and preserve the fine arts in the city of Medan. The methodology used in this project is by collecting data through from literature review and by doing a site surveys. This building design uses the theme of expressionism architecture, where this building can express the meaning of art that it can be enjoyed visually.
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Broner-Bauer, Kaisa. "Architectural visions." Approaching Religion 11, no. 1 (2021): 77–97. http://dx.doi.org/10.30664/ar.98060.

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In this article I examine the architecture and architectural thinking of Finnish Academician Reima Pietilä (1923–93) in relation to his design methodology. Pietilä was an architect with an original, creative, artistic personality, who set out early in his career to develop the form language, and theory of modern architecture, moving it towards an organic expressionism. Finnish nature mysticism was a source of inspiration for him, and ‘nature architecture’ one of his key concepts.
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Bernik, Stane, and Marjan Golobic. "Slovene Architecture from Secession to Expressionism and Functionalism." Journal of Decorative and Propaganda Arts 17 (1990): 42. http://dx.doi.org/10.2307/1504077.

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Alfirevic, Djordje. "Expressionism as the radical creative tendency in architecture." Arhitektura i urbanizam, no. 34 (2012): 14–27. http://dx.doi.org/10.5937/arhurb1234014a.

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Bahri, Samsul, and Afrida Handayani. "Medan International Convention Center in North Sumatera Province (Expressionism Architecture)." International Journal of Architecture and Urbanism 1, no. 1 (2017): 1–10. http://dx.doi.org/10.32734/ijau.v1i1.255.

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Medan is the capital province of North Sumatera in Indonesia. Medan has developed to become one of the metropolitan cities in Indonesia and the heart of economic growth in North Sumatera. Nowadays, Medan is the core of commercial and economic in Indonesia. As the business city, Medan needs a facility as a medium for many activities such as meeting, incentive, conference, an exhibition in world scale. Constructing Medan International Convention Center will be helpful for Medan society and surroundings in needing the daily needs by construction the multi-purpose building. Convention center is one of the valid proof in the convention industry, giving the economic contribution to the city. Considering the substantive investment in the convention center in last years enhances the competition among the businessmen. During the process of designing the Medan International Convention Center uses the method by doing library study which aims to gain the explanation about the program, the field study in gaining the physical data which is needed and literature study as the reference or comparison in designing. Medan International Convention Center can be visited 4000 until 7000 people. The theme of expressionism architecture applies to the building which will show the shape that it can communicate and create the feeling and emotion of the function itself. Finally, this building has the proper function, having the good and visual interest.
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Mačiulis, Algimantas M. "IRACIONALUMO APRAIŠKOS XX A. UŽSIENIO IR LIETUVOS ARCHITEKTŪROJE." JOURNAL OF ARCHITECTURE AND URBANISM 34, no. 3 (2010): 151–60. http://dx.doi.org/10.3846/tpa.2010.15.

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The paper analyses irrationality as an expression of modern architecture, overviews the concept of irrational architecture. Various art and philosophical trends, that influenced the development of architecture in the 20th century, are analysed. Influences of global and Lithuanian analogues of irrational architecture on the development of architectural styles are presented. Since the concept of irrational architecture hasn’t been widely analysed, the paper suggests several approaches of analysis of irrational forms in architecture. The author arrives at the following conclusions: – Irrationality is an opposite expression of rationality, pragmatism, posityvism, technicist morphology. It’s based on deconstruction, indetermination, roughness, dramatic expression, etc. – The effect of irrationality can be obtained by two ways: using decorations, ornaments, polichromy, and using deformations of forms and constructions. – Irrational trends in architecture are caused by several factors. Philosophical trends such as reliatyvism, irrationalism, intuityvism, psychoanalysis, deconstructyvism, and art trends such as cubism, symbolism, expressionism, art deco, surrealism, etc. – Irrational trends in global and Lithuanian architecture of the 20th century can be noticed in art nouveau, art deco, organic, late modern, postmodern, deconstructyvist architectural styles. Santrauka Straipsnyje analizuojamas iracionalumas kaip šiuolaikinės architektūros meninės išraiškos forma, aptariama iracionalumo sąvoka architektūros mene. Taip pat charakterizuojamos sociokultūrinės prielaidos, filosofinės, meno srovės, dariusios įtaką iracionalumo požymiams architektūroje. Nagrinėjami pasauliniai ir Lietuvos iracionaliosios architektūros analogai, apžvelgiamos iracionalumo apraiškos stilistinėje architektūros raidoje.
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James, Kathleen. "Expressionism, Relativity, and the Einstein Tower." Journal of the Society of Architectural Historians 53, no. 4 (1994): 392–413. http://dx.doi.org/10.2307/990909.

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The Einstein Tower was the product of the complementary investigations of expressionism, reinforced concrete construction, and relativity undertaken by its architect, Erich Mendelsohn, between 1912 and 1920. The war-ravaged German economy of 1921, which impeded its construction, and the scientific agenda of its patron, Erwin Finlay Freundlich, which determined the character of its interior spaces, also helped shape its final appearance. Designed to serve scientific inquiry, it occupies a distinctive intellectual, as well as stylistic, position within the history of German expressionism. In this building Mendelsohn established the design approach that would characterize the rest of his German career, fusing attention to program with bold images of the thrilling instability of modern life. As its reception demonstrates, the functional aspects of the tower have been overshadowed by the degree to which its form has mistakenly been identified with a contemporary enthusiasm for mysticism, which in fact played no role in its design.
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Pane, Imam Faisal, and Ribka A. Sianipar. "THE INFLUENCE OF NIEUWE BOUWEN ARCHITECTURE ON DUTCH COLONIAL BUILDING IN MEDAN CITY." DIMENSI (Journal of Architecture and Built Environment) 45, no. 1 (2018): 37. http://dx.doi.org/10.9744/dimensi.45.1.37-44.

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Nieuwe Bouwen Architecture came and involved in Indonesia is carried by the young Dutch architects, also influenced Dutch colonial building in Indonesia to include Medan city. This study aims to determine what kind of Nieuwe Bouwen that control Dutch colonial buildings in Medan and find the form of the authority. This study used the qualitative method. There are 6 (six) aspects studied in this research that is the dynamic form; expressive ornaments; the building has a tower; nonstructural elements; glass, steel, and concrete materials; elements of air, light, and space. Analysis results show that PD Pasar Office Medan, Paradiso Swimming Pool, and Mandiri KC Medan City Hall Bank are influenced by Nieuwe Bouwen expressionism. Besides that, the form of expressionism on PD Pasar office Medan are of the curved shape of the building, unique, the expressive ventilation has the ornament and decorative element on its facade. As well as Paradiso swimming pool has curved shape, decoration and decorative element on its façade and tower. While at Mandiri KC Medan Cityhall bank, there is the geometric decoration, decorative element, and balcony also tower have expressive shape.
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Mindrup, Matthew. "The architect’s task: the use of models as structural expressionism." Architectural Research Quarterly 25, no. 1 (2021): 4–16. http://dx.doi.org/10.1017/s1359135521000051.

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In the above cited quote, Kevin Roche, a principal associate at Eero Saarinen’s architectural practice in 1957, recalls an early morning discussion about the design of the Trans World Airlines’ (TWA) Flight Center. Roche’s story about Saarinen reminds us that at the beginning of an architectural project, a solution may come from any variety of sources, not least of all from everyday objects. This was certainly the case for Saarinen, who found the seed for his design of the structural shells of the TWA Flight Center in the rind of a grapefruit. Despite its seeming novelty, Saarinen is not unique in his approach to the generation of architectural form with models; the Greek-French composer, architect and engineer Iannis Xenakis, who while working with Le Corbusier in 1957, used strings and thick wire to design the hyperbolic shell for their Philips Pavilion at the 1958 Brussels Expo. That a model will play a defining role in an architect’s approach to structural design is also demonstrated by the ‘spherical solution’ that Jørn Utzon discovered while stacking models of his Sydney Opera House’s shell roofs. These explorations with the expression of structure emerged at a time when a new generation of designers, including Eduardo Torroja, Pier Luigi Nervi and Felix Candela, had realised a handful of buildings using models to study and test structural form.
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Dissertations / Theses on the topic "Expressionism (Architecture)"

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Berzowska, Joanna Maria 1972. "Computational expressionism : a study of drawing with computation." Thesis, Massachusetts Institute of Technology, 1998. http://hdl.handle.net/1721.1/61101.

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Thesis (S.M.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, February 1999.<br>Includes bibliographical references (leaves 68-73).<br>This thesis presents computational expressionism, an exploration of drawing using a computer that redefines the concepts of line and composition for the digital medium. It examines the artistic process involved in computational drawing, addressing the issues of skill, algorithmic style, authorship, re-appropriation, interactivity, dynamism, and the creative/evaluative process. The computational line augments the traditional concept of line making as a direct deposit or a scratching on a surface. Digital representation is based on computation; appearance is procedurally determined. The computational line embodies not only an algorithmic construction, but also dynamic and interactive behavior. A computer allows us to construct drawing instruments that take advantage of the dynamism, interactivity, behavioral elements and other features of a programming environment. Drawing becomes a two-fold process, at two distinct levels of interaction with the computer. The artist has to program the appearance and behavior of lines and subsequently draw with these lines by dragging a mouse or gesturing with some other input device. The compositions incorporate the beauty of computation with the creative impetus of the hand, whose apparent mistakes, hesitations and inspirations form a complex and critical component of visual expression.<br>by Joanna Maria Berzowska.<br>S.M.
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Leiter, R. Jeffrey. "Erich Mendelsohn--constructing an image of modernity between Expressionism and the 1920's avant-garde." Thesis, Massachusetts Institute of Technology, 1997. http://hdl.handle.net/1721.1/68325.

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Barry, Marie Porterfield. "Lesson 17 Part 2: Reactions to the Modern World-Post-Impressionism and Expressionism." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/art-appreciation-oer/19.

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This lessons covers the difference between impressionism and expressionism. Post-impressionism is represented through artworks by Vincent Van Gogh, Paul Gauguin, Paul Cèzanne, and Henri de Toulouse-Lautrec. Expressionism is represented through artworks by Edvard Munch, Henri Matisse, Ernst Ludwig Kirchner, and Vassily Kandinsky.
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Chaves, Manuel Pedro Fialho Ferreira. "Vida e obra do arquitecto Jorge Ferreira Chaves (1920-1981)." Master's thesis, Universidade Técnica de Lisboa, Faculdade de Arquitetura, 2012. http://hdl.handle.net/10400.5/17974.

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Dissertação para obtenção do grau de Mestre em Arquitectura, apresentada na Faculdade de Arquitectura da Universidade Técnica de Lisboa.<br>Visa o presente trabalho documentar o percurso profissional de Jorge Ferreira Chaves, um arquitecto português, activo profissionalmente entre 1941 e 1981, cuja obra está escassamente publicada e estudada, tanto quanto, na opinião de alguns críticos e historiadores, o seu conhecimento é fundamental. Propõe-se investigar e expôr o seu percurso académico, o seu contexto familiar e as suas actividades de âmbito associativo e cívico a que esteve ligado, para que, numa aproximação ao seu modo de pensar e agir, se possa melhor analisar e enquadrar os resultados da sua actividade como projectista. Pode encontrar-se no conteúdo desta monografia uma revisão crítica da bibliografia existente sobre a sua vida e as suas obras. Frequentou a EBAL, onde, simultâneamente com uma postura crítica em relação à pedagogia vigente, atingiu excelentes resultados escolares. Em associações como a ICAT (Iniciativas Culturais Artísticas e Técnicas) ou o Sindicato Nacional dos Arquitectos, onde iniciou actividade antes da sua admissão oficial e a cujos corpos gerentes pertenceu, contribuiu activamente na elevação do grau de exigência na relação entre os arquitectos e o regime e também dos arquitectos para com o próprio sindicato, com vista à dignificação da profissão. Assinando várias representações, apoiou iniciativas cívicas, que contestaram o poder do Estado Novo. Para além do seu contributo a montante, nos acontecimentos que criaram condições para a fixação do Movimento Moderno em Portugal, constata-se que sua a contribuição, na vanguarda do fenómeno identificado como revisão crítica do Movimento Moderno, nas várias vertentes, é o aspecto de maior relevância na sua obra. Na transição entre estes dois momentos e a par com a obra produzida em nome próprio, foi a figura central de um acontecimento importante - a concretização do projecto do Hotel Ritz de Lisboa, no atelier de Porfírio Pardal Monteiro. Através da história da vida e da extensa obra de Jorge Ferreira Chaves, é possível ler a história dos acontecimentos mais relevantes da Arquitectura Portuguesa nas décadas centrais do século passado.<br>N/A
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Andrus, Timothy G. "Stuart Davis's Early Theoretical Writing, 1918–1923: Realism, Cubism, and Dada." VCU Scholars Compass, 2016. http://scholarscompass.vcu.edu/etd/4589.

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This dissertation provides the first in-depth examination of American artist Stuart Davis’s early theoretical writings made between 1918 and 1923. These writings are seminal documents in his artistic development. They lay the foundation for the creation of some of his most important works, inlcuding his groundbreaking Tobacco paintings of 1921 to his renowned Egg Beater series of 1927–1928, which Davis claimed set the direction for all his subsequent artistic output. One of the key ideas in these early writings is Davis’s concept of realism. This study traces the origin of Davis’s realism to his interaction with a network of ideas arising from cubism, symbolism, New York dada, and anarchist philosophy. In doing so, this study considers how Davis’s notion of realism informed both the development of his style and his iconography in his works of the 1920s.
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Pan, Rong. "ARCHITECTURAL EXPRESSIONS: CASE STUDY AND DESIGN DEVELOPMENT OF MUSEUM ARCHITECTURE." The University of Arizona, 1995. http://hdl.handle.net/10150/555244.

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Zhang, Ting. "New Architectures for Handwritten Mathematical Expressions Recognition." Thesis, Nantes, 2017. http://www.theses.fr/2017NANT4054/document.

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Véritable challenge scientifique, la reconnaissance d’expressions mathématiques manuscrites est un champ très attractif de la reconnaissance des formes débouchant sur des applications pratiques innovantes. En effet, le grand nombre de symboles (plus de 100) utilisés ainsi que la structure en 2 dimensions des expressions augmentent la difficulté de leur reconnaissance. Dans cette thèse, nous nous intéressons à la reconnaissance des expressions mathématiques manuscrites en-ligne en utilisant de façon innovante les réseaux de neurones récurrents profonds BLSTM avec CTC pour construire un système d’analyse basé sur la construction de graphes. Nous avons donc étendu la structure linéaire des BLSTM à des structures d’arbres (Tree-Based BLSTM) permettant de couvrir les 2 dimensions du langage. Nous avons aussi proposé d’ajouter des contraintes de localisation dans la couche CTC pour adapter les décisions du réseau à l’échelle des traits de l’écriture, permettant une modélisation et une évaluation robustes. Le système proposé construit un graphe à partir des traits du tracé à reconnaître et de leurs relations spatiales. Plusieurs arbres sont dérivés de ce graphe puis étiquetés par notre Tree-Based BLSTM. Les arbres obtenus sont ensuite fusionnés pour construire un SLG (graphe étiqueté de traits) modélisant une expression 2D. Une différence majeure par rapport aux systèmes traditionnels est l’absence des étapes explicites de segmentation et reconnaissance des symboles isolés puis d’analyse de leurs relations spatiales, notre approche produit directement un graphe SLG. Notre système sans grammaire obtient des résultats comparables aux systèmes spécialisés de l’état de l’art<br>As an appealing topic in pattern recognition, handwritten mathematical expression recognition exhibits a big research challenge and underpins many practical applications. Both a large set of symbols (more than 100) and 2-D structures increase the difficulty of this recognition problem. In this thesis, we focus on online handwritten mathematical expression recognition using BLSTM and CTC topology, and finally build a graph-driven recognition system, bypassing the high time complexity and manual work in the classical grammar-driven systems. To allow the 2-D structured language to be handled by the sequence classifier, we extend the chain-structured BLSTM to an original Tree-based BLSTM, which could label a tree structured data. The CTC layer is adapted with local constraints, to align the outputs and at the same time benefit from introducing the additional ’blank’ class. The proposed system addresses the recognition task as a graph building problem. The input expression is a sequence of strokes, and then an intermediate graph is derived considering temporal and spatial relations among strokes. Next, several trees are derived from the graph and labeled with Tree-based BLSTM. The last step is to merge these labeled trees to build an admissible stroke label graph (SLG) modeling 2-D formulas uniquely. One major difference with the traditional approaches is that there is no explicit segmentation, recognition and layout extraction steps but a unique trainable system that produces directly a SLG describing a mathematical expression. The proposed system, without any grammar, achieves competitive results in online math expression recognition domain
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Britton, Brent Cabot James. "Enhancing computer-human interaction with animated facial expressions." Thesis, Massachusetts Institute of Technology, 1991. http://hdl.handle.net/1721.1/64856.

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White, S. R. "Gilles Deleuze and the project of architecture : an expressionist design-research methodology." Thesis, University College London (University of London), 2014. http://discovery.ucl.ac.uk/1450434/.

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This thesis analyses the potential of the Deleuzian philosophical concept of 'expressionism' in accounting for and driving architectural design and research. An expansive literature considering the import of Deleuze in architecture is characterised by his simultaneous use in both poles of debates concerning Critical architecture at the centre of mainstream practice and as foundational source for minoritorian approaches to both design and research. Identifying this contemporary vacillation as a reiteration of traditional reductions of design to products or processes, and seeking development of an alternative trajectory, I propose the architectural project as an 'embodied' epistemological and ontological third term of an expressionist account of architectural design‐research. A series of critical encounters between philosophy and architecture exploring the accounts and practices of Robin Evans, Rem Koolhaas, Peter Eisenman and both professional and pedagogic design‐research undertaken by the author, articulate six key principles of a non‐representational, expressionist methodology for design and research in architecture. First 'expressionism' insists on a substantive distinction between nominal and real denying any essentialist component to architectural products or production. An encounter with Evans shows how architectural bodies both produce and are constituted by 'projective relations' external to architect, drawing and discipline. Koolhaas and Eisenman's divergent positions then demonstrate how projective distinctions are always embodied in two actual forms which select content and express an exterior. Fifth, a design for a non-human 'client' makes explicit the parallel and serial nature of processes of selection and projection. Sixth, community‐engaged design‐research demonstrates that active speculation towards positive change (outside of self and social habit) is a mechanism for the serial production of simultaneously ethical and aesthetical affective relationships. Extending and sharing the production of capabilities and powers of expression beyond the architect and architecture demonstrates the overarching principle of expressionism ‐ affirmative speculation is correlative with the creation of ethical joy.
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Giebeler, Britta. "Sakrale Gesamtkunstwerke zwischen Expressionismus und Sachlichkeit im Rheinland /." Weimar : Verl. und Datenbank für Geisteswissenschaften, 1996. http://catalogue.bnf.fr/ark:/12148/cb37046463m.

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Books on the topic "Expressionism (Architecture)"

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Wolfgang, Pehnt, ed. Expressionist architecture in drawings. Thamesand Hudson, 1985.

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Kathleen, James. Between nationalism and expressionism: Max Berg's Jahrhunderthalle and Bruno Taut's Monument des Eisens. University of California at Berkeley, Center for German and European Studies, 1994.

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author, Rauhut Christoph, and Shelley Philip translator, eds. Fragments of metropolis Berlin: Berlins expressionistisches Erbe = Berlin's expressionist legacy. Hirmer, 2015.

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Pehnt, Wolfgang. Die Architektur des Expressionismus. 3rd ed. G. Hatje, 1998.

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M, Guillermo Pérez. Mexican architectures. Coedi Mex, 2000.

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translator, Babović Lidija, ed. Ekspresionizam u srpskoj arhitekturi. Orionart, 2016.

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Tomasz, Kozłowski. Tendencje ekspresjonistyczne w architekturze współczesnej: Expressionist tendencies in contemporary architecture = Tendenze espressionistiche nell'architettura contemporanea. Politechnika Krakowska im. Tadeusza Kościuszki, 2013.

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Wilhelm, Busch. Bauten der 20er Jahre an Rhein und Ruhr: Architektur als Ausdrucksmittel. J.P. Bachem, 1993.

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Ortiz, Javier Climent. Expresionismo: Lenguaje y construcción de la forma arquitectónica. Biblioteca Nueva, 2011.

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Chiarini, Paolo. Berlino dell'espressionismo. Editori riuniti, 1997.

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Book chapters on the topic "Expressionism (Architecture)"

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Juzwa, Nina, Adam Gil, and Katarzyna Ujma-Wasowicz. "Innovation of Modern Architecture—Expressionist Tendencies." In Advances in Intelligent Systems and Computing. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-41694-6_60.

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Aiken, Alexander, and Brian R. Murphy. "Implementing regular tree expressions." In Functional Programming Languages and Computer Architecture. Springer Berlin Heidelberg, 1991. http://dx.doi.org/10.1007/3540543961_21.

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Egerland, Verner. "Apropos the Topic On Topic-introducing Expressions in Swedish." In Architecture of Topic, edited by Valéria Molnár, Verner Egerland, and Susanne Winkler. De Gruyter, 2019. http://dx.doi.org/10.1515/9781501504488-010.

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Wen, Hui, Minglan Li, and Zhili Ye. "Neural Architecture for Negative Opinion Expressions Extraction." In Web and Big Data. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-63579-8_35.

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Codescu, Mihai. "Lambda Expressions in Casl Architectural Specifications." In Recent Trends in Algebraic Development Techniques. Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-28412-0_8.

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Pano Alamán, Ana. "Traducir al español el léxico de los castillos y fortalezas de Emilia-Romaña." In Nuove strategie per la traduzione del lessico artistico. Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0061-5.12.

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This chapter presents the results of a qualitative contrastive analysis of the Italian and Spanish terminology of medieval and Renaissance architecture. The study focuses on a corpus of Italian texts on the castles of the House of Este published on the TourER website, a project for the promotion of the architectural and landscape heritage of the Emilia-Romagna region. The chapter focuses attention on the most frequent multiword terms and expressions and a selection of concordances extracted from a learner aligned parallel corpus of Italian-Spanish translation. This chapter investigates translation strategies adopted in relation to the typology of texts and their potential readership.
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Comeras Serrano, Ángel B. "Expressions, Representations and Interpretations of the Public Space, from Intellectual Disabilities, in the Teaching of Architecture." In Architectural Draughtsmanship. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-58856-8_5.

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Schnabel, Marc Aurel. "Bi-tonal Architectural Narratives: Design Expressions in Manga." In Communications in Computer and Information Science. Springer Berlin Heidelberg, 2013. http://dx.doi.org/10.1007/978-3-642-38974-0_18.

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Croitoru, Madalina, and Kees van Deemter. "An Inferential Approach to the Generation of Referring Expressions." In Conceptual Structures: Knowledge Architectures for Smart Applications. Springer Berlin Heidelberg, 2007. http://dx.doi.org/10.1007/978-3-540-73681-3_10.

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Huo, Sheng, Dafang Zhang, and Yanbiao Li. "Fast and Scalable Regular Expressions Matching with Multi-Stride Index NFA." In Algorithms and Architectures for Parallel Processing. Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-27137-8_43.

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Conference papers on the topic "Expressionism (Architecture)"

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Mohammed, Anees Mohsin, and Kadhim Faris Dhumad Al-Essawi. "Expressionism of metal architecture." In 8TH ENGINEERING AND 2ND INTERNATIONAL CONFERENCE FOR COLLEGE OF ENGINEERING – UNIVERSITY OF BAGHDAD: COEC8-2021 Proceedings. AIP Publishing, 2023. http://dx.doi.org/10.1063/5.0109102.

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Frayne, Nicholas. "Improvised Making: New Analytical Practices Towards an Uncertain Future." In 109th ACSA Annual Meeting Proceedings. ACSA Press, 2021. http://dx.doi.org/10.35483/acsa.am.109.43.

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The impacts of spatial experience on social dynamics are complex. They happen through the totality of experience, which we cannot always name, describe, or explain. In light of the urgent challenges of social justice, systemic exploitation, and unsustainable practices that are characterizing this century, we need to reassess how we analyze architecture’s relationship with societal change. This article argues that new analytical practices must include exploratory, improvisational expressions that can help our understandings of architecture include a more expansive definition of experience. Such creative expressions make the bodily, unnameable aspects of experience sensible, thereby able to be incorporated into our broader analyses of architecture’s operation in social life. These improvisational practices are fundamentally uncertain, resisting explanation and the ethical perils of certainty in knowledge-making. Employed in an exami¬nation of the Tuol Sleng Genocide Museum in Cambodia, these practices helped to create an analysis grounded in the textural expressions and incomplete forces that characterize bodily experience. Taking the form of a charcoal drawing, the improvised expression entered into the analytical process as a framing mediator for the analyst’s response to their encounter with the architecture. By grounding analysis in bodily experience, we are able to expand our ‘analytical toolbox’ and can come to unexpected conclusions about how architecture shapes the way we understand the world. Proposing that an analysis of an architectural project should take shape between improvisational making and thinking, this paper positions architectural analysis as an agent of change; in expanding our practices for understanding architecture, we can better design spaces that support a more connective, open, and just future.
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Zivkovic, Sasa, and Leslie Lok. "Beyond the Ecology of Concrete Sausages." In 2016 ACSA International Conference. ACSA Press, 2016. http://dx.doi.org/10.35483/acsa.intl.2016.50.

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With the advancement of full scale 3d printing technology, industrialized building construction is rapidly moving towards a highly process-idiosyncratic and expressionist architecture of material sausages. Drawing connections between local vernacular (ancient modern) earth construction techniques and automated additive manufacturing strategies, this paper explores the potential for 3d printed architecture across the Americas, dissecting the technology’s ecological advantages and architectural possibilities in the process.
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Mussbacher, Gunter, and Daniel Amyot. "Heterogeneous pointcut expressions." In 2009 ICSE Workshop on Aspect-Oriented Requirements Engineering and Architecture Design (EA). IEEE, 2009. http://dx.doi.org/10.1109/ea.2009.5071577.

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Yu, ChiWai, Fred Cox, Wayne Luk, and Ray C. C. Cheung. "Hydrate: Hybrid Reconfigurable Architecture Expressions." In 2011 International Conference on Field-Programmable Technology (FPT). IEEE, 2011. http://dx.doi.org/10.1109/fpt.2011.6132675.

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Grzeszczuk-Brende, Hanna. "Expressionist utopia and dystopia (architecture, literature, film)." In The 2nd International Multidisciplinary Congress Phi 2016 – Utopia(S) – Worlds and Frontiers of the Imaginary. CRC Press, 2016. http://dx.doi.org/10.1201/9781315265322-38.

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Shumaiev, Klym, Manoj Bhat, Oleksandra Klymenko, Andreas Biesdorf, Uwe Hohenstein, and Florian Matthes. "Uncertainty expressions in software architecture group decision making." In ECSA '18: 12th European Conference on Software Architecture. ACM, 2018. http://dx.doi.org/10.1145/3241403.3241447.

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McClurg, Jedidiah, Miles Claver, Jackson Garner, Jake Vossen, Jordan Schmerge, and Mehmet E. Belviranli. "Optimizing Regular Expressions via Rewrite-Guided Synthesis." In PACT '22: International Conference on Parallel Architectures and Compilation Techniques. ACM, 2022. http://dx.doi.org/10.1145/3559009.3569664.

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Yan, Pei, and Song Jiang. "Spatial-Locality-Aware Virtual Storage Devices with Tangible QoS Expressions." In 2008 International Conference on Networking, Architecture, and Storage (NAS). IEEE, 2008. http://dx.doi.org/10.1109/nas.2008.66.

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Mota, Tiago, and Mohan Sridharan. "Incrementally Grounding Expressions for Spatial Relations between Objects." In Twenty-Seventh International Joint Conference on Artificial Intelligence {IJCAI-18}. International Joint Conferences on Artificial Intelligence Organization, 2018. http://dx.doi.org/10.24963/ijcai.2018/266.

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Recognizing, reasoning about, and providing understandable descriptions of spatial relations between objects is an important task for robots interacting with humans. This paper describes an architecture for incrementally learning and revising the grounding of spatial relations between objects. Answer Set Prolog, a declarative language, is used to represent and reason with incomplete knowledge that includes prepositional spatial relations between scene objects. A generic grounding of prepositions for spatial relations, human input (when available), and non-monotonic logical inference, are used to infer spatial relations between 3D point clouds in given scenes, incrementally acquiring a specialized metric grounding of the prepositions and the relative confidence associated with each grounding. The architecture is evaluated on a benchmark dataset of tabletop images and on complex simulated scenes of furniture.
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Reports on the topic "Expressionism (Architecture)"

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Pochtoviuk, Svitlana I., Tetiana A. Vakaliuk, and Andrey V. Pikilnyak. Possibilities of application of augmented reality in different branches of education. [б. в.], 2020. http://dx.doi.org/10.31812/123456789/3756.

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Augmented reality has a great impact on the student in the presentation of educational material: objects of augmented reality affect the development of facial expressions, attention, stimulate thinking, and increase the level of understanding of information. Its implementation in various spheres has indisputable advantages: realism, clarity, application in many industries, information completeness and interactivity. That is why the study presents the possibilities of using augmented reality in the study of mathematics, anatomy, physics, chemistry, architecture, as well as in other fields. The comparison of domestic and foreign proposals for augmented reality is presented. The use of augmented reality in various fields (technology, entertainment, science and medicine, education, games, etc.) should be well thought out and pedagogically appropriate. That is why in the future it is planned to conduct research on the feasibility of using augmented reality and to develop elements of augmented reality accordingly.
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