Relevant bibliographies by topics / Expressionism (Music)

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Expressionism (Music)'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 February 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Expressionism (Music).'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Expressionism (Music)"

1

Carrasco, Clare. "Zemlinsky's “Expressionist” Moment: Critical Reception of the Second String Quartet, 1918–1924." Journal of the American Musicological Society 71, no. 2 (2018): 371–438. http://dx.doi.org/10.1525/jams.2018.71.2.371.

Full text
Abstract:
In the years after 1918, discourse about musical expressionism was controlled by critics rather than composers. Understanding expressionism to be as much a public matter emanating from the concert hall as a private one rooted in the composer's workshop, critics at that time often identified as “expressionist” works that fall outside the conventional notion of an expressionist repertory. In a particularly striking case, those who reviewed the 1918 premiere of Zemlinsky's Second String Quartet, op. 15, described it as experimental, revolutionary, indeed expressionist music. Today, scholars consi
APA, Harvard, Vancouver, ISO, and other styles
2

Black, Leo, Shulamith Behr, David Fanning, and Douglas Jarman. "Expressionism Reassessed." Musical Times 135, no. 1812 (1994): 102. http://dx.doi.org/10.2307/1002984.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Crawford, John C., and Dorothy L. Crawford. "Expressionism in Twentieth-Century Music." Journal of Aesthetics and Art Criticism 54, no. 1 (1996): 93. http://dx.doi.org/10.2307/431691.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Carrasco, Clare. "The Unlike Pair." Journal of Musicology 37, no. 2 (2020): 158–96. http://dx.doi.org/10.1525/jm.2020.37.2.158.

Full text
Abstract:
Between 1919 and 1923 Arnold Schoenberg’s Chamber Symphony, op. 9 (1906) and Franz Schreker’s Chamber Symphony (1916) were repeatedly programmed together on public concerts in Germany. Critics reviewing these and other postwar performances often framed the two works in a distinctive and, by today’s standards, surprising way: they aligned Schoenberg’s Chamber Symphony with an “expressionist” and Schreker’s Chamber Symphony with an “impressionist” musical aesthetic. With roots in prewar German critical and historical writing, impressionism and expressionism functioned as multifaceted, contextual
APA, Harvard, Vancouver, ISO, and other styles
5

Sansom, Matthew. "Imaging Music: Abstract Expressionism and Free Improvisation." Leonardo Music Journal 11 (December 2001): 29–34. http://dx.doi.org/10.1162/09611210152780647.

Full text
Abstract:
The author defines free improvisation, a form of music-making that first emerged in the 1960s with U.K. composers and groups such as Cardew, Bailey, AMM and the Spontaneous Music Ensemble. The approach here considers free improvisation as creative activity, encompassing its artistic agenda on the one hand and the process-based dynamic of its production on the other. After considering the historical location of free improvisation within Western music history, the article explores free improvisation as analogous with Abstract Expressionist art. This comparison enables a fuller understanding of t
APA, Harvard, Vancouver, ISO, and other styles
6

Harrison, D. "Max Reger Introduces Atonal Expressionism." Musical Quarterly 87, no. 4 (2004): 660–80. http://dx.doi.org/10.1093/musqtl/gdh027.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Craig, Dale A. "Trans–Cultural Composition in the 20th Century." Tempo, no. 156 (March 1986): 16–18. http://dx.doi.org/10.1017/s0040298200022075.

Full text
Abstract:
The most remarkable development in 20th-century music has been the gradual rise of transcultural music to status as the dominant activity of composers. Interaction between musics of various types within the same culture, and between cultures (including those separated from us in historical time), has been more important than the conventionally-recognized classifications of 20th-century musical activity such as expressionism, atonality, impressionism, neo-classicism (in its purist, Eurocentric stance), serialism, total serialism, chance, and minimalism (when it poses as an intellectual movement
APA, Harvard, Vancouver, ISO, and other styles
8

RUCSANDA, Mădălina, and Alexandra BELIBOU. "Numerological symbols in Schoenberg's creation." BULLETIN OF THE TRANSYLVANIA UNIVERSITY OF BRASOV SERIES VIII - PERFORMING ARTS 14 (63), no. 1 (2021): 75–84. http://dx.doi.org/10.31926/but.pa.2021.14.63.1.9.

Full text
Abstract:
Expressionism in music was the movement that brought the contrast to previous eras promoting a tense music, exacerbation of means of expression and destruction of tonal balance. The works that belong to this innovative artistic movement involve diverse interpretations, because they capture the general tense atmosphere, from an aestheticphilosophical perspective, highlighting some text-sonority correspondences and the expressiveness of the elements of musical language. Over time, various connections have been made between music and mathematics, proving that mathematics can give a solid, deep fo
APA, Harvard, Vancouver, ISO, and other styles
9

Wellington, Jack, and Alexander Wellington. "Triskaidekaphobia and Schoenberg: musical expressionism or psychiatric consequence? – psychiatry in music." British Journal of Psychiatry 218, no. 3 (2021): 167. http://dx.doi.org/10.1192/bjp.2020.221.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Clark, T. J. "In Defense of Abstract Expressionism." October 69 (1994): 22. http://dx.doi.org/10.2307/778988.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Expressionism (Music)"

1

Carrasco, Clare. "The Most Expressionist of All the Arts: Programs, Politics, and Performance in Critical Discourse about Music and Expressionism, c.1918-1923." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc862862/.

Full text
Abstract:
This dissertation investigates how German-language critics articulated and publicly negotiated ideas about music and expressionism in the first five years after World War I. A close reading of largely unexplored primary sources reveals that "musical expressionism" was originally conceived as an intrinsically musical matter rather than as a stylistic analog to expressionism in other art forms, and thus as especially relevant to purely instrumental rather than vocal and stage genres. By focusing on critical reception of an unlikely group of instrumental chamber works, I elucidate how the acts of
APA, Harvard, Vancouver, ISO, and other styles
2

Song, Soomi. "The Development of Expressionism in Alexander Scriabin’s Piano Sonatas." University of Cincinnati / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1535701694022433.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Broomhead, Gordon Paul. "Individual expressive performance achievement in the choral ensemble : its relationship to ensemble achievement, technical achievement, and musical background /." Thesis, Connect to this title online; UW restricted, 1999. http://hdl.handle.net/1773/11438.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Adamowicz, Emily. "Viennese Expressionism : from sickness to spirituality in the new aesthetic theory 1909-1913." Thesis, McGill University, 2007. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99567.

Full text
Abstract:
Viennese Expressionism 1909-1913 encompasses parallel evolutions in the disciplines of visual arts and music. Ideas from fin-de-siecle Vienna's intellectual milieu inspired the awakening of the Modern artist, from Ur-schrei to the formation of a new aesthetic theory. In this thesis, I examine the origin of iconic Expressionist aesthetic values and their technical expression in works by Arnold Schoenberg, Egon Schiele, Oskar Kokoschka, and Wassily Kandinsky. Topics covered are divided into two broad thematic categories whose central tenets originate in preoccupations with, on the one hand, an e
APA, Harvard, Vancouver, ISO, and other styles
5

Feilotter, Melanie. "Schoenberg, Pappenheim, and the expression of solitude in Erwartung, op.17." Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=23331.

Full text
Abstract:
Schoenberg's monodrama Erwartung, op.17 (1909), appeared at the dawn of early Expressionism, a movement which profoundly affected the composer's early works. This movement dealt in part with the alienation and isolation of the self in what many artists considered a corrupt and degenerate society. The first part of this thesis examines the possible influences of the Expressionist and Symbolist traditions on Erwartung's text and, to a lesser extent, the early history of psychoanalysis, of which librettist Marie Pappenheim was certainly aware. The impact of the changes made by Schoenberg to Pappe
APA, Harvard, Vancouver, ISO, and other styles
6

Manchur, Jeffrey M. "But why is it so Long?: Eschatology and Time Perception as an Interpretation of Morton Feldman's 'For Philip Guston'." Bowling Green State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1428440096.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Rabothata, Thambatshira Tannie. "Women abuse as expressed in Tshivenda female songs." Thesis, University of Limpopo (Turfloop Campus), 2005. http://hdl.handle.net/10386/892.

Full text
Abstract:
Thesis (Ph.D. (African Languages)) --University of Limpopo, 2005<br>This study investigates the expression of women abuse through female songs. Groups of singers from twenty-two communities were listened to during the study. A qualitative analysis was undertaken. Songs obtained from secondary sources, were compared and analysed in the same way in which those obtained from the singers themselves were analysed. In particular, the usefulness of these singing groups was examined. It was found that most of the women who are experiencing abuse of some kind, derive perceived social support from fello
APA, Harvard, Vancouver, ISO, and other styles
8

Wallace, Alicia. "Do You Know the Storm?: The Forgotten Lieder of Franz Schreker." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849748/.

Full text
Abstract:
Franz Schreker (1878-1934) was a Jewish-Austrian composer of great success during the first decades of the twentieth century. Schreker’s reputation diminished after 1933 when Hitler came to power and, in 1938, his compositions were labeled Entartete Musik (“degenerate music”) by the Nazis in a public display in Düsseldorf. The Third Reich and post-war Germany saw Schreker as a decadent outcast, misunderstanding his unique style that combined elements of romanticism, expressionism, impressionism, symbolism, and atonality. This study of Schreker’s Lieder will pursue two goals. First, it will ana
APA, Harvard, Vancouver, ISO, and other styles
9

Click, Sarah D. "Art Song by Turn-of-the-Century Female Composers." Thesis, University of North Texas, 1993. https://digital.library.unt.edu/ark:/67531/metadc278468/.

Full text
Abstract:
Whereas conditions have existed for many centuries which served to exclude or marginalize female participation in music, many women have written compositions of musical worth sufficient to justify their contemporary performance. Although most women composers wrote works more fitting for the "salon" than for the concert hall at the turn of the century, Boulanger and Mahler are representative of the few women composers whose complex approach to art song fell within the mainstream of the genre. Many of their accompaniments attain a level of technical difficulty not previously found in women compo
APA, Harvard, Vancouver, ISO, and other styles
10

Freitas, Philippe Curimbaba [UNESP]. "Antinomia e expressão: Adorno ante o sismógrafo de Erwartung Op. 17 de Schoenberg." Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/95168.

Full text
Abstract:
Made available in DSpace on 2014-06-11T19:27:27Z (GMT). No. of bitstreams: 0 Previous issue date: 2012-06-18Bitstream added on 2014-06-13T19:15:00Z : No. of bitstreams: 1 freitas_pc_me_ia.pdf: 2176444 bytes, checksum: c58f824a87aa6b15377e1bcc8b342164 (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>Este trabalho é uma abordagem analítica do monodrama Erwartung Op. 17 – obra do expressionismo musical composta por Schoenberg a partir do texto de Marie Pappenheim – que parte das reflexões estéticas de Theodor Adorno sobre a obra e sobre o expressionismo em geral,
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Expressionism (Music)"

1

L, Crawford Dorothy, ed. Expressionism in twentieth-century music. Indiana University Press, 1993.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Expressionism as an international literary phenomenon: Twenty-one essays and a bibliography. J. Benjamins, 2011.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

N, Terekhina V., ed. Russkii ekspressionizm: Teoriia, praktika, kritika. IMLI RAN, 2005.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

RheinMain, Kulturfonds Frankfurt, ed. Phänomen Expressionismus: Kulturlandschaft Frankfurt RheinMain. Hatje Cantz, 2012.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

Complejo atonal, la atonalidad de Arnold Schönberg, paradigma estético del expresionismo. Sociedad Española de Musicología, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Philipp, Beate. Grete von Zieritz und der Schreker-Kreis: Die Kunst des unbedingten Ausdrucks. F. Noetzel, 1993.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

L'opéra expressionniste. Peter Lang, 2010.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Troschke, Michael von. Der Begriff "Expressionismus" in der Musikliteratur des 20. Jahrhunderts. Centaurus, 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Marc-Petit, Lazaret Ollandini-musée, and Abbaye d'Auberive (Auberive France), eds. Gillet, Music, Rebeyrolle, Rustin: Quatre maîtres de la peinture expressioniste du XXe siècle. Lazaret Ollandini-Musée Marc-Petit, 2011.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Klemenčič, Ivan. Slovenski glasbeni ekspresionizem: Od začetkov do druge vojne. Cankarjeva zal., 1988.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Expressionism (Music)"

1

Varghese, Selin Sara, Manjiri Kherdekar, Benitta Mariam Babu, and Archana Shirke. "EmotiSync: Music Recommendation System Using Facial Expressions." In Proceedings of Emerging Trends and Technologies on Intelligent Systems. Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-4182-5_1.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Hinman, Meghan. "Understanding Clients with Alternative Expressions of Sexuality Using Music." In Expressive Therapies for Sexual Issues. Springer New York, 2012. http://dx.doi.org/10.1007/978-1-4614-3981-3_6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Singh, Juginder Pal, and Jitesh Kumar Bhatia. "Scientific Exploration of Music Recommendation System Using Facial Expressions." In Advances in Data and Information Sciences. Springer Nature Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-5292-0_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Grosch, Nils. "Zwischen Expressionismus und Öffentlichkeit Die Komponisten der Novembergruppe." In Die Musik der Neuen Sachlichkeit. J.B. Metzler, 1999. http://dx.doi.org/10.1007/978-3-476-03771-8_2.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Webb, Michael, and Clint Bracknell. "Educative Power and the Respectful Curricular Inclusion of Aboriginal and Torres Strait Islander Music." In The Politics of Diversity in Music Education. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-65617-1_6.

Full text
Abstract:
AbstractThis chapter argues for the full, respectful curricular inclusion of Aboriginal and Torres Strait Islander music in order to promote a more balanced and equitable social and cultural vision of the nation-state in Australian schools. It challenges views that claim Indigenous cultures have been irretrievably lost or are doomed to extinction, as well as the fixation on musical authenticity. We propose that the gradual broadening of Indigenous musical expressions over time and the musical renaissance of the new millennium have created an unprecedented opportunity for current music educators to experience the educative power of Aboriginal and Torres Strait Islander music. This means that culturally nonexposed music teachers can employ familiar musical-technical approaches to the music even as they begin to more fully investigate the music’s cultural-contextual meanings. The chapter considers issues that impinge on the music’s educative power, especially those relating to its definition, its intended audiences, and pedagogies. It aims to help clear the way for the classroom to become an environment in which students can sense the depth and vitality of contemporary Australian Indigenous music.
APA, Harvard, Vancouver, ISO, and other styles
6

Akuno, Emily Achieng’. "The Transmission of Traditional Music Through Composition in Higher Education in Kenya: Transforming Cultural Expressions." In Traditional Musics in the Modern World: Transmission, Evolution, and Challenges. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-91599-9_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

"EXPRESSIONISM IN MUSIC." In Music in the 20th Century (3 Vol Set). Routledge, 2016. http://dx.doi.org/10.4324/9781315702254-143.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Grünzweig, Werner, and Walter Grünzweig. "Eros, Expressionism, and Exile." In Walt Whitman and Modern Music. Routledge, 2018. http://dx.doi.org/10.4324/9781315052885-3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

"Stefan Wolpe and Abstract Expressionism." In The New York Schools of Music and the Visual Arts. Routledge, 2012. http://dx.doi.org/10.4324/9780203055465-9.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Wood, Sara. "“Pure Eye Music”: Norman Lewis, Abstract Expressionism, and Bebop." In The Hearing Eye. Oxford University Press, 2009. http://dx.doi.org/10.1093/acprof:oso/9780195340501.003.0005.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Expressionism (Music)"

1

Jiřičková, Jiřina. "Motivující principy skupinového on-line hudebního vyučování se zaměřením na vokální činnosti." In Musica viva in schola. Masaryk University Press, 2021. http://dx.doi.org/10.5817/cz.muni.p280-0028-2021-12.

Full text
Abstract:
The paper names and briefly captures the motivating teaching approaches applicable in group music education with a focus on vocal activities. These include respect, trust, affection, physicality, and attention. The motivating and interconnected principles that Doug Goodkin uses can be understood as a basis and at the same time inspiring stimuli for on-line group music teaching with a predominance of vocal activities, whose task is to motivate children to their own vocal expressions and special natural elementary expression through elements of music.
APA, Harvard, Vancouver, ISO, and other styles
2

Tkalčič, Marko, Nima Maleki, Matevž Pesek, Mehdi Elahi, Francesco Ricci, and Matija Marolt. "Prediction of music pairwise preferences from facial expressions." In IUI '19: 24th International Conference on Intelligent User Interfaces. ACM, 2019. http://dx.doi.org/10.1145/3301275.3302266.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Bernhardt, Daniel, and Peter Robinson. "Interactive control of music using emotional body expressions." In Proceeding of the twenty-sixth annual CHI conference extended abstracts. ACM Press, 2008. http://dx.doi.org/10.1145/1358628.1358817.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

YANG, LING, and SHENG-DONG YUE. "AN ANALYSIS OF THE CHARACTERISTICS OF MUSIC CREATION IN MEFISTOFELE." In 2021 International Conference on Education, Humanity and Language, Art. Destech Publications, Inc., 2021. http://dx.doi.org/10.12783/dtssehs/ehla2021/35726.

Full text
Abstract:
Successful opera art cannot be separated from literary elements, but also from the support of music. Opera scripts make up plots with words. Compared with emotional resonance directly from the senses, music can plasticize the abstract literary image from the perspective of sensibility. An excellent opera work can effectively promote the development of the drama plot through music design, and deepen the conflict of drama with the "ingenious leverage" of music. This article intends to analyze the music design of the famous opera, Mefistofele, and try to explore the fusion effect of music and dra
APA, Harvard, Vancouver, ISO, and other styles
5

Huang, Jiang, Xianglin Huang, Lifang Yang, and Zhulin Tao. "A Continuous Emotional Music Generation System Based on Facial Expressions." In 2022 3rd International Conference on Intelligent Design (ICID). IEEE, 2022. http://dx.doi.org/10.1109/icid57362.2022.9969763.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Sato, Taiki, and Yuko Osana. "Automatic Generation of Dance and Facial Expressions Linked to Music using HMM." In 2019 IEEE International Conference on Systems, Man and Cybernetics (SMC). IEEE, 2019. http://dx.doi.org/10.1109/smc.2019.8914194.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

P, Supriya L., and Rashmita Khilar. "Affective Music Player for Multiple Emotion Recognition Using Facial Expressions with SVM." In 2021 Fifth International Conference on I-SMAC (IoT in Social, Mobile, Analytics and Cloud) (I-SMAC). IEEE, 2021. http://dx.doi.org/10.1109/i-smac52330.2021.9640706.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Bebrišs, Rūdis. "Kas objektu padara par mākslas darbu, skaņu – par mūziku? Artūra Danto mākslas pasaules idejas kritika." In LU Studentu zinātniskā konference "Mundus et". LU Akadēmiskais apgāds, 2021. http://dx.doi.org/10.22364/lu.szk.2.rk.03.

Full text
Abstract:
he article focuses on the critique of the definition of art by the American art philosopher Arthur Coleman Danto (1924–2013). This definition could be called the “missing link” in the understanding of art for people who do not understand why modern art is art, or openly criticize and abnegate it on the basis of such incomprehension. In Danto’s theory, one can point to three criteria that any object must meet in order to become an artwork – aboutness, embodiment and inclusion in the artworld, in other words, being in a social and historical relationship with all the art that exists to date.Howe
APA, Harvard, Vancouver, ISO, and other styles
9

Sung, Dooyong, and Kyogu Lee. "Transcribing Frequency Modulated Musical Expressions from Polyphonic Music Using HMM Constrained Shift Invariant PLCA." In 2014 Tenth International Conference on Intelligent Information Hiding and Multimedia Signal Processing (IIH-MSP). IEEE, 2014. http://dx.doi.org/10.1109/iih-msp.2014.145.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Dagnino, Francesca, Michela Ott, Francesca Pozzi, and Erdal Yilmaz. "SERIOUS GAMES DESIGN: REFLECTIONS FROM AN EXPERIENCE IN THE FIELD OF INTANGIBLE CULTURAL HERITAGE EDUCATION." In eLSE 2015. Carol I National Defence University Publishing House, 2015. http://dx.doi.org/10.12753/2066-026x-15-099.

Full text
Abstract:
This paper tackles the issue of Serious Games design by drawing on the experience conducted in the framework of the i-Treasures project, which deals with the preservation and transmission of Intangible Cultural Heritage (ICH). In i-Treasures a collection of Serious Games has been developed addressing four relevant ICH areas: singing, dancing, craftsmanship and music composition. So far one game for each of the four areas has been developed; the ultimate aim of the games is making learning and transmission of specific ICH expressions (namely Tsamiko dance, human beat box, pottery, contemporary
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Expressionism (Music)"

1

Manhiça, Anésio, Alex Shankland, Kátia Taela, Euclides Gonçalves, Catija Maivasse, and Mariz Tadros. Alternative Expressions of Citizen Voices: The Protest Song and Popular Engagements with the Mozambican State. Institute of Development Studies (IDS), 2020. http://dx.doi.org/10.19088/ids.2020.001.

Full text
Abstract:
This study examines Mozambican popular music to investigate three questions: Are notions of empowerment and accountability present in popular music in Mozambique? If so, what can these existing notions of empowerment and accountability reveal about relations between citizens and state institutions in general and about citizen-led social and political action in particular? In what ways is popular music used to support citizen mobilisation in Mozambique? The discussion is based on an analysis of 46 protest songs, interviews with musicians, music producers and event promoters as well as field int
APA, Harvard, Vancouver, ISO, and other styles
2

Yatsymirska, Mariya. SOCIAL EXPRESSION IN MULTIMEDIA TEXTS. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11072.

Full text
Abstract:
The article investigates functional techniques of extralinguistic expression in multimedia texts; the effectiveness of figurative expressions as a reaction to modern events in Ukraine and their influence on the formation of public opinion is shown. Publications of journalists, broadcasts of media resonators, experts, public figures, politicians, readers are analyzed. The language of the media plays a key role in shaping the worldview of the young political elite in the first place. The essence of each statement is a focused thought that reacts to events in the world or in one’s own country. Th
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Expressionism (Music)' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography