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Journal articles on the topic 'Expressionismo na literatura'

Author: Grafiati

Published: 4 June 2021

Last updated: 2 February 2022

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1

Barbosa, Maria Aparecida. "Estalos nas vigas - Literatura e desenhos de Alfred Kubin." Caderno de Letras, no. 29 (November 6, 2017): 35. http://dx.doi.org/10.15210/cdl.v0i29.9277.

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O propósito deste artigo é documentar a pesquisa em andamento sobre a literatura e a arte visual de Alfred Kubin. Procede a um levantamento das afinidades dessa obra, pensando no grupo expressionista Cavaleiro Azul, do qual ele participou nos primórdios, e também no ensaio de Ernst Jünger que o eleva a síntese da geração de artistas do expressionismo. Das afinidades com a vanguarda ressalta-se a linguagem que estende o campo semântico da palavra ao sentido da visão com a recorrência à descrição de imagens da pintura. Aponta igualmente a correspondência com o artista brasileiro Oswaldo Goeldi.

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Sousa, Celeste H. M. Ribeiro de. "A iconoclastia da natureza: Ecos do expressionismo na literatura alemã dos anos 80." Pandaemonium Germanicum, no. 1 (November 5, 1997): 67. http://dx.doi.org/10.11606/1982-8837.pg.1997.62939.

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In der expressionistischen Lyrik kann man einen ersten großen Bruch in den Beziehungen zwischen Mensch und Natur beobachten. In expressionistischen Gedichten, wie z.B. in Weltende von Jakob van Hoddis, werden die menschliche Angst und das Mißtrauen vor dem von der industriellen Revolution gebrachten Fortschritt auf eine schockierende Weise, d.h. durch apokalyptische Bilder, ausgedrückt.Diese Thematik der Naturzerstörung wird in den 80er Jahren auf eine emphatische Weise wiederaufgenommen. Es handelt sich jetzt um eine Naturzerstörung durch die moderne, oder besser: post-moderne, Technologie, d

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3

Korfmann, Michael, and Filipe Kegles Kepler. "A literatura e o cinema como novo medium artístico: Hanns Heinz Ewers e O estudante de Praga (1913)." Pandaemonium Germanicum, no. 12 (November 5, 2008): 45. http://dx.doi.org/10.11606/1982-8837.pg.2008.62230.

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O estudante de Praga (1913) é considerado o primeiro filme de arte produzido na Alemanha. Baseado num roteiro de Hanns Heinz Ewers, escritor e defensor destacado do novo medium fílmico, o filme remonta a motivos da tradição literária do romantismo alemão, sobretudo em relação às obras de E.T.A. Hoffmann e Adelbert von Chamisso e à figura do doppelgänger. Todo esse arcabouço literário não só dava sustentação à trama como também credibilidade ao filme, contribuindo, junto com a exploração dos recursos técnicos de câmera, para a aceitação definitiva do filme como medium de arte, bem como para o i

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Martinez, Gandhi De Oliveira, and Acácio Tadeu de Camargo Piedade. "Considerações sobre o caráter sombrio na música." Revista Música 18, no. 2 (2018): 66–80. http://dx.doi.org/10.11606/rm.v18i2.148296.

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Atualmente há uma forte presença do caráter sombrio nas artes, literatura e entretenimento. Este artigo busca investigar o sombrio como tópica musical através de um levantamento preliminar do campo do sombrio na música. Iniciamos discutindo questões como a luminosidade e suas associações com o medo, o diabólico e o grotesco. Após comentar o expressionismo no cinema e o movimento gótico dos anos 1980, apresentaremos um histórico do sombrio como tópica musical a partir de figuras de retórica do período barroco e tópicas posteriores como ombrae das unheimliche. Na conclusão, tentaremos argumentar

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Varetska, Sofiya. "Picturesque of Literature and Literature of Fine Arts in Works of Twice Exceptional Expressionists." Pitannâ lìteraturoznavstva, no. 102 (December 28, 2020): 134–47. http://dx.doi.org/10.31861/pytlit2020.102.134.

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The article considers a problem of the arts interaction, which is a characteristic feature of German expressionism. It analyzes works of gifted expressionists, which are fulfilling themselves not only as writers, but as painters too and vice versa. All attention is paid to such figures of expressionism as Oscar Kokoschka, Franz Kafka, Alfred Kubin. The article argues that the power of talent of such artists is so great that self-realization in one of the arts is not enough for them, and therefore they actively use the opportunity to reveal the facets of their giftedness not only verbally, but

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Donadoni, Marcilene Moreira. "Rodrigo Lacerda: estilos que se fundem entre a vida e os livros traduzidos." Letrônica 12, no. 1 (2019): 32076. http://dx.doi.org/10.15448/1984-4301.2019.1.32076.

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Na trajetória para se consagrarem escritores, vários autores se enveredam por diferentes caminhos artísticos. Assim, conforme seus nomes ganham destaque na mídia, suas obras começam a sair das últimas prateleiras empoeiradas das pequenas livrarias. Neste artigo, nos interessa apresentar o trabalho de Rodrigo Lacerda, conceituado e premiado escritor de literatura brasileira, por meio de sua relação com a atividade de tradução e adaptação. O objetivo é mostrar a relação entre a obra literária autoral de Lacerda e suas obras de tradução e adaptação de literatura de língua inglesa. Para tanto, pro

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Salgado, Marcus Rogério Tavares Sampaio. "A balada do homem abatido: um estudo comparativo entre Os ratos e Angústia." Navegações 9, no. 2 (2017): 151. http://dx.doi.org/10.15448/1983-4276.2016.2.22294.

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O artigo propõe um estudo comparativo entre os romances Os ratos (Dyonélio Machado) e Angústia (Graciliano Ramos), a partir da investigação de três eixos críticos: a) a tematização do ato de deambular; b) a presença de estratégias estéticas características do expressionismo; c) a recorrência do super-signo do rato.********************************************************************The ballad of the beaten man: a comparative study between Os ratos and AngústiaAbstract: The article is a comparative study between the novels Os ratos (Dyonélio Machado) e Angústia (Graciliano Ramos), out of three m

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Jakabházi, Réka. "Ich-Dissoziation – Apokalypse – Ästhetik des Hässlichen. Einfluss des deutschen literarischen Expressionismus’ auf die frühe Lyrik von Robert Reiter." Studia Universitatis Babeș-Bolyai Philologia 66, no. 3 (2021): 49–60. http://dx.doi.org/10.24193/subbphilo.2021.3.03.

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"Dissociation of the Self – Apocalypse – the Aesthetic of Ugliness. The Influence of German Literary Expressionism on the Early Lyrical Work of Robert Reiter. The present paper focuses on the influence of German literary Expressionism on the early lyrical work of Robert Reiter. In his early period, Robert Reiter took inspiration from the formal language of German Expressionism, as well as from the notion of subjective expression or the dissociation of the self associated with it. He used the apocalypse-motif and the ideal type known as the “New Man,” and practised an “aesthetics of the ugly”,

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Malý, Radek. "The Figure of Ophelia in Expressionist Poetry: German and Czech Comparison." Porównania 27, no. 2 (2020): 197–217. http://dx.doi.org/10.14746/por.2020.2.10.

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The study deals with the rendition of the figure of Ophelia in Czech modern poetry in comparison with the poetry of European Expressionism. The image of Ophelia’s aesthetic death from Shakespeare’s drama Hamlet has influenced and inspired a whole range of artworks. It strongly reverberated in German Expressionist poetry, especially that by Georg Heym, Gottfried Benn and Georg Trakl. The Czech poets who approached this topic in the spirit of Expressionism include Jan Skácel, Vladimír Holan and Jiří Orten. The study further addresses these works in the light of the Ophelia complex as defined by

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HAVRYLIV, Tymofii. "THE CITY IN THE MODERNIST POETRY. URBAN POEMS BY BOHDAN IHOR ANTONYCH AND GEORG HEYM." Ukraine: Cultural Heritage, National Identity, Statehood 33 (2020): 480–93. http://dx.doi.org/10.33402/ukr.2020-33-480-493.

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For the first time in literary studies, a comparative analysis of the urbanistic poetry of Bohdan Ihor Antonych and Georg Heym is realized. The common and divergent in semantic codes and characteristic practices from which the poetics of both authors grows are investigated. The city is the defining topos of modernist writing and the central category of the modernist worldview. In no other epoch did the city enjoy the attention of writers as at the end of the 19th century and in the first third of the 20th century. The modern city acquires its outlines only in the middle of the 18th century, an

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Cernuschi, Claude. "Georges Rouault and the Rhetoric of Expressionism." Religion and the Arts 12, no. 4 (2008): 479–539. http://dx.doi.org/10.1163/156852908x357371.

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AbstractEndorsing the artist's statements, Georges Rouault's admirers have repeated and helped sustain the myth of the painter as an isolated, solitary genius. Although there are many points of intersection between Rouault's work and German Expressionism (an emphasis on process and visual distortion, thematic affinities such as religious imagery, a fascination with self-portraiture, as well as with clowns and prostitutes), any potential connection with this movement has either been ignored or cursorily mentioned in the literature. This essay will explore the extent and depth of this relationsh

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Γαλανάκης, Αθανάσιος Β. "Yvan Goll – Ε. Χ. Γονατάς: Προς μια συγκριτική ποιητική". Σύγκριση 26 (25 лютого 2018): 11. http://dx.doi.org/10.12681/comparison.11120.

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This study aims to explore the relationship between the works of Yvan Goll and E. Ch. Gonatas. More specifically, the main purpose of the study is to highlight the role played by the Expressionist Movement (in which Yvan Goll was an active member) in the literary works of E. Ch. Gonatas. The methodological tools of Comparative Literature and Hermeneutics are used to prove the close relationship between the two authors and the expressionistic texture of their art. In the first part, the study is concerned with the expressionistic imagery, the poetics of landscape, the use of colors and the symb

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Nicholls, Peter. "Anti-Oedipus? Dada and Surrealist Theatre, 1916–35." New Theatre Quarterly 7, no. 28 (1991): 331–47. http://dx.doi.org/10.1017/s0266464x00006035.

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In a sequel to his essay ‘Sexuality and Structure in Expressionist Theatre’ in NTQ26, Peter Nicholls here explores a very different set of developments in the French avant-garde drama of the period. Arguing that Dada and Surrealist theatre have a strongly marked ‘anti-oedipal’ tendency, he suggests that their polemics against the family and paternal law contrast with the increasing prominence given to Freud's masterplot in Expressionism. Peter Nicholls teaches English and American Literature at the University of Sussex: his publications include Ezra Pound: Politics, Economics, and Writing, and

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Hirsh-Ratzkovsky, Roni. "From Berlin to Ben Shemen: The Lehmann Brothers between Expressionism and Zionism." AJS Review 41, no. 1 (2017): 37–65. http://dx.doi.org/10.1017/s0364009417000034.

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The following article deals with the story of two German Jewish brothers, Alfred Lemm and Siegfried Lehmann. The first—a forgotten journalist and writer, the second—a doctor and educator, the founder of the Ben Shemen Youth Village in Mandate Palestine. Through the specific story of the two brothers, the article traces the path of messianic antiurban ideas prevalent in expressionist avant-garde circles in pre–World War I Europe, to the circles of German Jewish Zionism and from them to Palestine-Israel. Though German expressionism was itself an urban intellectual phenomenon, expressionist prose

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15

Coetzee-Van Rooy, S., and A. L. Combrink. "e.e. cummings as an Expressionist poet." Literator 15, no. 3 (1994): 71–92. http://dx.doi.org/10.4102/lit.v15i3.678.

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This study investigates the poetry of e.e. cummings from what is considered a novel hut productive point of view: it holds that in order to categorize cummings as an Expressionist poet (an enterprise which, it is maintained, will provide the reader with a useful frame for grappling with certain troubling aspects of cummings poetry) it is necessary to develop a reading strategy based on a method derived from the social sciences and the study of linguistics to make the categorization both feasible and responsible. Using techniques of choice suggested by critics, and developing further techniques

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Radavska, Oksana. "The expressional style of the novel by Jean Giono «Big flock»." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu. Serìâ: Fìlologìâ 13, no. 22 (2020): 66–73. http://dx.doi.org/10.34079/2226-3055-2020-13-22-66-73.

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The paper is devoted to the analysis of the stylistic peculiarities of the novel of the French writer Jean Giono «Big Flock» (1931) dedicated to the events of World War I. The article proposes to use the Gaston Bashlar’s conception «The Poetics of Fire» as a methodology for the research of the expressive style. In the French criticism there is an idea about stylistic sophistication of this work, which is defined as a model of the tragic naturalism. It is suggested to look at the style of this work from the point of view of the poetics of expressionism. It is shown that the work of J. Giono is

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Lotery, Kevin. "Folds in the Fabric: Robert Morris in the 1980s." October 171 (March 2020): 77–114. http://dx.doi.org/10.1162/octo_a_00379.

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At the beginning of the 1980s, Robert Morris took a decisive and shocking turn. Abandoning the strategies of agency reduction, abstraction, and indeterminacy that had guided his practice since the 1960s, he began to make paintings instead. Architectural in scale and gaudy in their depictions of eviscerated human remains and post-apocalyptic landscapes, the new paintings trafficked in those myths of painting that Neo-Expressionism was just then resurrecting as bankable signs for a consumerist decade: expressivity, figuration, and narrative, among them. What, then, could unite the theorist of an

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Ścibior, Agnieszka, and Naum Lejderman. "Zasady estetyczne ekspresjonizmu i jego losy w literaturze rosyjskiej." Er(r)go. Teoria - Literatura - Kultura, no. 39 (December 16, 2019): 203–2014. http://dx.doi.org/10.31261/errgo.7401.

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W artykule rozpatrywany jest wpływ zasad estetycznych ekspresjonizmu na literaturę rosyjską XX wieku w oparciu o wybraną twórczość takich autorów jak m. in. Aleksiej Riemizow, Andriej Bieły, Jewgienij Zamiatin, Borys Pilniak. Zwrócenie uwagi na utwory pisarzy pierwszego popaździernikowego dziesięciolecia pozwala autorowi artykułu wykazać, że ekspresjonizm de facto uformował się jako strategia artystyczna determinująca rozwój ówczesnych kierunków i prądów literackich. Summary The aesthetic principles of the expressionism and its destiny in Russian literature The influence of e

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Kuhns, David F. "Expressionism, Monumentalism, Politics: Emblematic Acting in Jessner's ‘Wilhelm Tell’ and ‘Richard III’." New Theatre Quarterly 7, no. 25 (1991): 35–48. http://dx.doi.org/10.1017/s0266464x00005170.

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Leopold Jessner's productions of Schiller's Wilhelm Tell (1919) and Shakespeare's Richard III (1920) marked a culminating point in the short-lived, politically volatile era of German theatrical Expressionism. Jessner's distinctive work in this staging style did much to define the features of one mode of performance among several which billed themselves – or were branded as – ‘Expressionist’. In the following article, David Kuhns explores the particularly striking impact of Jessner's ‘emblematic’ approach to Schiller and Shakespeare upon the acting of those productions. By transforming his acto

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Pérez Jiménez, Manuel. "La teoría teatral como auxiliar de la Literatura Comparada: aspectos del expresionismo en "Hinkemann" (de Ernst Toller) y en "El Tintero" (de Carlos Muñiz)." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, no. 15-17 (February 26, 2011): 579. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.200415-1728.

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Este trabajo pretende realizar una aportación a la literatura comparada desde el campo de la teoría teatral. La hipótesis del mismo viene dada por la adscripción de El tintero, pieza del autor español Carlos Muñiz estrenada en 1961, a los principios teóricos y compositivos desarrollados por el Expresionismo en el teatro alemán de las primeras décadas del siglo XX. Para ello se lleva a cabo una aplicación de las teorías teatrales expresionistas al análisis comparado entre la obra de Muñiz y la pieza Hinkemann, escrita por el dramaturgo alemán Ernst Toller entre 1921 y 1922. Adoptando como objet

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Warden, Claire Altree. "The Shadows and the Rush of Light: Ewan MacColl and Expressionist Drama." New Theatre Quarterly 23, no. 4 (2007): 317–25. http://dx.doi.org/10.1017/s0266464x07000231.

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It has generally been assumed that the Expressionist movement had little noticeable impact on British theatre. Claire Altree Warden here suggests that in the plays of Ewan MacColl (and in particular his The Other Animals of 1948) there is a discernible challenge to this assumption. In order to advocate a specific political position, MacColl took the conventions of Expressionism and developed a highly engaged, artistically innovative theatrical aesthetic that could tackle socio-political inequalities and the suppression of the dissident voice. Through linguistic experiment, episodic structure,

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Pozdnyakov, Konstantin S. "Elements of expressionism in the story of A. Green «Gray Car»." Semiotic studies 1, no. 1 (2021): 26–32. http://dx.doi.org/10.18287/2782-2966-2021-1-1-26-32.

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The topic of the work is relevant, since at present the Russian literary criticism is rediscovering the features of the artistic expression of Soviet literature of the 1920s. The aim of the study was to discover the features of the poetics of Greens text that allow us to identify the novel under consideration as expressionist. Research methods used in the article: comparative-historical and semantic analysis of texts. At the beginning of the article, the research of the novella Gray Car by A.V. Polupanova and L.U. Zvonareva is considered, inaccuracies and obvious factual errors are noted, indi

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Oparina, Kseniya Sergeevna. "Context as an activator of connotations (on the material of Kurt Pinthus’ anthology “The Twilight of Humanity”)." Litera, no. 7 (July 2020): 24–34. http://dx.doi.org/10.25136/2409-8698.2020.7.33388.

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The goal of this research consists in determination of the types of contexts in the lyric poetry of German expressionism that contribute to the emergence of connotations in the semantics of a word. The subject of this article is the extralinguistic and linguistic contexts. The work employs the methods of contextual, component and interpretative analysis. In chronological sequence, the article describes various theories of contextual analysis and summarizes their main provisions. The author differentiates two types of context in a literary work: extralinguistic and linguistic; the latter is div

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Wasser, Audrey. "Deleuze's expressionism." Angelaki 12, no. 2 (2007): 49–66. http://dx.doi.org/10.1080/09697250701754988.

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Kramer, Andreas, Ralf Georg Bogner, and Neil H. Donahue. "Einführung in die Literatur des Expressionismus." Modern Language Review 102, no. 1 (2007): 276. http://dx.doi.org/10.2307/20467253.

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Birmelin, B. T. "The Expressionist." Literary Imagination 5, no. 2 (2003): 291–306. http://dx.doi.org/10.1093/litimag/5.2.291.

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Radavska, Oksana. "Дослідження експресіонізму в сучасному українському літературознавстві". Studia Ucrainica Varsoviensia 5, № 5 (2017): 0. http://dx.doi.org/10.5604/01.3001.0009.9117.

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The article refers to the work of Ukrainian researchers devoted to expressionism, such as O. Chernenko, M. Moklytsi, A. Biloi, O. Osmak, G. Yastrubetskoyi and others. It defi nes the main directions of research and characterizes researchers by their theoretical concepts, focusing on the names of the writers who are called the representatives of Ukrainian literary expressionism. Attention is paid to the fact that the theories may often be similar but researchers represent diff erent series of names and works. This requires further development of the theory of expressionism and the Ukrainian lit

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Zusi, Peter. "A Companion to the Literature of German Expressionism." Monatshefte 99, no. 2 (2007): 245–47. http://dx.doi.org/10.1353/mon.2007.0034.

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Shin, Sungyup. "H. Hesses Beziehung zur Literatur des Expressionismus." Koreanische Zeitschrift fuer Deutschunterricht 75 (September 30, 2019): 289–314. http://dx.doi.org/10.20456/kzfd.2019.09.75.289.

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SUELEM, Moushira. "Zur Aktualität des Expressionismus in der Literatur." Kairoer Germanistische Studien 16, no. 1 (2006): 415–23. http://dx.doi.org/10.21608/kgs.2006.144589.

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Goldman, Natasha. "From Ravensbrück to Berlin: Will Lammert’s Monument to the Deported Jews 1957/1985." Images 9, no. 1 (2016): 140–63. http://dx.doi.org/10.1163/18718000-12340056.

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In 1985 one of the earliest memorials dedicated to the Jewish victims of the Holocaust was installed in East Berlin. The Monument to the Deported Jews was an arrangement of thirteen bronze figures in expressionist style. Will Lammert, the artist, originally designed the figures for the base of his monument for Ravensbrück in 1957. The artist died in 1957, however, before finalizing his design for the monument. Only two figures on a pylon were installed at the concentration camp in 1959. The figures meant for the base of the Ravensbrück memorial were unfinished, but were nonetheless cast in bro

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David, Ricardo Santos. "First World War on Europe and the War Literature in Periods of Great Difficulty." Guará 7, no. 1 (2017): 11. http://dx.doi.org/10.18224/gua.v7i1.5565.

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Nowadays, one hundred years after the greatest sea and trench battles, a question is posed: how could this Great European War change not only the continental configurations, but also the concepts of war and war literature? Until the nineteenth century, many saw war as some heroic act through which men could prove their bravery in an open fight, facing the enemy directly. By means of new weapon technology, death comes invisibly: gas, submarines, long-range artilleries, mines, airplanes, tanks, and machine guns. War strategies are altered and the feeling of a worthy fight in order to defend one’

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Wale, Instr Kamal. "Expressionism in Susan Glaspell's Trifle." ALUSTATH JOURNAL FOR HUMAN AND SOCIAL SCIENCES 219, no. 1 (2018): 25–38. http://dx.doi.org/10.36473/ujhss.v219i1.498.

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The main purpose of this research paper is to show how Expressionism is influential to postwar American literature, especially to the one-act play entitled Trifles (1916) written by Susan Glaspell (1876-1948). America witnessed a new period of special culture and art during the second half of the twentieth century, especially after the second world war. The traditional forms of art have failed to satisfy the wishes and aspirations of the new artists who deliberately look for new forms to express their attitudes towards the new state of life to be lived after grave wars that have caused humanit

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Pestova, Natalia V. "Study of Expressionism in the Late 20th — Early 21st Centuries." Studia Litterarum 6, no. 2 (2021): 422–55. http://dx.doi.org/10.22455/10.22455/2500-4247-2021-6-2-422-455.

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The article analyzes and systematizes results of Russian research in German and Russian Expressionism for the past 17 years. The focus of the author are both great collective research projects on history and theory of Russian and German literature, which includes Expressionism as an integral part of the literary process, and individual studies of literary critics and linguists. The geography of Russian study of Expressionism covers research centers in Universities of Moscow, St. Petersburg, Yekaterinburg, Nizhni Novgorod, Chelyabinsk, Samara and in Austrian libraries (Yekaterinburg, Nizhni Nov

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Pestova, Natalia V. "Study of Expressionism in the Late 20th — Early 21st Centuries." Studia Litterarum 6, no. 2 (2021): 422–55. http://dx.doi.org/10.22455/2500-4247-2021-6-2-422-455.

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The article analyzes and systematizes results of Russian research in German and Russian Expressionism for the past 17 years. The focus of the author are both great collective research projects on history and theory of Russian and German literature, which includes Expressionism as an integral part of the literary process, and individual studies of literary critics and linguists. The geography of Russian study of Expressionism covers research centers in Universities of Moscow, St. Petersburg, Yekaterinburg, Nizhni Novgorod, Chelyabinsk, Samara and in Austrian libraries (Yekaterinburg, Nizhni Nov

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Fazra Risky Nasution and Morida Siagian. "Contemporary Art Gallery (Expressionism Architecture)." International Journal of Architecture and Urbanism 4, no. 2 (2020): 174–80. http://dx.doi.org/10.32734/ijau.v4i2.4520.

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Some issues prove that the development of art in Medan is relatively slow and does not become a concern of the public because of the availability of minimal and inadequate space, while Medan is a multicultural city in terms of art, many artists in the city of Medan have great potential. The construction of contemporary art gallery aims to meet the needs and facilities of art activities in the city of Medan because Medan does not yet have a decent art gallery for art activities, from exhibitions, artwork making space, to fine arts training venues and also as a center for art development likenes

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Keith-Smith, Brian, and Klaus-Dieter Bergner. "Natur und Technik in der Literatur des fruhen Expressionismus." Modern Language Review 96, no. 1 (2001): 266. http://dx.doi.org/10.2307/3735827.

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김보회. "Der Expressionismus und Franz Kafka in der deutschen Literatur." Zeitschrift f？r Deutsche Sprache und Literatur ll, no. 39 (2008): 157–80. http://dx.doi.org/10.30947/zfdsl.2008..39.157.

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Clark, T. J. "In Defense of Abstract Expressionism." October 69 (1994): 22. http://dx.doi.org/10.2307/778988.

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Baigell, Matthew. "The Emersonian Presence in Abstract Expressionism." Prospects 15 (October 1990): 91–108. http://dx.doi.org/10.1017/s036123330000586x.

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In all of the literature on abstract expressionism, very little has been written about what I would call the Emersonian presence. It is a presence rather than a source or influence. And it is not limited to Emerson, since it can be found in such figures as Walt Whitman and William James, among others. But it is easier to say “an Emersonian presence” because precise influences are difficult, probably impossible, to establish. What I am concerned with is an attitude of mind that recurs in American intellectual history and that resonates through much 20th-century American art, ranging from early

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Vajić, Nataša. "African American Postmodern Supernaturalism." European Journal of Social Sciences Education and Research 11, no. 2 (2017): 200. http://dx.doi.org/10.26417/ejser.v11i2.p200-204.

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African American postmodern supernaturalism is the last stage in the development of African American literature, but also contemporary world literature in general. By embracing one's own African elements and enriching postmodern literature, African American supernaturalism experimented with the syncretism of the past and the future, tradition and futurism. Seeking for a new kind of literary expressionism, the African American writer strives to preserve ancient cultural features by combining them into something completely new and what separates them from the rest of world literature.

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Ritchie, J. M., and Paul Requadt. "Unburgerliche Dichterportrats des Expressionismus." Modern Language Review 82, no. 2 (1987): 526. http://dx.doi.org/10.2307/3728518.

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Schönsee, Dorothea Rebecca. "Schattenfiguren, Spektren, Gespenster als leuchtende Verheißung. Simon Kronbergs Sonderstellung in der deutschen Literatur des Expressionismus." Naharaim 14, no. 2 (2020): 265–96. http://dx.doi.org/10.1515/naha-2019-0002.

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AbstractDer Artikel untersucht den originären Beitrag Simon Kronbergs zur deutschen Literatur des Expressionismus. Der zu den „vergessenen und verkannten Autoren der expressionistischen Generation” (Lützeler) gehörende Kronberg ist bis heute kaum untersucht. Als Sohn jüdisch-galizischer Zuwanderer 1891 in Wien geboren, studiert er 1913 bei Emile Jacques-Dalcroze, dessen Licht- und Bewegungschoreographien ihn nachhaltig prägen. Weitere Stationen sind Düsseldorf bei dem Schauspieler-Paar Lindemann/Dumont, München und Berlin. 1934 emigriert er nach Palästina, wo er 1947 stirbt. Seine Texte entwer

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Ritchie, J. M. "EXPRESSIONIST DRAMA IN TRANSLATION." German Life and Letters 43, no. 4 (1990): 356–71. http://dx.doi.org/10.1111/j.1468-0483.1990.tb00663.x.

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KNOX-SHAW, PETER. "UNICORNS ON ROCKS: THE EXPRESSIONISM OF OLIVE SCHREINER." English Studies in Africa 40, no. 2 (1997): 13–32. http://dx.doi.org/10.1080/00138399708691256.

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Robertson, Ritchie. "Book Review: German Studies: A Companion to the Literature of German Expressionism." Journal of European Studies 37, no. 1 (2007): 97–99. http://dx.doi.org/10.1177/004724410703700116.

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Batul Fatema Mubarak, Pathan. "THE EXPRESSIONISTIC TECHNIQUE OF PRESENTING NARRATOR AND MEMORY IN TENNESSEE WILLIAMS THE GLASS MENAGERIE." International Journal of Advanced Research 9, no. 03 (2021): 543–45. http://dx.doi.org/10.21474/ijar01/12614.

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Expressionism was a movement in art and literature which presented a very subjective view of the world. The movement itself revolted against realism and naturalism, while the technique distorted reality, displayed the human emotions and tried to reveal the psycho-spiritual truth in the Modern world. The Glass Menagerie (1944) tells the story of a broken modern family with three characters- Tom, Laura and Amanda, all of whom live in their own reality. This familys encounter with another worldly character Jim, however, crashed their fragile world around them. In the modern era, when people are o

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KEMPF, FRANZ. "Kafka und der Expressionismus: Die Verwandlung." Seminar: A Journal of Germanic Studies 26, no. 4 (1990): 327–41. http://dx.doi.org/10.3138/sem.v26.4.327.

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Lazirko, Nataliia. "GEORGE KAISER’S WRITING IN THE RECEPTION OF YURI KLEN." Polish Studies of Kyiv, no. 35 (2019): 201–6. http://dx.doi.org/10.17721/psk.2019.35.201-206.

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The given article deals with Klen’s research of the German dramatist George Kaiser. The main parameters of artistic universe of this author are presented in the article. There are also outlined the methodological strategies of research the German dramatist’s creativity by Yuri Klen – a well-known Ukrainian literary critic. Georg Kaiser is one of the brightest representatives of theatrical and literary expressionism. His plays are the unique phenomenon in the 20th century drama. His expressionism appeared to be the special one and the global and scope of plots allowed scientists to call G. Kais

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Reichman, Jessica, and E. R. Hagemann. "German Expressionist Artist Karl Hofer." Journal of Popular Culture 22, no. 4 (1989): 1–12. http://dx.doi.org/10.1111/j.0022-3840.1989.2204_1.x.

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