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Journal articles on the topic 'Expressive features'
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1
Borisov, Mirko. "Expressive features of topographic maps." Glasnik Srpskog geografskog drustva 91, no. 3 (2011): 139–52. http://dx.doi.org/10.2298/gsgd1103139b.
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In the field of official topographic cartography Serbia has a long tradition which origin dates from Princedom of Serbia. On the territory of Serbia and former federal state, there have been conducted several surveys in the field, of which the last one was conducted in the period from 1947 to 1967. Based on that survey, the entire area of ex state was covered with topographic maps, but some of them are interested for example at the scale from 1:25 000 up to 1:100 000. That maps are analyzed in this article, specially their characteristics.
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Pertsov, Mykyta. "Flute: Design, Technical and Expressive Features." Bulletin of KNUKiM. Series in Arts, no. 43 (December 22, 2020): 109–13. https://doi.org/10.31866/2410-1176.43.2020.220107.
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The purpose of the article is to analyse the current developments in the flute construction, outline the essential changes associated with its technical and expressive features, and the prospects for its application in musical culture; to consider the samples of flute modification that were carried out after the T. Boehm’s reform. The research methodology consists in using historical and analytical approaches to highlight the features of flute development, as well as a comparative method in the analysis of changes in the flute construction. The scientific novelty of the study lies in the fact that for the first time it outlines various modern modifications of the flute in the historical development of musical culture, and also emphasizes their technical and expressive features considering that modern changes in the flute construction have been insufficiently explored in Ukrainian art studies, in fact, different models of the instrument are only being introduced into the practice of performance. It is noted that changes in the instrument construction are closely connected with the practice of composing, stimulating further strategies for its development. Conclusions. The study shows that the flute is an instrument that has undergone significant changes in its construction. The desire to follow the latest trends in the field of performing and composing art results in the need for further experiments in its construction. The instrument is updated by adding certain devices (microphones), equipment (valves, membranes, keys), and this allows expanding the flute’s performing possibilities. A number of contemporary composers write compositions for the updated flute. The use of these instruments is a very promising direction in Ukraine. Knowledge of the technical and expressive possibilities of the flute can provide significant informative material that would be useful for both performers and composers.
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Amonovich, Gochbakarov Azat. "Methods of Expressing the Artistic Features of Musical Works on The Rubab Prima Instrument." International Journal of Pedagogics 5, no. 4 (2025): 241–42. https://doi.org/10.37547/ijp/volume05issue04-63.
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This article analyzes the artistic possibilities of the rubab prima instrument in expressing musical works and the methods of their expression. The work highlights the possibilities of expressing the content and emotional state of the work through the timbre, dynamics, agogy, and articulation features of the rubab prima. At the same time, the performance technique and specific methodological approaches in the interpretation process are analyzed. The article reveals the elements of musical speech characteristic of the rubab prima and their importance in enhancing the artistic effect in musical works. Based on the results of the analysis, ways to achieve artistic and expressive coherence in the performance of the instrument are recommended.
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Kamilova, Natavan Abdulla. "Linguistic features of the novel "Ali and Nino"." Scientific Bulletin 2 (2021): 26–31. http://dx.doi.org/10.54414/niyi4983.
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This paper studied the novel G. Said in the use of linguistic resourcesand identify their functional characteristics. Revealed that in the novel «Ali and Nino» occurring most expressive means are epithets. The second highest number of use metaphor. In third place phraseology, also justified the use of the means of expression in the works.
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Tsimokh, Nataliia, and Anastasiia Soroka. "Features of Receptions Infotehnament." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 1, no. 2 (2018): 30–39. https://doi.org/10.31866/2617-2674.2.2018.151788.
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Purpose of the study is to find out the features of the origins, historical evolution of modern trends in the development of infotinment. Analyze literature and sources related to the emergence of the concept of "infotehnament". Analyze the classification of infotment techniques and identify the external and internal links between them. Explore the use of infotehnology techniques, and to describe the prospects for their development on Ukrainian television. Research methodology. The proposed publication implies the use of a specific set of research methods. The bibliographic descriptive method made it possible to understand how infotehnum is an investigated and actual phenomenon of the present. The method of observation made it possible to identify the preconditions for the emergence of infotment and the process of its formation and development. Using the analytical method, the characteristics of the modern stage of the functioning of the informational and journalistic segment on the Ukrainian television are highlighted. Scientific novelty the obtained results is that for the first time the details of the implementation of infotehnation on the modern Ukrainian informational and journalistic television have been analyzed in detail, the structure analysis of signs, manifestations and techniques of infotehnum has been carried out, the process of transformation of the information-analytical segment of TV into informational and journalistic is theoretically substantiated. Conclusions. In the course of the study, there were identified causes that contributed to the emergence and development of features of infotment techniques. On the basis of consideration of historiography and source base, it was found that the problem of infotment in Ukraine is poorly understood and has not yet been fully addressed. Analysis of this topic makes it possible to argue that infotehnament - a way to feed news in an entertaining form, which is achieved through various techniques. This aspect is useful for every journalist, since the use of special technologies makes it possible to influence not the mind but the emotional state of the viewer.
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S.Volskaya, Anastasia, Olga A. Chupryakova, Svetlana S. Safonova, and Gulnaz T. Karipzhanova. "Semantico-Functional Features of Expressive Derivatives in the Artistic Discourse of V. Makanin." International Journal of Engineering & Technology 7, no. 4.36 (2018): 983. http://dx.doi.org/10.14419/ijet.v7i4.36.24936.
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The paper is devoted to the study of semantic and functional features of expressive derivatives, both usual and occasional, in the artistic gist of the novel “Asan” by V. Makanin, as well as their role in structuring the individual-author’s linguistic picture of the world. It has been proven that the derivation of expressive lexemes is the result of improvisation according to established patterns, and that the formation of occasional substantives, adjectives and verbs involved the main methods of the Russian word derivation. It is noted that in the artistic discourse of V. Makanin, in the substantive word-formation, suffixation plays a leading role, which takes place in the sphere of abstractness and includes such lexical-semantic groups as expressive substantives with the meaning of a person, expressive substantives with the meaning of abstracted action or an abstract feature with connotation, as a rule, negative and/or reduced colloquial connotation. While in the sphere of adjectival and verbal word formation, confixation and prefixation, as the formation of expressiveness, is most productive. The paper considers the phenomenon of semantic word formation, describes the formation of semantic derivatives, including in the field of occasional vocabulary. Expressive derivatives in the artistic discourse of V. Makanin are a bright sign of his individual style, an important means of expressing the world view and outlook of the writer.
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Oybek, Haytbayev. "STYLISTIC FEATURES OF UZBEK SYNONYMOUS PHRASES IN FICTION." International Journal Of Literature And Languages 4, no. 11 (2024): 18–24. http://dx.doi.org/10.37547/ijll/volume04issue11-05.
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The article is discussed the stylistic features of synonymous phrases in the Uzbek language in fiction. Writers and poets have demonstrated the skillful use of expressive means to increase their imagery and effectiveness in describing heroes.
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G'ofurova, Sarvaraxon, and Muslima Ibrohimova. "THE ROLE OF PHONETIC EXPRESSIVE MEANS AND STYLISTIC DEVICES IN ENHANCING LITERARY EXPRESSION: A FOCUS ON ONOMATOPOEIA." SYNAPSES: INSIGHTS ACROSS THE DISCIPLINES 1, no. 4 (2024): 193–96. https://doi.org/10.5281/zenodo.14218158.
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<em>This paper explores the concept of phonetic expressive means and their application in literary works, with a particular focus on onomatopoeia. Phonetic expressive means are tools that writers use to convey meaning, emotion, and atmosphere through sound patterns. Stylistic devices, such as alliteration, assonance, and onomatopoeia, are essential in shaping a text’s emotional and aesthetic appeal.</em><em> </em>
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Lee, Jung-Eun, and Min-Jung Chang. "Expressive Features of Hanbok Design in Online Games." Journal of Korean Traditional Costume 25, no. 1 (2022): 99–110. http://dx.doi.org/10.16885/jktc.2022.03.25.1.99.
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Lee, Jung-Eun, and Min-Jung Chang. "Expressive Features of Hanbok Design in Online Games." Journal of Korean Traditional Costume 25, no. 1 (2022): 99–110. http://dx.doi.org/10.16885/jktc.2022.03.25.1.99.
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Lee, Jung-Eun, and Min-Jung Chang. "Expressive Features of Hanbok Design in Online Games." Journal of Korean Traditional Costume 25, no. 1 (2022): 99–110. http://dx.doi.org/10.16885/jktc.2022.03.25.1.99.
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Lee, Joo Young, and Jung Hae Kim. "String's Expressive Features Reflected in the Modern Fashion." Korean Society of Fashion Design 16, no. 3 (2016): 121–40. http://dx.doi.org/10.18652/2016.16.3.8.
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Kishore Kumar, R., and S. P. Nagi. "A child with abnormal features and expressive dysphasia." European Journal of Pediatrics 159, no. 1-2 (2000): 119–20. http://dx.doi.org/10.1007/s004310050025.
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Woody, Robert H. "The Relationship between Explicit Planning and Expressive Performance of Dynamic Variations in an Aural Modeling Task." Journal of Research in Music Education 47, no. 4 (1999): 331–42. http://dx.doi.org/10.2307/3345488.
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The present study is an examination of the performance of expressive dynamic variations by advanced pianists in an aural modeling (imitative) performance task. Twenty-four university musicians listened to expressive performances of short piano excerpts played for them via MIDI on a Yamaha Disklavier acoustic piano. These expressive models contained idiomatic features (musically appropriate) and nonidiomatic features (musically inappropriate). After hearing each model, subjects reported their thoughts regarding dynamic variations they had heard and then attempted to imitate the model in their own performance on the piano. Results indicated that expressive performance of dynamic variations is influenced by the performer's explicit identification of dynamic features and their incorporation into a specific goal performance plan. Analyses of individual dynamic features revealed that subjects who identified features consistently performed the features differently than did the subjects who did not identify them. Subjects who identified features played nonidiomatic features more accurately and played idiomatic features at more pronounced overall levels.
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Sobirov, Odilshoh Bobokalonov. "Specific features of phraseological units." International Journal on Integrated Education 3, no. 11 (2020): 192–95. http://dx.doi.org/10.31149/ijie.v3i11.886.
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An article is an attractive object of study of the phraseological system of any language: it is the most expressive field of literacy, albeit indirectly, given information about seeing the world and reflecting the cultural authenticity of native speakers.
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Raweh Hamid Albar, Aisha Saleh Babssal, Raweh Hamid Albar, Aisha Saleh Babssal. "The Expressive Value of The Segmental Phonemes: The Ayahs Describing The Battle of Uhud As A Model: القيمة التعبيرية للأصوات التركيبية: آيات وصف غزوة أحد نموذجا". المجلة العربية للعلوم و نشر الأبحاث 7, № 2 (2021): 70–54. http://dx.doi.org/10.26389/ajsrp.r171220.
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This study aims to explore the expressive value of the segmental phonemes in the verses describing the Battle of Uhud. These verses discuss some scenes of war and its doctrines, which provides the verses with meanings of strength and intensity. This research attempts to discover the effect of the features of segmental phonemes present on those meanings, and to indicate their connection to the general context, and that is through stating the expressive value of the features of phenomes in expressing meanings. In order to achieve this, two topics were addressed, the first: a description of the concept of strength and weakness of phonemes, the second; the expressive value of the segmental phonemes in the verses, and a descriptive approach was adopted for this study.
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Baratova, Sevara. "POETIC WORD IN THE LEXICAL LAYER." AMERICAN JOURNAL OF INTERDISCIPLINARY INNOVATIONS AND RESEARCH 6, no. 7 (2024): 52–58. http://dx.doi.org/10.37547/tajiir/volume06issue07-07.
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This article examines the lexical layer of poetic words, their appearance, grouping, as well as the features of their expressive and descriptive side when used. The main features of the poetic word are highlighted. It is shown that in poetry they are chosen more strongly than in prose, that the scale of imagery and expressiveness in poetic words is greater in poetry, that poetic speech is based on the visual means of poetry, that it is the result of expressing thoughts in a concise, expressive and concise form.
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Tabunova, N. A. "The Main Features of the Expressiveness of the Arts in the Modern Era." Art & Culture Studies, no. 1 (February 2022): 80–107. http://dx.doi.org/10.51678/2226-0072-2022-1-80-107.
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In the present article, the author raises the question of social incentives of the Modern Era that encouraged artists to search for new ways of expression and initiated transformations of artistic methods. The subject of research is the artistic expressiveness of the visual arts and philosophical concepts of the Modern Era. In the culture of the Modern Era, the medieval sacred predetermination that regulated human existence is replaced by anew self-consciousness of a person as a subject of history. Being susceptible to changes in consciousness, art reflects this process, which is emphasized in this study. The relevance of this research is due to the possibility of considering the correlation between the changes in art and a person’s view of life. The author formulates representation and illusory criteria for the expressive methods of the visual arts of the Modern Era and investigates the search for new expressive means by painters, sculptors, and architects. The driving force behind the search for new means of displaying both conscious and unconscious changes in mentality is identified through the analysis of the major changes in the European socio-cultural consciousness in the Modern Era. The question of dialectics of the visual and the expressive is studied in order to consider their impact on the self-movement of art. The author focuses on classical and Baroque trends in art. In studying the expressive techniques of art and the philosophical trends of the Modern Era, the application of the interdisciplinary approach is advisable.
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Kobilova, Aziza Baxriddinovna RuziyevaDilrabo. "LANGUAGE FEATURES OF ADVERTISING SLOGANS." International Journal of Education, Social Science & Humanities. Finland Academic Research Science Publishers 11, no. 5 (2023): 2425–30. https://doi.org/10.5281/zenodo.8012662.
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<em>The given article is devoted to the analysis of the structure of advertising text.The main attention is paid to the key phrase of the verbal text of the advertisement - the slogan and lists of the main language that make the slogan expressive.</em>
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Egorov, Roman Vladimirovich, and Anna Al'bertovna Ionina. "Specific features of employing emotive means in English-language sports discourse." Litera, no. 3 (March 2025): 178–90. https://doi.org/10.25136/2409-8698.2025.3.73412.
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This article examines the specifics of the functioning of emotive media within the framework of sports discourse, with an emphasis on the football journalistic texts. The research focuses on three main types of emotives: nominative emotives, associative emotives, and expressive emotives, which play a key role in creating the emotional coloring of a sports narrative. Emotive nominatives are studied as means of designating objects or phenomena that carry additional emotional load through the choice of vocabulary, metaphors, or periphrasis. They help the authors convey their feelings about events, participants, or match results. Emotive associatives are analyzed as elements that form emotional associations in the reader through the use of comparisons, allusions and contextually significant references. Finally, expressive emotives are studied as the most straightforward tools for expressing emotions, manifested in expressive vocabulary, interjections, and stylistic figures. Based on the analysis of real texts from football journalism, the features of the use of these categories of emotive media, their interaction and influence on the perception of a sporting event by the target audience are revealed. This work is of interest to linguists studying sports discourse, as well as to journalism practitioners seeking to improve the effectiveness of communication in the sports field. The study uses a linguistic approach to the analysis of emotive vocabulary in sports discourse, including the classification of emotives into nominatives, associatives and expressives to identify their role in expressing emotions and building a communicative connection. The scientific novelty of the research lies in a comprehensive analysis of the emotive vocabulary of sports discourse through the prism of a linguistic approach, which allows us to identify the features of the functioning of emotives in English media texts. For the first time, a classification of emotive units within the framework of sports discourse is proposed, taking into account their semantic specificity and communicative role. The study demonstrates how emotive vocabulary forms an emotional connection between the reader and a sporting event, contributing to a deeper understanding of the context. The results obtained are of practical importance because the use of emotive vocabulary increases students' motivation and develops critical thinking. The work confirms the hypothesis that emotives of various types not only express emotional states, but also serve as an important tool for forming a linguistic personality, helping to overcome the language barrier and successfully assimilate a new vocabulary.
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Bowden, Sean. "The Intensive Expression of the Virtual: Revisiting the Relation of Expression inDifference and Repetition." Deleuze Studies 11, no. 2 (2017): 216–39. http://dx.doi.org/10.3366/dls.2017.0263.
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In Difference and Repetition, Deleuze claims that it is in virtue of a relation of expression which holds between intensive processes of individuation and virtual Ideas that the former determines the latter to be actualised in concrete entities. He is, however, less than forthcoming in this book about exactly how we should understand the relation of expression. This article addresses itself to this lacuna. It clarifies five characteristic features of the expressive relation, partly by drawing on Deleuze's discussion of the relation of expression in Expressionism in Philosophy, party by examining familiar examples of expressive relations. It then maps these characteristic features of expression onto Deleuze's discussion of the relation between Ideas and intensity in Difference and Repetition, showing that virtual Ideas are ontologically inseparable from the intensive processes that both constitute and actualise them in the production of actual entities. By way of conclusion, this expressive account of the relation between the virtual, the actual and the intensive will be compared and contrasted with several leading accounts to be found in the secondary literature.
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Zhang, Huan, Shreyan Chowdhury, Carlos Eduardo Cancino-Chacón, Jinhua Liang, Simon Dixon, and Gerhard Widmer. "DExter: Learning and Controlling Performance Expression with Diffusion Models." Applied Sciences 14, no. 15 (2024): 6543. http://dx.doi.org/10.3390/app14156543.
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In the pursuit of developing expressive music performance models using artificial intelligence, this paper introduces DExter, a new approach leveraging diffusion probabilistic models to render Western classical piano performances. The main challenge faced in performance rendering tasks is the continuous and sequential modeling of expressive timing and dynamics over time, which is critical for capturing the evolving nuances that characterize live musical performances. In this approach, performance parameters are represented in a continuous expression space, and a diffusion model is trained to predict these continuous parameters while being conditioned on a musical score. Furthermore, DExter also enables the generation of interpretations (expressive variations of a performance) guided by perceptually meaningful features by being jointly conditioned on score and perceptual-feature representations. Consequently, we find that our model is useful for learning expressive performance, generating perceptually steered performances, and transferring performance styles. We assess the model through quantitative and qualitative analyses, focusing on specific performance metrics regarding dimensions like asynchrony and articulation, as well as through listening tests that compare generated performances with different human interpretations. The results show that DExter is able to capture the time-varying correlation of the expressive parameters, and it compares well to existing rendering models in subjectively evaluated ratings. The perceptual-feature-conditioned generation and transferring capabilities of DExter are verified via a proxy model predicting perceptual characteristics of differently steered performances.
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Velikodnev, O. "Syntactic Features of Legal Communication (The Study of English Wills)." Scientific Research and Development. Modern Communication Studies 12, no. 2 (2023): 63–70. http://dx.doi.org/10.12737/2587-9103-2023-12-2-63-70.
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The investigation focuses on the study of syntactic means used in English wills. The contribution demonstrates the expressive potential of syntactic means; analyses means of minor and major syntax used in the genre under consideration. The paper reveals the frequency of their use. It also considers the question of appropriateness of expressive syntactic means for legal discourse and describes their functional-stylistic features.
 The research has allowed to outline the features of the syntactic arrange-ment of wills and to single out the most typical syntactic structures (nominative and verbal word combinations on the level of the minor syntax, complex sentences on the level of the major syntax). The contribution has also re-vealed syntactic expressive means used in English wills (inversion, syn-tactic repetition, including parallel construction, and polysyndeton) and has described their functional-stylistic features. The investigation has defined the functional status of the expressive syntactic means which encompasses clear and accurate expounding of the content and preservation of the text structure (which has shaped as a result of the historical development of the genre). The methodology of research include generalisation, description, definitive analysis, linguostylistic analysis, and context analysis.
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Muminov, V. I. "THE ORIGINALITY OF V.G. KOROLENKO’s LINGUISTIC AND STYLISTIC MANNER(BASED ON THE STORY “SOKOLINETS”)." Bulletin of Udmurt University. Series History and Philology 31, no. 5 (2021): 875–90. http://dx.doi.org/10.35634/10.35634/2412-9534-2021-31-5-875-890.
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In this article based on the story “Sokolinets”, the peculiarities of linguistic and stylistic manner of V.G. Korolenko are reviewed, the author’s preferences in the choice of means of expression and intensification of features which provide stylistic effect are observed. First of all, the denominative vocabulary expressing the extreme (ultimate) psychological and emotional states of the characters is marked and classified. The pronoun words and particles, which often interact with each other, creating expressive constructions with the meaning of gradation, high degree of feature manifestation, etc., are considered separately. The word-formation means, participating in the realization of author’s emotionality, strengthening of substantial and expressive sides of the utterance, are singled out. Some peculiarities of V.G. Korolenko's idiostyle are examined; the stylistic means which increase the expressiveness of the work, optimize the rhythmical-intonational structure of the poetic speech, saturate it with the semantic and stylistic information are classified. The types of repetitions attracted by the writer for the realization of his creative task and their role in the realization of the stylistic effect are determined.
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RAMIREZ, RAFAEL, and AMAURY HAZAN. "A TOOL FOR GENERATING AND EXPLAINING EXPRESSIVE MUSIC PERFORMANCES OF MONOPHONIC JAZZ MELODIES." International Journal on Artificial Intelligence Tools 15, no. 04 (2006): 673–91. http://dx.doi.org/10.1142/s0218213006002862.
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In this paper we present a machine learning approach to modeling the knowledge applied by a musician when performing a score in order to produce an expressive performance of a piece. We describe a tool for both generating and explaining expressive music performances of monophonic Jazz melodies. The tool consists of three components: (a) a melodic transcription component which extracts a set of acoustic features from monophonic recordings, (b) a machine learning component which induce both an expressive transformation model and a set of expressive performance rules from the extracted acoustic features, and (c) a melody synthesis component which generates expressive monophonic output (MIDI or audio) from inexpressive melody descriptions using the induced expressive transformation model. We compare several machine learning techniques we have explored for inducing the expressive transformation model.
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BOUCART, MURIEL, JEAN-FRANÇOIS DINON, PASCAL DESPRETZ, THOMAS DESMETTRE, KATRINE HLADIUK, and AUDE OLIVA. "Recognition of facial emotion in low vision: A flexible usage of facial features." Visual Neuroscience 25, no. 4 (2008): 603–9. http://dx.doi.org/10.1017/s0952523808080656.
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AbstractAge-related macular degeneration (AMD) is a major cause of visual impairment in people older than 50 years in Western countries, affecting essential tasks such as reading and face recognition. Here we investigated the mechanisms underlying the deficit in recognition of facial expressions in an AMD population with low vision. Pictures of faces displaying different emotions with the mouth open or closed were centrally displayed for 300 ms. Participants with AMD with low acuity (mean 20/200) and normally sighted age-matched controls performed one of two emotion tasks: detecting whether a face had an expression or not (expressive/non expressive (EXNEX) task) or categorizing the facial emotion as happy, angry, or neutral (categorization of expression (CATEX) task). Previous research has shown that healthy observers are mainly using high spatial frequencies in an EXNEX task while performance at a CATEX task was preferentially based on low spatial frequencies. Due to impaired processing of high spatial frequencies in central vision, we expected and observed that AMD participants failed at deciding whether a face was expressive or not but categorized normally the emotion of the face (e.g., happy, angry, neutral). Moreover, we observed that AMD participants mostly identified emotions using the lower part of the face (mouth). Accuracy did not differ between the two tasks for normally sighted observers. The results indicate that AMD participants are able to identify facial emotion but must base their decision mainly on the low spatial frequencies, as they lack the perception of finer details.
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Mozghova, Yaroslava O., and Lesya O. Shevchuk. "SAVING OF SYNTACTIC STYLISTIC DEVICES FEATURES IN JOURNALISTIC TEXTS TRANSLATION." Scientific Journal of National Pedagogical Dragomanov University. Series 9. Current Trends in Language Development, no. 23 (July 17, 2022): 63–73. http://dx.doi.org/10.31392/npu-nc.series9.2022.23.06.
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The article considers the peculiarities of saving expressive stylistic devices of syntax in the translation of journalistic texts. An overview of the most common ways of rendering expressive stylistic devices in the Ukrainian language is introduced. The connection between the concepts of “expressiveness” and “journalistic text” is clarified, which means that the speaker conveys his / her attitude to both the message and the addressee through the expressiveness of stylistic means. Such syntactic devices of the text expression as rhetorical question, parcelling, parallel constructions, anaphora and epiphora are determined to be the most common in the studied journalistic texts. In addition, the content of the afore-mentioned expressive stylistic means of syntax and the functions, they perform in journalistic texts, are revealed. Particular attention is paid to the features of syntactic stylistic devices rendering in the Ukrainian language. It is noted that in most cases the translation of such stylistic devices of syntax as rhetorical question and parcellation does not cause difficulties; they can be rendered literally. Such a syntactic stylistic device as parallel constructions, used mainly to focus attention on the main idea of the utterance, in most cases, is fully preserved in translated text. However, regarding the stylistic device of anaphora in the target language, used in the source language, there are the cases when its preservation is completely impossible or only partially possible due to the differences in the syntactic organization of English and Ukrainian. The article also reviews the characteristics of the other stylistic devices reproducing, in the translation of which transformations can be quite significant. The prospects for the further research are also outlined.
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Mozghova, Yaroslava O., and Lesya O. Shevchuk. "SAVING OF SYNTACTIC STYLISTIC DEVICES FEATURES IN JOURNALISTIC TEXTS TRANSLATION." Scientific Journal of National Pedagogical Dragomanov University. Series 9. Current Trends in Language Development, no. 23 (July 17, 2022): 63–73. http://dx.doi.org/10.31392/npu-nc.series9.2022.23.06.
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The article considers the peculiarities of saving expressive stylistic devices of syntax in the translation of journalistic texts. An overview of the most common ways of rendering expressive stylistic devices in the Ukrainian language is introduced. The connection between the concepts of “expressiveness” and “journalistic text” is clarified, which means that the speaker conveys his / her attitude to both the message and the addressee through the expressiveness of stylistic means. Such syntactic devices of the text expression as rhetorical question, parcelling, parallel constructions, anaphora and epiphora are determined to be the most common in the studied journalistic texts. In addition, the content of the afore-mentioned expressive stylistic means of syntax and the functions, they perform in journalistic texts, are revealed. Particular attention is paid to the features of syntactic stylistic devices rendering in the Ukrainian language. It is noted that in most cases the translation of such stylistic devices of syntax as rhetorical question and parcellation does not cause difficulties; they can be rendered literally. Such a syntactic stylistic device as parallel constructions, used mainly to focus attention on the main idea of the utterance, in most cases, is fully preserved in translated text. However, regarding the stylistic device of anaphora in the target language, used in the source language, there are the cases when its preservation is completely impossible or only partially possible due to the differences in the syntactic organization of English and Ukrainian. The article also reviews the characteristics of the other stylistic devices reproducing, in the translation of which transformations can be quite significant. The prospects for the further research are also outlined.
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Rozin, Vadim Markovich. "Features and constituting of musical reality." Uchenyy Sovet (Academic Council), no. 10 (September 30, 2024): 607–18. http://dx.doi.org/10.33920/nik-02-2410-01.
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In the article the author addresses the topic of music temporality. A hypothesis is introduced that on the one hand, music is a form of life as a solution to personal problems, while on the other hand, it is an artistic reality. The main characteristics of artistic reality, i.e. textual nature, the unity of experiencing its events and constructing them, and the role of the individual, are discussed. The concepts of “expressive means”, “material of art”, and “art form” are analyzed, and it is argued that the whole in music is determined by the expressive means and personality of the artist. In the last part of the article, the author substantiates the initial hypothesis about the nature of music, compares music with other temporary forms of art, and shows that classical music was shaped as a form of life, allowing the new European personality to realize three main plans of its existence.
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Osorio, Pablo, Ryusuke Sagawa, Naoko Abe, and Gentiane Venture. "A Generative Model to Embed Human Expressivity into Robot Motions." Sensors 24, no. 2 (2024): 569. http://dx.doi.org/10.3390/s24020569.
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This paper presents a model for generating expressive robot motions based on human expressive movements. The proposed data-driven approach combines variational autoencoders and a generative adversarial network framework to extract the essential features of human expressive motion and generate expressive robot motion accordingly. The primary objective was to transfer the underlying expressive features from human to robot motion. The input to the model consists of the robot task defined by the robot’s linear velocities and angular velocities and the expressive data defined by the movement of a human body part, represented by the acceleration and angular velocity. The experimental results show that the model can effectively recognize and transfer expressive cues to the robot, producing new movements that incorporate the expressive qualities derived from the human input. Furthermore, the generated motions exhibited variability with different human inputs, highlighting the ability of the model to produce diverse outputs.
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Ahmadova Arzulla, Aytan. "POETIC FEATURES OF PARCELLATIVE SENTENCES." Baltic Journal of Legal and Social Sciences, no. 1 (April 1, 2025): 154–57. https://doi.org/10.30525/2592-8813-2025-1-17.
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Abstract. Parcellative sentences are an important component of the syntactic system of a language. Parcellative sentences are used at the level of a stylistic figure as one of the syntactic tools that serve to create an expressive-emotional shade of meaning in the language. The information intensity that occurs in such sentences is of particular importance from the point of view of creating poeticism. Therefore, parcellative sentences can also be considered as a product of artistic information due to their nature. The emotionality, expressiveness, and artistic depiction conveyed in parcellative sentences are embodied through unique ethnocultural sources in each nation. In this sense, parcellative sentences possess mental characteristics. Parcellative sentences, formed on an ethnocultural foundation, create similar semantics in different languages from the perspective of thought typology. Therefore, parcellative sentences form a paradigm with an interlingual universal character. However, since each language has its own unique qualities, parcellatives have developed distinct means of expression in different languages.
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Shabanova, Sadaf Djumaliyevna. "Lexical And Semantic Features Of el (Hand) Component Phrases In Turkish." American Journal of Social Science and Education Innovations 03, no. 09 (2021): 60–65. http://dx.doi.org/10.37547/tajssei/volume03issue09-14.
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Phrases are the most important and unique units of any language and are expressive tools used to understand world culture and human characteristics. The purpose of this study is to explain the classification of el (hand) component phrases and their semantic features.
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Yong Leng, Hoo, Noris Mohd. Norowi, and Azrul Hazri Jantan. "Designing an Expressive Virtual Kompang on Mobile Device with Tri-Axial Accelerometer." International Journal of Engineering & Technology 7, no. 4.31 (2018): 414–19. http://dx.doi.org/10.14419/ijet.v7i4.31.23721.
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The paper presents an expressive virtual percussion instrument for Kompang on mobile devices that closely replicate the actual instrument. In nowadays, most available applications are lacking expressiveness control as these applications only use trigger-type event to play corresponding sound. This paper is therefore implemented a simple extraction method by extracting percussive features from embedded sensors to map with the output sound with minimum delay. Multiple features related to the shape of the drum hit are extracted by using tri-axis accelerometer sensors of the mobile device. These features provide an expressive percussion experience that closely imitates playing an actual instrument. An application of the virtual instrument for Kompang is described with an evaluation of the system with ideas for future developments. Result from the study showed that the feature extraction algorithm had an accuracy of 86.78% at detecting drum hit at its peak acceleration value. The questionnaire results also indicated the participants were satisfied with the system in overall. Â
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Hansen, Niels Chr, and David Huron. "The Lone Instrument." Music Perception 35, no. 5 (2018): 540–60. http://dx.doi.org/10.1525/mp.2018.35.5.540.
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Given the extensive instrumental resources afforded by an orchestra, why would a composer elect to feature a single solo instrument? In this study we explore one possible use of solos—that of conveying or enhancing a sad affect. Orchestral passages were identified from an existing collection and categorized as solos or non-solos. Independently, the passages were characterized on seven other features previously linked to sad affect, including mode, tempo, dynamics, articulation, rhythmic smoothness, relative pitch height, and pitch range. Using the first four factors, passages were classified into nine previously defined expressive categories. Passages containing acoustic features associated with the “sad/relaxed” expressive category were twice as likely to employ solo texture. Moreover, a regression model incorporating all factors significantly predicted solo status. However, only two factors (legato articulation, quiet dynamics) were significant individual predictors. Finally, with the notable exception of string instruments, we found a strong correlation (ρ = .88) between the likelihood that a solo is assigned to a given instrument and an independent scale of the capacity of that instrument for expressing sadness. Although solo instrumentation undoubtedly serves many other functions, these results are consistent with a significant though moderate association between sadness-related acoustic features and solo textures.
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Mamokhina, U. A. "Speech features in autism spectrum disorders." Autism and Developmental Disorders 15, no. 3 (2017): 24–33. http://dx.doi.org/10.17759/autdd.2017150304.
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The article describes the features of speech development and functioning of people with autism spectrum disorders on the basis of foreign and Russian research in this field. The characteristic features of expressive speech in autism, uniqueness of communicative use and speech perception in connection with the peculiarities of perception of sensory stimuli are considered.
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Mahalim, Cerin. "Woman Language Features of Susan Wojciki, Youtube’s CEO." Eksplorasi Nuansa Akademik dan Riset Aplikatif dalam Budaya, Sastra dan Komunikasi (E-Narasi) 1, no. 2 (2024): 107–18. https://doi.org/10.32877/narasi.v1i2.1765.
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This study examines women’s language features used by Susan Wojcicki, the CEO of YouTube, in selected interview videos on YouTube. The research employs Lakoff’s (1975) theory to investigate the types and functions of women’s language in Wojcicki’s speech. The study addresses two main research questions: the types of women’s language features Wojcicki used and the functions these features serve. A descriptive-qualitative method was adopted to analyze and describe the data in the form of words and sentences. The data were taken from Wojcicki’s utterances in selected interview videos. These utterances were identified, analyzed, and explained based on Lakoff’s framework of women’s language features. The functions of these features were further examined and categorized. The findings reveal that Wojcicki used 10 types of women’s language features: lexical hedges, intensifiers, tag questions, empty adjectives, hypercorrect grammar, super polite forms, rising intonation, precise color terms, avoidance of strong swear words, and emphatic stress. Among these, lexical hedges and intensifiers were most frequently observed. Regarding the functions, the study identifies two of Lakoff’s six language functions in Wojcicki’s speech: expressive and referential. Expressive functions were dominant, with 53 utterances expressing feelings, thoughts, and opinions, while 37 utterances served referential purposes by conveying information. This study highlights the relevance of women’s language features in leadership communication, particularly in the context of digital media and technology. It also provides insights into how gendered language contributes to communication strategies.
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Alsop, Rachel, and Kathleen Lennon. "Aesthetic surgery and the expressive body." Feminist Theory 19, no. 1 (2017): 95–112. http://dx.doi.org/10.1177/1464700117734736.
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In this article, we explore the relation between bodies and selves evident in the narratives surrounding aesthetic surgery. In much feminist work on aesthetic surgery, such narratives have been discussed in terms of the normalising consequences of the objectifying, homogenising, cosmetic gaze. These discussions stress the ways in which we model our bodies, under the gaze of others, in order to conform to social norms. Such an objectified body is contrasted with the subjective body; the body-for-the-self. In this article, however, we wish to make sense of the narratives surrounding such surgery by invoking the expressive body, which fits on neither side of this binary. We wish to explore how the modification of the body’s anatomical features (physiology) is taken to be a modification of its expressive possibilities, and therefore a modification of possibilities for inter-subjective relations with others. It is such expressive possibilities that, we suggest, underlie decisions to undergo surgical procedures. The possibility of modification of the expressive possibilities of the body, by the modification of its anatomical features, rests on the social imaginaries attached to anatomical features. In the context of such imaginaries, individual decisions to undergo or promote surgery can be both intelligible and potentially empowering. However, the social consequences of such acts are an increasing normalisation of the ‘body under the knife’ and an intolerance of bodily difference. This, we suggest, can only be changed by a re-visioning of bodily imaginaries so that expressive possibilities can be experienced across bodies with a range of physiological features.
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Khlystun, Iryna. "Linguistic and stylistic features of the essay as a journalistic genre." Philological Review, no. 1 (May 31, 2022): 121–28. http://dx.doi.org/10.31499/2415-8828.1.2022.257958.
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The article concretizes the concept of essay as a journalistic genre, outlines its specific genre features. Research on the stylistics of essay texts by various authors is analyzed. It is stated that essays are considered mainly from the point of view of the theory of journalism and literary criticism, the general linguistic and stylistic features of the essay text have not been outlined yet. The aim of the article was to determine the structural-compositional, syntactic, lexical-semantic, phraseological linguistic means used in the essay. The essay is interpreted as a small artistic and journalistic prose work on abstract-philosophical, aesthetic, literary-ethical theme, which has an arbitrary composition and reproduces the personal thoughts and impressions of the author on a particular occasion or issue, and is not an exhaustive and defining interpretation of the theme. The features of the essay, such as the logic of the opinion, are identified; attention to the artistic form of the text; subjective judgment of the author about an object; the possibility of involving the general cultural context of the background knowledge of the addressee; ease of speech; imagery, aphorisms, metaphors, etc. The structural and compositional means of the essay are outlined, which include the argumentative nature of the unfolding of the text, which is manifested in the logical acts of comparison, opposition, analogy, proof; in the judgments and reflections of the addressee of the speech; key sentences that determine the theme and content of the work; means of communication, including repetitions, parallel constructions, antitheses. The syntactic means of essay texts include inversion of words, rhetorical questions, sentences with different types of syntactic connection, exclamatory statements; means of expressive syntax are represented by ellipse, repetitions, gradation, inversion, parallel constructions. It is noted that the most expressive lexical and semantic feature of this genre is the wide expressive possibilities of the artistic word, in particular imagery. Therefore, at the lexical-semantic and phraseological levels, the characteristic means of the essay are the constant use of tropes: metaphors, personifications, comparisons, epithets, symbolic and allegorical images. A striking feature of the essay text is intertextuality, which finds expression in aphorisms, sentences, maxims, quotations. Keywords: essay, essays, essay genre, essay text, linguistic and stylistic features of the essay.
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Mortillaro, Marcello, Ben Meuleman, and Klaus R. Scherer. "Advocating a Componential Appraisal Model to Guide Emotion Recognition." International Journal of Synthetic Emotions 3, no. 1 (2012): 18–32. http://dx.doi.org/10.4018/jse.2012010102.
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Most models of automatic emotion recognition use a discrete perspective and a black-box approach, i.e., they output an emotion label chosen from a limited pool of candidate terms, on the basis of purely statistical methods. Although these models are successful in emotion classification, a number of practical and theoretical drawbacks limit the range of possible applications. In this paper, the authors suggest the adoption of an appraisal perspective in modeling emotion recognition. The authors propose to use appraisals as an intermediate layer between expressive features (input) and emotion labeling (output). The model would then be made of two parts: first, expressive features would be used to estimate appraisals; second, resulting appraisals would be used to predict an emotion label. While the second part of the model has already been the object of several studies, the first is unexplored. The authors argue that this model should be built on the basis of both theoretical predictions and empirical results about the link between specific appraisals and expressive features. For this purpose, the authors suggest to use the component process model of emotion, which includes detailed predictions of efferent effects of appraisals on facial expression, voice, and body movements.
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Gammakueva, Aysha Saidovna. "THE LAK LOVE “SHAMMARDU”: THEMES AND ARTISTIC FEATURES." Herald of the G. Tsadasa Institute of Language, Literature and Art, no. 21 (March 16, 2020): 68–74. http://dx.doi.org/10.31029/vestiyali21/12.
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The article deals with Lak love “shammardu” (songs-quatrains), which are one of the genre varieties of Lak lyrical non-ritual poetry. Their subject matter and visual and expressive means are characterized.
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Fan, Qile, Penghang Yu, Zhiyi Tan, Bing-Kun Bao, and Guanming Lu. "BeFA: A General Behavior-driven Feature Adapter for Multimedia Recommendation." Proceedings of the AAAI Conference on Artificial Intelligence 39, no. 11 (2025): 11634–44. https://doi.org/10.1609/aaai.v39i11.33266.
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Multimedia recommender systems focus on utilizing behavioral information and content information to model user preferences. Typically, it employs pre-trained feature encoders to extract content features, then fuses them with behavioral features. However, pre-trained feature encoders often extract features from the entire content simultaneously, including excessive preference-irrelevant details.We speculate that it may result in the extracted features not containing sufficient features to accurately reflect user preferences. To verify our hypothesis, we introduce an attribution analysis method for visually and intuitively analyzing the content features. The results indicate that certain items’ content features exhibit the issues of information drift and information omission, reducing the expressive ability of features. Building upon this finding, we propose an effective and efficient general Behaviordriven Feature Adapter (BeFA) to tackle these issues. This adapter reconstructs the content feature with the guidance of behavioral information, enabling content features accurately reflecting user preferences. Extensive experiments demonstrate the effectiveness of the adapter across all multimedia recommendation methods.
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Yin, Mingyong, Haizhou Wang, Xingshu Chen, Hong Yan, and Rui Tang. "A Subjective Expressions Extracting Method for Social Opinion Mining." Discrete Dynamics in Nature and Society 2020 (August 26, 2020): 1–10. http://dx.doi.org/10.1155/2020/2784826.
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Opinion mining plays an important role in public opinion monitoring, commodity evaluation, government governance, and other areas. One of the basic tasks of opinion mining is to extract the expression elements, which can be further divided into direct subjective expression and expressive subjective expression. For the task of subjective expression extraction, the methods based on neural network can learn features automatically without exhaustive feature engineering and have been proved to be efficient for opinion mining. Constructing adequate input vector which can encode sufficient information is a challenge of neural network-based approach. To cope with this problem, a novel representation method that combines the different features with word vectors is proposed. Then, we use neural network and conditional random field to train and predict the expressions and carry out comparative experiments on different methods and features combinations. Experimental results show the performance of the proposed model, and the F value outperforms other methods in comparative experimental dataset. Our work can provide hint for further research on opinion expression extraction.
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Bouissac, Paul. "Expressive smiles or leucosignals?" Behavioral and Brain Sciences 33, no. 6 (2010): 436–37. http://dx.doi.org/10.1017/s0140525x10001627.
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AbstractThe assumption that a complex and fuzzy notion like smile can be the basis of a scientific, rather than semantic, inquiry can only lead to confused and inconclusive results. It would be more productive to start with the well-defined and measurable patterns of the clearly visible contrasts that are produced on the human face by various muscular contractions around the white patches formed by the sclera and the teeth. These features are universal, whereas a common word, in whatever language, is necessarily ambiguous, culture-dependent, and historically rather than biologically determined.
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Sukma, Wahdini Wilyandri, and Fitrawati Fitrawati. "An Analysis of Women's Language Used in the Movie Encanto." English Language and Literature 12, no. 3 (2023): 569. http://dx.doi.org/10.24036/ell.v12i3.124695.
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This study concerns with women’s language used in the movie Encanto. The aims of the study were to find out the use of women’s language features and language functions of women’s language used by female characters in the movie Encanto. The utterances of female characters were analyzed by using Lakoff’s women’s language theory and Jakobson’s language function theory. Qualitative method used in this study to analyzing the data and describe the findings. There were 65 utterances from eight features of women’s language features that occurred in the movie Encanto. They were 15 lexical hedges or fillers, 14 intensifiers, 6 rising intonations, 3 ‘empty’ adjectives, 12 emphatic stress, 8 tag questions, 5 ‘superpolite’ forms, and 2 avoidance of strong swear words. Lexical hedges or fillers came out as the most dominant feature of women’s language features used in the movie Encanto. Then, the kinds of language function used by female characters in the movie Encanto were expressive function, directive function, referential function, metalinguistic function, and phatic function. The most dominant language function used by female characters in the movie Encanto was expressive function.
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Scales, Philip, Olivier Aycard, and Véronique Aubergé. "Planning Socially Expressive Mobile Robot Trajectories." Sensors 24, no. 11 (2024): 3533. http://dx.doi.org/10.3390/s24113533.
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Many mobile robotics applications require robots to navigate around humans who may interpret the robot’s motion in terms of social attitudes and intentions. It is essential to understand which aspects of the robot’s motion are related to such perceptions so that we may design appropriate navigation algorithms. Current works in social navigation tend to strive towards a single ideal style of motion defined with respect to concepts such as comfort, naturalness, or legibility. These algorithms cannot be configured to alter trajectory features to control the social interpretations made by humans. In this work, we firstly present logistic regression models based on perception experiments linking human perceptions to a corpus of linear velocity profiles, establishing that various trajectory features impact human social perception of the robot. Secondly, we formulate a trajectory planning problem in the form of a constrained optimization, using novel constraints that can be selectively applied to shape the trajectory such that it generates the desired social perception. We demonstrate the ability of the proposed algorithm to accurately change each of the features of the generated trajectories based on the selected constraints, enabling subtle variations in the robot’s motion to be consistently applied. By controlling the trajectories to induce different social perceptions, we provide a tool to better tailor the robot’s actions to its role and deployment context to enhance acceptability.
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Guts, Elena Nikolaevna, and Victoria Alexandrovna Miller. "Functioning of expressive vocabulary in Internet comments." Communication studies 10, no. 4 (2023): 706–21. http://dx.doi.org/10.24147/2413-6182.2023.10(4).706-721.
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The relevance of the study is determined by several factors: the dynamic processes in modern Russian language, in particular, changes in its vocabulary due to the borrowings, the interest of modern linguistics in studying the discursive components of Internet communication, need for research of Internet genres and analysis of linguistic features of given speech formation. The purpose of the article is to determine and introduce the features of expressive vocabulary functioning in the Internet comments posted on the VKontakte social network. The subject of the study is the expressive vocabulary used by the Internet users to characterize a person. The empirical material was obtained as a result of monitoring the comments left by the subscribers under the posts. The study was carried out in three stages. At the first stage, the data on the stylistic marking of the expressive vocabulary were obtained. It was found that most of the words under study are non-codified language units - slang and substandard language. The study discusses the nature of emotional evaluation as a property of expressive language units and features of their functioning in evaluative and imperative speech genres. At the second stage of the study, a survey was conducted among high school students. Respondents demonstrated knowledge of lexical meaning of expressives, and admitted using these words in speech. At the third stage of the study, a group interview based on focus group method was conducted. The respondents revealed opposite points of view on the use of expressive vocabulary in speech, in particular in the Internet communication. It was found that such factors as the communicative goal, intentions of the speaker, as well as the interpersonal relationships of the communicants affect the functions of the vocabulary under study. It is concluded that the use of socio- and psycholinguistic methods makes it possible to study the expressive vocabulary in the active lexicon of a native speaker, as well as observe dynamic processes taking place in the Internet communication.
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ROZGHON, V. "COMPOUND ADJECTIVES AS A MEANS OF CREATING AN ARTISTIC IMAGE (BASED ON THE MATERIAL OF P. ZAGREBELNY’S NOVEL “ROKSOLAN”)." Current issues of linguistics and translations studies, no. 24 (June 30, 2022): 78–83. http://dx.doi.org/10.31891/2415-7929-2022-24-16.
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The article describes the functional properties of the adjective complex as a means of creating an artistic image. Broad expressive possibilities of various structural and semantic types of the adjective complex are established when reproducing the most characteristic external and internal features character traits, creation of a certain psychological state, generation of various emotions and feelings. It was determined that the author most often uses complex adjectives with color semantics, as well as composites, the first component of which is the basis of good. Structural semantic features of individually authored novelties, which the writer skilfully puts into the context in order to present to the reader the original features and charismatic image of Roksolana, to express a subjective attitude towards the main character. Complex adjectives (composite adjectives) as analytical units of the modern Ukrainian language belong to the class of sign words and are characterized by a variety of structural-semantic types, an expressive stylistic feature, a wealth of semantics, emotionality and imagery, which contributes to their active use in any communicative situation. Composite adjectives are always used with nouns, narrowing down and concretizing the semantic features of a specific subject, highlighting features characteristic only to it.
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Burtsev, V. A. "EXPRESSIVE FEATURES OF THE STORY OF I.A. BUNIN «THE CHAPEL»." Philologos 49, no. 2 (2021): 11–16. http://dx.doi.org/10.24888/2079-2638-2021-49-2-11-16.
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Ohrynchuk, O. P. "THE EXPRESSIVE FEATURES OF VERB REPETITIONS IN THE AUTHOR’S LANGUAGE." Тrаnscarpathian Philological Studies 1, no. 20 (2021): 30–34. http://dx.doi.org/10.32782/tps2663-4880/2021.20.1.5.
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Osorio, Pablo, and Gentiane Venture. "Control of a Robot Expressive Movements Using Non-Verbal Features." IFAC-PapersOnLine 55, no. 38 (2022): 92–97. http://dx.doi.org/10.1016/j.ifacol.2023.01.139.
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