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Books on the topic 'Expressive power'

Author: Grafiati

Published: 4 June 2021

Last updated: 16 February 2022

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1

McAdams, Richard. The expressive power of adjudication. Law and Economics Programme, Faculty of Law, University of Toronto, 2004.

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2

Bogost, Ian. Persuasive games: The expressive power of videogames. MIT Press, 2007.

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3

Arango, Ariel C. Dirty words: The expressive power of taboo. Aronson, 1996.

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4

Persuasive games: The expressive power of videogames. MIT Press, 2007.

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5

Glausch, A. Distributed abstract state machines and their expressive power. Humblot-Universität zu Berlin, 2006.

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6

Glausch, A. On the expressive power of unbounded-nondeterministic abstract state machines. Humboldt-Universität zu Berlin, 2006.

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7

The power of focusing: A practical guide to emotional self-healing. New Harbinger Publications, 1996.

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8

Schweikardt, Nicole. On the expressive power of first-order logic with built in predicates. Logos, 2002.

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9

Leading and managing the expressive dimension: Harnessing the hidden power source of the nonprofit sector. Jossey-Bass Publishers, 1996.

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10

P, Bhatta V., ed. Gadādhara's Śaktivāda: Theory of expressive power of words : with introduction, English translation, notes, and Sanskrit text. Eastern Book Linkers, 1994.

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11

Laird, Andrew. Powers of expression, expressions of power: Speech presentation and Latin literature. Oxford University Press, 1999.

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12

声音设计: 电影中语言, 音乐和音响的表现力. 浙江大学出版社, 2007.

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13

Opening up: The healing power of expressing emotions. Guildford Press, 1997.

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14

The power of the image: Emotion, expression, explanation. Peter Lang, 2014.

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15

The expression of inequality in interaction: Power, dominance, and status. John Benjamins Publishing Company, 2014.

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16

Puniyani, Ram. Religion, Power & Violence: Expression of Politics in Contemporary Times. SAGE Publications India Pvt Ltd, 2005. http://dx.doi.org/10.4135/9788132102069.

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17

Norderhaug, Lisbet. Taushetens kultur: Om makt, flyktninger og frigjørende pedagogikk. Kulturbro forlag, 1999.

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18

The transition from infancy to language: Acquiring the power of expression. Cambridge University Press, 1993.

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19

Writing as a healing art: The transforming power of self-expression. Perigee Book, 1999.

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20

Rosetree, Rose. The NEW power of face reading. Women's Intuition Worldwide, LLC, 2013.

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21

Rico, Gabriele L. Writing the natural way: Using right-brain techniques to release your expressive powers. Tarcher/Putnam, 2000.

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22

Hirschowitz, R. The power motive and its expression in a group of English-speaking South African women. Human Sciences Research Council, 1986.

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23

Legarre, Santiago. Poder de policía y moralidad pública: Fundamentos y aplicaciones. Abaco, 2004.

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24

Karst, Kenneth L. Law's promise, law's expression: Visions of power in the politics of race, gender, and religion. Yale University Press, 1993.

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25

Modern power and free speech: Contemporary culture and issues of equality. Lanham, MD, 2009.

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26

Persuasive Games: The Expressive Power of Videogames. MIT Press, 2010.

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27

Persuasive Games: The Expressive Power of Videogames. MIT Press, 2010.

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28

Persuasive Games: The Expressive Power of Videogames. MIT Press, 2010.

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29

Bogost, Ian. Persuasive Games: The Expressive Power of Videogames. The MIT Press, 2007.

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30

Persuasive Games: The Expressive Power of Videogames. MIT Press, 2010.

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31

Gender, genre, and power in South Asian expressive traditions. University of Pennsylvania Press, 1991.

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32

1949-, Appadurai Arjun, Korom Frank J, and Mills Margaret A, eds. Gender, genre, and power in South Asian expressive traditions. Motilal Banarsidass, 1994.

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33

Gender, genre, and power in South Asian expressive traditions. University of Pennsylvania Press, 1991.

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34

Allman, Jean Marie. Fashioning Africa: Power and the Politics of Dress (African Expressive Cultures). Indiana University Press, 2004.

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35

Ganim, Barbara. The Healing Power of Art: A Self-Guided Expressive Art Workshop. Sounds True, 2002.

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36

Allman, Jean Marie. Fashioning Africa: Power and the Politics of Dress (African Expressive Cultures). Indiana University Press, 2004.

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37

Montiel, Anya. Native American Expressive Arts. Edited by Frederick E. Hoxie. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199858897.013.30.

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Opening with the life and art of Dakota artist Oscar Howe, the chapter discusses the “Indianness” of Native art and the frustrations experienced by Native artists over the years surrounding their creative expressions. The chapter is arranged chronologically, opening in the late nineteenth century and highlighting sample exhibitions, artworks, and artists from the United States in order to illustrate broad conceptual issues. These include Indian authenticity and identity, differences between fine art and “crafts,” traditional versus contemporary art forms, the role of the arts in economic devel

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38

Agrawal, Anurag. The expressive power and declarative attributes of exception handling in Forms/3. 1997.

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39

Sound Design: The Expressive Power of Music, Voice and Sound Effects in Cinema. Michael Wiese Productions, 2001.

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40

Sonnenschein, David. Sound Design: The Expressive Power of Music, Voice and Sound Effects in Cinema. Michael Wiese Productions, 2013.

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41

The Verbal Arts Workbook A Practical Course For Speaking Text With Clarity And Expressive Power. Methuen Publishing, 2010.

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42

Filmmaker's Eye - The Language of the Lens: The Power of Lenses and the Expressive Cinematic Image. Taylor & Francis Group, 2019.

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43

Mason, David E. Leading and Managing the Expressive Dimension: Harnessing the Hidden Power Source of the Nonprofit Sector (Jossey Bass Nonprofit & Public Management Series). Jossey-Bass Inc Pub, 1995.

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44

von Bonsdorff, Pauline. Children’s aesthetic agency: The pleasures and power of imagination. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198747109.003.0007.

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This chapter perceives the aesthetic sensibilities and creativity of young children through the lens of aesthetic theory and childhood studies. Understanding the aesthetic as encompassing sensitivity, emotion, imagination, and thought, I discuss how children make sense of their world, become familiar with social norms and expressive media, and create their self (including self–other relationships) through imaginative play. Aesthetic agency combines receptive and productive activity, or awareness in action—particularly evident in childhood, but not its privilege. Remembering that many pleasures

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45

McAdams, Richard H. Expressive Powers of Law. Harvard University Press, 2015.

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46

Speech and Power of Expression. Tughra Books, 2010.

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47

The Expression of Your Power. Live Out Loud, Inc. & Life Success Productions, 2002.

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48

White, Miles. Affective Gestures. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036620.003.0004.

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This chapter looks at the ways in which the body, aesthetic features of hip-hop music, and the material culture that surrounds it are deployed to construct affect and help delineate between what is meant by hard and hardcore, both as music and as masculine performance. In hip-hop culture, uniqueness and the expression of individual identity are prioritized through behavior, modes of dress, language, and other ways. Those who adopt these styles of behavior in mannerism, dress, speech, or attitude become part of a community of practice that is able to persist because the expressive codes associa

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49

McAdams, Richard H. Expressive Powers of Law: Theories and Limits. Harvard University Press, 2017.

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50

Handman, Courtney. Discussion. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190652807.003.0013.

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This chapter provides some analysis and discussion on the previous three chapters. These chapters have aimed to help develop an overall critique of the normalized sense of monologism's coercive force and heteroglossia's expressive power: monologues do not always oppress and dialogues do not always create the conditions for voices to be heard, this text argues. There are as many ways of constituting social groups as there are ways of imagining monologic communication.

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