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1

Bhatta, V. P., editor, translator, Gadādharabhaṭṭācārya, active 17th century-18th century, and Gadādharabhaṭṭācārya, active 17th century-18th century, eds. The Śaktivāda of Gadādhara: Theory of expressive power of words : with introduction, Sanskrit texts English translation and notes. Eastern Book Linkers, 2017.

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2

Panteleev, Andrey, and Anastasija Inos. The Language of Advertising: Graphic, Grammar and Pragmatic Aspects. Publishing Center RIOR, 2021. http://dx.doi.org/10.29039/02043-2.

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This monograph deals with the problem of functioning peculiarities of graphic expressive means and grammar means in the language of modern Russian advertising. This research work treats the advertising discourse as a composite indirect speech act. Active use of adverbial modifiers of manner — deverbatives, elliptical and indefinite personal one-member sentences is characteristic of modern advertising texts. A most distinguishing feature of a modern advertising text is a mixture of Cyrillic and Latin fonts that contributes to the manifestation of an expressive potential of the application. &#x0
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3

Panteleev, Andrey, and Anastasija Inos. Advertising language: Graphics. Grammar. Pragmatics. Second edition. 2nd ed. Publishing Center RIOR, 2024. http://dx.doi.org/10.29039/02126-2.

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The monograph is devoted to the study of the specifics of the functioning of multilevel elements of language in the texts of modern Russian advertising. The advertising discourse in this book is considered as a complex indirect speech act. The modern advertising text is characterized by the active use of circumstantial determinants — deverbatives, elliptical, definitely personal and nominative one-member sentences. A striking feature of the modern advertising text is the graphic and orthographic foreign language, the contamination of Cyrillic and Latin elements, which contributes to the realiz
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4

Oram, Andy, ed. Regular Expression: Pocket Reference. 2nd ed. O’Reilly Media, 2009.

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5

Reed, Lou. Between thought and expression: Selected lyrics of Lou Reed. Hyperion, 1993.

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6

Reed, Lou. Between thought and expression: Selected lyrics of Lou Reed. Hyperion, 1991.

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7

Luigi, Marchionni, United States. Agency for Healthcare Research and Quality., and Johns Hopkins University. Evidence-based Practice Center., eds. Impact of gene expression profiling tests on breast cancer outcomes. Agency for Healthcare Research and Quality, 2008.

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8

Kabakov, Il'ĭā. Der Text als Grundlage des Visuellen =: The text as the basis of visual expression. Oktagon, 2000.

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9

Kabakov, Ilʹi︠a︡ Iosifovich. Der Text als Grundlage des Visuellen =: The text as the basis of visual expression. Oktagon, 2000.

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10

Eilene, Hoft-March, and Sarnecki Judith Holland 1944-, eds. Aimer et mourir: Love, death, and women's lives in texts of French expression. Cambridge Scholars Pub., 2009.

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11

Dolezal, Mary-Lyon. The middle Byzantine lectionary: Textual and pictorial expression of liturgical ritual. UMI, 1994.

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12

de, La Hosseraye Catherine, Presselin Valérie, Santoni Marie-Françoise, and Fix-Combe Nathalie, eds. Français 3e: Séquences et expression : textes, images, pratique de la langue. Belin, 2003.

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13

1924-, Wheatley Patience, Bolster Stephanie, and League of Canadian Poets. Feminist Caucus., eds. Sexual disorientations: Sexual identity and gender expression in the writing life, 1997 : with texts. Feminist Caucus of the League of Canadian Poets, 1998.

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14

Lemega, Kaitlin Dawne. Emotional expression in language: Use of computer analysis to score text. Laurentian University, Department of Psychology, 1994.

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15

P, Bhatta V., ed. Gadādhara's Śaktivāda: Theory of expressive power of words : with introduction, English translation, notes, and Sanskrit text. Eastern Book Linkers, 1994.

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16

Cordero, Fernando García. Libertad de expresión y derecho a la información: Jurisprudencia e instrumentos internacionales en el ámbito interamericano : introducción y selección de textos. UBIJUS Editorial, 2010.

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17

Higgins, Teri, and Catherine Fowler. Epistolary Entanglements in Film, Media and the Visual Arts. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463729666.

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This collection departs from the observation that online forms of communication—the email, blog, text message, tweet—are actually haunted by old epistolary forms: the letter and the diary. By examining the omnipresence of writing across a variety of media, the collection adds the category of Epistolary Screens to genres of self-expression, both literary (letters, diaries, auto-biographies) and screenic (romance dramas, intercultural cinema, essay films, artists’ videos and online media). The category Epistolary encapsulates an increasingly paradoxical relation between writing and the self: fir
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18

1903-, Glatzer Nahum Norbert, ed. Language of faith: A selection from the most expressive Jewish prayers : original text & new English verse translations. Schocken Books, 1988.

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19

Mack, Beverly B. Muslim Women Sing: Hausa Popular Song (African Expressive Cultures). 3rd ed. Indiana University Press, 2004.

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20

Mack, Beverly B. Muslim Women Sing: Hausa Popular Song (African Expressive Cultures). Indiana University Press, 2004.

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21

Monnet, Agnes Aye. Chants et chansons en pays akye: Valeur expressive, valeur didactique. 1985.

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22

Csabi, Szilvia, ed. Expressive Minds and Artistic Creations. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190457747.001.0001.

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Expressive Minds and Artistic Creations: Studies in Cognitive Poetics presents multidisciplinary and interdisciplinary research papers describing new developments in the field of cognitive poetics. The chapters examine the complex connections between cognition and poetics with special attention given to how people both create and interpret novel artistic works in a variety of expressive media, including literature, music, art, and multimodal artifacts. The authors have diverse disciplinary backgrounds, but all of them embrace theories and research findings from multiple perspectives, such as l
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23

Gamzou, Assaf, and Ken Koltun-Fromm, eds. Comics and Sacred Texts. University Press of Mississippi, 2018. http://dx.doi.org/10.14325/mississippi/9781496819215.001.0001.

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Comics and Sacred Texts: Reimagining Religion and Graphic Narratives explores how comics and notions of the sacred interweave to produce new modes of seeing and understanding the sacred. The creative texts explored within this edited volume share an expressive interest in modes of seeing the sacred in graphic structures. We examine the intersections between religion and comics in ways that critically expand our ability to think well about religious landscapes, rhetorical practices, pictorial representation, and the everyday experiences of the uncanny. Sacred Texts and Comics engages the divers
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24

Wiens, Paul W. Expressive Conducting--Text. Self, 2005.

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25

McGraw-Hill. Human Expression Text. 4th ed. Glencoe/McGraw-Hill, 1991.

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26

Gardner, M. F. Expressive One Word Picture Vocabulary Tests. Ann Arbor Publishing, 1990.

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27

Brownell, Rick. Expressive One Word Picture Vocabulary Tests. Psychological Corp, 2000.

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28

Brownell, Rick. Expressive One Word Picture Vocabulary Tests. Psychological Corp, 2000.

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29

White, Miles. Affective Gestures. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036620.003.0004.

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This chapter looks at the ways in which the body, aesthetic features of hip-hop music, and the material culture that surrounds it are deployed to construct affect and help delineate between what is meant by hard and hardcore, both as music and as masculine performance. In hip-hop culture, uniqueness and the expression of individual identity are prioritized through behavior, modes of dress, language, and other ways. Those who adopt these styles of behavior in mannerism, dress, speech, or attitude become part of a community of practice that is able to persist because the expressive codes associa
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30

Textes et expression: Français 6e. Nathan, 2000.

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31

Bahia, Luiz Dias. Texto para Discussão 2897. Instituto de Pesquisa Econômica Aplicada (Ipea), 2023. http://dx.doi.org/10.38116/td2897-port.

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Este trabalho busca mensurar, para o período 2000-2019, a evolução da produtividade do trabalho setorial em cadeias produtivas. Para tanto, fizemos um exercício de matriz insumo-produto (MIP) a partir das Contas Nacionais Anuais Brasileiras do Instituto Brasileiro de Geografia e Estatística (CNAB/IBGE) de 2000 a 2019, que são as atualmente disponíveis. No período analisado como um todo, verificamos uma tendência de estagnação da produtividade, com resultados mais positivos do complexo agroindustrial e menos expressivos do complexo têxtil. Perante o horizonte produtivo da manufatura avançada, q
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32

Brownell, Rick. Expressive One Word Picture Vocabulary Tests: Record Forms, 25. Psychological Corp, 2000.

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33

Brownell, Rick. Expressive One Word Picture Vocabulary Tests: Record Forms, 25. Psychological Corp, 2000.

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34

Harper, Jo. Mayor Jalapeno Hal from Presidio, Texas. Eakin Press, 2004.

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35

CLR. Vocabulaire et expression. Corrigés et textes complémentaires. Hachette, 1998.

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36

Rince. Français, seconde, textes, élève, édition 2000. Textes, analyse littéraire et expression. Nathan, 2000.

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37

Communicating Effectively: Linking Thought and Expression - Text. Kendall Hunt Publishing Company, 2005.

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38

Peters, Julie Stone. Law as Performance. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190456368.003.0012.

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This chapter starts from the view that legal performance matters to law: its outcomes, doctrines, and history. Here, rather than defending that view (a task undertaken elsewhere), it analyzes the methodological issues that arise from it. Distinguishing performances—expressive, embodied legal events, and practices—from both literary and legal texts (the traditional objects of law and literature), it assesses the vexed words “performance” and “performativity” as analytic tools, set against the rich historical lexicon. It then distinguishes “law in performance” and “law of performance” from “law
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39

Fletcher, Rob. Spock: Up and Running: Writing Expressive Tests in Java and Groovy. O'Reilly Media, 2017.

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40

Regular Expression: Pocket Reference. O’Reilly Media, 2007.

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41

Regular Expression: Pocket Reference. O'Reilly Media, Incorporated, 2003.

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42

Regular Expression: Pocket Reference. O’Reilly Media, 2003.

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43

Redmon, Allen H., ed. Next Generation Adaptation. University Press of Mississippi, 2021. http://dx.doi.org/10.14325/mississippi/9781496832603.001.0001.

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Next Generation Adaptation: Spectatorship and Process explores the ways in which cross-cultural adaptations often stage a collusion between competing cultural capital. The collusion conceals and reveals commonalities and differences between these cultural traditions before giving way to the differences that can distinguish one textual expression from another, just as it ultimately distinguishes one set of readers from another. An adaptation of any sort, but especially those that cross accepted stereotypes, or geographic or political boundaries, provide spectators space to negotiate attitudes a
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44

Insight to Expression: An Esl Reading & Writing Text. Mcgraw-Hill College, 1996.

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45

Bruce, Ian. Expressing Critical Thinking Through Disciplinary Texts: Insights from Five Genre Studies. Bloomsbury Publishing Plc, 2020.

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46

Expressing Critical Thinking Through Disciplinary Texts: Insights from Five Genre Studies. Bloomsbury Publishing Plc, 2022.

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47

Elbow, Peter. The Writer's Craft - Idea to Expression - Texas Teacher's Edition. McDougal, Littell & Company, 1992.

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48

Appearance of Character: Physiognomy and Facial Expression in 18th Century France (MHRA Texts & Dissertations) (Mhra Texts and Dissertations). Maney Publishing, 1999.

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49

Les tests d'aptitude à l'entrée des écoles de gestion: Calcul, compréhension de textes, conditions minimales, expression, raisonnement & argumentation, logique. Ellipses Ed. Marketing, 2003.

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50

Kinney, M. Killian. Gender Identity and Expression. Bloomsbury Publishing Inc, 2025. https://doi.org/10.5040/9798216172727.

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This book answers young readers' questions about gender – what it is, what it isn't, and how it impacts our experiences and our interactions with others. Gender is an essential part of all our lives, whether we recognize it as such or not and regardless of how we identify and express that identity. Gender informs how we feel about ourselves, the clothes we wear, how we engage with others, and much more. This volume’s 48 questions cover concepts such as gender roles and norms, the binary gender system and cisnormativity, gendered language, and gender discrimination and bias. Readers will also d
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