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1

Allen, Strange, ed. The contemporary violin: Extended performance techniques. University of California Press, 2001.

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2

Fellmann, Ellen, Charlie Bendisch, Cornelia Horsch, and Almut Röhrborn. Extended compositions. Pasquart Kunsthaus Centre d'art, 2017.

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3

D, Wagoner James, ed. Analog electronic music techniques. Schirmer Books, 1985.

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4

Joshua, Fineberg, ed. Spectral music: History and techniques. Harwood Academic Publishers, 2000.

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5

Silver, Troy. 40 iPod techniques. Youngjin, 2006.

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6

Lamb, Gordon H. Choral techniques. 3rd ed. Wm.C. Brown, 1988.

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7

Thomas, Benjamin. Techniques and materials of tonal music: With an introduction to twentieth-century techniques. 5th ed. Wadsworth Pub. Co., 1998.

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8

Thomas, Benjamin. Techniques and materials of tonal music: With an introduction to twentieth-century techniques. 4th ed. Wadsworth Pub. Co., 1992.

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9

Cope, David H. Techniques of the contemporary composer. Schirmer Books, 1997.

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10

Briot, Jean-Pierre, Gaëtan Hadjeres, and François-David Pachet. Deep Learning Techniques for Music Generation. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-319-70163-9.

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11

Open University. Understanding Music: Elements, Techniquesand Styles Course Team., ed. Understanding music: Elements, techniques and styles. Open University, 1994.

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12

Open University. Understanding Music: Elements, Techniques and Styles Course Team., ed. Understanding music: Elements, techniques and styles. Open University, 1994.

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13

Open University. Understanding Music: Elements, Techniques and Styles Course Team., ed. Understanding music: Elements, techniques and styles. Open University, 1994.

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14

Open University. Understanding Music: Elements, Techniques and Styles Course Team., ed. Understanding music: Elements, techniques and styles. Open University, 1994.

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15

Open University. Understanding Music: Elements, Techniques and Styles Course Team., ed. Understanding music: Elements, techniques and styles. Open University, 1994.

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16

Open University. Understanding Music: Elements, Techniques and Styles Course Team., ed. Understanding music: Elements, techniques and styles. Open University, 1996.

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17

Open University. Understanding Music: Elements, Techniques and Styles Course Team., ed. Understanding music: Elements, techniques and styles. Open University, 1994.

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18

Strange, Allen. Electronic music: Systems, techniques, and controls. McGraw-Hill, Primis Custom Publishing, 1997.

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19

Open University. Understanding Music: Elements, Techniques and Styles Course Team., ed. Understanding music: Elements, techniques and styles. Open University, 1994.

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20

Open University. Understanding Music: Elements, Techniques and Styles Course Team., ed. Understanding music: Elements, techniques and styles. Open University, 1994.

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21

Open University. Understanding Music: Elements, Techniques and Styles Course Team., ed. Understanding music: Elements, techniques and styles. Open University, 1994.

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22

Open University. Understanding Music: Elements, Techniques and Styles Course Team., ed. Understanding music: Elements, techniques and styles. Open University, 1994.

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23

Lisk, Edward S. The creative director: Alternative rehearsal techniques. 3rd ed. Meredith Music Publications, 1991.

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24

Lisk, Edward S. The creative director: "alternative rehearsal techniques". E.S. Lisk, 1987.

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25

Lisk, Edward S. The creative director: Alternative rehearsal techniques. 3rd ed. Meredith Music Publications, 1991.

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26

Wheaton, Jack. 101 songwriting and composing techniques. Alexander Pub., 1987.

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27

Adkins, Laura. Intro to Extended Techniques for Oboe. Adkins Music, Laura, 2022.

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28

Adkins, Laura. Intro to Extended Techniques for Oboe. Adkins Music, Laura, 2022.

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29

Dick, Robert. Tone Development Through Extended Techniques Flute. Multiple Breath Music Company, 1986.

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30

Strange, Allen, and Patricia Strange. Contemporary Violin: Extended Performance Techniques. Scarecrow Press, Incorporated, 2003.

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31

Borkowski, Jennifer. Modernizing Practice Paradigms for New Music: Periodization Theory and Peak Performance Exemplified Through Extended Techniques. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2016.

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32

Borkowski, Jennifer. Modernizing Practice Paradigms for New Music: Periodization Theory and Peak Performance Exemplified Through Extended Techniques. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2016.

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33

Borkowski, Jennifer. Modernizing Practice Paradigms for New Music: Periodization Theory and Peak Performance Exemplified Through Extended Techniques. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2016.

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34

Borkowski, Jennifer. Modernizing Practice Paradigms for New Music: Periodization Theory and Peak Performance Exemplified Through Extended Techniques. Lang GmbH, Internationaler Verlag der Wissenschaften, Peter, 2016.

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35

Scaletti, Carla. Sonification ≠ Music. Edited by Roger T. Dean and Alex McLean. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190226992.013.9.

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Starting from the observation that symbolic language is not the only channel for human communication, this chapter examines ‘data sonification’, a means of understanding, reasoning about, and communicating meaning that extends beyond that which can be conveyed by symbolic language alone. Data sonification is a mapping from data generated by a model, captured in an experiment, or otherwise gathered through observation to one or more parameters of an audio signal or sound synthesis model for the purpose of better understanding, communicating, or reasoning about the original model, experiment, or
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36

Macdonald, Curtis. Introducing Extended Saxophone Techniques. Mel Bay Publications, Inc., 2013.

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37

Hill, Douglas. Extended Techniques for the Horn. Alfred Publishing Company, 1996.

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38

Aristocats Music Extended Play. Walt Disney Records & Audio, 1996.

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39

Aristocats Music Extended Play. Walt Disney Records & Audio, 1996.

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40

Raybon, Pleze. Truth: The Extended Version. Mcclenton, Inez, 2022.

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41

Raybon, Pleze. Truth: The Extended Version. Mcclenton, Inez, 2022.

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42

Sarnblad, Annie. Facial Expressions Glossary: Extended Version. Point House Advisors LLC, 2023.

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43

Windsor, W. Luke. Measurement and models of performance. Edited by Susan Hallam, Ian Cross, and Michael Thaut. Oxford University Press, 2012. http://dx.doi.org/10.1093/oxfordhb/9780199298457.013.0030.

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This article describes and evaluates the ways in which both the measurement and modelling of performances have contributed to the emerging discipline of music psychology. What is intended is a tutorial guide covering major issues, techniques, and findings in this area, along with enough context and exemplification to meet this end. Measurement and modelling have provided the psychology of music with substantial insights into the processes underlying music performance. One can safely assume that these insights will be extended given the attention paid to this area by researchers. However, it is
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44

Germaine, Vital. Flying Without a Net: Extended Edition. Mystic Publishers, Inc., 2015.

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45

Knuszka. Extended research proposal: ECG music. SIHE, 1996.

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46

Strange, Patricia. New Instrumentation Series : Contemporary Violin: Extended Performance Techniques. Scarecrow Press, Incorporated, 2003.

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47

Photoshop Extended Video and 3D Bible. John Wiley & Sons, Inc., 2008.

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48

Dayley, Lisa DaNae. Photoshop Extended Video and 3D Bible. Wiley & Sons, Incorporated, John, 2008.

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49

Dayley, Lisa DaNae. Photoshop Extended Video and 3D Bible. Wiley & Sons, Incorporated, John, 2010.

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50

Lakshmi, V. V. Techniques of Teaching Music. Sonali Publications, 2006.

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