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Books on the topic 'Eyo Festival'

Author: Grafiati
Published: 2 March 2023
Last updated: 3 March 2023

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1

photographer, Dona Silvia, and Universidad Autónoma de Baja California, eds. White Lagos: A definitive and visual guide to the Eyo Festival. Lagos, Nigeria?]: [publisher not identified], 2017.

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2

Tehran, Iran) ECO International Visual Arts Festival (1st 2012. Norouz World Festival: The selected works of The First ECO Int'l Visual Arts Festival. Tehran: ECO Cultural Institute, Headquarters-Tehran, 2012.

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3

Edo mikoshi to Nihon no matsuri. Tōkyō: Kōdansha, 1998.

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4

Nagasawa, Toshiaki. Edo tōkyō saijiki. Tōkyō: Yoshikawa kōbunkan, 2001.

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5

Baba, Kenʼichi. Edo no matsuribayashi: Edo no matsuribayashi genjō chōsa hōkokusho. Shinjuku-ku [Tokyo]: Tōkyō-to Kyōiku Iinkai, 1997.

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6

1957-, Fujii Keiko, and Suzuki Shunsuke 1975-, eds. Edo-goyomi edo-gurashi: Asakusa Nakamise Sukeroku, Edo shumi kogangu. Tōkyō-to Chiyoda-ku: Aki Shobō, 2013.

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7

Edo Tenkamatsuri emaki no sekai: Utai odori bakeru. Tōkyō: Iwata Shoin, 2011.

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8

Edo saiseiki no Kanda matsuri emaki: Bunsei 6-nen oyatoi matsuri to tsuke matsuri. Tōkyō: Watanabe Shuppan, 2012.

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9

Winningham, Geoff. In the eye of the sun: Mexican fiestas. New York: W.W. Norton, 1997.

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10

Oni ga yuku: Edo no hana Kandamatsuri. Tōkyō: Heibonsha, 2009.

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11

Edo Sannō sairei emaki: Nerimono, kasaboko, dashi, yatai. Tōkyō: Iwata Shoin, 2018.

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12

Kaneko, Keizō. Edo Tōkyō goriyaku sanpo. Tōkyō: Shinchōsha, 1999.

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13

Iinkai, Chiyoda-ku Kyōiku. Zoku, Edo-gata dashi no yukue: Tenkamatsuri oyobi sairei bunka denpa ni kansuru chōsa, kenkyū hōkokusho. [Tokyo]: Chiyoda-ku Kyōiku Iinkai, 1999.

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14

Shannon, Harry. Eye of the burning man: A Mick Callahan novel. Waterville, Me: Five Star, 2005.

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15

Shannon, Harry. Eye of the burning man: A Mick Callahan novel. Waterville, Me: Five Star, 2005.

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16

Watanabe, Yasuyo. Kinsei jōkamachi no tsukematsuri no henka: Iga no Kuni Ueno to Shimotsuke no Kuni Karasuyama o jirei ni = Dynamics of festivals in Japanese castle towns during the Edo period. Ōtsu-shi: Kaiseisha, 2020.

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17

Ofit︠s︡ialʹnye svetskie prazdniki kak i︠a︡vlenii︠a︡ russkoĭ kulʹtury kont︠s︡a XVII--pervoĭ poloviny XVIII veka: Istorii︠a︡ triumfov i feĭerverkov ot Petra Velikogo do ego docheri Elizavety. 2nd ed. Moskva: LKI, URSS, 2010.

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18

Zelov, D. D. Ofit︠s︡ialʹnye svetskie prazdniki kak i︠a︡vlenie russkoĭ kulʹtury kont︠s︡a XVII-pervoĭ poloviny XVIII veka: Istorii︠a︡ triumfov i feĭerverkov ot Petra Velikogo do ego docheri Elizavety. Moskva: Ėditorial URSS, 2002.

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19

Kōto Tenkamatsuri Kenkyūkai Kanda Kurabu., ed. Yonhyakunenme no Edo matsuri: Sono fūkei to jōnetsu no hitobito. Tōkyō: Musashino Shoin, 2004.

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20

Pietro, Vigo. Una festa popolare a Pisa nel Medio Evo: Contributo alla storia delle costumanze italiane. Sala Bolognese: A. Forni, 1988.

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21

Taibei dang dai yi shu guan. Hei an cheng shi: Cheng shi zhi yan : di liu jie Cheng shi xing dong yi shu jie = Dark city : eye of the city : the 6th City on the Move Art Festival. Taipei: Taipei Cultural Foundation, 2008.

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22

Nagai, Kazumasa, Oleh Veklenko, and I︠U︡riĭ Surkov. Vystavki Mezhdunarodnogo ėkologicheskogo festivali︠a︡ iskusstv "4-ĭ blok" v Gosudarstvennom nauchno-issledovatelʹskom muzee arkhitektury im. A.V. Shchuseva = Exhibitions of International Eco-Festival of Arts "4th block" in Schusev State Research Museum of Architecture. Moskva: [s.n.], 2009.

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23

Nagai, Kazumasa, Oleh Veklenko, and I︠U︡riĭ Surkov. Vystavki Mezhdunarodnogo ėkologicheskogo festivali︠a︡ iskusstv "4-ĭ blok" v Gosudarstvennom nauchno-issledovatelʹskom muzee arkhitektury im. A.V. Shchuseva = Exhibitions of International Eco-Festival of Arts "4th block" in Schusev State Research Museum of Architecture. Moskva: [s.n.], 2009.

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24

Virginia, Smith. Adimu Orisa Play - Origin of the Eyo Festival. Independently Published, 2020.

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25

Lonergan, Patrick. ‘Feast and Celebration’. Edited by Nicholas Grene and Chris Morash. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780198706137.013.41.

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‘Festivalization’—the organization of theatre cultures around the moveable feast of the festival—is a defining feature of theatre culture in an age of globalization. The effects of this phenomenon on Irish theatre have been apparent for many years, going back to the Tóstal festivals in the 1950s, which in turn evolved into the Dublin Theatre Festival, which would bring to Ireland forms of contemporary theatre practice that challenged Irish theatre-makers to explore innovative ways of creating performances. At the same time, as the ‘festival play’ and ‘event theatre’ became increasingly important to the economics of theatre, Irish productions mounted with an eye to the festival circuit came to feature more prominently in Irish theatre production, and a number of Irish companies now define themselves in relation to this new global geography. This chapter explores and assesses the effects of this important feature of contemporary theatre practice.
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26

Badhwar, Anita. Rani's Green Ganesh Chaturthi Festival: An Eco-Friendly Tale. Independently Published, 2019.

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27

SAINT-CERNY, Anne-Marie, and Christian QUESNEL. Mégantic, un train dans la nuit. Écosociété, 2021.

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28

Agughia. Dargaud, 2021.

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29

Troubs. Les oiseaux. Futuropolis, 2021.

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30

Edo shitamachi mikoshi ("Matsuri to mikoshi no hon" shiruzu). Hatsubai Seiunsha, 1987.

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31

Groemer, Gerald. Year in Seventeenth-Century Kyoto: Edo-Period Writings on Annual Ceremonies, Festivals, and Customs. University of Hawaii Press, 2022.

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32

Groemer, Gerald. Year in Seventeenth-Century Kyoto: Edo-Period Writings on Annual Ceremonies, Festivals, and Customs. University of Hawaii Press, 2022.

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33

Groemer, Gerald. Year in Seventeenth-Century Kyoto: Edo-Period Writings on Annual Ceremonies, Festivals, and Customs. University of Hawaii Press, 2022.

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34

Groemer, Gerald. Year in Seventeenth-Century Kyoto: Edo-Period Writings on Annual Ceremonies, Festivals, and Customs. University of Hawaii Press, 2022.

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35

J.-M. G. Le Clézio. In the Eye of the Sun: Mexican Fiestas. W. W. Norton & Company, 1996.

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36

J.-M. G. Le Clézio. In the Eye of the Sun: Mexican Fiestas. W. W. Norton & Company, 1996.

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37

J.-M. G. Le Clézio and Richard Rodriquez. In the Eye of the Sun: Mexican Fiestas. W. W. Norton & Company, 1996.

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38

Porges, Heinrich, and Robert L. Jacobs. Wagner Rehearsing The 'Ring': An Eye-Witness Account of the Stage Rehearsals of the First Bayreuth Festival. Cambridge University Press, 2009.

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39

A child's eye view of festivals: Chinese New Year, Divali, Eid-ul-Fitr and Hanukkah. Manchester: Child's Eye Media, 2004.

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40

Festival Kreol, Seychelles: One eye on the past, one on the future = en lizye lo lepase, en lizye lo lavenir. Viktorya: Festival Kreol, 2007.

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41

La désolation. Dargaud, 2021.

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42

Nagarajan, Vijaya. Rituals. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780195170825.003.0003.

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This chapter discusses the multiple meanings attributed to the kōlam, a women’s ritual art in Tamil Nadu, India. Marking the transition of the private world to the wider public sphere, the author suggests that the kōlam is a sign of the woman householder’s health and therefore the health of her household. It serves as a form of ritual play, a sacred space, and an invitation to the goddess. The kōlam helps to ward off the evil eye, is a way to communicate with the divine, and is central to festivals and celebrations such as Pongal. The chapter introduces the Hindu notion that householders should “feed a thousand souls every day.” The skills involved in making the kōlam are a part of the common knowledge and are passed down through generations, representing the heart of the gift economy. Kōlams are found not only in Tamil Nadu but also throughout the world.
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43

Heine, Steven. Wisdom within Words. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/oso/9780197553527.001.0001.

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Abstract This book is the first complete bilingual edition and annotated translation of the poetry collection entitled Mystery within Words (Kuchūgen), which features 149 Chinese-style verses (kanshi) written by Dōgen Zenji (1200–1253), founder of the Sōtō Zen sect in early medieval Japan. These poems are very important for highlighting several key aspects of Dōgen’s manner of thinking and process of writing. Dōgen composed Sinitic poetry throughout all stages of his career at both Kōshōji temple in Kyoto and Eiheiji temple in the remote mountains for various purposes. These aims included reflections on meditation during periods of reclusion, commenting on cryptic kōan cases, eulogizing deceased patriarchs, celebrating festivals and seasonal occasions, welcoming new administrative appointees at the temple, remarking on the life of the Buddha and other aspects of attaining enlightenment, and offering capping phrases that help highlight prose teachings or instructions. Although Dōgen’s poetry has often been overlooked by the sectarian tradition, even though this collection was edited by the most eminent Edo period scholar-monk, Menzan, this style of writing should now be regarded in relation to the valuable roles that poetry played in the development of East Asian Buddhist contemplative life.
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