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Journal articles on the topic 'Eyo Festival'

Author: Grafiati

Published: 2 March 2023

Last updated: 3 March 2023

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1

Lawal-Arowolo, Ayoyemi, and Dorcas A. Odunaike. "Related rights in uncommon places: the right of performers during spiritual traditional festivals in contemporary Nigeria." Queen Mary Journal of Intellectual Property 10, no. 1 (2020): 128–39. http://dx.doi.org/10.4337/qmjip.2020.01.06.

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The birth and development of performers' rights was initially witnessed in the twentieth century. Domestic laws and international conventions were drafted and implemented in various countries and the international community. Nigeria has followed a similar trend in the development of performers' rights by providing provisions protecting these rights. Equally, Nigeria has signed and ratified international treaties providing for the protection of performers' rights. However, there are issues relating to performers' rights that have not been given consideration. A broader system of protecting trad

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Agbabiaka, Hafeez Idowu, and Willem Coetzee. "Physical planning implication of Eyo festival in Lagos Island, Nigeria." Cogent Social Sciences 2, no. 1 (2016): 1257461. http://dx.doi.org/10.1080/23311886.2016.1257461.

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Kim, Woo-Hyuk, and Kyung-Sook Kim. "Pro-Environmental Intentions among Food Festival Attendees: An Application of the Value-Belief-Norm Model." Sustainability 10, no. 11 (2018): 3894. http://dx.doi.org/10.3390/su10113894.

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Although festival organizers have significantly increased their adoption of green practices, there has been relatively little research on the pro-environmental decision-making process in festival settings. Drawing from the value-belief-norm-theory, the purpose of this study is to investigate the pro-environmental decision-making processes of attendees of eco-friendly food festivals. A structural analysis of responses collected from 601 surveys revealed that affective triggers and personal norms played critical roles in the development of respondents’ pro-environmental intentions in festival se

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Giurgea, Corina Maria, Carmen-Anca Safta, Ciprian Lupu, Mihaela Ordean, and Dan Opruţa. "Water management issues in the context of music festivals." IOP Conference Series: Earth and Environmental Science 1136, no. 1 (2023): 012010. http://dx.doi.org/10.1088/1755-1315/1136/1/012010.

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Abstract In recent years, festivals, especially music festivals have become important vectors for promoting their host cities. Festivals are complex phenomena with high economic and socio-cultural impact. High CO2 emissions and huge resource consumption are commonly related to the festivals’ negative environmental impact. Ensuring the suitable amount of water for a large-scale event is essential for both the audience experience and the city residents, especially when their access to water is hindered by excessive water usage for the festival. Therefore, an accurate estimation of water consumpt

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Kalawapudi, Komal, Taruna Singh, Ritesh Vijay, Nitin Goyal, and Rakesh Kumar. "Effects of COVID-19 pandemic on festival celebrations and noise pollution levels." Noise Mapping 8, no. 1 (2021): 89–93. http://dx.doi.org/10.1515/noise-2021-0006.

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Abstract India is a country where every religion and community celebrates their culture. Festivals have an important role in Indian culture and are celebrated whole-heartedly by the citizens. Most of these celebrations culminate to causing pollution especially noise pollution due to festivities and rituals. One such festival is Ganesh Chaturthi or Ganeshotsav which is magnificently celebrated in Maharashtra state of India. In the present study, noise pollution levels during Ganeshotsav at famous community pandals in Mumbai city were monitored in the year 2020. Noise level data was analyzed bas

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Okunola, Rashidi Akanji, and Adediran Daniel Ikuomola. "Festival of Curses: A Traditional Crime Control Method In Edo State –Nigeria." Issues in Ethnology and Anthropology 7, no. 1 (2016): 85–106. http://dx.doi.org/10.21301/eap.v7i1.4.

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Festivals and ceremonies are part and parcel of African culture, usually in all its pump, merriment and pageantry. However, with the increasing wave of criminal activities in Nigeria especially in Edo state, festivals and ceremonies are being redefined and conceptualized in practice. Only recently a new festival ‘Festival of Curses’ was brought to the fore in combating crime in Edo state. The study therefore seeks to explain the festival as a traditional mechanism in crime control, the nature of the festival, the factors that led to its emergence in the 21st century, the level of acceptance an

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Alonso-Vazquez, Marisol, and Christina Ballico. "Eco-friendly practices and pro-environmental behaviours: the Australian folk and world music festival perspective." Arts and the Market 11, no. 2 (2021): 76–91. http://dx.doi.org/10.1108/aam-10-2020-0046.

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PurposeThe coronavirus disease 2019 (COVID-19) pandemic has once again brought to our attention one of the three main pillars of sustainability–the environment. It has also brought into sharp relief the fragility of the live music festival sector, whose success hinges fundamentally on the capacity for both travel and mass gatherings to occur. Considering this intersection of environmental sustainability and the live music festival sector, this paper–which reports on events occurring long before the global pandemic took hold–examines the ways in which eight Australian folk and world music festi

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Jászay, Tamás. "Shakespeare Matrix Across the Continent." Theatron 16, no. 4 (2022): 170–75. http://dx.doi.org/10.55502/the.2022.4.170.

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The volume offers a representative collection of Shakespeare festivals from the European continent in the form of individual case studies. The book makes the case for a “pan-European and post-English” Shakespeare by providing evaluative and interpretative accounts of both well-known and less-focused festivals in Eastern and Western Europe. The essays combine an external, objective eye with an internal perspective, in just the right balance. Shakespeare on European Festival Stages is a high-quality travel companion, providing a brand-new Shakespearean Grand Tour for all interested theatre schol

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Fernandes, Cíntia Sanmartin, Fabio La Rocca, and Flávia Magalhães Barroso. "Beco das Artes: Festas, imaginários e ambiências subversivas na cidade do Rio de Janeiro." Revista ECO-Pós 22, no. 3 (2019): 140–65. http://dx.doi.org/10.29146/eco-pos.v22i3.27389.

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A partir das considerações de que a festa: a) é historicamente uma paisagem urbana; b) imputa à rua novos comportamentos e usos sociais; c) apresenta a transição de uma paisagem cotidiana para uma festiva, propondo certa ruptura; d) carrega em si um possível caráter transgressor mediado pela ambiência noturna, o presente artigo tem como objetivo analisar as experiências festivas noturnas de rua a partir de práticas subversivas que se intensificaram nos últimos 5 anos na cidade do Rio de Janeiro, especificamente no Beco das Artes. Para tanto, nos alicerçamos nas teorias e metodologias da percep

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Ukwandu, Damien, and Benjamin Obeghare Izu. "The Ugie Festival Ceremonies as a Demonstration of Ancient Benin Culture in Nigeria." Archiv orientální 84, no. 2 (2016): 249–67. http://dx.doi.org/10.47979/aror.j.84.2.249-267.

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Through the ages, man has recorded his personal life experiences and sojourns in drawings, paintings, artefacts, sculptures, weaving, drama, music, songs, festivals and other forms of art. These expressions form part and parcel of the cultural heritage of mankind, and in many ways help to articulate human history, norms, customs and way of life. To the Edo society, festivals constitute an essential appendage to their accomplishments. These festivals are usually celebrated with music and dance, which provide entertainment throughout the period of the celebrations. Apart from their entertainment

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Dodd, Rose. "Huddersfield Contemporary Music Festival 2016, Huddersfield." Tempo 71, no. 280 (2017): 89–91. http://dx.doi.org/10.1017/s004029821700016x.

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The Huddersfield Contemporary Music Festival leaves an indelible impression on any brave soul who ventures into the chill, dark November nights across its ten days, a rite of passage challenging conceptions of the stuff music is made of. Now in its thirty-ninth year, this is one of the more established contemporary music festivals, yet it never fails to provoke and stimulate, a snapshot of current musical preoccupations. The first weekend traditionally showcases a selection of significant works, setting the tone for the subsequent week, and 2016 was no exception. Jennifer Walshe and the Arditt

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Shin, Jin OK, and Choong Hyun Cho. "A Study on Program of Culture-Art Program for Eco Festival: Focused on Fall Culture Festival Sosijeon at Ansan Reef Wetland." Korea Institute of Design Research Society 7, no. 2 (2022): 156–67. http://dx.doi.org/10.46248/kidrs.2022.2.156.

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Eco festival is social interaction for building eco society through entertainment activities and preservation of eco environment. Eco festival applying regional eco asset is incresead as regional festival is getting more, but the program of eco festival is getting more umiformly. This study aims to suggest direction and plan of culture-art for eco festival using characteristics of space. Eco-friendly culture events at eco part similar to Ansan Reef Wetland are analyzed as case studies. Since eco park is not park categorization of part by law, many local government entitled ‘eco park’ indiscree

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BONANG, Dahlia, Shofia Mauizotun HASANAH, M. Setyo NUGROHO, Syukriati SYUKRIATI, Zulpawati ZULPAWATI, and Any Tsalasatul FITRIYAH. "Geopark Rinjani, Sport Tourism, and the Rise of Local Participation Post COVID in Lombok, Indonesia." Journal of Environmental Management and Tourism 13, no. 4 (2022): 1207. http://dx.doi.org/10.14505/jemt.v13.4(60).25.

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This study aims to determine the role model of local community participation in the post-pandemic Rinjani geopark sport tourism festival. The pandemic has caused a shift in tourism to focus on Nature, Eco, Wellness, and Adventure (NEWA). For this reason, the local community of Sembalun Village, a key gateway to an arduous trek up Mount Rinjani in West Nusa Tenggara Province, initiated a sport tourism event due to the natural resource potentials. Hence, this qualitative descriptive research unveils several motivations that underlie the festival's implementation, including economic, cultural, an

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Brokaw, Katherine Steele, and Paul Prescott. "Shakespeare in Yosemite." Critical Survey 31, no. 4 (2019): 15–28. http://dx.doi.org/10.3167/cs.2019.310403.

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Shakespeare in Yosemite, founded in 2017, consists of an annual outdoor production of Shakespeare in Yosemite National Park on the weekend closest to World Earth Day and Shakespeare’s birthday. The productions are site-specific and heavily adapted for a general audience; admission is free. In this article, the co-founders describe the origins and aims of the festival within the contexts of applied theatre, eco-criticism and the American tradition of free outdoor Shakespeare. In describing the festival’s inaugural show – a collage piece that counterpointed Shakespeare’s words with those of earl

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15

Malla, Tejsu, and Sabin Sahu. "Firework-related Ocular Injuries During Festival Season: A Hospitalbased Study in a Tertiary Eye Care Center of Nepal." Nepalese Journal of Ophthalmology 13, no. 1 (2021): 31–39. http://dx.doi.org/10.3126/nepjoph.v13i1.31246.

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Introduction: Firework-related ocular injuries are an important cause of preventable ocular injuries and are common during the festival season. Despite the strict legislation in Nepal, the use of a firework is still commonly used during Tihar and Chaath festivals. Objective: To evaluate demographic distribution, mode, causative firework, type of fireworks-related ocular injuries, and visual outcome at a tertiary eye hospital in Eastern Nepal. Methods: This is a hospital-based prospective interventional study. All the patients with firework-related injuries who attended the emergency and outpat

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Ukala, Sam. "Impersonation in Some African Ritual and Festival Performances." New Theatre Quarterly 16, no. 1 (2000): 76–87. http://dx.doi.org/10.1017/s0266464x00013476.

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Few studies of African ritual and festival performance have been written from a theatrical perspective, and Sam Ukala believes that the richness of such events has yet to be fully explored by African dramatists – while most of the western paratheatrical experiments derived from them have been influenced more by anthroplogical models than aesthetic principles. In pursuit of a dramaturgical approach to the study of African rituals and festivals, he focuses on the role and nature of impersonation in these events, and examines the relationship between the forms, objectives, and contexts of the per

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Reinhardt, Jeffrey A. "Mathematical Lens: Picnic Patterns." Mathematics Teacher 100, no. 3 (2006): 213–14. http://dx.doi.org/10.5951/mt.100.3.0213.

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Picnic tablecloth patterns caught my eye while I was enjoying the musical patterns of an outdoor symphony concert at the Lancaster Festival, a ten-day music festival held each summer in Lancaster, Ohio.

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Reinhardt, Jeffrey A. "Mathematical Lens: Picnic Patterns." Mathematics Teacher 100, no. 3 (2006): 213–14. http://dx.doi.org/10.5951/mt.100.3.0213.

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Picnic tablecloth patterns caught my eye while I was enjoying the musical patterns of an outdoor symphony concert at the Lancaster Festival, a ten-day music festival held each summer in Lancaster, Ohio.

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19

Jun, Youngcook. "순천만국제자연환경미술제에서 예술 작품을 감상한 심미적 경험에 관한 탐구". Journal of Narrative and Educational Research 6, № 2 (2018): 35–59. http://dx.doi.org/10.25051/jner060202.

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Monani, Salma, Marijke de Valck, and Skadi Loist. "Indigenous film festival as eco-testimonial encounter: The 2011 Native Film + Video Festival." NECSUS. European Journal of Media Studies 2, no. 1 (2013): 285–91. http://dx.doi.org/10.5117/necsus2013.1.mona.

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21

Kim, Min-Hyung, and Seung-Woo Choo. "A Study on Evaluation of Festival Service Quality Using Importance-Performance Analysis: Culture Art Festival versus Eco Nature Festival." Journal of MICE & Tourism Research 20, no. 2 (2020): 7–21. http://dx.doi.org/10.35176/jmtr.20.2.1.

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Nurizki, Verani, Suryono Herlambang, and Parino Rahardjo. "PENATAAN KAWASAN CAGAR BUDAYA BETAWI CONDET CILIWUNG, JAKARTA TIMUR, SEBAGAI DESTINASI WISATA ALAM DAN BUDAYA." Jurnal Sains, Teknologi, Urban, Perancangan, Arsitektur (Stupa) 2, no. 2 (2020): 2771. http://dx.doi.org/10.24912/stupa.v2i2.8858.

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Condet area has close links with Betawi Cultural civilization in Jakarta. In 1976, Condet Area was designated as a Cultural Heritage but the status was later revoked in 1988 because it was considered to limit the development of the Area. Condet area returned to attention after the issuance of the Governor of DKI Jakarta Province No. 881 of 2019 which stipulated the development of tourism in the form of the development of Betawi cultural arts, agro-tourism and ecotourism in Condet Area. The problems found are existing uniqueness scattered in the Ciliwung Condet area such as Betawi homes, Ciliwu

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Schmidt, Charles P. "Relations among Motivation, Performance Achievement, and Music Experience Variables in Secondary Instrumental Music Students." Journal of Research in Music Education 53, no. 2 (2005): 134–47. http://dx.doi.org/10.1177/002242940505300204.

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The purpose of this study was to (1) reexamine academic achievement motivation orientations within the context of instrumental music, and (2) examine relations among achievement motivation orientations, self-concept in instrumental music, and attitude to band in relation to teachers' ratings of performance achievement and effort, and students' grade level, gender, instrument, self-reported practice time, and selected music experience variables. Participants ( N= 300) were band students (Grades 7-12) in four school districts. Data were gathered concerning students' (a) motivation orientations (

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Güner, Aysun Ferrah, Gülhan Benli, and Pelin Karaçar. "THE IMPORTANCE OF PROFESSIONAL PRACTICE IN ARCHITECTURAL EDUCATION IN THE CASE OF BUYUKKONUK ECO FESTIVAL AREA AND LANDSCAPING PROJECT." E-journal of New World Sciences Academy 14, no. 3 (2019): 62–76. http://dx.doi.org/10.12739/nwsa.2019.14.3.3c0184.

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Candra Amrita, Devita, Achmad Hidir, and M. Rawa El Amady. "Tilan Island Tour in Rantau Bais Tourism Village: From Festival To Eco-tourism." Progress In Social Development 3, no. 1 (2022): 12–20. http://dx.doi.org/10.30872/psd.v3i1.33.

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ABSTRACT:This study discussed about tourist destinations in Tilan Island, which was built under the initiative of the local youth through festival tourism. The tourist destination has been positively responded to by visitors whose number keeps increasing each year, and Kepenghuluan Rantau Bais has been recognised as a Tourism Village. Tourism in Tilan Island persistently transforms from festival tourism to regular tourism, starting from its opening every Saturday and Sunday. This study is a qualitative study that uses the ethnography method where the researcher lived for two months in Kepenghu

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Gumes, Nadja Vladi, and Marcelo Pinheiro Argôlo. "A Cor Dessa Cidade Sou Eu: Ativismo musical no projeto Aya Bass." Revista ECO-Pós 23, no. 1 (2020): 219–38. http://dx.doi.org/10.29146/eco-pos.v23i1.27454.

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Este artigo se propõe uma análise sócio-comunicacional do projeto Aya Bass, formado pelas cantoras Larissa Luz, Luedji Luna e Xênia França, que fazem parte da cena contemporânea de música pop de Salvador. Analisamos como uma marca importante dessa cena, o ativismo, e como ele se apresenta na performance das artistas no show realizado no Festival Sangue Novo. A partir dessa análise, buscamos comprovar que está em curso o surgimento de uma cena de música pop ativista, que tem como características o ativismo musical, experiência político estética e a articulação de elementos locais e globais nas

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Kumar, Ravi, Manohar Puttanna, KS Sriprakash, SujathaB L. Rathod, and VenkateshC Prabhakaran. "Firecracker eye injuries during deepavali festival: A case series." Indian Journal of Ophthalmology 58, no. 2 (2010): 157. http://dx.doi.org/10.4103/0301-4738.60095.

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Aydın, Buse, and Hacı Mehmet Yıldırım. "Etkinliklerin Sürdürülebilirliği ve Eko-Etkinlikler: A Greener Festival Örneği." Turk Turizm Arastirmalari Dergisi 4, no. 1 (2020): 164–80. http://dx.doi.org/10.26677/tr1010.2020.306.

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Puspita, Nungky. "DEVELOPMENT STRATEGY OF MUSIC TOURISM : UBUD VILLAGE JAZZ FESTIVAL AS COMMUNITY-BASED EVENT IN UBUD, BALI." Journal of Tourism Destination and Attraction 9, no. 1 (2021): 27–36. http://dx.doi.org/10.35814/tourism.v8i2.1886.

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Music Tourism is the specialization interest in tourism and this tourism increasing the tourist enthusiasm and attraction. This study describe the Ubud Village Jazz Festival which is the one of the International Music festival that held on Ubud, Bali and also the community-based international music festival . For the analysis, this study use SWOT analyses to make the strategy and the recommendation and also use Elements of Jazz Music Festival theory according to Racapong Khaiewpan. This study use the data from observation and literature study. This research focuses on music tourism attractions

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Campos, Lúcia. "Como capturar uma world music em circulação?" Revista ECO-Pós 23, no. 1 (2020): 191–218. http://dx.doi.org/10.29146/eco-pos.v23i1.27475.

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A partir das ações e negociações presentes na instalação de uma cena de música amplificada, busco apreender o que se entende por “músicas do mundo” ou “world music” em festivais da Europa. Abordo a globalização como um fenômeno situado a partir da etnografia da circulação do grupo Siba e a Fuloresta por dois festivais europeus. Discuto o palco como lugar de legitimação de práticas culturais diversas como “música” e as representações construídas nas relações entre programadores, artistas e público em torno da ideia de “diversidade”, investigando especialmente a fabricação de imaginários de Bras

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Hultgård, Anders. "The Sacrificial Festival at Uppsala." Religionsvidenskabeligt Tidsskrift 74 (March 25, 2022): 600–621. http://dx.doi.org/10.7146/rt.v74i.132125.

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ABSTRACT: The source value of Adam of Bremen’s description of the pre-Christian sacrificial ritual at Uppsala is hotly debated. Some scholars emphasize that it rests on the account of an eye-witness, others that it is a compilation of Christian stereotypes of pagan cult in general. The aim of the present study is to find out what derives from genuine sacrificial cult among the Svear and what is drawn from Christian polemics. A critical analysis of Adam’s text is presented, and the sparse information from other sources on Scandinavian ritual practices is discussed. However, the essential thing

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Zagorski, Marcus. "Wien Modern 2014." Tempo 69, no. 272 (2015): 77–78. http://dx.doi.org/10.1017/s0040298214001144.

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The focus of Wien Modern 2014, according to Artistic Director Matthias Lošek, is best summarised with the two English words ‘on screen’. In his editorial forward to the programme book, Lošek communicated the thinking behind the festival and explained that ‘“on screen” engages with the interface between film/television and contemporary music’. Perhaps it is no surprise, then, that the majority of events in the festival, which ran from 29 October until 21 November 2014, had a strong visual element. This precedence of the visual in a major contemporary music festival brought to mind a review of t

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Duckett, Victoria. "An Introduction to the Interviews." Feminist Media Histories 2, no. 1 (2016): 87–92. http://dx.doi.org/10.1525/fmh.2016.2.1.87.

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This article explores the work that female archivists undertake today. It is based upon a series of six interviews—conducted largely in Europe in 2015—with noted female archivists, curators, and programmers. Through conversations with Bryony Dixon (British Film Institute), Giovanna Fossati (EYE Film Institute, Amsterdam), Karola Gramann (Kinothek Asta Nielsen, Frankfurt), Mariann Lewinsky (Il Cinema Ritrovato, Bologna), Elif Rongen-Kaynakçi (EYE Film Institute, Amsterdam), and Meg Labrum (National Film and Sound Archive, Canberra), it argues that women have a disproportionate impact upon the p

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Adrover, Lauren, David A. Donkor, and Christina S. McMahon. "The Ethics and Pragmatics of Making Heritage a Commodity: Ghana's PANAFEST 2009." TDR/The Drama Review 54, no. 2 (2010): 155–63. http://dx.doi.org/10.1162/dram.2010.54.2.155.

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At Ghana's 2009 Pan African Historical Theatre Festival, discursive battles over the commodification of African heritage erupted amidst acrobatics, naming ceremonies, and asofo dancing. This aesthetic and verbal volleying entangled state dignitaries, paramount chiefs, and visiting diasporans, while the watchful eye of Barack Obama gazed from ubiquitous billboards.

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Lee, Kyoung-Jin, and Myung-Gyu Song. "The Effect of Residents’ Community Attachment on Loyalty to an Eco-Festival: With Special Reference to Muju Firefly Festival." Journal of Environmental Policy and Administration 23, no. 1 (2015): 69. http://dx.doi.org/10.15301/jepa.2015.23.1.69.

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Chandler, Lisa, Claudia Baldwin, and Megan Marks. "Catalysts for Change: Creative Practice as an Environmental Engagement Tool." Leonardo 47, no. 5 (2014): 506–7. http://dx.doi.org/10.1162/leon_a_00825.

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This paper presents research investigating how creative practice can complement scientific discourses in engaging the public with environmental issues. Focusing on the Floating Land environmental art festival and The People’s Garden eco-visualization, this enquiry examines how participatory creative projects can engender social learning and reflection on environmental values that operate as catalysts for change.

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Jeong, K. Y., B. Whipker, I. McCall, C. Gunter, and J. Frantz. "CHARACTERIZATION OF NUTRIENT DISORDERS OF GERBERA HYBRID 'FESTIVAL LIGHT EYE PINK'." Acta Horticulturae, no. 843 (October 2009): 177–82. http://dx.doi.org/10.17660/actahortic.2009.843.22.

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Calderón, Paola Andrea, and Diana Paola Cubides Matallana. "Perfiles de consumo de los asistentes al Eco Yoga Festival Bogotá́." Publicuidad 5, no. 1 (2016): 2–20. http://dx.doi.org/10.18566/publicuidad.v05n01.a02.

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ASIEDU, AWO MANA. "‘The Money Was Real Money’: Talking with Audiences about Corruption, Domestic Violence and Aesthetic Values during the Roverman Festival of Plays at the Ghana National Theatre." Theatre Research International 41, no. 2 (2016): 151–67. http://dx.doi.org/10.1017/s0307883316000067.

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This article is about audiences’ reactions to plays at the 2013–14 Roverman Festival of Plays at the Ghana National Theatre. Using a modified version of Willmar Sauter's ‘Theatre Talks’, questionnaires and participant observation, I sought to ascertain what audiences at this festival made of two of the plays presented to them:What's My Name?andThe Day Dad Came. Audiences identified and discussed endemic corruption and domestic violence in ways that showed their keen engagement with and interpretation of the plays and their eagerness to take what was presented to them and make it their own. The

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Vasques, Rui Pessoa Vaz de Figueiredo, António Cruz Rodrigues, and Diamantino S. Abreu. "RESUMO DE TESE: OS PIGMENTOS NATURAIS DAS SERRAS DO SOCORRO E ARCHEIRA E A SUA UTILIZAÇÃO PELA ASSOCIAÇÃO LIVE WITH EARTH." MIX Sustentável 7, no. 2 (2021): 173–74. http://dx.doi.org/10.29183/2447-3073.mix2021.v7.n2.173-174.

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Durante 2017, fizémos uma incrível descoberta, de mais de 15 cores naturais do solo, enquanto construíamos o mural em argila, com os Tierra Mosaico do Chile, no decorrer do IFAC 2017 ( International Festival of Art and Construction) . Desde então, integrante do ECO CAMPUS – Torres Vedras, a Associação Live With Earth tem mapeado, experimentado e promovido o valor destes recursos naturais, das Serras do Socorro e Archeira. Em 2019, o fundador Rui Vasques, conquistou uma bolsa da Fundação para a Ciência eTecnologia – FCT, para realizar o Doutoramento em Design no IADE – UNIVERSIDADE EUROPEIA, pa

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Mansouri, Mohammad-Reza, Seyed-Farzad Mohammadi, Elham Hatef, et al. "The Persian Wednesday Eve Festival “Charshanbe-Soori” Fireworks Eye Injuries: A Case Series." Ophthalmic Epidemiology 14, no. 1 (2007): 17–24. http://dx.doi.org/10.1080/09286580600878836.

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Kukfisz, Bożena, and Robert Piec. "The Fire and Explosion Hazard of Coloured Powders Used during the Holi Festival." International Journal of Environmental Research and Public Health 18, no. 21 (2021): 11090. http://dx.doi.org/10.3390/ijerph182111090.

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During the world-famous Holi festival, people throw and smear each other with a colored powder (Holi color, Holi powder, Gulal powder). Until now, adverse health and environmental effects (skin and eye irritation, air pollution, and respiratory problems) have been described in the available literature. However, the literature lacks data on the flammable and explosive properties of these powders during mass events, despite the fact that burns, fires, and explosions during the Holi festival have taken place many times. The aim of the article is to present the fire and explosion parameters of thr

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Alonzo, Giulia, and Oliviero Ponte di Pino. "L'evento culturale come momento di creazione di welfare di comunità: la risposta di Suq Genova." WELFARE E ERGONOMIA, no. 2 (February 2022): 147–56. http://dx.doi.org/10.3280/we2021-002011.

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Il Suq di Genova è un grande teatro dove ogni visitatore è spettatore di una crea-zione collettiva, corale, e al tempo stesso autore e protagonista della propria per-formance. Allestito come un bazar ospita le botteghe e i ristoranti etnici, cinquan-tatré nell'ultima edizione "in presenza", gestiti da commercianti con background migratorio attivi in città. La piazza centrale e alcuni spazi circostanti ospitano spettacoli, concerti, dibattiti, lezioni, in parte curati da associazioni di migranti, in parte selezionati dalla direzione artistica. Così il festival diventa per il visita-tore un viag

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Poudel, Jiban Mani, Sanjeev Paudyal, Shova Shiwakoti, and Sandhya Gurung. "Moving Yak Herds towards Tourism: A Linkage between Yak and Eco- Tourism in the High Mountains of East on Nepal." Journal of Tourism and Himalayan Adventures 4, no. 1 (2022): 46–62. http://dx.doi.org/10.3126/jtha.v4i1.46301.

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This paper is study about the intersection between yak herding and tourism. The main focus is on how the concepts of yak festival and gothstay are transforming the conventional notion of animal husbandry, in particular yak herding, in the eastern high mountain region of Nepal. It is based on ethnographic study among the yak and urang herders in the region. Triangulation methods i.e., observation, interview, household survey and GIS were used. The yak festival and the concept of gothstay are giving new meaning, value and symbol – something different from the customary usage – to yak and yak her

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Hsu, Li-Hong. "Visible or Invisible Games? A Critique on the Future of the World Games." Physical Culture and Sport. Studies and Research 48, no. 1 (2010): 21–29. http://dx.doi.org/10.2478/v10141-010-0003-3.

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Visible or Invisible Games? A Critique on the Future of the World GamesAs the crowded calendar of world sport and the increasing competition between sporting festivals is likely to affect more second-tier global sporting festivals than the Olympic Games (Cashman 2004, p. 134), this paper attempts to answer a few questions concerning the future of the World Games, i.e. a multi-sport mega event. The first and primary question is whether it is worthwhile to host the World Games. In this paper reasoned justification will be provided with a critical eye. Furthermore, questions will be raised about

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Duarte, Francisca Eugenia Gomes, Ariluci Goes Elliott, and Francisca Pereira dos Santos. "As manifestações festivas religiosas do sítio Minguiriba-Crato-CE." Informação@Profissões 8, no. 2 (2019): 64. http://dx.doi.org/10.5433/2317-4390.2019v8n2p64.

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Introdução: Apresenta as festas religiosas como eventos simbólicos associando a cultura e a identidade no âmbito das Ciências Sociais. A construção de uma identidade, com traços pertinentes ao coletivo denotados nas representações são elementos ricos e significantes ligados à memória individual ou coletiva, como costumes, saberes, lugares, ritmos, festejos, lendas e ritos que, ao serem adotados por um grupo, se perpetuam e se tornam fontes de identidade. Objetivo: expor as renovações do Sagrado Coração de Jesus no Sítio Minguiriba como narrativas das memórias dos acontecimentos cotidianos do p

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Ng, Tuck Chun, and Wei Loon Ng. "Tobacco-alcohol optic neuropathy following festive binge drinking." Malaysian Journal of Ophthalmology 2, no. 3 (2020): 238–43. http://dx.doi.org/10.35119/myjo.v2i3.69.

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This case report aims to discuss a case of tobacco-alcohol optic neuropathy secondary to alcohol abuse and chronic cigarette smoking in a 43-year-old man. Possible causes including vitamin B12 deficiency, methanol poisoning, and cyanide in tobacco were discussed. Clinical examination and blood investigation supported the diagnosis of vitamin B12 deficiency, possibly precipitated by methanol and cyanide. The patient was treated with vitamin B12 and folinic acid and asked to abstain from smoking and alcohol consumption. His left eye vision had improved to premorbid vision but there no improvemen

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Wibowo, Yudha Gusti, Wahyudi Zahar, Hutwan Syarifuddin, and Rizki Ananda. "Pengembangan Eco-Geotourism Geopark Merangin Jambi." IJEEM - Indonesian Journal of Environmental Education and Management 4, no. 1 (2019): 23–43. http://dx.doi.org/10.21009/ijeem.041.03.

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Indonesia merupakan Negara yang kaya akan sumberdaya alam dan budaya sehingga berpotensi untuk dikembangkan dalam sektor pariwisata. Indonesia memiliki 3 warisan dunia, 50 taman nasional dan 7 geopark yang dapat dikembangkan secara eco-geotourism. Pengembangan eco-geotourism adalah salah satu upaya mengembangkan sumberdaya geologi berkelanjutan dengan menyeimbangkan aspek ekonomi, lingkungan dan sosial. Salah satu geopark terdapat di Kabupaten Merangin Provinsi Jambi. Geopark Merangin Jambi menjadi salah satu tujuan wisata baru karena memiliki keanekaragaman geologi, keanekaragaman hayati dan

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Permana, Muhammad Yogi, Budi Rukhyana, and Yelni Rahmawati. "Perkembangan Kabuki Menjadi Choukabuki Sebagai Kolaborasi Budaya Dengan Pengaruh Modernisasi." IDEA : Jurnal Studi Jepang 1, no. 1 (2019): 12–23. http://dx.doi.org/10.33751/idea.v1i1.1099.

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Abstrak Dalam penelitian ini penulis akan membahas perkembangan kabuki menjadi choukabuki sebagai kolaborasi budaya dengan pengaruh modernisasi. Kabuki merupukan salah satu seni teater tradisional Jepang yang menggabungkan beberapa seni tari, seni peran, dan seni musik. Sedangkan, Choukabuki merupakan pertunjukan teater yang tercipta dari hasil kolaborasi antara budaya tradisional Jepang yaitu kabuki yang menyuguhkan kolaborasi antara aktor kabuki dengan salah satu diva vocaloid yaitu Hatsune Miku dan dipertunjukan secara hologram 4D. Objek penelitian ini adalah mengenai perkembangan kabuki da

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Varghese, Bindi. "Editorial." Atna - Journal of Tourism Studies 8, no. 2 (2013): v—vi. http://dx.doi.org/10.12727/ajts.10.0.

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Atna-Journal of Tourism Studies (ATJS) has continued to make progress in terms of publishing peer-reviewed articles and has attracted an ever increasing national audience of authors, research investigators, and scholars, as indicated by the increasing number of submissions and published papers. The scholarly contributions featured in the current issue range across such areas as wine tourism, medical tourism, film induced tourism, celebrity endorsement and SWOT analysis of eco-lables. Anupama Kotur Kaddi in her article Event Motivation Study of Wine Festival Visitors in Maharashtra highlights g

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