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Journal articles on the topic 'Fabiani'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Devetak, Tanja. "Space in Fashion Design based on Architectural Works by Maks Fabiani – F2 (Fabiani Fashion) Case Study." Tekstilec 59, no. 1 (March 25, 2016): 41–45. http://dx.doi.org/10.14502/tekstilec2016.59.41-45.

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2

Kurman, George, and Mihkel Mutt. "Vana Fabiani nutulaul." World Literature Today 63, no. 2 (1989): 336. http://dx.doi.org/10.2307/40144956.

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3

Béra, Matthieu. "Lire Fabiani lisant les sociologues." Les Études Sociales 161-162, no. 1 (2015): 269. http://dx.doi.org/10.3917/etsoc.161.0269.

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4

Karrels, Nancy Caron. "Reconstructing a Wartime Journey: The Vollard-Fabiani Collection, 1940–1949." International Journal of Cultural Property 22, no. 4 (November 2015): 505–26. http://dx.doi.org/10.1017/s0940739115000296.

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Abstract:In 1940, the British Admiralty detained a British passenger ship sailing from Lisbon to New York at the port of Hamilton, Bermuda, for a contraband search. Customs authorities seized four crates containing hundreds of artworks by leading European artists. Suspected of being sent to New York for sale by the French art dealer Martin Fabiani for the economic benefit of German-occupied France, the captured collection—originally the property of art dealer Ambroise Vollard—was confiscated as a prize of war and sent to Ottawa, Canada, for wartime safekeeping. The National Gallery of Canada stored the collection from 1940 to 1949, when British courts instructed the collection’s Canadian custodian to release it to its rightful owners, Fabiani and the Vollard heirs. This essay reframes the wartime journey of the Vollard-Fabiani collection and challenges the long-held notion that it belongs to the narrative of Nazi-looted cultural property. This essay also highlights an important role played by the National Gallery of Canada during World War II.

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5

Pouillon, François. "Jean-Louis Fabiani, Sociologie de la Corse." Études rurales, no. 202 (July 1, 2018): 212–13. http://dx.doi.org/10.4000/etudesrurales.15285.

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Devetak, Tanja. "Space In Fashion Design – Ƒ2 (Fabiani Fashion) Case Study." South East European Journal of Architecture and Design 2016 (December 17, 2016): 1–6. http://dx.doi.org/10.3889/seejad.2016.10027.

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TThese research inquiries into the transformation of complex architectural spatial objects into contemporary garments by implementing creative pattern cutting as an integrated part of the fashion design process. From the architecture design process, a creative process of generating ideas using the human body as the centre point of the creative process, and an understanding of the envelope around that space were implemented and researched in fashion design. A creative construction method evolved using the standard matrix of basic blocks and implementation of the sculptural work by creating three-dimensional paper garment forms. In this way, garment design is created inside - outside. The resulting garment forms visually articulate meanings arising from the architectural design works of Maks Fabiani regarding structure, historical context, content from within the premises and personal sensory experiences. The envisaged results are highly applicable, but, with a theoretical significance, they also open different views on a fashion design development process. The Ƒ2 (Fabiani Fashion) case study was carried out in 2015 by the author Tanja Devetak.

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7

Mihelič, Breda. "Maks Fabiani in dunajski urbanizem na prelomu 19. stoletja." Urbani izziv 19, no. 1 (2008): 5–10. http://dx.doi.org/10.5379/urbani-izziv-2008-19-01-001.

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VOLYNKIN, ANTON V., SERGEY V. TITOV, MATJAŽ ČERNILA, ANDRO TRUUVERK, and AIDAS SALDAITIS. "A new species of Victrix Staudinger, 1879 from Kazakhstan (Lepidoptera, Noctuidae)." Zootaxa 4563, no. 2 (February 28, 2019): 325. http://dx.doi.org/10.11646/zootaxa.4563.2.6.

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A new species of the genus Victrix Staudinger, 1879, V. akbet Volynkin, Titov & Černila, sp. nov. is described from Kazakhstan. The new species belongs to the subgenus Poliobrya Hampson, 1908. A diagnostic comparison is made with V. frigidalis Varga & Ronkay, 1991, V. fabiani Varga & Ronkay, 1989 and V. umovii (Eversmann, 1846). The adults and male and female genitalia of the new and related species are illustrated.

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9

Lemieux, Cyril. "Le pari de l’universel." Annales. Histoire, Sciences Sociales 65, no. 6 (December 2010): 1457–70. http://dx.doi.org/10.1017/s0395264900037549.

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Constatant que l’on a assisté en sciences sociales, ces trente dernières années, au « reflux des épistémologies naturalistes » et à la montée en puissance corrélative d’un « cadre épistémologique néo-wébérien », Jean-Louis Fabiani se demande, une fois refermé mon ouvrage, si entreprendre désormais de sortir de ce cadre n’implique pas un « coût spécifique » et s’il est raisonnable de le payer. Il est vrai que le Devoir et la grâce est un livre qui, sous les auspices d’Émile Durkheim, entend réhabiliter, en sciences sociales, une démarche classificatoire capable de prétendre à la validité universelle. Un tel projet renoue donc indéniablement avec une certaine forme de faillibilisme et pourra être reçu à cet égard comme une régression vers l’épistémologie naturaliste. Ce sera le cas, surtout, si le lecteur n’est pas convaincu par la manière dont, à travers ses formulations, l’ouvrage s’efforce d’anticiper les critiques les plus définitives qui furent adressées au naturalisme en sciences sociales. J.-L. Fabiani semble attentif à ces efforts et avoir pour eux de la sympathie, raison pour laquelle il décrit à mon sens fort bien la voie étroite que l’ouvrage cherche à frayer. Mais il n’en demeure pas moins inquiet face à ce qui lui paraît constituer le risque majeur de l’entreprise: celui de tourner trop vite le dos à la tradition wébérienne et de délaisser, en particulier, deux de ses composantes essentielles. D’une part, se demande-t-il, l’analyse grammaticale de l’action, telle que l’ouvrage la promeut, ne conduit-elle pas à méconnaître la centralité dans la vie sociale des rapports de domination et de la violence physique, que Max Weber, pour sa part, avait parfaitement identifiée? D’autre part, n’oblige-t-elle pas à faire le sacrifice de « l’historicisation générale des énoncés » qui s’avère, dit encore J.-L. Fabiani, « une des propriétés les plus fécondes des sciences sociales »? La réponse que je me propose d’apporter à cette double question rendra peut-être plus claires celles qu’ensuite je tenterai de formuler vis-à-vis des remarques et des objections que m’adressent de leur côté, avec tout autant de pertinence, Christian Jouhaud et Louis Quéré.

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10

Gąsowska, Magdalena. "Gawędy o sztuce." Bibliotekarz Podlaski. Ogólnopolskie Naukowe Pismo Bibliotekoznawcze i Bibliologiczne 41, no. 4 (December 20, 2018): 293–97. http://dx.doi.org/10.36770/bp.76.

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Magdalena Gąsowska recenzuje w swoim artykule książkę zatytułowaną "W kręgu sztuki. Wybór gawęd" (2015) autorstwa Bożeny Fabiani – historyczki oraz poetki, znawczyni baroku, dziejów chrześcijańskiego Rzymu, historii sztuki, kultury staropolskiej, jak też biografii najbardziej znanych artystów. Szczególną uwagę badaczka zwraca tutaj na postać Hana van Meegerena (1889–1947), holenderskiego marszanda i malarza, słynnego fałszerza dzieł Jana Vermeera van Delfta (1632–1675). Swoje rozważania uzupełnia też Gąsowska między innymi o odniesienia do pracy biograficznej Franka Wynne’a pt. "To ja byłem Vermeerem. Narodziny i upadek największego fałszerza XX wieku" (2007).

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11

HÄUSSERMANN, VERENA, and GÜNTER FÖRSTERRA. "A new species of sea anemone from the Chilean fjord region, Paraisanthus fabiani (Actiniaria: Isanthidae), with a discussion of the family Isanthidae Carlgren, 1938." Zootaxa 1897, no. 1 (October 10, 2008): 27–42. http://dx.doi.org/10.11646/zootaxa.1897.1.3.

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A new species of Paraisanthus, P. fabiani, is described from Chile, the eighth species of this small family of mesomyarian anemones. Specimens of this species are characterized by six pairs of macrocnemes and 18 pairs of microcnemes in the middle and lower column and a fourth incomplete cycle of extremely small mesenteries in the uppermost column, between 66 and 110 tentacles, and a smooth column without holotrichs or heterotrichs. Specimens occur from the shallow subtidal to at least 30 m around exposed islands and in less protected channels of the fjord region between Chiloé Island (41°7’04.8’’S; 73°53’02.4’’W) and the Madre de Dios Archipelago (50°20’23.1’’S; 75°22’39.2’’W). They often protrude from small rocky crevices or between polychaete tubes, so that in situ only the oral disc is visible. The description is based on examination of 27 specimens collected between 1997 and 2007 and on documentation of live specimens in both their natural environment and aquaria. Paraisanthus fabiani was found at only 15 of over 150 study sites along the Chilean coast. If it was present at a site, generally more than 10 specimens were found. For the first time, in situ photographs are provided for a member of the family Isanthidae. In addition, live photographs are provided for the type species of the family Isanthidae, Isanthus capensis from South Africa. Family Isanthidae constitutes five genera, which are distinguished mainly by number of macrocnemes, texture and division of the column, and direction of growth of mesenteries.

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12

Koselj, Nataša. "Edvard Ravnikar and The Heart of the City. The genesis of cultural centers in Slovenia and in ex-Yugoslavia." An Eastern Europe Vision, no. 59 (2018): 54–59. http://dx.doi.org/10.52200/59.a.b3ck6w9a.

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This article discussess Cankarjev Dom and Republic Square in Ljubljana, Slovenia, by Edvard Ravnikar with the focus on three stage of the genesis of cultural centers in Slovenia, starting with the pre-war Slovenian cultural centers by Max Fabiani, Danilo Fürst and Gustav Trenz. The second phase is represented by the cultural centers of the architects Oton Gaspari, Marko Župančič and Emil Navinšek from the 1950s built in the Slovenian industrial towns of Trbovlje, Velenje, and Zagorje, and the third phase by Edvard Ravnikar and his students such as Biro71 and Marko Mušič from the late 1970s and early 1980s built in Ljubljana, Skopje (Macedonia) and Kolašin (Montenegro).

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13

Péquignot, Bruno. "Jean-Louis Fabiani, L'Éducation populaire et le théâtre. Le public d'Avignon en action." Sociologie de l'Art OPuS 14, no. 1 (2009): 121. http://dx.doi.org/10.3917/soart.014.0121.

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14

Mihelič, Breda. "Maks Fabiani and urbanism in Vienna at the turn of the 19th century." Urbani izziv 19, no. 1 (2008): 129–33. http://dx.doi.org/10.5379/urbani-izziv-en-2008-19-01-001.

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15

Urteaga, Eguzki. "La sociologie comme elle s’écrit. De Bourdieu à Latour, de J-L. Fabiani." Revista Colombiana de Sociología 42, no. 2 (July 1, 2019): 351–56. http://dx.doi.org/10.15446/rcs.v42n2.71341.

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Jean-Louis Fabiani publicó su libro La sociologie comme elle s’écrit. De Bourdieu à Latour (La sociología tal como se escribe. De Bourdieu a Latour) en la colección Cas de figure de la Editorial de la Escuela de Altos Estudios en Ciencias Sociales (ehess). Es preciso recordar que este sociólogo galo fue antiguo alumno de la prestigiosa Escuela Normal Superior (ens), antes de obtener la agregación de Filosofía y de ocupar el puesto de Director Regional de Asuntos Culturales en Córcega entre 1988 y 1991. Su carrera universitaria se ha desarrollado esencialmente en la ehess, primero como maestro de investigación y, posteriormente, como director de estudios. Es igualmente investigador asociado en el Centro de Estudios Sociológicos y Políticos Raymond Aron (cespra) que depende del Centre National de la Recherche Scientifique (cnrs). Así mismo, ha sido profesor invitado, en varias ocasiones, en las universidades de Chicago y Michigan, así como catedrático asociado en la Universidad de Montreal. Desde el 2011, es catedrático senior en la Universidad Europa Central de Budapest, en el seno del Departamento de Sociología y Antropología.

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16

Urteaga, Eguzki. "Fabiani, J.-L. Pierre Bourdieu. Un structuralisme héroïque. Paris: Seuil, 2016. 310 pp." Ideas y Valores 66, no. 164 (May 1, 2017): 369–79. http://dx.doi.org/10.15446/ideasyvalores.v66n164.64979.

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17

Bradford, Maia Lucía. "Génesis, paraíso e infierno. Un análisis de El jardín de las delicias de Arturo Fabiani." Folia Histórica del Nordeste, no. 31 (June 6, 2018): 55. http://dx.doi.org/10.30972/fhn.0312909.

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<span>Este trabajo analiza la obra </span><em>El jardín de las delicias</em><span> (2013) del realizador audiovisual chaqueño Arturo Fabiani, documental que aborda las vivencias en/desde la diversidad sexo-genérica-identitaria en nuestra región del NEA argentino. Se analizan los modos de </span><em>contar</em><span> y </span><em>mostrar</em><span> el devenir de estas historias de vida que desafían la heteronorma y el entramado sociocultural que las atraviesa y es reconstruido en la obra. La propuesta se enmarca en los estudios visuales (Mitchell 2003, Guasch 2003) y en el amplio campo de los estudios culturales. Se trata de un abordaje desde la visualidad que asume la mirada como una práctica social relacionada con el </span><em>ver</em><span> y el </span><em>mostrar</em><span>(Mitchell, 2003).</span>

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18

Reichenbachas, Tomas. "Analysis of the development of the unemployment rate in Lithuania: application of the SVAR model." Ekonomika 94, no. 3 (January 1, 2015): 86–95. http://dx.doi.org/10.15388/ekon.2015.3.8789.

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The paper analyses the dynamics of unemployment in Lithuania, using a structural vector autoregressive model (sVAR) with long-term restrictions proposed by Fabiani et al. (2001). In accordance with it, the unemployment rate is predetermined by economic shocks, some of them with long-term effects (structural) and some with short-term ones (cyclical). The greater part of changes in unemployment in the period of 2002 to 2014 were predetermined by cyclical shocks (of productivity and labour supply and demand). The cyclical unemployment, peaked in the years 2010 to 2011, amounted to ca. 6%. On the other hand, structural unemployment is slow to change, in the years of the economic boom (2006 to 2007) it amounted to ca. 8% (at the time, the cyclical unemployment was negative and the economy encountered overheating, while in 2014 structural unemployment was slightly higher and amounted to ca. 11%).

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Zupancic, Strojan Tadeja. "Lubiana: da provincia dell'Impero a capitale della Slovenia." STORIA URBANA, no. 120 (July 2009): 81–101. http://dx.doi.org/10.3280/su2008-120004.

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- The process that led to the creation of the Independent Republic of Slovenia in 1991 also led to a significant effort to rewrite the history of Slovenia and Ljubljana. In fact, there were many scholars who believed that there was no city planning before 1895, when Ljubljana was destroyed by an earthquake (Breda Mihelic, ... cit.). Others argued that there were plans that had been drawn up before the earthquake, but they had left only partial traces if they implemented at all. Up to 1849 Ljubljana was an important as an established river transit port for goods to and from the Danube basin. From this date, Ljubljana's development was accelerated by the arrival of a railway line that linked Vienna to the port of Trieste. The plan drafted in 1876 was limited to partial projects based on short-term programs. On the contrary, Max Fabiani and Camillo Sitte proposed ambitious projects for the reconstruction of cities destroyed by the earthquake of 1895.

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Perdoncin, Anton. "Jean-Louis Fabiani La sociologie comme elle s’écrit. De Bourdieu à Latour Paris, Éd. de l’EHESS, 2015, 248 p." Annales. Histoire, Sciences Sociales 71, no. 02 (June 2016): 554–57. http://dx.doi.org/10.1353/ahs.2016.0109.

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21

Osborne, Peter. "Existentielle Dringlichkeit." Paragrana 25, no. 2 (December 1, 2016): 147–61. http://dx.doi.org/10.1515/para-2016-0035.

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AbstractWie verändert sich die Form der Biennale, wenn Biennalen Teil eines weltumspannenden Systems von Kunstinstitutionen werden und der historischen Zeitlichkeit einer globalen KontemporanitätDer englische Terminus „contemporaneity“ wird hier und im Folgenden als „Kontemporanität“ übersetzt, wo es um die von Osborne problematisierte historische Zeitlichkeit einer globalen kapitalistischen Moderne geht, und als „Zeitgenossenschaft“ oder „Zeitgenössischkeit“, wo es sich um allgemeinere oder unspezifischere Ausprägungen dieses Konzepts handelt. A.d.Ü. unterliegen? Was geschieht insbesondere, wenn die periodischen Rhythmen nationaler Biennale-Narrative von der seriellen Abfolge internationaler Biennalen – die scheinbar endlos um Kontemporanität konkurrieren – umgeschrieben werden? Der Essay nähert sich diesen Fragen über die Debatte um die symbolische Bedeutung, die die dritte Havanna Biennale im Jahr 1989 als Zwischenstadium annahm. Er vergleicht drei historische Problematiken ‚des Zeitgenössischen‘ in Form von Modellen, mit denen die kulturelle Funktion von Biennalen gedacht werden kann: (i) die Kritik der Anthropologie oder der Co-Zeitlichkeit (the coeval),„Co-Zeitlichkeit“ steht hier als Übersetzung des Begriffs „coevalness“, der sich auf Johannes Fabians Kritik an der anthropologischen Praxis bezieht, die den Anderen nicht nur räumlich, sondern auch zeitlich in Differenz zum beobachtenden Subjekt setzt und so die geteilte Zeitlichkeit von Forscher und Erforschtem verdrängt (denial of coevalness). Da laut Fabien ‚coevalness‘ nicht mit dem dt. Gleichzeitigkeit gleichzusetzen ist, wurde hier auf einen Neologismus zurückgegriffen. Siehe Fabian 1983. (A.d.Ü.) (ii) die sozialistische Postkolonialität oder die Avantgarde-Konstruktion von Traditionen und (iii) die historische Kontemporanität einer global kapitalistischen Moderne.

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Arastehfar, Amir, Wenjie Fang, Abdullah M. S. Al-Hatmi, Mohammad Hosein Afsarian, Farnaz Daneshnia, Mina Bakhtiari, Sara Khanjari Sadati, et al. "Unequivocal identification of an underestimated opportunistic yeast species, Cyberlindnera fabianii, and its close relatives using a dual-function PCR and literature review of published cases." Medical Mycology 57, no. 7 (January 12, 2019): 833–40. http://dx.doi.org/10.1093/mmy/myy148.

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Abstract Although Cyberlindnera fabinaii is a rare opportunist yeast species, its ability to cause septicemia, produce biofilm, and rapid acquisition of resistance to fluconazole and voriconazole, reinforced the urge for its identification from its closely related species. Widely used biochemical assays mainly identify Cyberlindnera fabinaii as Cyberlindnera jadinii and Wickerhamomyces anomalus, resulting in underestimation of this yeast in clinical settings. Moreover, the urge for a reliable molecular means of identification remains unsolved for 28 years. In order to unequivocally differentiate Cy. fabianii, Cy. mississipiensis, Cy. jadinii, and W. anomalus, we designed a dual-function multiplex polymerase chain reaction (PCR) assay. Challenging our dual-function multiplex PCR assay with 30 most clinically important yeast species, proved its specificity. Although conventional PCR could differentiate four target species, the real-time PCR counterpart due to Tm overlap misidentified Cy. mississipiensis as Cy. jadinii. Alongside of presenting a comprehensive literature review of published cases of Cy. fabianii from 1990 to 2018, we collected various clinical isolates from Tehran, Shiraz, and Fasa (July 1, 2017, to December 31, 2017) to find a passive relative distribution of these closely-related species in Iran. Subjecting our Iranian collection of yeast isolates to matrix-assisted laser desorption/ionization–time of flight (MALDI-TOF) MS and LSU and ITS rDNA sequencing revealed six isolates of Cy. fabianii (central venous catheter n = 2 and vaginal swabs n = 4) and one isolate of Cy. jadinii (vaginal swabs). Due to the use of biochemical assays in global ARTEMIS study, we encourage reidentification of clinical isolates of Cy. jadinii and Cy. jadinii using MALDI-TOF or Sanger sequencing that might lead to correcting the distribution of this fungus.

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Moyn, Samuel. "Jean-Louis Fabiani Qu'est-ce qu'un philosophe français ? La vie sociale des concepts, 1880-1980 Paris, Éd. de l'EHESS, 2010, 316 p." Annales. Histoire, Sciences Sociales 70, no. 02 (June 2015): 485–87. http://dx.doi.org/10.1353/ahs.2015.0034.

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Tekavčić, Pavao. "Quaderni di filologia e lingue romanze, Ricerche svolte nell'Università di Macerata, Terza serie, vol. 17; Macerata 2002, 414 pp." Linguistica 44, no. 1 (December 1, 2004): 188–89. http://dx.doi.org/10.4312/linguistica.44.1.188-189.

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Il volume qui recensito racchiude i seguenti contributi Caterina Santarelli, L'ittionimia dialettale di Porto San Giorgio, 5-93;Uberto Malizia, Unfichier de lexicographie musicale du Mayen Age: essai sur la Lettre A [sic: senza circonflesso], 95-116;Monica Balestrero, La sfida dello sparviero, 117-139;Marinella Mariani, Ecrire le voyage: Stendhal dans Les Marches, 141-160;Elisabeth Ceaux, Souvenirs d'un blesse: Le regard d'Hector Malot sur la guerre de 1870, 161-182;Dante Pasquali, Il ciclo del mondo reale, 183-232;Daniela Fabiani, Una geografia privilegiata: /'Italia e la sua cultura nell'opera di Julien Green, 233-271;Silvia Vecchi, Le talon d'Hermès: la conoscenza errante, 273-291;Maryvonne Baurens, "Les couleurs de l'argot" contemporain, 293-320;Marco Cromeni, Berceo e ii miracolo de La Abadesa prefiada, 321-350;Miquel Pérez Escalera, La nada cotidiana y la cuestión de la identidad, 351-366;12) Carlos Alberto Cacciavillani, Alta Gracia: vicende storiche ed economiche, 367-387;Roberto Crescente, II territorio nella storia: /'Abruzzo adriatico dalle fonti letter arie e cartografiche, 389-402; Note e recensioni:14. Luca Pierdominici, Funzione deittico-anaforica, a livello della frase, di moifema ed elementi morfologici: gli accordi, 405-407 [nota] 15. Silvia Salvucci, recensione di: Christiane Roederer, La veilleuse de chagrin, Strasbourg, La Nuée Bleue, 2002; 408-409; Indice, 411-414. Come finora, la nostra recensione si concentra sui contributi di argomento linguistico e filologico, presentando gli altri in modo sommario.

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FLAHERTY, SEAMUS. "REAPPRAISING NEWS FROM NOWHERE: WILLIAM MORRIS, J. S. MILL AND FABIAN ESSAYS." Modern Intellectual History 17, no. 4 (October 22, 2018): 951–80. http://dx.doi.org/10.1017/s1479244318000446.

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This article examines News from Nowhere, William Morris's late nineteenth-century utopian romance. It seeks, first, to establish John Stuart Mill as a crucial influence on the text. It argues that, in News from Nowhere, Morris engaged extensively with Mill's mid-century essay On Liberty. It shows how Morris dramatized Mill's “harm principle”; how he challenged the notion that custom must necessarily be antithetical to the “spirit of liberty”; and how he enacted Mill's stricture that “if opponents of all important truths do not exist,” then they must be invented. The article seeks, second, to contest the view that Morris was writing in indignant response to Edward Bellamy's portrait of utopia, Looking Backward. The article argues, instead, that it was rather the Fabians who incurred Morris's indignation. It attempts to demonstrate that if News from Nowhere was indeed an answer to another book, it was an answer to Fabian Essays.

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Waisfeld, Beatriz G., Norberto E. Vaccari, Brian D. E. Chatterton, and Gregory D. Edgecombe. "Systematics of Shumardiidae (Trilobita), with new species from the Ordovician of Argentina." Journal of Paleontology 75, no. 4 (July 2001): 827–59. http://dx.doi.org/10.1017/s0022336000016942.

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New shumardiid trilobites from Arenig to Early Caradoc deposits of the Argentine Precordillera include species of a revised Kweichowilla (K. salasae, K. sterrenae, and K. piojensis) and the new genus Changchowilla (C. sanjuanina and C. gracielae, and C.? carrerai). Conophrys fabiani new species occurs in the Early Tremadoc of the western Puna region, northwestern Argentina. Leoforteyia new genus is based on L. hintzei new species from the Ibexian of Utah. Published taxa recognized as new species are Conophrys rushtoni, Conophrys wrighti, Leoforteyia ludvigseni and Shumardia whittingtoni. Phylogenetic analysis suggests the differentiation of Shumardia Billings, 1862; Kweichowilla Chang, 1964; Changchowilla new genus; and Leoforteyia new genus as separate taxa and indicates that Conophrys Callaway, 1877, is a grade group. Silicified material provides a nearly complete growth series for Kweichowilla salasae, including the first protaspides known with confidence for the Shumardiidae. Additionally, ontogenetic material for K. sterrenae, C. sanjuanina, C. riojana (Benedetto and Cañas) and C.? carrerai is described.Leoforteyia is restricted to the Ibexian-Whiterockian of western Laurentia; species of Shumardia are widespread in the Arenig to Early Ashgill of western Europe, Australia, Laurentia, China and Russia. Changchowilla is recorded in the mid-Late Arenig-Llanvirn of the Precordillera and in the Llanvirn-middle Caradoc of China. Argentine species of Kweichowilla are closely allied to Australian species, suggesting biogeographic affinities of the Precordillera to the eastern margin of Gondwana by the Llanvirn and Caradoc.Functional morphology, occurrence in fine grained sediments, and association mainly with atheloptic and pelagic trilobites suggest that shumardiids were deposit-feeders that inhabited low light levels in low energy settings, with a limited ability to burrow in soft sediments.

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Malet, Antoni. "Bibliographia physico-mathematica hispanica (1475-1900). Volume 1: Libros y folletos, 1475-1600. Víctor Navarro Brotóns , Vicente L. Salavert Fabiani, Victòria Rosselló Botey , Víctor Darás Román." Isis 92, no. 2 (June 2001): 362–63. http://dx.doi.org/10.1086/385193.

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Saša Ostan, Aleksander. "Building culture in slovenian Alps through space and time." Regionalità e produzione architettonica contemporanea nelle Alpi, no. 1 ns, november 2018 (November 15, 2018): 180–91. http://dx.doi.org/10.30682/aa1801t.

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The european Alpine “stone arch” has its own natural and cultural identity. It represents “proto-architecture” that offers artistic inspiration, formal references, therapeutic effects. Slovenia and its Alps are small (like a fractal pattern of the big ones), but diverse in their landscapes, settlement culture and architectural traditions. Historically we were always part of Middle European cultural context (between the Alps, Mediteranean and Pannonian plains). Mostly part of bigger states, their culture reflected in built environment and architecture: from regulated order of the monarchy, the transition to modernity between WWI and WWII, “self-made” modernism of socialism, global capitalism free market trends after independance. The result is manifested in dispersed “urban sprawl” territories, a theme of “healing process” for younger urban planning and architectural generations to face with. Luckily less in the Alps with their strong traditions and topographies, where many compact historic settlements still witness their original urban matryx, (medieval) “spatial language” with its organic logic and very precise urban wisdom. Some extraordinary designers in Slovenia helped to create high level of architecture culture in XXth century (also in the alpine space): besides two great personalities, Maks Fabiani and Jože Plečnik, the latter started – together with Juan Vurnik – with “Ljubljana school of architecture”, there was also his follower Edvard Ravnikar (who worked also at Le Corbusier’s), who continued with the architecture. school and raised many good, modern architects. After the independence (1991) the younger generation reflects global trends, but also continues with architecture of high quality, found in some beautifull, diverse projects in the Alps. Today our alpine communites care more for their urban heritage and renew it, reurbanise their squares, streets and parks and support models of sustainable development, in which high level of building culture is an essential part of.

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Callède, Jean-Paul. "Ludovic Ginelli. — Jeux de nature, natures en jeu. Des loisirs aux prises avec l’écologisation des sociétés, Bruxelles, P.I.E. Peter Lang, « EcoPolis » 28, préface de J.-L. Fabiani, 2017, 238 p." L'Année sociologique 68, no. 2 (2018): e1. http://dx.doi.org/10.3917/anso.182.0526.

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Nesvadba, Z., J. Špunar, and M. Kadlíková. "Fabian two-row winter barley." Czech Journal of Genetics and Plant Breeding 49, No. 4 (November 26, 2013): 175–77. http://dx.doi.org/10.17221/11/2013-cjgpb.

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Fabian is a medium-late two-row feedin barley of winter habit developed at Agrotest Fyto, Ltd., Kroměříž, Czech Republic (breeders’ rights holder) and registered in the Czech Republic in 2011. In the Official Variety Trials it showed high grain yields under intensive growing conditions (104.5%) and medium yields under low input conditions (101.1%). Fabian has the highest cold hardiness of the registered two-row winter barleys and regenerates very well in the spring. Its resistance to powdery mildew is very high (score 8.2 on a 1–9 scale). It has medium plant height, moderate resistance to lodging and large yellow kernel. The spike is long and of medium density.

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Ranaivoson, Dominique. "HARCHI (Kaoutar), Je n’ai qu’une langue, ce n’est pas la mienne. Des écrivains à l’épreuve. Préface de Jean-Louis Fabiani. Paris : Pauvert, 2016, 306 p. – ISBN 978-2-720-21549-0." Études littéraires africaines, no. 42 (2016): 213. http://dx.doi.org/10.7202/1039432ar.

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32

Residentes, Residentes. "Oncología." Acta Médica Colombiana 43, no. 2S (June 24, 2019): 232–39. http://dx.doi.org/10.36104/amc.2018.1405.

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ONC-1 SINDROME PARANEOPLASICO: SINDROME INAPROPIADO DE HORMONA ANTIDIURETICA, COMO PRESENTACION CLINICA DE CANCER DE PULMON DE CELULAS PEQUEÑAS (SOLORZANO CARLOS, CUERVO JESSICA, FUENTES CARLOS) ONC-2 RABDOMIOSARCOMA ALVEOLAR EN SENO MAXILAR (ZULUAGA JUAN DAVID, PÉREZ MARÍA ALEJANDRA, MILLÁN HENRY AUGUSTO, LUNA FREDY ANDRÉS) ONC-3 LINFOMA PLASMABLASTICO: UN CASO DE PRESENTACIÓN INUSUAL (OTERO DIANA, MORALES MILENA) ONC-4 PERIAORTITIS CRÓNICA Y FIBROSIS RETROPERITONEAL ASOCIADOS A CARCINOMA NASAL (LAVERDE LIGIA, LUNA STEPHANY, SOLER CAMILO) ONC-5 AMILOIDOSIS CARDIACA EN UN PACIENTE CON MIELOMA MULTIPLE (QUINTERO DIANA C., ARIAS HANNA V., ASTAIZA MAYRA A., AYALA JUAN F., ANGULO ANDRÉS F. ) ONC-6 SARCOMA GRANULOCÍTICO ORAL: LA DICOTOMÍA ENTRE LO INFECCIOSO Y TUMORAL (ARAGÓN DIANA, NARANJO JULIÁN, NOREÑA IVAN, PLATA JUAN) ONC-7 SÍNDROME DE BUDD CHIARI COMO MANIFESTACIÓN DE NEOPLASIA MIELOIDE (SALGADO ZAMORA FABIÁN ANDRÉS, CARDOZO NIÑO ANDRÉS ORLANDO, VEGA DÍAZ VALENTINA, ECHEVERRI TATIANA) ONC-8 LINFOMA CARDIACO PRIMARIO (CADENA ALBERTO, RUIZ FABIAN, RESTREPO JUAN CARLOS)

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33

Mehnert, Horst. "Fabiana imbricata." British Homoeopathic journal 78, no. 2 (April 1989): 115. http://dx.doi.org/10.1016/s0007-0785(89)80067-5.

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Mehnert, H. "Fabiana imbricata." Allgemeine Homöopathische Zeitung 234, no. 01 (April 7, 2007): 20–23. http://dx.doi.org/10.1055/s-2006-936263.

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35

Burt, Philippa. "Granville Barker's Ensemble as a Model of Fabian Theatre." New Theatre Quarterly 28, no. 4 (November 2012): 307–24. http://dx.doi.org/10.1017/s0266464x12000619.

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While the dialogical relationship between the early twentieth-century British theatre and the rise of socialism is well documented, analysis has tended to focus on the role of the playwright in the dissemination of socialist ideas. As a contrast, in this article Philippa Burt examines the directorial work of Harley Granville Barker, arguing that his plans for a permanent ensemble company were rooted in his position as a member of the Fabian Society. With reference to Pierre Bourdieu's concept of habitus and Maria Shevtsova's development of it in reference to the theatre, this article identifies a correlation between Barker's political and artistic approaches through extrapolating the central tenets of his theory on ensemble theatre and analyzing them alongside the central tenets of Fabianism. Philippa Burt is currently completing her PhD in the Department of Theatre and Performance at Goldsmiths, University of London. This article is developed from a paper presented at the conference on ‘Politics, Performance, and Popular Culture in Nineteenth-Century Britain’ at the University of Lancaster in July 2011.

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Wita, Paweł. "Sermons preached by Fabian Birkowski at the Knights of Malta funerals." Meluzyna 6 (2017): 41–58. http://dx.doi.org/10.18276/me.2017.1-03.

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Luiz da Silva, Fábio, and Fabiane Tais Muzardo. "Estudo exploratório sobre o espaço escolar: a percepção de professores de escolas públicas." Revista Thema 13, no. 1 (July 20, 2016): 65–78. http://dx.doi.org/10.15536/thema.13.2016.65-78.228.

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Anděl, Jiří. "Professor František Fabian (on the occasion of his sixtieth birthday)." Applications of Mathematics 32, no. 2 (1987): 159–60. http://dx.doi.org/10.21136/am.1987.104245.

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Ehrlich, Tracy L. "Raffaella Fabiani Giannetto. Medici Gardens: From Making to Design. Penn Studies in Landscape Architecture. Philadelphia: University of Pennsylvania Press, 2008. x+306 pp. index. append. illus. $55. ISBN: 978–0–8122–4072–6." Renaissance Quarterly 62, no. 3 (2009): 937–39. http://dx.doi.org/10.1086/647426.

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Godfrey, John. "Fabian tactics." Nature 383, no. 6596 (September 1996): 138. http://dx.doi.org/10.1038/383138a0.

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41

Norma Jenckes. "Fabian Controversialist." SHAW The Annual of Bernard Shaw Studies 30, no. 1 (2010): 266–69. http://dx.doi.org/10.1353/shaw.2010.0013.

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42

Ullrich, Donald P. "Fabian Isamat." Surgical Neurology 25, no. 3 (March 1986): 209–11. http://dx.doi.org/10.1016/0090-3019(86)90228-4.

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Grillo, Angela Teodoro, Giovanna Gobbi Alves Araújo, and Manuella Miki Souza Araujo. "Agô!" Opiniães, no. 10 (June 10, 2017): 13. http://dx.doi.org/10.11606/issn.2525-8133.opiniaes.2017.133556.

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A décima edição da Opiniães: revista dos alunos de literatura brasileira convida o leitor a refletir sobre as relações estéticas, sociais e políticas que envolvem a literatura negra e/ou afro-brasileira. Os sete artigos acadêmicos que compõem o dossiê temático – assinados por Luciana Marquesini Mongim, Luciana Alves Santos, Fernanda Rodrigues Miranda, Fabiana Carneiro da Silva, Luciana Martins Diogo e Ana Paula Simioni, Francys Lindoso Cavalcanti e Fabiane Cristine Rodrigues – abordam, de maneira plural e instigante, aspectos variados da presença negra na literatura brasileira. Além dos artigos científicos, este número conta com uma coletânea que reúne poemas, contos, crônicas e dramaturgia de escritoras e escritores negros contemporâneos - Allan da Rosa, Cidinha da Silva, Cuti, Fábio Mandingo, Jeferson Tenório, Lia Vieira e Le Tícia Conde, Akins Kintê, Cristiane Sobral, Dinha, Elizandra Souza, Le Tícia Conde, Lívia Natália, luz ribeiro e Tula Pilar Ferreira; uma seção de entrevistas com as importantes participações de Esmeralda Ribeiro, Eduardo de Assis Ribeiro, Cuti e Elena Pajaro Peres; uma seção de resenhas com os trabalhos de Larissa Souza e Lígia Balista; e, por fim, uma seção de tradução poética, com a apresentação de três poemas de Langston Hughes traduzidos para o português por Giovanna Gobbi Alves Araújo. O tema da presença negra na literatura brasileira conjuga de forma privilegiada diferentes performatividades, vozes científicas-femininas-periféricas-plásticas-poéticas-musicais nascidas de um universo vasto, desafiador, movediço –, território cultural, social e simbólico, diante do qual dizemos: “Agô!”

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Morgan, Keith N. "Raffaella Fabiani Giannetto, ed. Foreign Trends in American Gardens: A History of Exchange, Adaptation, and Reception. Charlottesville: University of Virginia Press, 2016. vii+303 pp.; 85 black-and-white illustrations, notes, index. $29.50 (paper)." Winterthur Portfolio 52, no. 4 (December 2018): 256–57. http://dx.doi.org/10.1086/702487.

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45

Reck-Kortmann, Maikel, Gustavo A. Silva-Arias, João R. Stehmann, Julián A. Greppi, and Loreta B. Freitas. "Phylogenetic relationships of Petunia patagonica (Solanaceae) revealed by molecular and biogeographical evidence." Phytotaxa 222, no. 1 (August 7, 2015): 17. http://dx.doi.org/10.11646/phytotaxa.222.1.2.

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Petunia patagonica is restricted to the Patagonian region of Argentina and its identity is controversial. The species was described in the genus Nierembergia, and subsequently transferred to the genus Petunia. However, several morphological characteristics of P. patagonica as well as its geographical distribution differ from other Petunia species, and it has been repeatedly considered an exception in the genus. Using one nuclear and two cpDNA markers for 22 species representing seven genera of the tribe Petunieae, we analyzed phylogenetic and biogeographic evidence to clarify the phylogenetic position of P. patagonica. Our results suggest that P. patagonica is not a member of the genus Petunia and is closer to Fabiana imbricata. In addition, Calibrachoa appears basal within the Petunia, Calibrachoa, and Fabiana clades, and Fabiana and Petunia are sister genera. This result led us to reconstruct an ancestral region for this clade within the subtropical grasslands of South America. Subsequent dispersion to the Patagonian and Andean regions was inferred in the divergence of Fabiana and P. patagonica. Our work suggests a need for more studies towards a new generic placement. Ancestral area reconstruction suggests that the origin of the Calibrachoa, Fabiana and Petunia lineages was located in the subtropical grasslands of South America, and the colonization of the Andes and Patagonia seems to be divergent and was achieved only for species belonging to the Fabiana and P. patagonica clades.

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Yun, Jae Won, Kyung Sun Park, Chang-Seok Ki, and Nam Yong Lee. "Catheter-related bloodstream infection by Lindnera fabianii in a neutropenic patient." Journal of Medical Microbiology 62, no. 6 (June 1, 2013): 922–25. http://dx.doi.org/10.1099/jmm.0.048306-0.

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Lindnera (Pichia) fabianii (Candida fabianii teleomorph) is a yeast species that is an uncommon cause of invasive human infections. This report describes what we believe to be the first human case of a catheter-related L. fabianii bloodstream infection in a neutropenic patient. The Clinical and Laboratory Standards Institute guidelines do not offer antifungal breakpoints in this neutropenic case and empirical chemotherapy was considered. Sharing our experience, we will discuss the choice of an effective antifungal agent in this uncommon clinical situation.

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Villaça, Alcides. "Imagem de Fabiano." Estudos Avançados 21, no. 60 (August 2007): 235–46. http://dx.doi.org/10.1590/s0103-40142007000200019.

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Busca-se, neste ensaio, focalizar vários aspectos e implicações da composição do personagem Fabiano, no romance Vidas secas, de Graciliano Ramos, relevando-se, sobretudo, a possibilidade, aberta pelo narrador, de surpreender no protagonista o grande prazer que lhe advém da compreensão das palavras e, com elas, da realidade a que se referem.

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48

Bevir, Mark. "Fabianism, permeation and Independent Labour." Historical Journal 39, no. 1 (March 1996): 179–96. http://dx.doi.org/10.1017/s0018246x00020720.

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ABSTRACTThe leading Fabians held different versions of permeation: Shaw saw permeation in terms of weaning the Radicals away from the Liberal party, so he favoured an independent party; Webb defined permeation in terms of the giving of expert advice to a political elite without any need for a new party. These varieties of permeation can be traced in the individual and collective actions of the Fabians, and, in particular, in their attitude to the formation of the Independent Labour party (I.L.P.). The Fabians did not simply promote the I.L.P. nor did they simply oppose the I.L.P.

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Mardhiah, Ainun, Joko Hariadi, and Prima Nucifera. "ANALISIS TOKOH DAN PENOKOHAN DALAM NOVEL KEAJAIBAN ADAM KARYA GUSTI M FABIANO TAHUN 2019." Jurnal Samudra Bahasa 3, no. 1 (April 2, 2020): 35–44. http://dx.doi.org/10.33059/jsb.v3i1.2207.

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Penelitian ini bertujuan untuk mendeskripsikan tokoh dan penokohan dalam novel Keajaiban Adam karya Gusti M Fabiano. Metode yang digunakan dalam penelitian ini menggunakan metode deskriptif analitik. Sumber data diperoleh dari novel Keajaiban Adam yang berkaitan dengan tokoh dan penokohan. Pada penelitian ini, peneliti menggunakan metode dokumentasi dalam pengumpulan data. Hasil analisis yang telah didapatkan dalam novel Keajaiban Adam karya Gusti M Fabiano menunjukkan bahwa pengarang memunculkan dua puluh tiga identitas tokoh dalam novel Keajaiban Adam karya Gusti M Fabiano. Ada beberapa tokoh yang dikategorikan lebih dari satu perannya. Penokohan dalam novel ini dideskripsikan melalui watak setiap tokoh dan digambarkan dalam dua teknik, yaitu teknik ekspositori dan teknik dramatik. Penulis berharap kepada pengarang novel Gusti M Fabiano untuk menampilkan tokoh pada novel dengan penokohan yang lebih menarik lagi, khususnya pada tokoh utama novel. Tokoh Adam dalam novel Keajaiban Adam terkesan begitu sempurna tanpa adanya karakter negatif sedikitpun dan hal ini sulit dijumpai pada karakter manusia pada umumnya.

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Peters, B. Guy, and Alberta M. Sbragia. "PAUL FABIAN MULLEN." PS: Political Science & Politics 43, no. 02 (April 2010): 379. http://dx.doi.org/10.1017/s1049096510000375.

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Paul Mullen passed away at his home in Savannah, Georgia, on December 24, 2009. Paul had been our graduate student and remained our friend. His sense of humor was legendary: mordant, witty, and always to the point. His untimely death brought to an end a life filled with accomplishment. Paul Mullen had managed to fill his life with several careers. His first career had been as an attorney. As well as working in private practice for several years, he also was Assistant Attorney General for the state of West Virginia. He specialized in labor law and was head of the section in the Attorney General's Office responsible for litigation in that field.

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