Academic literature on the topic 'Fabric culture'

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Journal articles on the topic "Fabric culture"

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Lee, Jaesung, John A. Lopes, and Melvin A. Pascall. "Recovery of microorganisms on fabric materials after low water temperature washing with non-oxidizing acidic bleaching formulation by culture method." Journal of Water and Health 12, no. 3 (January 24, 2014): 418–25. http://dx.doi.org/10.2166/wh.2014.194.

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The recovery of microorganisms to different fabrics was evaluated after a washing process combined with a food-grade non-oxidizing acidic formulation and low washing water temperature. Cotton, polyester and a polyester/cotton blend fabric samples were inoculated with Escherichia coli, Listeria innocua and Saccharomyces cerevisiae, then dried for 1 day. They were separately placed in a simulated fabric washer and decontaminated for 1 and 10 min with the acidic formulation at 23 °C water washing temperature. The combination of direct detecting and dilution methods was used to detect survivors on fabrics. The use of ≥0.1% acidic formulation in the washing process significantly increased the efficacy of the washing for all fabric samples. Microorganisms on the cotton and mixed fabric appeared to bind more strongly and were more resistant to the washing process. No viability was observed on the fabric swatches at 1 cfu/sample detection limit when the washing process was combined with 0.5% acidic formulation in the 10 min washing cycle. These findings can be used to increase the efficiency of sanitizing fabrics in an environmentally friendly way, for remove harmful microorganisms from them and reduce cross-contamination.
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Hintersteiner, Norbert. "Translational Fabric of Mission and Culture." Interreligious Studies and Intercultural Theology 3, no. 1-2 (April 5, 2019): 30–46. http://dx.doi.org/10.1558/isit.38319.

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Within theological circles Robert J. Schreiter stands out for his extensive culture theory and theology engagement. Interestingly, therein, the area of cultural translation has not figured prominently in his scholarship, despite having enjoyed a certain pride of place at the times of his early career, both in mission studies and in cultural semiotics, his favorite theory of culture. What is suggested here then is to review the missional discourse of cross-cultural translation (Andrew Walls, Lamin Sanneh and Kwame Bediako), on the one hand, and its critiques from contextual theology (Stephan Bevans and Robert Schreiter) on the other, explaining his reservation. Additionally, the essay elaborates on translation in cultural semiotics (Yuri Lotman) and recent translation studies with its foundational as well as fluid concept of translation, not dissimilar to Schreiter's understanding of globalized culture, suggesting it as potential terrain for future theologies of crosscultural translation.
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Webb, Chris. "Durham Cathedral: History, Fabric and Culture." Northern History 53, no. 2 (July 2, 2016): 268–69. http://dx.doi.org/10.1080/0078172x.2016.1198511.

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Vilches, Patricia. "Alberto Blest Gana and the Sensory Appeal of Wealth." Open Cultural Studies 5, no. 1 (January 1, 2021): 81–95. http://dx.doi.org/10.1515/culture-2021-0006.

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Abstract This essay explores sensory stimuli in La aritmética en el amor [Arithmetic in Love/Economics of Love] (1860) as they relate to the consumer preferences (for clothing, furniture, jewellery) and purchasing practices of nineteenth-century Santiago, Chile. The novel presents detailed descriptions, for example, of fine fabrics, emphasising the sounds that the wearers of such fabric reproduce as they move about. Wealthy or not, people feel the pressure to present themselves in their best garments, but the “best noise” is made by the rich, who transmit the affect of opulence to the less fortunate. Overall, to radiate a sensory appeal, characters frequent the city of Santiago and patronise the finest clothing stores. From our very first encounter with the protagonist Fortunato Esperanzano, he is dressed accordingly, engaging with Santiago and showing in his persona that he shops only for nice clothes and the best cigars. From a Lefebvrian perspective, Fortunato represents how Chile’s modernisation transforms the capital’s “marketplace” as a social space where a new luxury economy flourishes and a traditional, rigid social order is maintained.
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Guan, Jing, Li Zhi Dong, Shu Jie Huang, Wei Hong Li, Zhi Hong Li, Ji Min Wu, Miao Lei Jing, and Xi Zheng Zhang. "Levofloxacin Release, Antibacterial Activity and Cytotoxicity Studies on a Novel Wound Dressing." Advanced Materials Research 393-395 (November 2011): 835–41. http://dx.doi.org/10.4028/www.scientific.net/amr.393-395.835.

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A novel functional material was fabricated by combining levofloxacin microspheres with viscose nonwoven fabrics. The complex microspheres were made by w/o emulsion crosslinking technique. The morphologies of both microspheres and fabric composite were investigated by SEM. The drug release property was evaluated by UV. The antibacterial activity and cytotoxicity were tested by spread plate and cell culture method. The results showed that the microspheres had spherical shape and could be embedded into the viscose fabrics. The levofloxacin was released gradually within 168 hours and its release kinetics corresponded to diffusion-relaxation model. In addition, the antibacterial activity of the fabric was increased with prolonged drug releasing time and the complex fabrics had no obvious cytotoxicity. The functional material has great potential to be used as a wound dressing with antibacterial property.
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Sun, Sun, and Mi Mi Wang. "Effects of the Silk Road on Chinese Fabric Pattern Design." Advanced Materials Research 796 (September 2013): 542–48. http://dx.doi.org/10.4028/www.scientific.net/amr.796.542.

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After its opening, the Silk Road made its effects felt in the theme, format, and colors of pattern design of Chinese fabrics. In terms of themes, new figures of plants, animals and deity were presented. In terms of format, string of beads was originated from the western regions culture. Application and development of the gold-weaving techniques made fabric more magnificent and wealthy in color.
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Setiohardjo, Nicodemus Mardanus, and Agus Harjoko. "Analisis Tekstur untuk Klasifikasi Motif Kain (Studi Kasus Kain Tenun Nusa Tenggara Timur)." IJCCS (Indonesian Journal of Computing and Cybernetics Systems) 10, no. 1 (July 31, 2014): 177. http://dx.doi.org/10.22146/ijccs.6545.

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AbstrakIndonesia memiliki banyak kekayaan budaya dalam bentuk kain tradisional, salah satunya kain tenun dari Nusa Tenggara Timur (NTT). Kain tenun dari tiap etnik di NTT memiliki cirikhas motif masing-masing yang merupakan manifestasi kehidupan sehari-hari, kebudayaan dan kepercayaan masyarakat setempat. Di mata pemerhati kain tenun NTT, asal kain tenun dapat diketahui dari motifnya. Tidak semua orang dapat membedakan asal daerah dari motif kain tenun tertentu dikarenakan sulitnya mendefinisikan karakteristik motif kain tenun suatu daerah dan beragamnya motif kain tenun yang ada dan komposisi warna yang beragam pula.Analisis tekstur adalah teknik analisis citra berdasarkan anggapan bahwa citra dibentuk oleh variasi intensitas piksel, baik citra keabuan maupun warna. Motif kain tenun terbentuk dari variasi intensitas warna sehingga dapat dipandang sebagai tekstur berwarna dari kain tenun. Penelitian ini bertujuan untuk mengetahui diantara pendekatan analisis tekstur menggunakan Gray Level Co-occurrence Matrix (GLCM) yang dikombinasikan dengan momen warna dan pendekatan analisis tekstur menggunakan Color Co-occurrence Matrix (CCM), metode manakah yang memberikan hasil lebih baik untuk klasifikasi motif kain tenun NTT.Hasil penelitian menunjukkan bahwa untuk klasifikasi motif kain tenun NTT, pendekatan analisis tekstur menggunakan metode CCM memberikan hasil lebih baik dibandingkan pendekatan analisis tekstur menggunakan GLCM yang dikombinasikan dengan momen warna. Kata kunci—klasifikasi citra, GLCM, CCM, momen warna, motif kain tenun NTT AbstractIndonesia have many culture in the form of traditional fabrics, one of them is woven fabric from Nusa Tenggara Timur (NTT). Each NTT ethnic has motif characteristic which ismanifestation of daily life, culture and the faith of local people. For a NTT woven fabric observer, the origin of a woven fabric can be known from the motif. But its difficult to recognising the origin of a woven fabrics because it is hard to define the characteristics of woven fabric motif from a region and wide variety of existing woven fabric motifs and also color composition.Texture analysis is image analysis technique based on assumption that an image formed by the variation of pixels intensity, both gray and color image. Woven fabric motif formed by the variation of color intensity that can be seen as color texture of the woven fabric. This study aims to determine between texture analysis using GLCM combined with color moment and texture analysis using CCM, which method gives better results for the NTT woven fabric motif classification.The results showed that for the NTT woven fabric motif classification, texture analysis using CCM gives better results than the texture analysis using GLCM combined with color moment. Keywords— image classification, GLCM, CCM, color moment, NTT woven fabric motif
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Wahab, Norsamsiah Muhamad, Syazwani Abdul Jamil, Dwi Gustiono Riban, Fadzilah Adibah Abdul Majid, Mohammed Rafiq Abdul Kadir, and Dedy Hermawan Bagus Wicaksono. "Wax-Impregnated Cotton Fabrics as Cell Culture Platform." Advanced Materials Research 1112 (July 2015): 441–44. http://dx.doi.org/10.4028/www.scientific.net/amr.1112.441.

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Microwell plates are widely used in various cell-based assay and drug screening. Usually these plates are made from non-biodegradable materials such as polystyrene or polyethylene. In this report, we propose the use of wax-impregnated cotton fabrics as an alternative microwell plate that is easy to fabricate, simple to use, sustainable and environmentally friendlier. Several researchers recently used soft lithography and photolithography technique to fabricate various cell culture platforms. Our proposed method consists instead of simple dipping and drying process. The platform is made of a series of fabrics being stacked and held together with various wax formulations. With the exception of the base layer, each fabric layer has a circular hole opening with increasing diameter towards the top layer; thereby forming a well where cells are cultured at its flat bottom. We characterized the chemical and physical properties of the platform surface which affect cells attachment and proliferation. These properties include the surface chemistry, hydrophobicity and roughness. We cultured human skin fibroblast (HSF 1184 Cell Line) on the platform as our preliminary proof of concept. We observed proliferation of the cells after 24 hours. The result indicates the potential use of the platform for future cell-based assay applications.
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Sun, Zexi (Jesse). "National Deliverance through Culture or of Culture? T. C. Chao on Christianity and Chinese Culture." International Bulletin of Mission Research 43, no. 4 (March 21, 2019): 335–44. http://dx.doi.org/10.1177/2396939319836251.

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This article traces the theological evolution in the thought of T. C. Chao regarding national deliverance as it related to Chinese culture. Although Chao never wavered on the significance of Christianity in national reconstruction, his position on the relationship between Chinese culture and Christianity shows significant theological reorientation. In his earlier works Chao tried to clothe Christianity with a Chinese fabric, emphasizing the immanence of the faith by making it culturally relevant to his compatriots. Later, “caught by truth” in a Japanese prison, Chao instead turned to Christian transcendence as the necessary corrective for the challenges and crises in Chinese culture and society.
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Zhou, Yuechao, Min Li, and Yu Chen. "Extraction and diversified application of embroidery insole fabric elements in Hongan, Eastern Hubei." E3S Web of Conferences 237 (2021): 04030. http://dx.doi.org/10.1051/e3sconf/202123704030.

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By the concept of redesign, the embroidery insole fabric elements of Hongan in Eastern Hubei Province is extracted and applied, and the application research of diversified creative products is carried out. On the premise of inheritance and innovation, the regional characteristics and cultural connotation of Hongan embroidered insole in Eastern Hubei Province are analysed. By understanding the connotation of the elements of Hongan embroidered insole fabric, the composition characteristics of common embroidered insole fabric is grasped, and the traditional fabric themes of Hongan embroidered insole is analysed and arranged; Extract the typical pattern fabric elements that can resonate with modern life, and extract, organize and redesign them; then through integration and reconstruction, carry out diversified application design of creative products. The fabric elements of Hongan embroidered insole are redesigned and applied in fashion, home textile products, clothing, interior decoration, etc. By redesigning, this paper analyses and arranges extracts and redesigns, integrates and reconstructs the elements of embroidered insole fabric in Hongan, Eastern Hubei Province, and studies the application of diversified creative product redesign. This modern process method and diversified application mode is not only the dynamic inheritance of traditional regional culture, but also the innovation and development of folk culture in Eastern Hubei Province. The inheritance and development of art traditional culture has important practical significance.
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Dissertations / Theses on the topic "Fabric culture"

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Northen, Elijah Luke. "Green fabric an urban center for Virginia's wine culture /." College Park, Md. : University of Maryland, 2005. http://hdl.handle.net/1903/2615.

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Thesis (M. Arch) -- University of Maryland, College Park, 2005.
Thesis research directed by: Architecture. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
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Nassrallah, Mireille. "Challenges in Canadian Cultural Discourses: Multiculturalism vis-à-vis Interculturalism and the Political 'Othering' of Canada's Cultural Fabric." Thèse, Université d'Ottawa / University of Ottawa, 2014. http://hdl.handle.net/10393/30839.

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The process of identification for émigrés in host countries requires an investigation into the “politics of identity”, and epistemological tensions of how identity is conceptualized and practiced in the context of multicultural environments. Indeed, multiculturalism frameworks in Canada have emerged from attempts to manage coexisting cultures living in the nation-state. This research is a comparative theoretical discussion that mobilizes postmodern perspectives to open limited notions of Canadian identity, and describes the potential challenges that English Canadian and Francophone Quebec multicultural frameworks raise in cultural identification for Canada as a whole, and specifically for émigrés. Secondary literature for the analysis of multicultural frameworks is examined with citizenship markers from Census of Canada questionnaires, to conceptualize Canadian identity through discourse. The findings: (1) postulate how the multiculturalist framework in English Canada and the politics of intercultural identity in Quebec intervene in the meaning-making process of national identity and thus impede on the preservation and development of different cultural identities; and (2) discover that both frameworks of multiculturalism and interculturalism, as an institutionalization of social justice and equality, should be reframed or refined due to the limiting conceptualization of cultural identity as fluid. The findings conclude that multiculturalism, interculturalism, and citizenship frameworks may not provide effective strategies to balance the relationship between different groups with regards to ethnic and cultural rights and equality, and that these frameworks should be revisited to account for, and represent, the complexities of identity in Canada.
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Dolan, Alice Claire. "The fabric of life : linen and life cycle in England, 1678-1810." Thesis, University of Hertfordshire, 2016. http://hdl.handle.net/2299/17196.

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'The Fabric of Life: Linen and Life Cycle in England, 1678-1810' is structured around the human life cycle to draw out the social and cultural importance of linen for all ranks of society. Human and object life cycles are juxtaposed in the thesis to analyse co-dependent activities and processes rather than focusing on one facet of daily life. For thousands of years flax was a staple fibre, used for textile production in many parts of the globe. Cotton only overtook linen as the most popular textile in England at home and on the body during the nineteenth century. This thesis examines the preceding century to reveal why linen remained a daily necessity in England between 1678 and 1810, a period which encompassed a series of significant changes in the production, trade and use of linen. Linen was ubiquitous as underwear, sheets, table linens and for logistical purposes therefore it provides a unique insight into the early-modern world; a means of understanding the multifaceted experiences of daily life, of integrating understandings of the body, domestic, social, cultural and commercial activities. This thesis is social history through the lens of linen, reading a society through its interactions with a textile.
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Gurisik, Selcuk Halil. "The paradox and contradictions in cultural value and exchange worth of Anatolian hand-crafted wool felted textiles." Thesis, University of the Arts London, 2006. http://ualresearchonline.arts.ac.uk/5213/.

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This thesis seeks to explain the development and implementation of a new model, methods and process of practice required for the rejuvenation of hand crafted woolfelted textile making customs and practices of the Anatolian region of Turkey, which mediates tradition in a contemporary context. In progressing the aims of the research project underpinning the thesis it was necessary to undertake both field work, learning the felt makers' practices, and to undertake empirical design-based product trials which provided insights into the culture and creative potential of the felt making activity thus facilitating the development of the new model of practice. Therefore the thesis examines not only the nature and context, both historical and contemporary, of felt makers and felt making practice in Anatolia but also presents ethnographic and theoretical discourse intended to argue and justify the approaches adopted in the development of the new model of practice and a verification process of its effectiveness. The thesis interrelates strands of changing contexts; research record and theory discourse and argues that the new model of practice enables sustainability and displays ethical responsibility appropriate to, and commensurate with, the felt making culture of Anatolia and its traditions. The thesis argues by demonstration that the perception of an object is determined by location and level of consciousness, which can be reflected upon and, through redesign involving aggregation of qualities and values, purposefully represent an object and recreate its lost aura's root from tradition, transposed into a new diversity of perceptual responses. The thesis concludes that mediatory actions implicit in the new model of practice need not adversely impact upon the traditional culture of the makers in terms of lifestyle choices, since reciprocal exchange is a local transaction, which proffers evolving tradition as cultural values to a diversity of external locations and levels of consciousness. This open-ended mediatory action of anonymous hybridisations will continue by the intervention of other designers through evolutionary integration to elevate the status of the culture object and its related craft activity.
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Simmons, Kathryn Elizabeth. "Textiles in Rural Bolivia: Where Does the Art of Traditional Textile Making Fit Into Today's World?" University of Akron / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=akron1418306303.

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Capaldi, Flávia Regina. "Avaliação de diferentes fontes de nitrogênio em explantes de Cryptomeria japonica D.Don. "elegans" cultivados in vitro: análises bioquímicas e relações entre reguladores vegetais." Universidade de São Paulo, 2002. http://www.teses.usp.br/teses/disponiveis/11/11150/tde-30072002-162030/.

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A Cryptomeria japonica D. Don. "elegans" é uma conífera pertencente à família Taxodiaceae, que apresenta crescimento rápido e boas respostas à fertilização. Dez variações nas concentrações de nitrato e amônio presentes no meio de cultura MS foram realizadas no cultivo 'in vitro' de brotações obtidas a partir de explantes primários de ápices caulinares durante 90 dias. A cada 30 dias foram avaliados, a taxa de crescimento relativo e o incremento em massa vegetal seca. Ao final de 90 dias, foram realizadas análises dos teores de proteínas solúveis totais, aminoácidos solúveis totais, carboidratos não-estruturais totais e eletroforese de proteínas totais em gel de poliacrilamida. Os tratamentos que exibiram resultados mais satisfatórios foram utilizados em um experimento com diferentes relações auxina/citocinina, onde foram avaliadas a produção de brotações e a altura média das mesmas aos 30, 60 e 90 dias de cultivo. As concentrações de nitrato e amônio entre 25 e 31mmol.L -1 e até 5mmol.L -1, respectivamente, foram as mais efetivas para o crescimento e desenvolvimento do material vegetal cultivado 'in vitro'. Durante o experimento com diferentes concentrações de ANA e BAP, foi possível observar que a produção de brotações, etapa essecial para um processo de micropropagação eficiente, foi superior quando as combinações entre nitrato e amônio foram 22,5 + 2,5mmol.L -1 e 25,0 + 5,0mmol.L -1.
Cryptomeria japonica D. Don. "elegans" is a fast-growing tree belonging to the Taxodiaceae and it is considered a responsive species 'in vitro'. The aim of this work was to evaluate the effect of ten different concentrations of nitrate and ammonium in morphogenesis 'in vitro' of Cryptomeria japonica D. Don. "elegans" explants. Analysis of relative growth rate, total soluble proteins, total soluble aminoacids, total non structural carbohydrates and electrophoresis of total proteins was performed in order to observe the role of different nitrogen sources on the growth and development of the explants cultivated 'in vitro'. The concentratios of nitrate and ammonium that showed the best results were selected and used in an experiment with different concentrations of NAA and BAP to observe the shoot production. Each experiment was analised at the 30 th , 60 th and 90 th days of culture. The biochemical analysis was performed only at 90 th day of cultive. Concentrations from 26 to 31mmol.L -1 of NO3 - and lower than 5mmol.L -1 of NH4 + were the most effective for growth and development of the explants. However, the experiment with different concentrations of NNA and BAP showed that the best shoot production was achieved on 22,5mmol.L -1 of NO3- + 2,5mmol.L -1 of NH4 + and on 25,0mmol.L -1 of NO3 - + 5,0mmol.L -1 of NH4 + and with 2,0mg.L -1 of BAP + 1,0mg.L -1 of NNA.
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Meneguzzi, Aline. "Resgate vegetativo e propagação in vitro de Persea willdenovii Kosterm." Universidade do Estado de Santa Catarina, 2017. http://tede.udesc.br/handle/handle/2339.

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The objective of this study was to determine method to the rescue of vegetative material of adult plants of P. willdenovii and evaluate the spread of this material, via tissue culture. The work was conducted with 20 P. willdenovii matrices located in Urupema / SC (28°17'38 ''S, 49°55'54''W). In the vegetative rescue, the following techniques were tested: trunk annealing (100%), semianelation at 75% of the trunk circumference, semianelation at 50% trunk and the induction of shoots from pruned branches. The shoots were harvested at 90, 120, 150, 180, 210 and 240 days after application of the treatments. Sprouts were used in the in vitro culture technique. In the establishment of shoots, asepsis methods were tested: 15 and 20 minutes of contact with sodium hypochlorite (NaClO) (2% v v-1) and the presence / absence of the PPM® biocide (1,5mL L-1) In the culture medium. For in vitro multiplication, two culture media (MS and WPM) and BAP concentration (0, 2, 4 and 6 mg L-1) were tested. Also, the induction of calogenesis by foliar explant was tested in the treatments: position of contact of the foliar face with the culture medium (up and down) and the combination of the BAP and ANA phytoregulators in different concentrations (0 to 12 mg L-1). All vegetative material rescue techniques emitted new shoots, with emphasis on the pruned branches method, which presented the best results for sprouting percentage, number and length of shoots. In vitro culture, asepsis of explants with NaClO for 20 minutes and addition of PPM® in the medium resulted in lower rates of fungal (50%), bacterial (5%), oxidation (23%) and higher survival (76%) of the explants. In vitro multiplication, explants in MS medium had higher oxidation (48%) and lower survival (52%) when compared to WPM medium (26% and 74%, respectively). For the average number of shoots and leaves, the concentration of 3 mg L-1 BAP reached the highest technical efficiency (MET) (1.22 and 1.75 mg L-1, respectively). Foliar segments were not responsive in inducing calogenesis after 120 days of in vitro culture. In this way, it is indicated for the vegetative rescue of P. willdenovii the method of pruned branches. While for in vitro propagation, the use of NaClO (2% v v-1) for 20 minutes and the PPM® biocide (1.5 ml L-1) in the culture medium is recommended in the establishment phase and The use of WPM medium plus 3 mg L-1 of BAP in the multiplication phase.
O objetivo deste trabalho foi determinar método para o resgate de material vegetativo de plantas adultas de P. willdenovii e avaliar a propagação deste material, via cultura de tecidos. Foram utilizadas 20 árvores matrizes de P. willdenovii localizadas no município de Urupema/SC (28°17'38''S; 49°55'54''W). No resgate vegetativo, foram testadas as seguintes técnicas: anelamento do tronco, semianelamento em 75% da circunferência do tronco, semianelamento em 50% e galhos podados. As coletas das brotações foram realizadas aos 90, 120, 150, 180, 210 e 240 dias após a aplicação dos tratamentos. As brotações foram utilizadas na técnica de cultivo in vitro. No estabelecimento testaram-se métodos de assepsia: 15 e 20 minutos de contato com hipoclorito de sódio (NaClO) (2% v v-1) e a presença/ausência do biocida PPM® (1,5mL L-1) no meio de cultura. Para a multiplicação in vitro, foram testados meios de cultura (MS e WPM) e doses de BAP (0, 2, 4 e 6 mg L-1). Também, foi testada a indução de calogênese via explante foliar, nos tratamentos: posição de contato da face foliar com o meio de cultivo (abaxial e adaxial) e a combinação dos fitorreguladores BAP e ANA em diferentes concentrações (de 0 a 12 mg L-1). Todas as técnicas de resgate de material vegetativo emitiram novos brotos, com destaque para o método via galhos podados que apresentou os melhores resultados para porcentagem de brotação, número e comprimento de brotos. No cultivo in vitro, a assepsia dos explantes com NaClO por 20 minutos e a adição do PPM® no meio resultou em menores índices de contaminação fúngica (50%), bacteriana (5%), oxidação (23%) e maior sobrevivência (76%) dos explantes. Na multiplicação in vitro, os explantes em meio MS tiveram maior oxidação (48%) e menor sobrevivência (52%) quando comparado ao meio WPM (26% e 74%, respectivamente). Para o número médio de brotos e de folhas, a concentração de 3 mg L-1 BAP atingiu a máxima eficiência técnica (MET) (1,22 e 1,75 mg L-1, respectivamente). Os segmentos foliares não foram responsivos na indução de calogênese após 120 dias de cultivo in vitro. Desta forma, indica-se para o resgate vegetativo de P. willdenovii o método de galhos podados. Enquanto que, para a propagação in vitro, recomenda-se o uso de NaClO (2% v v-1) durante 20 minutos e do biocida PPM® (1,5 ml L-1) no meio de cultura na fase de estabelecimento e a utilização do meio WPM acrescido de 3 mg L-1 de BAP na fase de multiplicação
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ROCHA, Maria do Socorro. "Crioconservção e cultivo in vitro de sementes de algodão colorido." Universidade Federal de Campina Grande, 2004. http://dspace.sti.ufcg.edu.br:8080/jspui/handle/riufcg/954.

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A conservação e manipulação dos recursos genéticos vegetais de espécies de valor económico são de fundamental importância para a conservação em banco de germoplasma. Este trabalho teve como objetivo; a) avaliar a crioconservação de sementes de algodão das cultivares BRS-Verde, BRS-200, BRS-187-8H e 6MMocó e b) estudar a indução ao superbrotamento dos nós cotiledonares de plântulas do algodoeiro cultivados in vitro, para as mesmas cultivares supracitadas. Neste trabalho propôs-se inicialmente determinar do teor de água limite para crioconservação (TALC). Para esta determinação as sementes foram imersas ao nitrogénio líquido (-196°C) por cinco dias e após esse período elas forma descongelados e submetidas ao teste de germinação e vigor. Utilizou as armazenagem das sementes a 23°C por 5 dias como testemunha. O delineamento estatístico empregado foi o inteiramente casualizado com arranjo fatorial representado por (quatro cultivares x duas temperaturas x seis teor de água). Na crioconservação utilizou-se um lote de sementes com teor de água limite previamente determinado para as diferentes cultivares, a partir do qual se procedeu ao seu armazenamento em nitrogénio líquido (-196°C) e no vapor do nitrogénio (-170°C), durante 5, 30, 60 e 90 dias. O delineamento experimental utilizado nesta etapa foi o inteiramente casualizado em parcela sub-dividida no tempo, sendo a parcela representas pela interação (quatro cultivares x duas temperaturas de armazenamento) e a sub-parcela pelos quatro períodos de armazenamento. Em cada período de armazenamento, as sementes foram submetidas a testes de germinação e vigor. De acordo com os resultados obtidos póde-se concluir que: a) estudar a determinação do teor de água limite para crioconservação-TALC, durante 5 dias, o teor de água limite para a crioconservação das cultivares BRS-Verde, BRS-200, 6M-Mocó e BRS-187-8H considerando-se a germinação dessas cultivares está entre 6 e 8% (b.u.) e considerando-se o vigor das sementes o TALC é de 6% (b.u.); b) sementes de algodoeiro, das diferentes cultivares podem ser crioconservados em banco de germoplasma nas duas temperaturas, ou seja no vapor a -170°C ou imersa ao nitrogénio líquido a -196°C; c) a crioconservação aumenta o percentual de germinação e vigor das sementes de algodão, devido a essa temperatura a promover uma quebra de dormência pela ação do frio. No Capítulo II propôs-se a indução de superbrotamento, empregando como explante dos nós cotiledonares, plântulas cultivadas in vitro durante 25 dias. Os explantes foram cultivados em tubos de ensaio contendo o meio básico MS, suplementado com citocininas BAP, KIN e TDZ, isolados ou associados em diferentes concentrações. Os tubos de ensaio contendo os explantes foram mantidos em sala de crescimento regulada à temperatura de 28°C, fotoperíodo de 16/8h (claro/escuro) e intensidade luminosa de 50umol.m2.s1 , durante 40 dias os quais foram avaliados por meio do delineamento inteiramente casualizado, com arranjo fatorial de 4x17 (quatro cultivares x dezessete meios), sendo então avaliadas quanto ao número de brotos emitidos e altura de brotos. De acordo com os resultados obtidos póde-se concluir que: O meio MS suplementados com BAP (2,0 mg.L"1) isolado ou associado com KIN (1,0mg.L"1), promoveu uma maior capacidade de regeneração e altura de brotos; b) o meio MS suplementados com BAP (2,5 mg.L"1) estimulou maior altura de brotos;c)o meio MS suplementados com TDZ (1,0 mg.L"1 , 0,50 mg.L"1e 0,25 mg.L"1) afetou a capacidade de regeneração de brotos, obteve formação de calos.
A conservação e manipulação dos recursos genéticos vegetais de espécies de valor económico, são de fundamental importância para a conservação em banco de germoplasma. Este trabalho teve como objetivo: a) avaliar a crioconservação de sementes de algodão das cultivares BRS-Verde, BRS-200- Marrom, BRS-187-8H-Branco e 6 M-Mocó-Branco e b) estudar a indução ao superbrotamento dos nós cotiledonares de plântulas do algodoeiro cultivados in vitro, para as mesmas cultivares supracitadas. Inicialmente, determina-se do teor de água limite para crioconservação (TALC). Para esta determinação, as sementes foram imersas no nitrogénio líquido (-196°C) durante cinco dias e após este período elas foram descongelados e submetidas ao teste de germinação e vigor. Utilizou-se a armazenagem das sementes a 23°C por 5 dias, como testemunha. O delineamento estatístico empregado foi o inteiramente casualizado com arranjo fatorial representado por (quatro cultivares x duas temperaturas x seis teores de água). Na crioconservação utilizou-se um lote de sementes com teor de água limite previamente determinado para as diferentes cultivares, a partir do qual se procedeu ao seu armazenamento em nitrogénio líquido (-196°C) e no vapor do nitrogénio (-170°C), durante 5, 30, 60 e 90 dias. O delineamento experimental usado nesta etapa foi o inteiramente casualizado, em parcela subdividida no tempo, sendo a parcela representada pela interação (quatro cultivares x duas temperaturas de armazenamento) e a subparcela pelos quatro períodos de armazenamento. Em cada período de armazenamento as sementes foram submetidas a testes de germinação e vigor. De acordo com os resultados obtidos concluiu-se que: a) O teor de água limite para crioconservação-TALC, durante 5 dias, para a crioconservação das cultivares BRS-Verde, BRS-200-Marrom, 6MMocó- Branco e BRS-187-8H-Branco, considerando-se a germinação dessas cultivares está entre 6 e 8% (b.u.) e, quanto os vigor das sementes, o TALC foi de 6% (b.u.); b) sementes de algodoeiro das diferentes cultivares podem ser crioconservadas em banco de germoplasma, nas duas temperaturas, ou seja, no vapor a -170°C ou imersa ao nitrogénio líquido a -196°C; c) a crioconservação aumenta o percentual de germinação e vigor das sementes de algodão, em virtude dessa temperatura promover quebra de dormência, pela ação do frio. No Capítulo II propôs-se a indução de superbrotamento, empregando-se como explante nós cotiledonares de plântulas cultivadas in vitro durante 25 dias. Os explantes foram inoculados em tubos de ensaio contendo o meio básico MS, suplementado com citocininas BAP, KIN e TDZ, isolados ou associados a diferentes concentrações. Os tubos de ensaio contendo os explantes foram mantidos em sala de crescimento regulada à temperatura de 28°C, fotoperíodo de 16/8h (claro/escuro) e intensidade luminosa de 50umol.m2.s1 , durante 40 dias, os quais foram avaliados por meio do delineamento inteiramente casualizado, com arranjo fatorial de 4x17 (quatro cultivares x dezessete meios), sendo então avaliadas quanto ao número de brotos emitidos e altura do comprimento de brotos. De acordo com os resultados obtidos pôde-se concluir que: a) o meio MS suplementado com BAP (2,0mg.L~1) isolado ou associado a KIN (1,0mg.L~1), promoveu maior capacidade de regeneração e altura de brotos; b) o meio MS suplementado com BAP(2,5mg.L"1 ) estimulou altura superior de brotos; c) o meio MS suplementado com TDZ (1,0mg.L~1, 0,50mg.L"1 e 0,25mg.L"1) afetou a capacidade de regeneração de brotos e a formação de calos.
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Chuchón, Ayala Hilda. "Technological features of Lima fabrics associated with funerary contexts in Huaca Pucllana." Pontificia Universidad Católica del Perú, 2017. http://repositorio.pucp.edu.pe/index/handle/123456789/113357.

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A detailed description of the technological features of the textiles found in funerary contexts and architectural hills of the latest occupational phases of the Lima Culture is presented. These materials were found as part of the Huaca Pucllana research project established by the Municipality of Miraflores and the Ministry of Culture. Preliminary results indicate that in funerary contexts one or two simple plain weave cotton textiles were used to bundle the bodies. In some cases complete fabrics were used while in other the bundles were formed by many pieces put together, with some fragments with evidence of darning and mending. On the other hand, the textiles found in votive oerings in the architecture are of cotton and wool made by the ringed technique both simple and interconnected knotting. Geometric designs as well as intertwined ash were made using cactus spine needles which have been used to make nets. ere is also evidence of textiles made using a backstrap loom which are commonly the 1x1 plain weave, woven face fabric warp and warp faced list. is evidence suggests that there were diferent types of weavers in the Lima society dedicated to the production of domestic and ceremonial textiles.
Ofrecemos información sobre las particularidades tecnológicas de tejidos atribuidas a las últimas ocupaciones de la cultura Lima, encontrados en contextos funerarios y rellenos arquitectónicos durante las excavaciones efectuadas entre 1996 y 2000, como parte del «Proyecto de Investigación, Conservación y Puesta en Valor de Huaca Pucllana», convenio Instituto Nacional de Cultura-Municipalidad de Miraflores. La muestra textil estudiada indica que en los entierros funerarios Lima, se usaron como envoltorios de los cuerpos, tejidos llanos de algodón compuestos por una o dos telas completas y telas formadas por la unión de fragmentos, algunas de estas últimas con remiendos y zurcidos, a diferencia de los tejidos depositados como ofrendas que tienen tratamiento especial y son un solo elemento, elaborados en lana y algodónmediante la técnica del anillado interconectado simple y anudado, con diseños de figuras geométricas y de peces entrelazados, en cuya manufactura emplearon agujas de espina de cactus, utilizadas también para la elaboración de redes. Los tejidos confeccionados en telar de cintura se distinguen por técnicas comunes de: tejido llano 1x1, tejido cara de urdimbre y tejido listado cara de urdimbre, lo cual sirve de base para sostener que en la sociedad Lima había diferentes clases de artesanos dedicados a la producción de tejidos.
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Wharton, Tracy Lyn. "Cultivating Cubanidad : weaving a cultural nexus into Havana's urban fabric." Thesis, Massachusetts Institute of Technology, 2007. http://hdl.handle.net/1721.1/38606.

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Thesis (M. Arch.)--Massachusetts Institute of Technology, Dept. of Architecture, 2007.
Includes bibliographical references (p. 83-85).
City-frameworks create an underlying system of order through which individuals are able to interact within their communities. Considering the successful historical precedents of city developments like Philadelphia, Savannah, and Bolonga, these cities exemplify the three different styles of city-frameworks (infrastructure, greenway, and architecture). Contemporary city-frameworks have increasingly embodied forms of development vocabulary, like the mega-block and the monument, which oppose the energy of present neighborhoods and oftentimes end up breaking up communities. Usually associated with these strategies is the desire to accommodate for tourism and gentrification at the expense of lower-class relocation. Taking this into consideration, in this thesis I propose an alternative strategy of development, one that is built from the success of past while recognizing the needs of the present. This strategy is developed by analyzing strong and weak city-frameworks. The lessons learned from this set of precedence is then shaped into seven rules of city-framework planning, accompanied by a set of comprehensible urban redevelopment vocabulary. Then to test adaptability, the development strategy is systematically employed in the context of Havana, Cuba, looking at the Central Havana neighborhood of Colon, as a design case study.
by Tracy Lyn Wharton.
M.Arch.
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Books on the topic "Fabric culture"

1

(Singapore), National Museum. Ancestral ships: Fabric impressions of old Lampung culture. Singapore: National Museum Singapore, 1987.

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Selvages & biases: The fabric of history in American culture. Ithaca: Cornell University Press, 1987.

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Kammen, Michael G. Selvages & biases: The fabric of history in American culture. Ithaca: Cornell University Press, 1987.

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The fabric of theology: A prolegomenon to Evangelical theology. Grand Rapids, Mich: Eerdmans, 1993.

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Ward, Merrill. Gay threads in the fabric of Western culture: Dramatized biographies of famous gay men. San Leandro, CA: Community Pub., 1985.

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Banks, Erik. Risk culture: A practical guide to building and strengthening the fabric of risk management. Houndmills, Basingstoke, Hampshire: Palgrave Macmillan, 2012.

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The fabric of subcultures: networks, ethnic force fields, and peoples without power. New York: Peter Lang, 2011.

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Canada. Parliament. House of Commons. Standing Committee on Communications and Culture. Television violence: Fraying our social fabric : report of the Standing Committee on Communications and Culture. Ottawa: The Committee, 1993.

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Earth, water, fleece, and fabric: An ethnography and archaeology of Andean camelid herding. London: Routledge, 2002.

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Edmondson, Jonathan. Roman Dress and the Fabrics of Roman Culture. Edited by Alison Keith. Toronto: University of Toronto Press, 2008. http://dx.doi.org/10.3138/9781442689039.

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Book chapters on the topic "Fabric culture"

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Reynolds, Robert G. "Modeling the Social Fabric." In Culture on the Edge of Chaos, 27–40. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-74171-0_3.

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Matsumura, M., M. Motobu, S. Matsuo, Y. Yamazaki, and H. Kataoka. "Bioreactor with a Radial-flow Non-woven Fabric Bed for Animal Cell Culture." In Animal Cell Technology: Basic & Applied Aspects, 433–42. Dordrecht: Springer Netherlands, 1993. http://dx.doi.org/10.1007/978-94-011-2044-9_59.

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Hoshino, Kazuhiro, Mami Yuzuriha, Shoichi Morohashi, Shigehiro Kagaya, and Masayuki Taniguchi. "Production of Laccase by Membrane-Surface Liquid Culture with Nonwoven Fabric ofCoriolus versicolor." In ACS Symposium Series, 108–20. Washington, DC: American Chemical Society, 2002. http://dx.doi.org/10.1021/bk-2002-0830.ch009.

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Motobu, M., M. Matsumura, S. Matsuo, and H. Kataoka. "Bioreactor with a Radial-Flow Non-Woven Fabric Bed for Animal Cell Culture." In Animal Cell Technology: Developments Towards the 21st Century, 811–15. Dordrecht: Springer Netherlands, 1995. http://dx.doi.org/10.1007/978-94-011-0437-1_129.

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Shiba, Y., T. Mukaiyama, C. Wang, T. Ohyama, Q. Zhang, M. Kodama, S. Enosawa, and T. Matsumura. "Culture of Hepatocytes Using Non-Woven PTFE Fabric Coated with Copolymer of Poly (Amino Acid) Urethane." In Animal Cell Technology: Basic & Applied Aspects, 133–37. Dordrecht: Springer Netherlands, 2002. http://dx.doi.org/10.1007/978-94-017-0728-2_24.

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Glowacki, Michal. "The fabric of creative cultures." In Creative Cluster Development, 145–56. 1 Edition. | New York: Routledge, 2020. | Series: Regions and cities: Routledge, 2020. http://dx.doi.org/10.4324/9780429319020-17.

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Kuntsman, Adi. "Introduction: Affective Fabrics of Digital Cultures." In Digital Cultures and the Politics of Emotion, 1–17. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9780230391345_1.

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Davis, Sara. "The Red Thing: Fabrics and Fetishism in Nella Larsen’s Quicksand." In Skin, Culture and Psychoanalysis, 90–114. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137300041_5.

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Chiaromonte, William, and Veronica Federico. "The Labour Market Needs Them, But We Don’t Want Them to Stay for Good: The Conundrum of Migrants, Refugees and Asylum Seekers’ Integration in Italy." In IMISCOE Research Series, 193–212. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-67284-3_10.

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AbstractItaly is a very complex case of migration management and of foreign workers’ integration in the labour market. Both have developed in the grip of structural national limits, due to the economic and social structure of the country, but also to its political culture and legal framework. Work is certainly among the most effective instruments for ensuring the effective integration of foreigners into the social fabric of the host country. However, the chapter discusses the many obstacles that hinder the full integration of foreigners into the Italian labour market, especially when they do not have a residence permit for work reasons but are beneficiaries of international and humanitarian protection. Since access to work for beneficiaries of international and humanitarian protection is still very complicated, there is a strong risk that the progressive reduction in the number of permits granted for work reasons and the simultaneous increase in the number of those granted for protection will slow down the process of integration through work. Furthermore, particularly long and complicated administrative recruitment procedures would require a comprehensive review of the legislation to become instruments of social and economic integration and not of marginalization. Against this backdrop, the chapter highlights how the law may abdicate from its empowering purpose to become a concrete barrier for the full enjoyment of newcomers fundamental rights.
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Edmondson, Jonathan, and Alison Keith. "Introduction: From Costume History to Dress Studies." In Roman Dress and the Fabrics of Roman Culture, edited by Alison Keith, 1–18. Toronto: University of Toronto Press, 2008. http://dx.doi.org/10.3138/9781442689039-005.

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Conference papers on the topic "Fabric culture"

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Maswekan, Max, Amelia Tahitu, and Ricardo Freedom Nanuru. "Symbolic And Socio-Culture Meaning Tanimbar Woven Fabric." In Proceedings of the International Conference on Religion and Public Civilization (ICRPC 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icrpc-18.2019.23.

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Huang, Chunlan, and Ruijuan Ren. "Brief Probe into the Texture of Fabric Reconstruction in Fashion Design." In International Conference on Electronics, Mechanics, Culture and Medicine. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/emcm-15.2016.99.

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Zhang, Ning, and Eakachat Joneurairatana. "Research on the Application of Creative Fabric Design in Street Culture Clothing Design." In 1st International Conference on Interdisciplinary Arts and Humanities. SCITEPRESS - Science and Technology Publications, 2019. http://dx.doi.org/10.5220/0009446905120516.

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Sun, Lili. "Research on the Innovative Application of Fabric Art Decoration in Home Space Design." In 2017 International Conference on Culture, Education and Financial Development of Modern Society (ICCESE 2017). Paris, France: Atlantis Press, 2017. http://dx.doi.org/10.2991/iccese-17.2017.129.

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Baeren, Erren Jossie, and Humin Jusilin. "The Uniqueness of Mangrove Forests in State of Sabah as a Source of Natural Color on Batik Fabric." In 5th International Conference on Arts Language and Culture (ICALC 2020). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210226.046.

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Vinod-Buchinger, Aditya, and Sam Griffiths. "Spatial cultures of Soho, London. Exploring the evolution of space, culture and society of London's infamous cultural quarter." In Post-Oil City Planning for Urban Green Deals Virtual Congress. ISOCARP, 2020. http://dx.doi.org/10.47472/sxol5829.

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Space as affording social interaction is highly debated subject among various epistemic disciplines. This research contributes to the discussion by shedding light on urban culture and community organisation in spatialised ways. Providing a case of London’s famous cultural quarter, Soho, the research investigates the physical and cultural representation of the neighbourhood and relates it to the evolving socio-spatial logic of the area. Utilising analytical methods of space syntax and its network graph theories that are based on the human perception of space, the research narrates the evolution in spatial configuration and its implication on Soho’s social morphology. The method used examines the spatial changes over time to evaluate the shifting identity of the area that was in the past an immigrant quarter and presently a celebrated gay village. The approach, therefore, combines analytical methods, such as network analysis, historical morphology analysis and distribution of land uses over time, with empirical methods, such as observations, auto-ethnography, literature, and photographs. Dataset comprises of street network graphs, historical maps, and street telephone and trade directories, as well as a list of literature, and data collected by the author through surveys. Soho’s cosmopolitanism and its ability to reinvent over time, when viewed through the prism of spatial cultures, help understand the potential of urban fabric in maintaining a time-space relationship and organisation of community life. Social research often tends to overlook the relationship between people and culture with their physical environment, where they manifest through the various practices and occupational distribution. In the case of Soho, the research found that there was a clear distribution of specific communities along specific streets over a certain period in the history. The gay bars were situated along Rupert and Old Compton Street, whereas the Jewish and Irish traders were established on Berwick Street, and so on. Upon spatial analysis of Soho and its surrounding areas, it was found that the streets of Soho were unlike that of its surrounding neighbourhoods. In Soho, the streets were organised with a certain level of hierarchy, and this hierarchy also shifted over time. This impacted the distribution of landuses within the area over time. Street hierarchy was measured through mathematical modelling of streets as derived by space syntax. In doing so, the research enabled viewing spaces and communities as evolving in parallel over time. In conclusion, by mapping the activities and the spatiality of Soho’s various cultural inhabitants over three historical periods and connecting these changes to the changing spatial morphology of the region, the research highlighted the importance of space in establishing the evolving nature of Soho. Such changes are visible in both symbolic and functional ways, from the location of a Govinda temple on a Soho square street, to the rise and fall of culture specific landuses such as gay bars on Old Compton Street. The research concludes by highlighting gentrification as an example of this time-space relation and addresses the research gap of studying spaces for its ability to afford changeability over time.
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Rini, Denik Ristya, Mitra Istiar Wardhana, and Ima Kusumawati Hidayat. "Utilization of Natural Color Material from Rod, Leaf and Jackfruit Tree Root Extracts as Batik Fabric Dyes." In Proceedings of the 2nd International Conference on Arts and Culture (ICONARC 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/iconarc-18.2019.61.

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Heniwaty, Yusnizar, Denik Ristya Rini, Mitra Istiar Wardhana, and Ima Kusumawati Hidayat. "Utilization of Natural Color Material from Rod, Leaf and Jackfruit Tree Root Extracts as Batik Fabric Dyes." In Proceedings of the 2nd International Conference on Arts and Culture (ICONARC 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/iconarc-18.2019.7.

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Rajeevan, Aparna, Saritha G. Parambath, and Bejene S. Kothari. "Spatial Sustainability as A Contextual Tool to Code Emerging Urban Patterns of Cities." In 4th International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2020, 20-21 May 2021. Alanya Hamdullah Emin Paşa University, 2021. http://dx.doi.org/10.38027/iccaua2021291n12.

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As cities grow, the urban system expands and the contribution of each architect or urban designer into the system is different. Every increment is unique in its own character and expresses the attitude of the designer through it. Hence any increment into the system should be a continuation of what was existing before and should give due values to the existing condition without which the system tends to break. Doing so can lead to formation of a spatially sustainable fabric or city but to attain this kind of sustainability, every type of fabrics in every cities should follow a set of codes which are unique to themselves because spatial sustainability depends upon the spatial and social organization of spaces, geometric and configurational ordering of the space, culture and way of life in a city. Space syntax and spatial cognition were the methods used to identify parameters that contribute to spatial sustainability.
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Abdel-Ghani, Taher, and Hana Zaki. "Post-COVID Rooftop Activation: An Educational Paradigm for Urban Design Schools in Egypt." In 4th International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2020, 20-21 May 2021. Alanya Hamdullah Emin Paşa University, 2021. http://dx.doi.org/10.38027/iccaua2021112n1.

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The rooftop is a vivid spatial culture in Egyptian cities and an integral part of the urban fabric, yet it has not been integrated within the urban design educational aspect. This paper aims to highlight the importance of facilitating rooftop activation in architecture and urbanism studios, stressing the vital role of rooftops as a spatial prophylactic design in the post-pandemic city. The paper embraces an exploratory approach through which the reader gains a theoretical insight into the nature of urban design education in Egyptian schools. It adopts Nikos Salingaros’ concept of living patterns, i.e. creating socio-geometric design patterns to establish a healthy environment. The findings propose a novel design theory, prophylaxis, which can be facilitated in design studios to address post-pandemic cities. Additionally, they reveal the expected role of architects and urbanists in tackling inequalities in designing spaces.
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Reports on the topic "Fabric culture"

1

Fuelberth, August S., Adam D. Smith, and Sunny E. Adams. Fort McCoy, Wisconsin Building 550 maintenance plan. Engineer Research and Development Center (U.S.), November 2020. http://dx.doi.org/10.21079/11681/38659.

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Building 550 (former World War II fire station) is located on Fort McCoy, Wisconsin, and was recommended eligible for the National Register of Historic Places (NRHP) in 2018 (Smith and Adams 2018). The building is currently vacant. It is an intact example of an 800 Series World War II fire station with character-defining features of its period of significance from 1939 to 1946 on its exterior and interior. All buildings, especially historic ones, require regular planned maintenance and repair. The most notable cause of historic building element failure and/or decay is not the fact that the historic building is old, but rather it is caused by incorrect or inappropriate repair and/or basic neglect of the historic building fabric. This document is a maintenance manual compiled with as-is conditions of construction materials of Building 550. The Secretary of Interior Guidelines on rehabilitation and repair per material are discussed to provide the cultural resources manager at Fort McCoy a guide to maintain this historic building. This report satisfies Section 110 of the National Historic Preservation Act (NHPA) of 1966 as amended and will help the Fort McCoy Cultural Resources Management office to manage this historic building.
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