Relevant bibliographies by topics / Face in motion pictures

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Face in motion pictures'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Face in motion pictures"

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Reddy, K. Manideep. "Face Recognition for Criminal Detection." International Journal for Research in Applied Science and Engineering Technology 10, no. 6 (June 30, 2022): 2856–60. http://dx.doi.org/10.22214/ijraset.2022.44528.

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Abstract: In these days, assessment camera structure wins as a security system at high speed since this structure can screen from remote spots using Web camera joined to video screen by network. Besides, computerized supplies like Web camera, and hard circle drive are proficiently fabricated, and are sold for minimal price. Likewise, execution gain of these mechanized sorts of stuff improves at a fast rate. Current perception camera structure shows dynamic pictures from some oversight areas shot by various Web cameras all the while. Then, this system makes spectator's mind and body tired considering the way that he/she wants to watch enormous number of dynamic pictures been persistently strengthened. Moreover, this structure has a troublesome issue, which is an observer slips over mark of bad behavior. This study eliminates Motion Region from moving individual, and measures Motion Quantity for assessing his/her dynamic state. Also, this recommendation method finds the distinctive place of questionable activity, and checks the degree of risk of the questionable development.
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Rogalska, Anna, and Piotr Napieralski. "The visual attention saliency map for movie retrospection." Open Physics 16, no. 1 (April 18, 2018): 188–92. http://dx.doi.org/10.1515/phys-2018-0027.

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Abstract The visual saliency map is becoming important and challenging for many scientific disciplines (robotic systems, psychophysics, cognitive neuroscience and computer science). Map created by the model indicates possible salient regions by taking into consideration face presence and motion which is essential in motion pictures. By combining we can obtain credible saliency map with a low computational cost.
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Efendi, Mukhamad Ardiansyah. "The Use of Pictures as Media to Improve Students’ Reading Comprehension." Journal of English Teaching, Literature, and Applied Linguistics 2, no. 2 (March 28, 2021): 84. http://dx.doi.org/10.30587/jetlal.v2i2.2467.

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Reading is an important skill for developing second language competence. The success of a learning a second language is by taking the power of reading. In the classroom, we will face many techniques applied to the students under the expectation that they are able to or easy to understand the lesson. For a teacher, it is necessary to find new teaching media to overcome the problems and not to forget to motivate the students. In this paper, the writer wants to know the effect of picture as a media to improve students’ reading comprehension. The purpose of this research is to find out whether the use of pictures can improve students’ reading comprehension or not. To make the students easily understand about the reading material, teacher needs to have a teaching media. Then, the writer chooses visual media that is picture to increase students’ reading mastery. Pictures are considered as the best media in teaching reading because using picture as a teaching media are able to give the students a clear illustration regarding the correlated topics in texts, tell the students what is going on, and what are the persons in the text are talking about. Nowadays, the pictures and the technologies are becoming more and more advanced. In this decade, we can already materialize a more advanced picture that added by motion and sounds by using simple applications provided in home personal computer. Moreover, the students now are quite used and interested to apply any high tech media. Based on the result of discussion, it can be concluded that pictures are theoretically can be a good media to help the students enhancing their reading comprehension. Therefore in this view, it is justifiable to hypothetically conclude that using pictures for strengthening students’ visual sense can help them to understand a text.
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He, Songsong, and Ruyao Gong. "Recognition and Prediction of Badminton Attitude Based on Video Image Analysis." Mobile Information Systems 2022 (March 27, 2022): 1–9. http://dx.doi.org/10.1155/2022/6960343.

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Among many sports, badminton is one of the most popular events and it is deeply loved by people. However, there is relatively little research on pose recognition and prediction of badminton, so this paper uses video image analysis to perform badminton action recognition prediction and action classification. In order to better realize the lower limb movement pattern recognition and motion posture prediction of badminton players, this paper chooses BP neural network algorithm to establish a badminton motion posture recognition and prediction model based on video image analysis. The simulation results of the models are compared, and it is found that the recognition of the motion pose and the prediction model established by the neural network are accurate, and they almost coincide with the actual motion trend. In this paper, a face detection and recognition framework is established. The algorithm is used to filter the pictures of the input recognition network. Through calculation, the average accuracy rate of the face detection algorithm realized in this paper can reach 92.6%. This shows that the face detection algorithm implemented in this paper basically meets the standards. In this paper, a single inertial sensor is used to classify and recognize badminton movements using sensors located on the right wrist, left wrist, waist, and right ankle. This shows that the right wrist is the best position and achieves different strokes.
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Govindaraj, Ramkumar, and E. Logashanmugam. "Multimodal verge for scale and pose variant real time face tracking and recognition." Indonesian Journal of Electrical Engineering and Computer Science 13, no. 2 (February 1, 2019): 665. http://dx.doi.org/10.11591/ijeecs.v13.i2.pp665-670.

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In recent times face tracking and face recognition have turned out to be increasingly dynamic research field in image processing. This work proposed the framework DEtecting Contiguous Outliers in the LOw-rank Representation for face tracking, in this algorithm the background is assessed by a low-rank network and foreground articles can be distinguished as anomalies. This is suitable for non-rigid foreground motion and moving camera. The face of a foreground person is caught from the frame and then it is contrasted and the speculated pictures stored in the dataset. Here we used Viola-Jones algorithm for face recognition. This approach outperforms the traditional algorithms on multimodal video methodologies and it works adequately on extensive variety of security and surveillance purposes. Results on the continuous demonstrate that the proposed calculation can correctly obtain facial features points. The algorithm is relegate on the continuous camera input and under ongoing ecological conditions.
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Guerin, Antoine, Antonio Abellán, Battista Matasci, Michel Jaboyedoff, Marc-Henri Derron, and Ludovic Ravanel. "Brief communication: 3-D reconstruction of a collapsed rock pillar from Web-retrieved images and terrestrial lidar data – the 2005 event of the west face of the Drus (Mont Blanc massif)." Natural Hazards and Earth System Sciences 17, no. 7 (July 18, 2017): 1207–20. http://dx.doi.org/10.5194/nhess-17-1207-2017.

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Abstract. In June 2005, a series of major rockfall events completely wiped out the Bonatti Pillar located in the legendary Drus west face (Mont Blanc massif, France). Terrestrial lidar scans of the west face were acquired after this event, but no pre-event point cloud is available. Thus, in order to reconstruct the volume and the shape of the collapsed blocks, a 3-D model has been built using photogrammetry (structure-from-motion (SfM) algorithms) based on 30 pictures collected on the Web. All these pictures were taken between September 2003 and May 2005. We then reconstructed the shape and volume of the fallen compartment by comparing the SfM model with terrestrial lidar data acquired in October 2005 and November 2011. The volume is calculated to 292 680 m3 (±5.6 %). This result is close to the value previously assessed by Ravanel and Deline (2008) for this same rock avalanche (265 000 ± 10 000 m3). The difference between these two estimations can be explained by the rounded shape of the volume determined by photogrammetry, which may lead to a volume overestimation. However it is not excluded that the volume calculated by Ravanel and Deline (2008) is slightly underestimated, the thickness of the blocks having been assessed manually from historical photographs.
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Qiu, Wenge, Liao Jian, Yunjian Cheng, and Hengbin Bai. "Three-Dimensional Reconstruction of Tunnel Face Based on Multiple Images." Advances in Civil Engineering 2021 (April 17, 2021): 1–11. http://dx.doi.org/10.1155/2021/8837309.

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The current geological sketch in tunnel engineering is mainly based on sketches of workers. However, geological sketch drawn by workers always offers fundamental data purely due to its drawing mode. A novel drawing method for geological sketch has been introduced using multiview photos in this process. The images of tunnel faces are taken from multiple angles, and every two pictures have overlaps. By measuring the distance between the camera and the tunnel face using a laser range finder, the photographic scale of each photo can be confirmed. SpeededUp Robust Features (SURF) is a good practice for detecting feature points, and the sparse point cloud is reconstructed from multiview photos by structure from motion (SFM). However, the sparse point cloud is not suitable for analysis for structural planes due to its sparsity. Therefore, patch-based multiview stereo (PMVS) is used to reconstruct dense point cloud from the sparse point cloud. After 3D reconstruction, the details of the tunnel face are recorded. The proposed technique was applied to multiview photos acquired in the Xiaosanxia railway tunnel and Fengjie tunnel in Chongqing, China. In order to record the geological conditions of the tunnel face quickly and accurately, Chengdu Tianyou Tunnelkey has developed a set of software and hardware integration system called CameraPad. Besides, CameraPad was used to collect the multiview photos of the tunnel face in the No. 1 Xinan railway tunnel in Jilin, China. By comparing with traditional and existing methods, the proposed method offers a more reductive model for geological conditions of the tunnel face.
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Phuyuthanon, I.-na. "ideo Art: Psychological Status of Orphans from the Unrest in the Three Southern Thai Province." International Journal of Creative and Arts Studies 2, no. 1 (February 12, 2017): 50. http://dx.doi.org/10.24821/ijcas.v2i1.1438.

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The greatest loss caused by the insurgency in Narathiwat province which is in the south of Thailand is the lives of the orphans whose parents or beloved ones have been deprived among conflicts and violence. Even though the affected people have received different aids, such cases are not as important as the situation faced by the orphans. After the losses, no one truly pays attention to the extent to which the southern crisis affects these unfortunate children. Even in time of peace, the children who will become adults in future have to face and suffers from severe social biases at home and elsewhere. They also have to face violence and the lack of safety in their lives. This is a result of the fire of vengeance between local people and the government’s suppression which is a game of those villains in power. The orphans will have to sustain their lives alone despite some aids from the government and private sectors. In order to create social awareness of the orphans’ daily lives in Narathiwat province, which affects their psychological status, education, and security of individual, social, and country’s levels, the awareness is raised through video art creation. Video art is a form of art which can reflects the way of lives of those who suffer from losses by presenting the stories of those who have lost, especially in terms of mental status after the loss. Video arts also present views and cultures of the locals with motion pictures, picture placement, and actions and contemporary artistic framework to convey the important message to the society so that people will understand the reality. Video arts are produced based on the researcher’s viewpoints and attitudes gained from the five senses – vision, hearing, smell, taste and touch. Video art is also a type of media that fully responds to human’s imaginations.
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Shinde, Sandesh. "Human Motion Imitation using Generative Adversarial Networks." International Journal for Research in Applied Science and Engineering Technology 10, no. 4 (April 30, 2022): 218–21. http://dx.doi.org/10.22214/ijraset.2022.41041.

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Abstract: Within a unified framework, we handle human image synthesis, including human motion imitation, appearance transfer, and new view synthesis. It indicates that after the model has been trained, it can do all of these jobs. To estimate the human body structure, existing task-specific techniques mostly employ 2D key-points (position). However, they can only represent location data and have no ability to define the person's unique shape or simulate limb rotations. To untangle the position and form, we suggest using a 3D body mesh recovery module in this study. It may define the customized body form as well as model joint placement and rotation. We present a Liquid Warping GAN technique that propagates source information in both image and feature spaces to the synthesized reference in order to retain source information such as texture, style, colour, and face identity. A denoising convolutional auto-encoder extracts the source characteristics in order to accurately characterize the source identity. In addition, our approach allows for more flexible warping from many sources. A one/few-shot adversarial learning is used to increase the generalization capacity of the unseen source pictures. In particular, it begins by putting a model through a rigorous training process. The model is then fine-tuned in a self-supervised manner by using one/few unseen images to create high-resolution (512x512 and 1024x1024) outputs. In addition, we created the imitation dataset to assess human motion imitation and unique view synthesis. Extensive testing has shown that our approaches work better in retaining facial identification, form consistency, and outfit details. Keywords: Human Image Synthesis, Motion Imitation, Novel View Synthesis, Generative Adversarial Network
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Fan, Chun, and Tomoharu Nagao. "Three-Dimensional Image Information Media. A Study on Human Face Replacing in Motion Picture." Journal of the Institute of Image Information and Television Engineers 52, no. 3 (1998): 384–90. http://dx.doi.org/10.3169/itej.52.384.

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Dissertations / Theses on the topic "Face in motion pictures"

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Thomas, Sarah. "Face-maker : the negotiation between screen performance, extra-filmic persona and conditions of employment within the career of Peter Lorre." Thesis, University of Warwick, 2008. http://wrap.warwick.ac.uk/4123/.

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Peter Lorre often described his acting as merely "face-making". This disparaging attitude is reflected within critiques which read the life of Peter Lorre as a tragic narrative of wasted opportunities and his career as a screen performer as restricted by the nature of his employment in studio-era Hollywood. Working in the United States, he was unable to escape from the notoriety of his first major role in the German film, M (1931), or from the murderous persona that evolved from his portrayal of a psychopathic serial killer. His status as an emigre positioned him as a European "artist" whose talent was misused by American filmmaking practices which typecast the actor in line with his nefarious public image. This thesis proposes to investigate the accuracy of these perceptions which approach the actor via a binary split between "person" and "persona". It will offer an alternative methodology for analysing the career of the screen actor which recognises that persona-based analyses can obscure complex negotiations between performance, image and the conditions of employment. Rather than attempting to reveal the "real" Peter Lorre behind the image, the context of Lorre's mutable position as an employee within the Hollywood industry and the misconstrued association between his screen labour and his public persona will be examined. The creative agency of the actor will also be examined in order to question Lorre's definition of himself as "face-maker" whose work was reliant upon performative gimmicks. This alternative approach to the screen actor will be pursued through a chronological investigation of Lorre's professional labour. Also necessary are an exploration of the features of Lorre's persona and an understanding of the role played by other media in the construction of this public image. My methodology will combine close textual analysis of Lorre's screen performances, archival research into the terms of his employment and extensive analysis of promotional discourses pertaining to the actor throughout his career. My historiography of Lorre will consider the relationship between the actor and a number of his employers to suggest that conditions of employment help to shape screen performance. Lorre's status as a "face-maker" will also be challenged through a demonstration of the actor's use of complex performative techniques within his film work. This thesis will demonstrate the limitations of interpreting Lorre's career as Hollywood's mismanagement of a problematic performer. Instead, his career can be considered indicative of industrial strategies that exist between acting labour, promotional personas and employers. One consequence of my research is the reevaluation of Lorre's persona as "extra-filmic" and his career as "transmedial". As such, this thesis highlights how the significant labour of a screen performer can potentially become superseded by the personas used by employers to promote actors away from the cinema screen.
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Weightman, Elise. "The mirror has many faces : an exploration of women's aesthetics in contemporary mainstream Australia." Thesis, Queensland University of Technology, 1999.

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This thesis investigates the concept of "women's aesthetics", as distinct from "feminine" or "feminist" aesthetics, asserting that an original and liberated women's film practice and spectatorship may be realised, in the late 1990s, by reinterpreting women's aesthetics as diverse social and artistic processes. Aesthetic concepts such as pleasure, value, art and sensory experience are also tested in this study to establish their relevance to feminist discourses on film, the wider culture and society. The study also argues that the aesthetics of Australian women filmmakers working in mainstream cinema may be characterised by certain social and artistic processes. Further, it is suggested that these women achieve a more liberated and empowered artistic practice through their distinctive and personal explorations of particular aesthetic processes. Through case studies of films by Gillian Armstrong, Jane Campion, Samantha Lang and Rachel Perkins, certain characteristics of women's aesthetics are identified, and their power and relevance for Australian women filmmakers are evaluated. While focusing its investigation on the concept of "women's aesthetics", this study also interrogates recent and seminal feminist film theory as well as the historical development of Australian national cinema, establishing a context and justification for the exploration of women's aesthetics. The revised, inclusive concept of women's aesthetics is then applied to a practical project, in which my own artistic processes are explored through the production of three short films. This practical component is reported and critiqued to establish the relevance of the concept of women's aesthetics to my own film practice. Finally, this thesis concludes that the concept and practice of women's aesthetics as a negotiated process can be used to promote and develop a more relevant, political and productive relationship between women, mainstream cinema and the wider culture and society.
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Nikoleishvili, Sophia. "The many faces of Daniel Defoe's Robinson Crusoe examining the Crusoe myth in film and on television /." Diss., Columbia, Mo. : University of Missouri-Columbia, 2007. http://hdl.handle.net/10355/4786.

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Thesis (Ph. D.)--University of Missouri-Columbia, 2007.
The entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on February 27, 2008) Vita. Includes bibliographical references.
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Hauser, Brian Russell. "Haunted Detectives: The Mysteries of American Trauma." Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1227020699.

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Murphree, Hyon Joo Yoo. "Cowboys, Postmodern Heroes, and Anti-heroes: The Many Faces of the Alterized White Man." Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2620/.

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This thesis investigates how hegemonic white masculinity adopts a new mode of material accumulation by entering into an ambivalent existence as a historical agent and metahistory at the same time and continues to function as a performative identity that offers a point of identification for the working class white man suggesting that bourgeois identity is obtainable through the performance of bourgeois ethics. The thesis postulates that the phenomenal transitions brought on by industrialization and deindustrialization of 50's through 90's coincide with the representational changes of white masculinity from paradigmatic cowboy incarnations to the postmodern action heroes, specifically as embodied by Bruce Willis. The thesis also examines how postmodern heroes' "intero-alterity" is further problematized by antiheroes in Tim Burton's films.
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Cazdyn, Eric M. "Problem cinema : culture, capital and form in Japan /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1998. http://wwwlib.umi.com/cr/ucsd/fullcit?p9908497.

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Chan, Kim-mui Eileen. "Postmodernity and recent Hong Kong cinema /." Hong Kong : University of Hong Kong, 1995. http://sunzi.lib.hku.hk/hkuto/record.jsp?B18539191.

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Carbonaro, Joseph. "Enabling church members to evaluate the moral content of feature films." Theological Research Exchange Network (TREN), 1997. http://www.tren.com.

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Tam, Siu-yan Xavier. "Between penumbrae and shadow contextualizing transnational queer Chinese cinemas /." Click to view the E-thesis via HKUTO, 2010. http://sunzi.lib.hku.hk/hkuto/record/B44142663.

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Van, Liew Maria. "Democratic women : gender, national discourse and the cinema of post-Franco Spain /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1997. http://wwwlib.umi.com/cr/ucsd/fullcit?p9820983.

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Books on the topic "Face in motion pictures"

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Baruah, Parthajit. Face-to-face: The cinema of Adoor Gopalakrishnan. Noida, Uttar Pradesh, India: HarperCollins Publishers India, 2016.

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Ismāʻīl, Mīhanʹdūst, ed. Rū dar rū bā Aṣghar Farhādī: With Asghar Farhadi face to face. Tihrān: Intishārāt-i Rawshangarān va Muṭālaʻāt-i Zanān, 2014.

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Laprévote, Gilles. La grande menace: Le cinéma américain face au maccarthyisme. Amiens: Trois Cailloux, 1990.

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Gupta, Chidananda Das. The painted face: Studies in India's popular cinema. New Delhi: Roli Books, 1991.

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Jonathan, Rosenbaum, and Martin Adrian 1959-, eds. Movie mutations: The changing face of world cinephilia. London: BFI Pub., 2003.

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Aumont, J. Du visage au cinéma. Paris: Editions de l'Etoile, 1992.

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Petra, Löffler, and Scholz Leander, eds. Das Gesicht ist eine starke Organisation. Köln: DuMont, 2004.

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1951-, Norden Martin F., ed. The changing face of evil in film and television. Amsterdam: Rodopi, 2007.

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Yi, Kil-sŏng. Kim Seung-ho: Face of father, portrait of Korean cinema. [Seoul]: Korean Film Archive, 2007.

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Caïra, Olivier. Hollywood face à la censure: Discipline industrielle et innovation cinématographique, 1915-2004. Paris: CNRS, 2005.

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Book chapters on the topic "Face in motion pictures"

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Studlar, Gaylyn. "The Changing Face of Celebrity and the Emergence of Motion Picture Stardom." In A Companion to Celebrity, 58–77. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2015. http://dx.doi.org/10.1002/9781118475089.ch4.

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kydd, Elspeth. "Motion Pictures." In The Critical Practice of Film, 17–37. London: Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-0-230-34527-0_2.

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Kamada, Seiichi. "Motion Pictures." In Springer Monographs in Mathematics, 39–73. Singapore: Springer Singapore, 2017. http://dx.doi.org/10.1007/978-981-10-4091-7_3.

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Kamada, Seiichi. "Motion pictures." In Mathematical Surveys and Monographs, 63–70. Providence, Rhode Island: American Mathematical Society, 2002. http://dx.doi.org/10.1090/surv/095/09.

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Walters, James. "Perpetual motion pictures." In The Routledge Companion to World Cinema, 382–92. New York : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315688251-32.

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Czitrom, Daniel. "Early Motion Pictures." In Communication in History, 158–66. 8th ed. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003250463-26.

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Czitrom, Daniel. "Early Motion Pictures." In Communication in History, 175–83. Seventh edition. | New York : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315189840-26.

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Prinz, Jesse. "Affect and Motion Pictures." In The Palgrave Handbook of the Philosophy of Film and Motion Pictures, 893–921. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-19601-1_38.

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Walls, W. David. "Motion Pictures, Economics of." In The New Palgrave Dictionary of Economics, 1–7. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/978-1-349-95121-5_1942-1.

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Walls, W. David. "Motion Pictures, Economics of." In The New Palgrave Dictionary of Economics, 9164–70. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-349-95189-5_1942.

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Conference papers on the topic "Face in motion pictures"

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Yang, Kuan, Xiaxin Cao, Changqi Yan, Yongyong Yang, Chunping Tian, and Jianjun Xu. "Visualization Study of Bubble Sliding Characteristics in a Subcooled Flow Boiling Narrow Rectangular Channel Under Natural Circulation Condition." In 2017 25th International Conference on Nuclear Engineering. American Society of Mechanical Engineers, 2017. http://dx.doi.org/10.1115/icone25-66843.

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Heat transfer enhancement by the motion of the bubbles sliding along the heating surface are wildly reported by many researchers, thus it is of great importance to quantitatively investigate the characteristics of sliding bubbles. A visualization study of subcooled flow boiling of water in a vertical single face-heated narrow rectangular channel under a series of natural circulation working conditions was conducted. Pictures of the bubble sliding behaviors were captured by a high speed camera simultaneously with thermal data. A sequence of digital image processing algorithms were applied to the original picture to extract bubble shape and location information, which post-processing methods were adopted to obtain characteristic sliding parameters (including the distribution of the equivalent sliding bubble diameter and velocity, number density of the sliding bubbles). It is found that bubbles can be able to nucleate and grow while sliding on the heating plate after the ONB point; the bubble number density, average bubble sliding velocity and the average sliding diameter continue to increase along the test section; heat transfer in the flow channel are significantly enhanced along flow direction with relatively low local void fraction. The average bubble sliding velocity near the inlet is significantly smaller than the sectional average velocity of single-phase fluid of the flow channel, and then it exceeded near the outlet of the test section. The average bubble sliding velocity and diameter increase with increasing heat flux and decreeing local subcooling degree. The equivalent diameter of sliding bubbles and the bubble sliding velocity approximately follow normal distribution. The distribution of the bubble diameter and velocity both cover a wild range. The standard deviations of the probability density function of the sliding bubble diameter and velocity increase with increasing heat flux and decreasing subcooling degree.
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Chang, I.-Cheng, and Ruei-Min Cheng. "Caricaturation for human face pictures." In 2011 International Conference on Machine Learning and Cybernetics (ICMLC). IEEE, 2011. http://dx.doi.org/10.1109/icmlc.2011.6017011.

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Obretenov, Christos. "Cinematography For Stylized Motion Pictures." In SIGGRAPH '23: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2023. http://dx.doi.org/10.1145/3587421.3595426.

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Lagendijk, R. L., and M. I. Sezan. "Motion compensated frame rate conversion of motion pictures." In [Proceedings] ICASSP-92: 1992 IEEE International Conference on Acoustics, Speech, and Signal Processing. IEEE, 1992. http://dx.doi.org/10.1109/icassp.1992.226178.

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Karaki, Koichi, Hiroko Sasaki, and Masaharu Mitsunaga. "Holographic motion pictures by hole burning." In International Conferences on Optical Fabrication and Testing and Applications of Optical Holography, edited by Toshio Honda. SPIE, 1995. http://dx.doi.org/10.1117/12.215315.

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Alexander, P. "Development of integral holographic motion pictures." In Display Holography: Fifth International Symposium, edited by Tung H. Jeong. SPIE, 1995. http://dx.doi.org/10.1117/12.201899.

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Chuang, Yung-Yu, Dan B. Goldman, Ke Colin Zheng, Brian Curless, David H. Salesin, and Richard Szeliski. "Animating pictures with stochastic motion textures." In ACM SIGGRAPH 2005 Papers. New York, New York, USA: ACM Press, 2005. http://dx.doi.org/10.1145/1186822.1073273.

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Holynski, Aleksander, Brian Curless, Steven M. Seitz, and Richard Szeliski. "Animating Pictures with Eulerian Motion Fields." In 2021 IEEE/CVF Conference on Computer Vision and Pattern Recognition (CVPR). IEEE, 2021. http://dx.doi.org/10.1109/cvpr46437.2021.00575.

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Baecker, Ronald, Alan J. Rosenthal, Naomi Friedlander, Eric Smith, and Andrew Cohen. "A multimedia system for authoring motion pictures." In the fourth ACM international conference. New York, New York, USA: ACM Press, 1996. http://dx.doi.org/10.1145/244130.244142.

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Mayhew, Christopher A. "True Three-Dimensional Animation In Motion Pictures." In OE LASE'87 and EO Imaging Symp (January 1987, Los Angeles), edited by David F. McAllister and Woodrow E. Robbins. SPIE, 1987. http://dx.doi.org/10.1117/12.940133.

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Reports on the topic "Face in motion pictures"

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Koschmann, Anthony, and Yi Qian. Latent Estimation of Piracy Quality and its Effect on Revenues and Distribution: The Case of Motion Pictures. Cambridge, MA: National Bureau of Economic Research, August 2020. http://dx.doi.org/10.3386/w27649.

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Beason, Scott, Taylor Kenyon, Robert Jost, and Laurent Walker. Changes in glacier extents and estimated changes in glacial volume at Mount Rainier National Park, Washington, USA from 1896 to 2021. National Park Service, June 2023. http://dx.doi.org/10.36967/2299328.

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Abstract:
Surface area of glaciers and perennial snow within Mount Rainier National Park were delineated based on 2021 aerial Structure-from-Motion (SfM) and satellite imagery to document changes to glaciers over the last 125 years. These extents were compared with previously completed databases from 1896, 1913, 1971, 1994, 2009, and 2015. In addition to the glacial features mapped at the Park, any snow patches noted in satellite- and fixed-wing- acquired aerial images in September 2021 were mapped as perennial snowfields. In 2021, Mount Rainier National Park contained a total of 28 named glaciers which covered a total of 75.496 ± 4.109 km2 (29.149 ± 1.587 mi2). Perennial snowfields added another 1.938 ± 0.112 km2 (0.748 ± 0.043 mi2), bringing the total perennial snow and glacier cover within the Park in 2021 to 77.434 ± 4.221 km2 (29.897 ± 1.630 mi2). The largest glacier at Mount Rainier was the Emmons Glacier, which encompasses 10.959 ± 0.575 km2 (4.231 ± 0.222 mi2). The change in glacial area from 1896 to 2021 was -53.812 km2 (-20.777 mi2), a total reduction of 41.6%. This corresponds to an average rate of -0.430 km2 per year (-0.166 mi2 × yr-1) during the 125 year period. Recent changes (between the 6-year period of 2015 to 2021) showed a reduction of 3.262 km2 (-1.260 mi2) of glacial area, or a 4.14% reduction at a rate of -0.544 km2 per year ( 0.210 mi2 × yr-1). This rate is 2.23 times that estimated in 2015 (2009-2015) of -0.244 km2 per year (-0.094 mi2 × yr-1). Changes in ice volume at Mount Rainier and estimates of total volumes were calculated for 1896, 1913, 1971, 1994, 2009, 2015, and 2021. Volume change between 1971 and 2007/8 was -0.65 km3 ( 0.16 mi3; Sisson et al., 2011). We used the 2007/8 LiDAR digital elevation model and our 2021 SfM digital surface model to estimate a further loss of -0.404 km3 (-0.097 mi3). In the 50-year period between 1971 and 2021, the glaciers and perennial snowfields of Mount Rainier lost a total of -1.058 km3 (-0.254 mi3) at a rate of -0.021 km3 per year (-0.005 mi3 × yr-1). The calculation of the total volume of the glaciers during various glacier extent inventories at Mount Rainier is not straightforward and various methods are explored in this paper. Using back calculated scaling parameters derived from a single volume measurement in 1971 and estimates completed by other authors, we have developed an estimate of glacial mass during the last 125-years at Mount Rainier that mostly agree with volumetric changes observed in the last 50 years. Because of the high uncertainty with these methods, a relatively modest 35% error is chosen. In 2021, Mount Rainier’s 28 glaciers contain about 3.516 ± 1.231 km3 (0.844 ± 0.295 mi3) of glacial ice, snow, and firn. The change in glacial mass over the 125-year period from 1896 to 2021 was 3.742 km3 (-0.898 mi3), a total reduction of 51.6%, at an average rate of -0.030 km3 per year ( 0.007 mi3 × yr-1). Volume change over the 6-year period of 2015 to 2021 was 0.175 km3 (-0.042 mi3), or a 4.75% reduction, at a rate of -0.029 km3 per year (-0.007 mi3 × yr-1). This survey officially removes one glacier from the Park’s inventory and highlights several other glaciers in a critical state. The Stevens Glacier, an offshoot of the Paradise Glacier on the Park’s south face, was removed due to its lack of features indicating flow, and therefore is no longer a glacier but instead a perennial snowfield. Two other south facing glaciers – the Pyramid and Van Trump glaciers – are in serious peril. In the six-year period between 2015 and 2021, these two glaciers lost 32.9% and 33.6% of their area and 42.0% and 42.9% of their volume, respectively. These glaciers are also becoming exceedingly fragmented and no longer possess what can be called a main body of ice. Continued losses will quickly lead to the demise of these glaciers in the coming decades. Overall, the glaciers on the south face of the mountain have been rapidly shrinking over the last 125 years. Our data shows a continuation of gradual yet accelerating loss of glacial ice at Mount Rainier, resulting in significant changes in regional ice volume over the last century. The long-term impacts of this loss will be widespread and impact many facets of the Park ecosystem. Additionally, rapidly retreating south-facing glaciers are exposing large areas of loose sediment that can be mobilized to proglacial rivers during rainstorms, outburst floods, and debris flows. Regional climate change is affecting all glaciers at Mount Rainier, but especially those smaller cirque glaciers and discontinuous glaciers on the south side of the volcano. If the regional climate trend continues, further loss in glacial area and volume parkwide is anticipated, as well as the complete loss of small glaciers at lower elevations with surface areas less than 0.2 km2 (0.08 mi2) in the next few decades.
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