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Journal articles on the topic 'Face on television'

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1

Frosh, Paul. "The Face of Television." ANNALS of the American Academy of Political and Social Science 625, no. 1 (2009): 87–102. http://dx.doi.org/10.1177/0002716209338571.

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2

Reid, Gregory J. "Face to Face: A Conversation With Vittorio Rossi." Theatre Research in Canada 21, no. 2 (2000): 177–94. http://dx.doi.org/10.3138/tric.21.2.177.

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With productions of nine of his plays behind him (including his translation of Eduardo de Filippo's Filumena for the Stratford Festival in 1997), playwright and actor Vittorio Rossi has become one of Canada's best-known dramatists of Italian origin. He began his writing career by winning the Best New Play Award at the Quebec Drama Festival twice: for "Little Blood Brother" in 1986 and for "Backstreets" in 1987. His first full-length play, The Chain, broke attendance records at Centaur Theatre, English Quebec's main stage. His most acclaimed drama, The Last Adam, won the Canadian Authors Associ
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3

Kotliar, Svitlana, and Viktoria Fedorenko. "Author's Program as a Face of Domestic Television." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 1, no. 1 (2018): 5–17. https://doi.org/10.31866/2617-2674.1.2018.140831.

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The purpose of the research is to review and analyze the creation and maintenance of authoritative television programs by well-known Ukrainian television broadcasters on justification the main trends in the influence of domestic television on the worldview of spectators. The methodology of the research is based on an experimental method (to define the specificity of the influence of author’s TV programs on the educational direction on national and regional television channels in Ukraine); method of analysis (to study the practical experience of creating author’s TV p
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4

Copeland, Gary A. "Face‐ism and primetime television." Journal of Broadcasting & Electronic Media 33, no. 2 (1989): 209–14. http://dx.doi.org/10.1080/08838158909364075.

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5

Harrison, Kate. "The Changing Face of the Television Industry." Media Information Australia 44, no. 1 (1987): 16–17. http://dx.doi.org/10.1177/1329878x8704400105.

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In the last few months the face of television station ownership in Australia has changed dramatically. While a year ago it looked as if major owners such as Packer and Murdoch would remain in a dominant position in the television industry for the foreseeable future, now both Packer and Murdoch have sold off their stations, and media watchers are facing a new line-up of television owners.
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Crawford, Robert. "Changing the Face of Advertising: Australia's Advertising Industry in the Early Days of Television." Media International Australia 121, no. 1 (2006): 105–18. http://dx.doi.org/10.1177/1329878x0612100114.

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Long before Australia's first commercial television broadcasts in 1956, advertising agencies and advertisers had been preparing themselves for what they believed would be the greatest ever selling medium. The creation of a new outlet for advertisements was not the industry's sole cause of excitement. Having dominated commercial radio, the advertising industry looked forward to extending its influence. These dreams, however, were only partially fulfilled. While television enabled the industry to broadcast its commercial messages in a more effective way, legislation prevented it from controlling
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Manu, Eric. "Neo-Prophetic Christianity and Televisation in Kumasi: A Religious-Impact Assessment." European Journal of Communication and Media Studies 2, no. 1 (2023): 1–11. http://dx.doi.org/10.24018/ejmedia.2023.2.1.8.

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Neo-Prophetic Christian televisation has become a common trend in the contemporary Ghanaian media landscape. The approach of using television broadcast by religious groups has been linked to the liberalization of Ghanaian media which happened during the early 1990s. Despite the restriction in television frequency range across the world, prophets and preachers of the salvation message can be heard and seen in the homes of millions of believers and non-believers. In recent times, many neo-Prophetic churches in Kumasi have successfully established television stations to serve as a means to help t
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Fuenzalida-Fernández, Valerio. "A New Meaning of Educational Television: from School to Audience’s Everyday Life." Comunicar 18, no. 36 (2011): 15–24. http://dx.doi.org/10.3916/c36-2011-02-01.

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When analyzing the reception of different Latin American television genres, it can be seen how education is conceptualized –from the point of view of subjects inserted in their daily social practices– as more greatly linked to affectivity than to cognition, thus distinguishing it from knowledge generated through formal schooling. In this sense, television programming has come to be redefined as educational, based on the audiences’ needs in each of their different home environments. Reception studies show that various programs are frequently classified as «educational programs », including news
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9

Moran, Albert. "The International Face of Australian Television." Media International Australia 121, no. 1 (2006): 174–87. http://dx.doi.org/10.1177/1329878x0612100119.

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Australian television has always been part of an international cultural system. Programming, personnel, material resources, ideas and knowledge are among the elements that, historically, have moved between an audiovisual space, both here and elsewhere. Media executive Reg Grundy has been an important figure in this system. Over nearly 40 years, he built a television empire of considerable international significance. After sketching out this career, the article proceeds to outlines three moments in his company's development. The first occurred in the 1960s and early 1970s when it imported and r
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10

Harjessi, P. Nurtrio, Martani Huseini, and Martani Huseini. "Kesiapan Pemerintah Dalam Menghadapi Digitalisasi Televisi Menurut Perspektif Organisasi Pembelajar." Inovbiz: Jurnal Inovasi Bisnis 7, no. 2 (2019): 138. http://dx.doi.org/10.35314/inovbiz.v7i2.1217.

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Television digitization is an internationally agreed consensus. Government readiness is needed to face the changes and technological developments. One perspective that can be used to face television digitalization is by forming a learning organization. Basically, learning organizations formed by the government involving all stakeholders will produce readiness in television digitalization, although challenges and obstacles are often found in the formation of these learning organizations. Constraints faced can be in the form of legal issues in the form of lawsuits and resistance due to lack of l
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Lamuedra-Graván, María, and Tíscar Lara-Padilla. "How to educate the gaze and manufacture the news: the citizen in the BBC broadcast information." Comunicar 16, no. 31 (2008): 145–52. http://dx.doi.org/10.3916/c31-2008-01-018.

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This article analyzes the strategies followed by the BBC channel to legitimize its role as public television through an approach to the citizens and a diversification of contents in order to face the challenge posed by the current fragmentation of audiences. The study is based on interviews with BBC news professionals about their concept of the public and their gaze on citizens. The aim of this paper is to identify ways to help TVE to face the challenge of its legitimating as public service television.El presente artículo analiza la estrategia de la BBC para legitimar su papel como televisión
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12

Gerhardt, Cornelia. "Watching Television." Toegepaste Taalwetenschap in Artikelen 77 (January 1, 2007): 91–101. http://dx.doi.org/10.1075/ttwia.77.09ger.

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This paper describes the gaze behaviour of television viewers talking to each other. It is based on the ATTAC-corpus which consists of transcribed video recordings of Britons watching football at home on TV. In regular everyday conversation, generally people tend to face each other, and gaze is used as a key cue for turn-taking and interactionalitv. However, in this specific setting, the conversationalists face the following dilemma: they can direct their gaze at each other, but only at the cost of not being able to look at the screen. The data suggest that spatial arrangements, age, and an or
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Vadathya, Anil Kumar, Salma Musaad, Alicia Beltran, et al. "An Objective System for Quantitative Assessment of Television Viewing Among Children (Family Level Assessment of Screen Use in the Home-Television): System Development Study." JMIR Pediatrics and Parenting 5, no. 1 (2022): e33569. http://dx.doi.org/10.2196/33569.

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Background Television viewing among children is associated with developmental and health outcomes, yet measurement techniques for television viewing are prone to errors, biases, or both. Objective This study aims to develop a system to objectively and passively measure children’s television viewing time. Methods The Family Level Assessment of Screen Use in the Home-Television (FLASH-TV) system includes three sequential algorithms applied to video data collected in front of a television screen: face detection, face verification, and gaze estimation. A total of 21 families of diverse race and et
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Kotliar, Svitlana, and Viktoria Fedorenko. "Author’s Program as a Face of Domestic Television." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production, no. 1 (June 20, 2018): 5–17. http://dx.doi.org/10.31866/2617-2674.1.2018.140831.

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15

Gibson, Ian W., and Kay L. Gibson. "Interactive Television and Problem Based Learning." Australian and International Journal of Rural Education 5, no. 2 (1995): 47–52. http://dx.doi.org/10.47381/aijre.v5i2.400.

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Traditional approaches to teacher education have incorporated on-campus face to face instruction, complemented by occasional forays into schools for classroom practice teaching sessions, demonstration sessions or a combination of microteaching, child studies or associated activities. Many researchers and students believe that participation in teaching experience is the most important source of pre-service knowledge about the teaching profession. To make teacher education courses as meaningful and relevant as possible, the project described in this paper used interactive television (ITV) to pre
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Gutu, Vitalie. "Classic television VS online television: conceptual approaches." Studia Universitatis Moldaviae. Științe Economice și ale Comunicării, no. 2(11) (April 2024): 121–25. http://dx.doi.org/10.59295/sum2(11)2023_16.

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The online space is becoming the main arena of interaction between the consumer of information and the one who delivers content of any type and at any time. In this context, media institutions also adapt their products to virtual platforms to always be in the user’s view. In our scientific approach, we will refer to the concept of television, created in its classical form, but which over time projects its activity in the digital environment. We will also emphasize the role and importance of the emergence of WEB television, in the context in which the flow of information becomes continuous, and
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17

Ivanova, Alina. "Theoretical understanding of the phenomenon of television advertising." KANT 37, no. 4 (2020): 94–97. http://dx.doi.org/10.24923/2222-243x.2020-37.20.

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This article provides a theoretical understanding of the phenomenon of television advertising. The author comes to the key conclusion that today television is the most widespread, accessible and popular type of media. Accordingly, television advertising is still the most effective way to inform potential consumers, even in the face of serious competition from online media.
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18

A.Rafik. "PESAN DAKWAH MELALUI MEDIA MASSA." Syi’ar: Jurnal Ilmu Komunikasi, Penyuluhan dan Bimbingan Masyarakat Islam 2, no. 1 (2019): 67–75. http://dx.doi.org/10.37567/syiar.v2i1.575.

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This research describes how da'wah messages through television or electronic media. The development of dakwah in this modern era, has enabled clerics and clerics to convey da'wah messages not only using the talaqqi (face-to-face) method, but also using various kinds of media, both printed and electronic, audio, visual and audio-visual. The use of a number of media in delivering da'wah messages is either done by using printed or electronic media, therefore in this study, it is stated that the role of mass media is like that of da'i. This research discusses television as a medium of preaching. T
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19

Lei, Di, and Sae-Hoon Kim. "Design of 3D Modeling Face Image Library in Multimedia Film and Television." Journal of Sensors 2021 (October 15, 2021): 1–11. http://dx.doi.org/10.1155/2021/2221893.

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The development of 3D modeling technology has promoted the development of the multimedia film and television industry. This article is aimed at studying the design of 3D modeling facial image library in multimedia film and television, at providing a more comprehensive facial image library for the multimedia film and television industry, at breaking the shackles of the traditional film and television industry with 3D technology, and at continuously surpassing traditional film and television media forms. This article deeply explores the background development of multimedia film and television an
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20

Murschetz, Paul. "The Changing Face of the German Broadcast Television Industry." MedienJournal 39, no. 3 (2017): 44–57. http://dx.doi.org/10.24989/medienjournal.v39i3.76.

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This study offers an economic analysis of the television broadcasting industry at the convergence of broadcast and broadband connectivity. It applies the „Structure-Conduct- Performance“(SCP)-paradigm of Industrial Organization theory as framework and investigates how the model can contribute to explaining emergent issues in the economics of Smart TV. It is argued here that SCP model provides a useful heuristic and can fruitfully be applied to various questions surrounding the fundamental transformation of the television broadcasting sector towards Smart TV, notably issues of market structure
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21

Murschetz, Paul. "The Changing Face of the German Broadcast Television Industry." MedienJournal 39, no. 3 (2017): 44. http://dx.doi.org/10.24989/mj.v39i3.76.

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This study offers an economic analysis of the television broadcasting industry at the convergence of broadcast and broadband connectivity. It applies the „Structure-Conduct- Performance“(SCP)-paradigm of Industrial Organization theory as framework and investigates how the model can contribute to explaining emergent issues in the economics of Smart TV. It is argued here that SCP model provides a useful heuristic and can fruitfully be applied to various questions surrounding the fundamental transformation of the television broadcasting sector towards Smart TV, notably issues of market structure
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22

Zanker, Ruth. "Producers Speak: Creating Civic Spaces for New Zealand Children." Media International Australia 139, no. 1 (2011): 32–41. http://dx.doi.org/10.1177/1329878x1113900106.

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This article examines children's television production discourses. It first contextualises how regulations in New Zealand shape the children's broadcasting environment, then it asks producers of children's programs to describe how they go about creating public service programs for children within a complex media political economy. Several questions are addressed, with a key one examining how producers imagine their audiences and construct appropriate public spaces for them within the current constraints of funding and advertising regulation. The field research is based on extended face-to-face
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23

Mutugi, Kabucua John, Nyakundi Nyamboga, and Nguri Matu. "Challenges Kenyan Television Journalists Face in Spotting Fake News." Journal of Development and Communication Studies 7, no. 1-2 (2020): 46–70. http://dx.doi.org/10.4314/jdcs.v7i1-2.4.

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A fake news story can travel half way across the world as the truth puts on its socks. There are myriads of challenges facing journalists in spotting fake news hence its wide proliferation. Fake news has become a prominent subject of enquiry especially following its alleged influence of the 2016 general elections in US. Unfortunately, research on fake news has focused on social media, politics, elections, and economies. Few studies have focused on the challenges that TV journalists face in spotting fake news prompting this study. The specific research question was; what are the challenges faci
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24

Lee, Won Oh, Yeong Gon Kim, Kwang Yong Shin, et al. "New method for face gaze detection in smart television." Optical Engineering 53, no. 5 (2014): 053104. http://dx.doi.org/10.1117/1.oe.53.5.053104.

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25

Lott, Bernice. "Sexist Discrimination as Distancing Behavior: II. Primetime Television." Psychology of Women Quarterly 13, no. 3 (1989): 341–55. http://dx.doi.org/10.1111/j.1471-6402.1989.tb01006.x.

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This study, the second in a series of investigations of sexist discrimination in face-to-face situations, involved the observations of women and men characters on 10 primetime TV shows found to be most popular with a sample of eighth graders. Distancing behavior—the operational measure of face-to-face discrimination—was found, as predicted, to be manifested more frequently by men TV characters toward women than toward men. Distancing behavior by women TV characters, on the other hand, was not related to the gender of the person with whom they were interacting. Observations were made independen
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MUTZ, DIANA C. "Effects of “In-Your-Face” Television Discourse on Perceptions of a Legitimate Opposition." American Political Science Review 101, no. 4 (2007): 621–35. http://dx.doi.org/10.1017/s000305540707044x.

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How do Americans acquire the impression that their political foes have some understandable basis for their views, and thus represent a legitimate opposition? How do they come to believe that reasonable people may disagree on any given political controversy? Given that few people talk regularly to those of opposing perspectives, some theorize that mass media, and television in particular, serve as an important source of exposure to the rationales for oppositional views. A series of experimental studies suggests that television does, indeed, have the capacity to encourage greater awareness of op
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Warmund, Michele R., and Denny Schrock. "Clientele Perceptions of Master Gardener Training Delivered via Interactive Television versus Face to Face." HortTechnology 9, no. 1 (1999): 116–21. http://dx.doi.org/10.21273/horttech.9.1.116.

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Master Gardener training was delivered via interactive television (IT) or face to face (FTF) in Missouri in 1997. IT and FTF participants were surveyed on their acceptance of the Master Gardener training method and their perceptions of program quality and technology to evaluate the newly developed multiple site IT training. Demographic characteristics were also recorded to determine if IT format attracted a different clientele than that of FTF training. Those who participated in IT training generally had more years of education than those in the FTF training and lived in suburban rather than r
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NAKAMURA, Mariko. "Study on the Cross-Examination of Witnesses by Closed Circuit Television." Institute of Legal Myongji University 21, no. 2 (2023): 175–202. http://dx.doi.org/10.53066/mlr.2023.21.2.175.

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Japan introduced a protective measure for witnesses including victims to testify by closed circuit television through the amendment to the Code of Criminal Procedure in May 2000 to alleviate their psychological burden during testimony at trial. Its scope was expanded in June 2016 and is under consideration by one of the subcommittees of the Legislative Council of the Ministry of Justice for additional expansion at this writing in January 2023.
 Criminal defendants, on the other hand, have the right to examine all witnesses. There are discussions on whether the right is constitutionally af
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Bondebjerg, Ib. "Politics Backstage - Television Documentaries, Politics and Politicians." MedieKultur: Journal of media and communication research 22, no. 40 (2006): 9. http://dx.doi.org/10.7146/mediekultur.v22i40.1316.

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This article deals with "the transformation of visibility" in political discourse on and representation of politics and politicians in resent Dansih television documentaries. Drawing on the theories of Habermas, Meyrowitz and John B. Thompson, it is argued that the political persona on television is moved closer to the individual citizen, creating a sort "mediated quasi-inter- action" giving mediated communication a stronger element of face-to-face interaction. Together with the more pervasive "live" coverage of politics and politicians, this expands media coverage to both the backstage of pol
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30

Postalovskiy, A. V. "Exploratory research as a method for making a people-metric panel in the media study of the television audience." RUDN Journal of Sociology 22, no. 3 (2022): 707–19. http://dx.doi.org/10.22363/2313-2272-2022-22-3-707-719.

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The article considers methodological approaches and practical use of the exploratory research for making a people-metric panel for the measurement of television ranking indicators. The main task of the exploratory research is to design a social-demographic portrait of the audience, to assess the contribution to the television viewing of different age groups, and to identify control parameters for the selection of permanent participants in such studies. In 2020, in the Republic of Belarus, the practice for establishing a single national television and radio ranking measuring company was tested.
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Dorji, Tshewang. "Problem and Challenges Faced by Students, Parents, and Teachers in Google Classes & Television Lessons." International Journal of Asian Education 2, no. 1 (2021): 88–97. http://dx.doi.org/10.46966/ijae.v2i1.98.

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The qualitative study was carried out under Thimphu Thromde, Bhutan, to assess the use of Google class and Television lessons during the emergence of COVID-19 in the 2020 academic year. The study used Google class & Television lesson observations to gain the first-hand experience and face-to-face interviews with students, parents, and teachers to get in-depth views. The Google class and television lesson observation and interview data were analyzed using emerging themes. The findings revealed that Google class and Television lessons played an essential role in making up lessons lost during
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Coşkun, Sena, and Sinan Saraçlı. "Tendencies of Visiting the Cinema and Watching Television: Students of the Cinema and Television Department at AfyonKocatepe University." European Journal of Interdisciplinary Studies 5, no. 2 (2019): 95. http://dx.doi.org/10.26417/ejis-2019.v5i2-290.

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Cinema and television play an important role in mass media. In the cinematic context, the field of cultural studies, which explores what the audience watches, tries to shed light on the psychosocial needs of the target audience and the cultural structure of society. With the use of digital technology in information production, transmission, and storage, as well as the rapid progress, integration, and convergence of information technologies, television is no longer limited to a place, and widespread access to mobile devices is possible. Consequently, both cinema and television have allowed mass
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Coşkun, Sena, and Sinan Saraçlı. "Tendencies of Visiting the Cinema and Watching Television: Students of the Cinema and Television Department at AfyonKocatepe University." European Journal of Interdisciplinary Studies 5, no. 2 (2019): 95. http://dx.doi.org/10.26417/ejis.v5i2.p95-107.

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Cinema and television play an important role in mass media. In the cinematic context, the field of cultural studies, which explores what the audience watches, tries to shed light on the psychosocial needs of the target audience and the cultural structure of society. With the use of digital technology in information production, transmission, and storage, as well as the rapid progress, integration, and convergence of information technologies, television is no longer limited to a place, and widespread access to mobile devices is possible. Consequently, both cinema and television have allowed mass
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34

Jenner, Mareike. "Researching Binge-Watching." Critical Studies in Television: The International Journal of Television Studies 15, no. 3 (2020): 267–79. http://dx.doi.org/10.1177/1749602020935012.

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This piece gives an overview of the different ways binge-watching is explored and analysed in contemporary television studies. It specifically explores the way binge-watching has been covered in the technological histories of television, fan studies, audience reception research, and narratology. In this, it insists that binge-watching is deployed in different ways within the broad and diverse field of television studies. The distinct uses of binge-watching in different sub-fields of television studies makes it a term that can be deployed in a variety of ways, suggesting that there can be no ‘o
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Moldovan, Raluca. "“That Show You Like Might Be Coming Back in Style”: How Twin Peaks Changed the Face of Contemporary Television." American, British and Canadian Studies Journal 24, no. 1 (2015): 44–68. http://dx.doi.org/10.1515/abcsj-2015-0003.

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Abstract The present study revisits one of American television’s most famous and influential shows, Twin Peaks, which ran on ABC between 1990 and 1991. Its unique visual style, its haunting music, the idiosyncratic characters and the mix of mythical and supernatural elements made it the most talked-about TV series of the 1990s and generated numerous parodies and imitations. Twin Peaks was the brainchild of America’s probably least mainstream director, David Lynch, and Mark Frost, who was known to television audiences as one of the scriptwriters of the highly popular detective series Hill Stree
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Norden, Martin F. "INTRODUCTION: The Changing Face of Evil in Film and Television." Journal of Popular Film and Television 28, no. 2 (2000): 50–53. http://dx.doi.org/10.1080/01956050009602822.

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AJAYI, Temitope Michael, Oluwatosin AJAYI, and Rahidat Temitope FASHINA. "NIGERIA: FACE ACTS IN ALTERNATIVE DISPUTE RESOLUTION TELEVISION PROGRAM. THE CASE OF IGBIMO IPETU." Conflict Studies Quarterly 36 (July 5, 2021): 3–21. http://dx.doi.org/10.24193/csq.36.1.

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The concept of alternative dispute resolution (ADR) has largely been under explored from the linguistic lens, particularly in the Nigerian context. This study thus provides a scholarly intervention in this regard. Drawing insights from Brown and Levinson’s face theory, four randomly sampled recordings of Ìgbìmo Ìpètù, an alternative dispute resolution television programme on the Ekiti State Television (EKTV) in southwestern Nigeria was analysed in this study. Focus was placed on the face acts as well as their pragmatic functions in the programme. Findings revealed that bald on-record face-thre
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Ramli N, Lalu, Sulhaini Sulhaini, and Lalu M. Furkan. "Niche Market Analysis on Local Television Through Media Ecology Approach." International Journal of Multicultural and Multireligious Understanding 8, no. 3 (2021): 45. http://dx.doi.org/10.18415/ijmmu.v8i3.2376.

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The broadcasting law number 32, 2002 provides space for developing local broadcasting institutions in the regions, including the Local Public Broadcasting Institute (LPPL) Selaparang TV. On the other hand, the proliferation of local TV also raises many doubts because its competition is also increasing. As a business entity, local televisions face many challenges. Local televisions and other industries need the income that supports its survival as part of the media industry. With a limited source of media income, local television existence inevitably is threatened. Moreover, there are not many
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Song, Ci, and Xiangyu Cai. "Research on the Transformation of Radio and Television Directors in the Media Convergence Environment." Journal of Education, Humanities and Social Sciences 41 (October 30, 2024): 48–53. http://dx.doi.org/10.54097/fncfmk28.

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In today's social context, the market landscape of various industries in China has become more complex, and the continuous development of information technology has greatly influenced the working methods of many sectors, promoted the transformation and upgraded of different industries. With the widespread application of the internet and information technology, traditional radio and television face significant challenges. To meet the needs of media convergence development, it is essential to optimize the content of radio and television based on the current development situation and accelerate t
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Rodríguez, Arturo. "Progenitores del Vídeo. El Arte del Vídeo ante los Fantasmas de su Historia Familiar." Barcelona Investigación Arte Creación 8, no. 3 (2020): 227. http://dx.doi.org/10.17583/brac.2020.3956.

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From the very beginning, museums and the audiovisual industry of television have nurtured the institutionalization process of video in the art domain.On the one hand, the influx of museums has been paramount when it comes to legitimating avant-garde discourses. However, they always showed misgivings in the face of certain practices supported on technology reproduction or “outlying” its coded space along the lines put forward by the video produced by artists.On the other hand, the domain of artistic creation, inasmuch as it belongs in the social sphere, has not been able to stay away of televis
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Piñón, Juan. "Disruption and continuity on telenovela with the surge of a new hybrid prime-time fictional serial: The super series." Critical Studies in Television: The International Journal of Television Studies 14, no. 2 (2019): 204–21. http://dx.doi.org/10.1177/1749602019838885.

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The Latin American telenovela genre has enjoyed a long-lasting hegemonic position in prime-time television across the region, and particularly within US Spanish-language television market. However, in the last several years, Spanish-language national television networks, as well as their prime-time telenovela product, are being challenged by the new digital and mobile media landscape. Television networks have deployed a variety of strategies to better accommodate to new audiences’ consumption routines in a digital age. This article focuses on a particular moment of disruption – and continuity
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42

Septiani, Eka, Nur Indah Sari, and Sri Mulyani. "TANTANGAN DI ERA INDUSTRI 4.0: PENGARUH INTENSITAS TAYANGAN PROGRAM TELEVISI TERHADAP PENGGUNAAN BAHASA INDONESIA." EKSPRESI DAN PERSEPSI : JURNAL ILMU KOMUNIKASI 2, no. 1 (2019): 65. http://dx.doi.org/10.33822/jep.v2i1.1033.

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Television media is one of the challenges we are currently facing in era 4.0. The challenge that we face through television media are, among other things,how we can choose educational television programs, especially those that still prioritize the use of Indonesian language that is good and correct in its presentation. Ironically, most television programs presented no longer heed the standard Indonesian language. This study aims to find out how teenagers in this case are students can view and choose television programs that they watch every day. Based on these objectives, researchers used desc
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Tanaka, Lidia. "Turn-taking in Japanese television interviews." Pragmatics. Quarterly Publication of the International Pragmatics Association (IPrA) 16, no. 2-3 (2006): 361–98. http://dx.doi.org/10.1075/prag.16.2-3.05tan.

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Despite interviewers having a wide range of strategies to elicit talk, English language interviewers overwhelmingly use syntactic questions. In contrast, most turns in Japanese semi-formal television interviews end in non-interrogative forms, and other methods are used to achieve smooth turn yielding. This study looks at the interviewers’ turns and examines how interviewees recognize turn-yielding. It argues that interviewers prefer using interviewing strategies other than canonical question forms to avoid any possible FTA (face threatening act).
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Nowshin, Iffat, Farhana Salim, Rini Juliet Rozario, and Humaira Nazneen. "Impact of Mass Media on Attitude and Practice of Public Health Knowledge among Urban Population of Bangladesh." Eastern Medical College Journal 7, no. 1 (2022): 21–25. http://dx.doi.org/10.3329/emcj.v7i1.62722.

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This descriptive type of cross-sectional study was conducted among 180 persons of different socio-economic conditions of Dhaka city using semi-structured questionnaire through face-to-face interview to identify the impact of mass media in disseminating public health related messages to the urban population of Bangladesh. Convenience sampling was the process of selecting the subjects. Among 180 respondents mean age of the respondents was 28.75±8.55 years. Majority of the respondents were graduate (29.0%). Of the total 180 respondents 121 (67.2%) read newspaper and among them, 46 (38.32%) read P
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45

Azim, Shabnam. "Journey of Broadcast Journalism in Bangladesh: Challenges and Prospects." Indian Journal of Mass Communication and Journalism 2, no. 2 (2022): 16–22. http://dx.doi.org/10.54105/ijmcj.b1021.122222.

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Globally, Broadcast journalism is considered the most powerful medium to influence audience. In Bangladesh, broadcast journalism thrives when private television channels started flourishing around two decades ago. Television journalism created news hungry among the masses giving hourly news bulletin. But the ongoing pandemic Covid-19 has impacted everything especially the media. During this time broadcast journalism was very crucial as people were news hungry but at the same time it was very risky as World Health Organization termed wrong messages as “Info emic”. Giving proper message to the p
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46

Shabnam, Azim. "Journey of Broadcast Journalism in Bangladesh: Challenges and Prospects." Indian Journal of Mass Communication and Journalism (IJMCJ) 2, no. 2 (2022): 16–22. https://doi.org/10.54105/ijmcj.B1021.122222.

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<strong>Abstract:</strong> Globally, Broadcast journalism is considered the most powerful medium to influence audience. In Bangladesh, broadcast journalism thrives when private television channels started flourishing around two decades ago. Television journalism created news hungry among the masses giving hourly news bulletin. But the ongoing pandemic Covid-19 has impacted everything especially the media. During this time broadcast journalism was very crucial as people were news hungry but at the same time it was very risky as World Health Organization termed wrong messages as &ldquo;Info emic
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47

İşliyen, Fadime Şimşek, and Mustafa İşliyen. "An overall assessment of the educational roles TV contents play in raising children’s historical consciousnes." International Journal of Innovative Research in Education 4, no. 2 (2017): 77. http://dx.doi.org/10.18844/ijire.v4i2.2317.

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Abstract&#x0D; &#x0D; This study attempts to determine what kind of effects the contents of TV children consume have on their cognitive development and whether they have any contribution to their educational lives. In this study, the effect of television usually on education especially on history education has been discussed. To reveal this effect clearly, children aged 7 to 8 who had not received history education and whose historical consciousness had not yet developed fully were included in the study. Face to face interviews were used to collect data for the study. Based on the consideratio
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Alamsyah, Feri Ferdinan, and Muslim -. "KONSTRUKSI TELEVISI LOKAL BAGI PELAKU TELEVISI LOKAL (Studi Fenomenologi pada stasiun TV lokal Megaswara Bogor)." Media Bahasa, Sastra, dan Budaya Wahana 25, no. 1 (2019): 41–56. http://dx.doi.org/10.33751/wahana.v25i1.1217.

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AbstrakLocal television stations have a mission to provide a variety of shows to local communities in the broadcast local area. This diversity is intended to against the potential influence of national television station shows that tend to be centralized. In practice, local television stations face a number of very difficult obstacles. Through qualitative research methods with a phenomenological approach, this study explains the position of local television stations in responding to the development of regulations and the technology they experience. This study resulted that as a broadcast media
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Marzal Felici, Javier, and Ramón Zallo Elgezabal. "Introduction: regional public television in the face of the digital society." Communication & Society 29, no. 4 (2016): 1–7. http://dx.doi.org/10.15581/003.29.4.1-7.

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Hunt, T. "Reality, Identity and Empathy: The Changing Face of Social History Television." Journal of Social History 39, no. 3 (2006): 843–58. http://dx.doi.org/10.1353/jsh.2006.0005.

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