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Relevant bibliographies by topics / Facial animation / Books

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Books on the topic 'Facial animation'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 March 2023

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1

Keith, Waters, ed. Computer facial animation. 2nd ed. Wellesley, Mass: A K Peters, 2008.

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2

Keith, Waters, ed. Computer facial animation. Wellesley, Mass: A K Peters, 1996.

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3

Deng, Zhigang, and Ulrich Neumann, eds. Data-Driven 3D Facial Animation. London: Springer London, 2007. http://dx.doi.org/10.1007/978-1-84628-907-1.

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4

Stop staring: Facial modeling and animation done right. 3rd ed. Indianapolis, Ind: Wiley Pub., 2010.

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5

Stop staring: Facial modeling and animation done right. San Francisco: SYBEX, 2003.

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6

Stop staring: Facial modeling and animation done right. 2nd ed. Indianapolis, Ind: Wiley/Sybex, 2007.

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7

Darris, Dobbs, ed. Animating facial features and expression. Rockland, Mass: Charles River Media, 1999.

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8

S, Pandzic Igor, and Forchheimer Robert, eds. MPEG-4 facial animation: The standard, implementation and applications. Chichester: J. Wiley, 2002.

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9

Waters, Keith. The computer synthesis of expressive three-dimensional facial character animation. [London]: [Middlesex Polytechnic], 1988.

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10

Lee, Victor Yuencheng. The construction and animation of functional facial models from cylindrical range/reflectance data. Ottawa: National Library of Canada, 1993.

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11

Osipa, Jason. Stop Staring. New York: John Wiley & Sons, Ltd., 2007.

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12

Mariotti, Marcella, Maria Roberta Novielli, Bonaventura Ruperti, and Silvia Vesco. Rethinking Nature in Post-Fukushima Japan. Venice: Edizioni Ca' Foscari, 2018. http://dx.doi.org/10.30687/978-88-6969-264-2.

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This volume brings together the papers presented at the international symposium Rethinking Nature in Contemporary Japan: Facing the Crisis held at Ca’ Foscari University of Venice in March 2015, as the last of a three-years research project on post-Fukushima Japan funded by the Japan Foundation. The book focuses on Religion and Thought, Fine Arts, Music, Cinema, Animation and Performing Arts (Theatre and Dance), from a multidisciplinary perspective.

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13

Capitani, Paola, ed. Il controllo terminologico delle risorse elettroniche in rete. Florence: Firenze University Press, 2001. http://dx.doi.org/10.36253/88-8453-008-3.

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Dalla tavola rotonda del 27 gennaio è emerso che lo "strumento" Internet è un affilato coltello: da una parte le tecnologie uccidono impietose chi non è pronto ad accoglierle e a difendersene, dall'altra possono rendere più efficace e dinamici l'archivistica, la biblioteconomia, la catalogazione - che rischierebbero la paralisi o la confusione. È stata sottolineata la difficoltà di trovare un punto di incontro tra un'area così tradizionale e oggettivamente piuttosto statica con la mobilità turbinosa e incontrollabile della rete. La rete fa paura perchè in essa è molto facile perdersi e restare con un pugno di mosche. I termini più ripetuti sono stati: controllo terminologico - le parole cambiano senso a seconda del contesto, figuriamoci in uno scenario ipertestuale animato da link, continui riferimenti, aggiornamenti e rivisitazioni! - qualità, autenticità dell'informazione - come riuscire a dare fiducia ad un'informazione che non riusciamo a "guardare in faccia"? - irreperibilità della fonte originaria.

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14

Parke, Frederic I., and Keith Waters. Computer Facial Animation. A K Peters/CRC Press, 2008. http://dx.doi.org/10.1201/b10705.

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15

Waters, Keith, and Frederic I. Parke. Computer Facial Animation. CRC Press LLC, 2008.

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16

Waters, Keith, and Frederic I. Parke. Computer Facial Animation. Taylor & Francis Group, 2020.

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17

Waters, Keith, and Frederic I. Parke. Computer Facial Animation. CRC Press LLC, 2008.

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18

Waters, Keith, and Frederic I. Parke. Computer Facial Animation. CRC Press LLC, 2008.

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19

Pandzic, Igor S., and Robert Forchheimer, eds. MPEG‐4 Facial Animation. Wiley, 2002. http://dx.doi.org/10.1002/0470854626.

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20

Pandzic, Igor S., and Robert Forchheimer, eds. MPEG‐4 Facial Animation. Wiley, 2002. http://dx.doi.org/10.1002/0470854626.

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21

Forchheimer, Robert, and Igor S. Pandzic. MPEG-4 Facial Animation. Wiley & Sons, Incorporated, John, 2003.

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22

Waters, Keith, and Parke Frederic I. Computer Facial Animation, Second Edition. Taylor & Francis Group, 2008.

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23

Neumann, Ulrich, and Zhigang Deng. Data-Driven 3D Facial Animation. Springer, 2007.

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24

(Editor), Zhigang Deng, and Ulrich Neumann (Editor), eds. Data-Driven 3D Facial Animation. Springer, 2007.

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25

Dobbs, Darris, and Bill Fleming. Animating Facial Features & Expressions. Charles River Media, 1998.

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26

Osipa, Jason. Stop Staring: Facial Modeling and Animation Done Right. Wiley & Sons, Incorporated, John, 2006.

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27

Osipa, Jason. Stop Staring: Facial Modeling and Animation Done Right. Wiley & Sons, Incorporated, John, 2010.

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28

Osipa, Jason. Stop Staring: Facial Modeling and Animation Done Right. Wiley & Sons, Incorporated, John, 2010.

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29

Osipa, Jason. Stop Staring: Facial Modeling and Animation Done Right. Wiley & Sons, Incorporated, John, 2007.

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30

Osipa, Jason. Stop Staring: Facial Modeling and Animation Done Right. Wiley & Sons, Limited, John, 2010.

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31

Osipa, Jason. Stop Staring: Facial Modeling and Animation Done Right. Sybex, 2007.

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32

Forchheimer, Robert, and Igor S. Pandzic. MPEG-4 Facial Animation: The Standard, Implementation and Applications. Wiley & Sons, Incorporated, John, 2003.

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33

Forchheimer, Robert, and Igor S. Pandzic. MPEG-4 Facial Animation: The Standard, Implementation and Applications. Wiley & Sons, Incorporated, John, 2007.

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34

Forchheimer, Robert, and Igor S. Pandzic. MPEG-4 Facial Animation: The Standard, Implementation and Applications. Wiley & Sons, Incorporated, John, 2003.

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35

(Editor), Igor S. Pandzic, and Robert Forchheimer (Editor), eds. MPEG-4 Facial Animation: The Standard, Implementation and Applications. Wiley, 2002.

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36

Animating Facial Features & Expressions, Second Edition (Graphics Series). 2nd ed. Charles River Media, 2006.

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37

Kähler, Kolja. 3D Facial Animation- Recreating human heads with virtual skin, bones, and muscles. VDM Verlag Dr. Mueller e.K., 2007.

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38

Wells, Patricia Beckmann. Face It: A Visual Reference for Multi-Ethnic Facial Modeling. Taylor & Francis Group, 2013.

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39

Wells, Patricia Beckmann. Face It: A Visual Reference for Multi-Ethnic Facial Modeling. Taylor & Francis Group, 2013.

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40

Wells, Patricia Beckmann. Face It: A Visual Reference for Multi-Ethnic Facial Modeling. Taylor & Francis Group, 2013.

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41

Wells, Patricia Beckmann. Face It: A Visual Reference for Multi-Ethnic Facial Modeling. Taylor & Francis Group, 2018.

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42

Face It: A Visual Reference for Multi-Ethnic Facial Modeling. Taylor & Francis Group, 2013.

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43

Wells, Patricia Beckmann. Face It: A Visual Reference for Multi-Ethnic Facial Modeling. Taylor & Francis Group, 2013.

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44

Osipa, Jason. Stop Staring. Wiley & Sons, Incorporated, John, 2007.

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45

Osipa, Jason. Stop Staring. Wiley & Sons, Incorporated, John, 2006.

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46

Osipa, Jason. Stop Staring. Wiley & Sons, Incorporated, John, 2010.

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47

Fernández-Dols, José-Miguel, and James A. Russell. Introduction. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190613501.003.0001.

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One of the purposes of the present book is to provide an updated review of the current psychology of facial expression and to acknowledge the growing contribution of neuroscientists, biologists, anthropologists, linguists, and other scientists to this field. Our aim was to allow the readers—from lay to practitioners to research scientists—to discover the most recent scientific developments in the field and its associated questions and controversies. As will become obvious, the most fundamental questions, such as whether “facial expressions of emotion” in fact express emotions, remain subjects of great controversy. Just as important, readers will find that new research questions and proposals are animating this field.

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48

Divertimento Da DIVERTIMENTO DA COLORARE FACILE ΑΒ! +120 Libro Da Colorare per Bambini: JUMBO, FACILE, DIVERTENTE GRANDI Immagini Di Cartoni Animati Da Colorare per Bambini Dai 2 Ai 4 Anni. Independently Published, 2022.

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