Relevant bibliographies by topics / Facsimilies

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Facsimilies'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Facsimilies"

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Koblischke, Patryk. "Faksymilia jako typ publikacji książkowej — definicja, typologia, edytorstwo i funkcje." Roczniki Biblioteczne 63 (April 14, 2020): 93–116. http://dx.doi.org/10.19195/0080-3626.63.5.

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The subject of facsimiles has rarely been explored in Polish bibliology. That is why the present study is an attempt to systematise the knowledge of the subject on the basis of bibliological and scholarly sources, both Polish and foreign. Facsimiles are made to represent the most important features of documents, including the faithfulness in the reproduction of the original, content added during facsimile edition (back matter, commentary) as well as formal and editorial features. The very process of producing a facsimile consists in advanced scanning of the original document, precise printing guaranteeing faithful reproduction of colours, manual treatment (e.g. cutting of holes, gilding etc.) and binding. All these elements are to make the facsimile similar to the original as much as possible. Facsimiles serve as substitutes of original documents, making it possible to disseminate and protect the originals, and use them in research or popularising activities. Given the aesthetic and material value, they may also become collector’s items or investments for potential users. Today facsimiles are undergoing transformations in the context of their roles and functions.
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Loughridge, Deirdre. "Making, Collecting and Reading Music Facsimiles before Photography." Journal of the Royal Musical Association 141, no. 1 (2016): 27–59. http://dx.doi.org/10.1080/02690403.2016.1151232.

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ABSTRACTFacsimiles of musical autographs are typically thought to require photography, and to have a primary purpose of clarifying composers’ intentions. But there was a robust culture of music facsimile prior to photography. Made by transfer lithography, these facsimiles served different purposes and reading habits. The activity of collecting handwriting samples was paramount, as was the idea that handwriting was a mirror of character. This article surveys ways of using and finding meaning in composer autographs in the 1820s to the 1840s, focusing especially on music facsimiles in Paris. Here, composers used facsimiles to help shape their public image, and publishers used them to entice consumers. When facsimiles reproduced documents of friendship, they crossed private and public expression in ways that could be advantageous or problematic, as seen through a look at the publication in facsimile of a Rossini waltz by the Revue et gazette musicale and the ensuing legal battles.
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Mascorro, J. A., and G. S. Kirby. "Physical characteristics of "old" epon 812 and various epon-like replacements." Proceedings, annual meeting, Electron Microscopy Society of America 44 (August 1986): 222–23. http://dx.doi.org/10.1017/s0424820100142736.

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Epon 812 has been used successfully as an embedding medium because of its well known sectioning and staining characteristics as well as its ability to tolerate the unfriendly confines of an electron microscope column which include intense heat and strong vacuum. Although production of this popular medium was discontinued by the Shell Chemical Co. in the mid-1970's, the product still is available from several suppliers. However, existing inventories now are nearly 10 years old and microscopists eventually must rely on similar substitutes if Epon was their original choice. This work has examined the replacements EmBed 812, LX-112, Pelco Medcast and PolyBed 812 for physical characteristics such as flow rate, density, viscosity and hardness. In addition, an original supply of Shell Epon 812 was tested and compared to the Epon facsimilies. This work also seeks to establish ideal infiltration and polymerization schedules in order to minimize processing time and insure that tissues are well impregnated subsequent to microtomy and microscopy.
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VAN WOERDEN, H. C., M. R. EVANS, B. W. MASON, and L. NEHAUL. "Using facsimile cascade to assist case searching during a Q fever outbreak." Epidemiology and Infection 135, no. 5 (October 26, 2006): 798–801. http://dx.doi.org/10.1017/s0950268806007333.

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SUMMARYIn September 2002, facsimiles were sent to 360 primary-care physicians alerting them to a local outbreak of Q fever. The physicians subsequently submitted serology samples on significantly more patients than in a previously comparable period in 2001. Facsimile cascade assists effective communication with primary-care physicians in an outbreak investigation.
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Pryimak, O. "RESEARCH OF SIGNATURE IMAGES APPLIED WITH A FAXIMILE CLICHET." Criminalistics and Forensics, no. 66 (2021): 820–29. http://dx.doi.org/10.33994/kndise.2020.66.60.

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In modern expert practice, the so-called signatures made using facsimile clichés are increasingly becoming objects of research. In fact, these are not actually, signatures requiring handwritten execution, but its images, applied using certain clichés (facsimiles). The determination of a specific method of drawing a graphic object (handwritten or not handwritten, in particular, by means of a facsimile cliché) is within the competence of a specialist in the field of forensic examination of documents. In addition, the establishment of a specific performer of the signature refers to the identification tasks of handwriting research. The solution of handwriting problems during handwriting signatures’ research that served as originals for making facsimile clichés, the prints of which are provided for research, is in some cases possible. However, when assessing the identified signs of handwriting, the expert should take into account that with this method of drawing a graphic object, these signs are not reproduced in full, because a significant part of the handwriting information is lost. The facsimile-recreated graphic is not a person identification. Therefore, it is unacceptable to use facsimile clichés to certify documents related to property or legal relations.
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Willis, Graham Denyer. "City of clones: Facsimiles and governance in São Paulo, Brazil." Current Sociology 65, no. 2 (September 22, 2016): 235–47. http://dx.doi.org/10.1177/0011392116657295.

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São Paulo is a megacity defined by formal and informal patterns of urbanization. Informally urbanized spaces are not absent of state intent, despite appearances. Grassroots-led social and spatial practices for survival, agency and self-governance contribute to the reproduction of urban political order in surprisingly unoriginal and routinely recognizable ways. This article argues that these unexceptional informal practices can be understood as ‘facsimiles’ of their formal institutional originals. Using the example of cloned cars the article shows that the facsimile and the original are the same in form and function. Facsimiles do not exist outside of political authority, but are a byproduct and a component of it. They are indistinguishable in their bureaucratic deployment, recognition and acceptance as part of social and spatial order.
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Goodwin, Godfrey. "Art and society of Bulgaria in the Turkish period. By Machiel Kiel. pp. 400, 77 illus. 7 facsimilies, 9 maps. Assen/Maastricht, Van Gorcum, 1985." Journal of the Royal Asiatic Society of Great Britain & Ireland 119, no. 1 (January 1987): 130. http://dx.doi.org/10.1017/s0035869x00167309.

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Márton, Mátyás, László Zentai, and Gábor Gercsák. "From the digital contentual facsimile of a globe map to a contemporaneous facsimile globe in 3D (The rebirth of Perczel’s globe)." Abstracts of the ICA 2 (October 8, 2020): 1–2. http://dx.doi.org/10.5194/ica-abs-2-9-2020.

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Abstract. The final result of the Perczel Project was born after ten years of research at the Department of Cartography and Geoinformatics of Eötvös Loránd University by end 2019. The plan was to completely reconstruct Perczel’s giant globe. The globe, dated 1862, was made by László Perczel and it is now kept in the Map Room of the National Széchényi Library. It is a unique manuscript globe with a diameter of 127.5 cm, but its condition was very poor (several serious defects and illegible labels). In addition to the cartographic tasks by the Department, it was necessary to involve graphic designers and object restorers, model makers, a wood restorer, a coppersmith and an engraver; they were all coordinated by the Archiflex Studio. As a result of their collaboration such globes were born which most probably look like the original manuscript product looked almost 160 years ago. The facsimile was made in three copies.Before the Archiflex Studio started to organize the work, the Department created – by processing 800 photographs – a digital virtual 3D facsimile to register the state of the globe. This globe was entered into the Virtual Globes Museum (http://terkeptar.elte.hu/vgm). The original large-resolution photos were also used for making the segments of the digital contentual globe map between 2008 and 2012. This intensive work (with the cooperation of several BSc, MSc and PhD students of cartography) produced a series of digitally recreated segments of the globe map, which were redrawn, recoloured, and registered the legible letters. The digital contentual facsimile was used to prepare the virtual 3D model, which was also placed in the Virtual Globes Museum in 2012.The work on the globe at the Department ceased in 2012–13, but continued in a half-year project in 2019, before the start of the actual physical reconstruction. The project was undertaken by Mátyás Márton, the head of the former Perczel Poject. The work meant that the digital contentual facsimile completed in 2012 had to be further processed: namely, the digital reconstruction of the globe map. Various cartographic challenges had to be solved to accomplish this task:The possible sources had to be identified: those maps and atlases had to be found that Perczel may have used for the preparation of his globe. The collected publications were compared to the easily readable parts of the globe; in this way, it was possible to select those that were probably used. These sources were considered basic sources for further work.The selected sources made it possible to achieve two goals: first, to complete the letters of place names that were partly illegible, and second, to add the graphical elements to those parts of the globe that had been completely destroyed.There was only limited time to carry out the above tasks, and at the same time, we had to serve those who were working on the production of the three facsimile globes under the direction of the artistic director of the project.This paper gives only an outline of the events of the progress of the digital recreation, that is the digital (virtual) contentual facsimile of the globe at the Department in the past more than ten years. It gives details on the cartographic tasks needed before the physical reconstruction. This made it possible to make the digital restoration and digital reconstruction of the globe map as complete as possible. As a result, it also became possible to prepare the virtual 3D model of the content of the reconstructed facsimile globe. In comparison to the state of the globe in 2012, altogether 2,872 graphical elements and 3,252 place name amendments and corrections were made in the project. Hill shading was added or completed on 318 places – mostly on the damaged parts. Further, the content of the badly damaged calendar ring was explored. (The study and reconstruction of the artistic drawing of the signs of the zodiac was done by a designer-graphic artist.) It is a cartographic interest that the points of the compass were written in old-style Hungarian words on the calendar frame (horizon ring), which are not used today.Finally, the authors present the contemporaneous facsimiles in their physical form, which is the result of the project coordinated by the Archiflex Studio (the 3D models can be seen in the VGM). The completion of these facsimiles makes this work of art – known as Perczel’s globe in map history – a common property representing great scientific and cultural value.
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Sadie, Stanley, Mozart, and Brahms. "Facsimiles." Musical Times 126, no. 1714 (December 1985): 736. http://dx.doi.org/10.2307/965209.

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Lefferts, Peter M. "Facsimiles of Fourteenth-Century English Polyphony." Royal Musical Association Research Chronicle 21 (1988): 83–95. http://dx.doi.org/10.1080/14723808.1988.10540930.

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With the proliferation of comprehensive commercial microfilming of major music collections, careful consideration needs to be given to the production of hard-cover books of facsimiles that traverse the same ground. Of course, a book is still a convenient way of storing and handling certain kinds of material. In compensation for its bulk it is tangible, accessible and portable, not to mention the fact that it can be annotated. And certain kinds of facsimile volume are obviously still going to be desirable: those reproducing single sources of great importance; those containing the contents of smaller libraries and obscure or less accessible collections; and those that comprise within a single volume an important cross-section of some scattered repertory or corpus of sources. In the light of those considerations, the publication of these two volumes of facsimiles of late-medieval English polyphony is most welcome. They make widely available at reasonable quality and price a vast amount of buried treasure found up to now only in the file drawers of a few specialists. The hoard consists of a large proportion of the surviving English polyphony from the era between the Worcester fragments and the Old Hall manuscript. This is an important and little-known repertory, spanning the entire fourteenth century but dispersed among numerous fragmentary sources. Both volumes will be necessary and welcome additions to public collections as well as to the private libraries of specialists in medieval music. They are also an essential complement to the four-volume edition of this same repertory recently published by Editions de L'Oiseau Lyre in the series Polyphonic Music of the Fourteenth Century, and they will surely prove invaluable for the teaching of surveys and seminars on early English polyphony.
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Dissertations / Theses on the topic "Facsimilies"

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Yung, Yuen-sun. "The marketing of facsimile transceivers in Hong Kong /." [Hong Kong : University of Hong Kong], 1985. http://sunzi.lib.hku.hk/hkuto/record.jsp?B12317639.

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Patch, Marc. "L.U.K.L.O.V.: concerto pour piano." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=61132.

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Emmanouelides, Evangelos. "Anthropus Pananthropus : a work in three continuous movements for Symphony Orchestra with rebetiko trio, alto saxophone and double bass." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=69727.

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McManaman, Steve. "High wire : for chamber orchestra." Thesis, McGill University, 1989. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=59600.

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The way I approached this analysis was to start with two general statements, one on the form and the other on the harmony. This was so the reader could get a sense of the direction of the piece. Then I did a fairly detailed analysis of the introduction since most of the ideas originate from there. The rest of the piece is discussed in less detail, but occasionally there were places that needed a little more detailed explanation. In the postscript I describe some of my influences.
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Howard, Chris 1967. "Prelude, chorale and fantasy : Ecclesiastes 12." Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=69607.

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The Prelude, Chorale and Fantasy is a tonally conceived work for orchestra with a duration of approximately twenty minutes which uses as its inspiration the final chapter of Ecclesiastes. It is constructed from a relatively small number of germinal elements which function throughout the work as connecting forces and icons. In it can be found musical ideas used to represent the Trinity, the most significant of which are the quotations of the hymn "How Brightly Shines the Morning Star" which appear throughout.
A greater understanding of the work can be gained by approaching it first on a philosophical level, making connections between the Biblical text and the music and extrapolating from those connections. Following this, a step by step analysis will show the microscopic structure of the work and its relationship to the larger form.
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Schmidt, Douglas Garth. "Eyes without light." Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/32243.

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"Eyes Without Light" is conceived and scored for symphonic orchestra. The title of this work reflects personal concerns regarding global environmental issues. The phrase "eyes without light", derived from the Gaelic term "sul gan solas", refers in this instance to the blind greed of multi-national industrial and political corporations which are responsible for the destruction of the earth's ecosystem (primarily the forests and oceans). This work, influenced by the 19th-century symphonic poem initiated by Beethoven, Berlioz and Liszt, is programmatic in nature. The busy, confrontational destructiveness of mankind is represented by repeated or moving sixteenth notes at the beginning and end of the piece. These sections utilize varying densities of semitone clusters and are predominantly dissonant. The calmness and balance of the planet earth is represented by the middle section of the work, which consists primarily of slow-moving sustained lines. These sustained lines move to a sonority which is the structural focal point of the work (m 129-131). This sonority is resolved in the final measures. Both the focal point sonority and its resolution are constructed of P5 and P4 intervals. The aggressive destructiveness of mankind is emphasized by the repeated dissonant chords in the concluding measures (m 140-147, m 151-157) of the section.
Arts, Faculty of
Music, School of
Graduate
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Barney, Quinten Zehn. "The Neglected Facsimile: An Examination and Comparative Study of Facsimile No. 3 of the Book of Abraham." BYU ScholarsArchive, 2019. https://scholarsarchive.byu.edu/etd/7598.

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Facsimile No. 3 of the Book of Abraham contains parallels to other Egyptian throne scenes found elsewhere, which fact has led many to pass Facsimile No. 3 off as commonplace. However, the lack of a broad comparative study examining these types of scenes in their varying contexts has rendered most conclusions regarding Facsimile No. 3 superficial at best. Hugh Nibley was perhaps the first to notice this problem, arguing that "The great abundance of pictures of the Facsimile No. 3 variety calls for the widest possible comparative study. In a case like this the student's first obligation is to compare, as widely and as carefully as possible." This thesis takes a critical step in solving this problem by looking at both the textual and iconographic elements found in Facsimile No.3 and comparing them with the larger corpus of Egyptian texts, temples, tombs, and stelae. Significantly, this study compares Facsimile No. 3 with the throne scenes from every other publicly known copy of the Book of Breathings, the ancient Egyptian document on which Facsimile No. 3 was found.In this thesis, I argue that Facsimile No. 3 is not as commonplace as some scholars have argued in the past. I begin this thesis with an introduction which presents some of the main issues surrounding Facsimile No. 3, including some of the likely reasons as to why it has remained the least studied of the three Facsimiles of the Book of Abraham. The first chapter contains a literature review of the published writings and theories that deal with Facsimile No. 3. Chapter Two gives a closer look at the hieroglyphs of Facsimile No. 3 and discusses some of the challenges relating to the translations that have been offered for them. The iconography of Facsimile No. 3 is discussed in the third chapter, where it is compared with the larger corpus of Book of Breathings vignettes. This discussion is especially important, as it is the first study to date which compares Facsimile No. 3 with the vignettes from all other extant copies of the Book of Breathings. In Chapter Four, this comparative study broadens, and parallels to Facsimile No. 3 are looked for in Ptolemaic copies of the Book of the Dead, Temples, Tombs, and funerary stelae.
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Fenwick, James A. "The Use of Faceplate Assemblies as Facsimiles of Custom Hearing Instruments." PDXScholar, 1994. https://pdxscholar.library.pdx.edu/open_access_etds/4735.

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Custom-designed hearing instruments comprise the majority of those dispensed in the United States today. Because of their custom nature, there has been no means of evaluating them until they have been completed. There would be advantages to evaluating custom instruments prior to their completion. This study investigates a means of evaluating custom instruments prior to their final assembly into the customized shell. This is done by having the subject listen to the circuitry of the instrument while it is still mounted on the faceplate, which is accomplished by coupling the faceplate assembly to the subject's ear with foam earplug. To determine if the faceplate assembly, when coupled to the subject's ear, is a facsimile of the completed instrument, the insertion gain of the faceplate assembly was compared to the insertion gain of the completed instrument. Real ear measurements were obtained for both conditions (faceplate assembly vs. custom instrument) on twelve subjects. Once insertion gain was measured, the faceplate assemblies were then converted into custom instruments and insertion gain remeasured. A two-way Analysis of Variance test revealed no significant difference between the two test conditions at five representative test frequencies. A tolerance template, as specified by ANSI S3.22 1982, was used as a second criterion for similarity between two conditions. The tolerance template was superimposed over the insertion gain curves of the twelve faceplate assembly conditions to determine if the insertion gain curves of the completed instrument fell within acceptable variances. None of the insertion gain curves for the completed instruments fell completely within the tolerances allowed by the template. Based on this criterion, it was concluded there was a significant difference between the insertion gain of the two conditions and therefore the faceplate assembly was not a facsimile of the completed instrument, where insertion gain was concerned. However, from a subjective standpoint the faceplate assembly might still have some utility in the fitting of the custom in-the-ear hearing instruments. For example, it could be used to allow potential hearing aid wearers to experience different technologies during the preselection phase of the fitting process.
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Andrews, Anthony W. "The design of a meteorological facsimile converter." Thesis, Cranfield University, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.232813.

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Tan, Beng Siang. "Digital compression of two-tone facsimile signals." Thesis, Imperial College London, 1986. http://hdl.handle.net/10044/1/38171.

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Books on the topic "Facsimilies"

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Benedetti, Mario. Utopías en foco: Con manuscritos del poeta. [Buenos Aires: Editorial Losada, 2001.

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d'Jesús, Enrique Hernández. Gerbasi: Del trazo a la palabra : fotografías. Caracas, Venezuela: Fundación Esta Tierra de Gracia, 1999.

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Quevedo, Francisco de. Las tres musas últimas castellanas: Segunda cumbre del Parnaso español. Madrid: Universidad de Castilla-La Mancha, 1999.

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Cernuda, Luis. Los placeres prohibidos: Versión original del texto y manuscritos. Málaga: Centro Cultural de la Generación del 27, 2003.

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Lorca, Federico García. Ferias. [Spain?: s.n., 1997.

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Cernuda, Luis. Los placeres prohibidos. Madrid: Ayuntamiento de Madrid, 2002.

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Crawford, Allen Hugh. The soldier, the man: Journey through the life of Paul Sardo Frank, Sr., Lieutenant Colonel, Infantry, United States Army : 1900-1970. Centralia, Wash: Gorham Printing, 2006.

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Natsume, Sōseki. Natsume Sōseki genkō "Michikusa". Tōkyō: Nigensha, 2004.

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Lazutka, Stanislav Antonovich. Pirmasis Lietuvos Statutas (1529 m.): Zamoiskių ir firlėjų rankraščių nuorašų paleografija ir faksimilės = Pervyĭ litovskiĭ Statut (1529 g.) : paleografii︠a︡ i faksimile rukopiseĭ spiskov Zamoĭskikh i Firleĭskogo. Vilnius: Margi raštai, 2007.

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Lazutka, Stanislav Antonovich. Pirmasis Lietuvos Statutas (1529 m.): Zamoiskių ir firlėjų rankraščių nuorašų paleografija ir faksimilės = Pervyĭ litovskiĭ Statut (1529 g.) : paleografii︠a︡ i faksimile rukopiseĭ spiskov Zamoĭskikh i Firleĭskogo. Vilnius: Margi raštai, 2007.

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Book chapters on the topic "Facsimilies"

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Gooch, Jan W. "Facsimile." In Encyclopedic Dictionary of Polymers, 294. New York, NY: Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-6247-8_4754.

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Weik, Martin H. "facsimile." In Computer Science and Communications Dictionary, 564. Boston, MA: Springer US, 2000. http://dx.doi.org/10.1007/1-4020-0613-6_6723.

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Weik, Martin H. "digital facsimile." In Computer Science and Communications Dictionary, 410. Boston, MA: Springer US, 2000. http://dx.doi.org/10.1007/1-4020-0613-6_5027.

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Weik, Martin H. "facsimile adapter." In Computer Science and Communications Dictionary, 565. Boston, MA: Springer US, 2000. http://dx.doi.org/10.1007/1-4020-0613-6_6728.

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Weik, Martin H. "facsimile bandwidth." In Computer Science and Communications Dictionary, 565. Boston, MA: Springer US, 2000. http://dx.doi.org/10.1007/1-4020-0613-6_6729.

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Weik, Martin H. "facsimile board." In Computer Science and Communications Dictionary, 565. Boston, MA: Springer US, 2000. http://dx.doi.org/10.1007/1-4020-0613-6_6730.

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Weik, Martin H. "facsimile converter." In Computer Science and Communications Dictionary, 565. Boston, MA: Springer US, 2000. http://dx.doi.org/10.1007/1-4020-0613-6_6731.

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Weik, Martin H. "facsimile equipment." In Computer Science and Communications Dictionary, 565. Boston, MA: Springer US, 2000. http://dx.doi.org/10.1007/1-4020-0613-6_6734.

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Weik, Martin H. "facsimile machine." In Computer Science and Communications Dictionary, 566. Boston, MA: Springer US, 2000. http://dx.doi.org/10.1007/1-4020-0613-6_6736.

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Weik, Martin H. "facsimile receiver." In Computer Science and Communications Dictionary, 566. Boston, MA: Springer US, 2000. http://dx.doi.org/10.1007/1-4020-0613-6_6738.

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Conference papers on the topic "Facsimilies"

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Yunbiao Guo, Xingang You, Chuntian Zhang, Lan Hu, and Linna Zhou. "Steganalysis of facsimile." In The 7th International Conference on Advanced Communication Technology. IEEE, 2005. http://dx.doi.org/10.1109/icact.2005.246009.

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Garg, Kapil, Ankit Agarwal, Mayur Gaikwad, Shruti Nanwani, and Vahid Inamdar. "Sybil - A tricky facsimile." In 2012 IEEE International Conference on Engineering Education: Innovative Practices and Future Trends (AICERA). IEEE, 2012. http://dx.doi.org/10.1109/aicera.2012.6306746.

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Turner, M. J., and K. C. Halton. "Facsimile-images of the future." In Proceedings DCC '97. Data Compression Conference. IEEE, 1997. http://dx.doi.org/10.1109/dcc.1997.582143.

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Vanushev, B. V., Igor S. Gibin, V. A. Polivanov, S. A. Pirogov, and I. I. Rasumova. "Compact facsimile image input device." In Optical Information Processing: International Conference, edited by Yuri V. Gulyaev and Dennis R. Pape. SPIE, 1994. http://dx.doi.org/10.1117/12.165937.

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Elliman, D. G. "Document recognition for facsimile transmission." In IEE Colloquium on Document Image Processing and Multimedia. IEE, 1999. http://dx.doi.org/10.1049/ic:19990203.

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Likforman-Sulem, L., and B. Cuenca. "Facsimile processing for a messaging server." In Proceedings. Tenth International Workshop on Database and Expert Systems Applications. DEXA 99. IEEE, 1999. http://dx.doi.org/10.1109/dexa.1999.795242.

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Aripov, Izzatulla. "Investigation of primary facsimile signals duration." In 2006 2nd IEEE/IFIP International Conference in Central Asia on Internet. ICI 2006. IEEE, 2006. http://dx.doi.org/10.1109/canet.2006.279265.

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Sherkat, N., and T. J. Allen. "Whole word recognition in facsimile images." In Proceedings of the Fifth International Conference on Document Analysis and Recognition. ICDAR '99 (Cat. No.PR00318). IEEE, 1999. http://dx.doi.org/10.1109/icdar.1999.791846.

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Shaus, Arie, Eli Turkel, and Eli Piasetzky. "Quality Evaluation of Facsimiles of Hebrew First Temple Period Inscriptions." In 2012 10th IAPR International Workshop on Document Analysis Systems (DAS). IEEE, 2012. http://dx.doi.org/10.1109/das.2012.70.

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Urban, Stephen J. "Standards for electronic imaging for facsimile systems." In Critical Review Collection. SPIE, 1991. http://dx.doi.org/10.1117/12.48894.

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Reports on the topic "Facsimilies"

1

Perschau, Stephen. Color Facsimile. Fort Belvoir, VA: Defense Technical Information Center, January 1996. http://dx.doi.org/10.21236/ada324893.

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Perschau, Stephen. Enhanced Facsimile Services. Fort Belvoir, VA: Defense Technical Information Center, January 1993. http://dx.doi.org/10.21236/ada319893.

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Masinter, L., and D. Wing. Extended Facsimile Using Internet Mail. RFC Editor, March 1999. http://dx.doi.org/10.17487/rfc2532.

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DELTA INFORMATION SYSTEMS INC HORSHAM PA. Color Test Chart for Facsimile. Fort Belvoir, VA: Defense Technical Information Center, August 1992. http://dx.doi.org/10.21236/ada269754.

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Bodson, Dennis. Radio Facsimile. Volume 2. Test Results. Fort Belvoir, VA: Defense Technical Information Center, May 1987. http://dx.doi.org/10.21236/ada198894.

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Cancio, V., M. Moldovan, H. Tamura, and D. Wing. Implementers Guide for Facsimile Using Internet Mail. RFC Editor, September 2002. http://dx.doi.org/10.17487/rfc3249.

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DELTA INFORMATION SYSTEMS INC HORSHAM PA. Computer Simulation of Group 3 Facsimile Encryption. Fort Belvoir, VA: Defense Technical Information Center, March 1987. http://dx.doi.org/10.21236/ada199330.

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DELTA INFORMATION SYSTEMS INC HORSHAM PA. Analysis of Government Facsimile Equipment and Networks. Fort Belvoir, VA: Defense Technical Information Center, May 1991. http://dx.doi.org/10.21236/ada243139.

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Fenwick, James. The Use of Faceplate Assemblies as Facsimiles of Custom Hearing Instruments. Portland State University Library, January 2000. http://dx.doi.org/10.15760/etd.6619.

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Toyoda, K., H. Ohno, J. Murai, and D. Wing. A Simple Mode of Facsimile Using Internet Mail. RFC Editor, December 2004. http://dx.doi.org/10.17487/rfc3965.

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