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Journal articles on the topic 'Facture de piano'

Author: Grafiati

Published: 22 June 2024

Last updated: 31 July 2025

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1

Martynenko, N. N. "PECULIARITIES OFORCHESTRA FACTURE IN CONCERT FOR PIANO WITH ORCESTRA F.POULENC (CIS-MOLL)." National Association of Scientists 3, no. 27(54) (2020): 9–14. http://dx.doi.org/10.31618/nas.2413-5291.2020.3.54.201.

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The article considers a concert for piano and orchestra by F. Poulenc in the context of the musical aesthetics of thecomposer and features of the orchestra texture as key components of the author s creative method. The basic principles of orchestral writing are analyzed. Using specific examples from individual parts of the concerts, interesting distinctive properties inherent in the orchestration jf the composer are examined.

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2

Didi, Amer. "Ziad Kreidy. 2018. La facture du piano et ses métamorphoses. Château-Gontier (Fr) : Éditions Aedam Musicae, coll. « Musiques xxe–xxie siècles », 128 p. ISBN 978-2-919046485." Book Review 37, no. 1 (2019): 221–24. http://dx.doi.org/10.7202/1059896ar.

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3

Swartz, Anne. "Facteurs de pianos en Russie au XIXe siècle." Slavica Occitania 23, no. 1 (2006): 19–33. https://doi.org/10.3406/slaoc.2006.2256.

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4

Chi, Ju-Yang, Mark Halaki, and Bronwen J. Ackermann. "Ergonomics in violin and piano playing: A systematic review." Applied Ergonomics 88 (October 2020): 103143. http://dx.doi.org/10.1016/j.apergo.2020.103143.

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5

Fuentes López, Martha Elena, José Alberto García Salazar, and Juvencio Hernández Martínez. "Factores que afectan el mercado de madera aserrada de pino en México." Madera y Bosques 12, no. 2 (2016): 17–28. http://dx.doi.org/10.21829/myb.2006.1221240.

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Con el objetivo de evaluar el comportamiento de la producción y el consumo de madera aserrada de pino, ante variaciones en los precios, se calcularon las elasticidades de la oferta y la demanda en un período de 23 años (1980-2003). Se ajustó un modelo de ecuaciones simultáneas compuesto de una ecuación de oferta, una de demanda, una de transmisión de precios y una de identidad. Los resultados indican que la producción de madera aserrada responde de manera inelástica (0 ,0748) a las variaciones en los precios, y que los factores que más afectan la oferta de madera aserrada de pino son la capaci

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6

Garay Mendoza, Martha Paola. "La procrastinación y los factores que inciden en el desempeño de estudiantes de piano de la Facultad de Música." Paradigma Creativo 5, no. 1 (2024): 18–33. https://doi.org/10.29105/pc.v5i1.44.

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La procrastinación es una práctica común que implica posponer tareas importantes mediante actividades alternativas, evitando enfrentar responsabilidades. En carreras creativas como las artes (música, danza, pintura, escultura), este hábito puede ser especialmente perjudicial, ya que afecta el progreso técnico y emocional de los estudiantes. La disciplina es esencial en estas áreas, ya que fomenta la estimulación cerebral y la motivación diaria. En profesiones más teóricas, donde las evaluaciones suelen depender de proyectos escritos o en grupo, la procrastinación puede no impactar tanto el ren

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7

Lai, Kuan-Yin, Shyi-Kuen Wu, I.-Ming Jou, Hsiao-Man Hsu, Mei-Jin Chen Sea, and Li-Chieh Kuo. "Effects of hand span size and right-left hand side on the piano playing performances: Exploration of the potential risk factors with regard to piano-related musculoskeletal disorders." International Journal of Industrial Ergonomics 50 (November 2015): 97–104. http://dx.doi.org/10.1016/j.ergon.2015.09.011.

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8

GRIECO, A., E. OCCHIPINTI, D. COLOMBINI, et al. "Muscular effort and musculoskeletal disorders in piano students: electromyographic, clinical and preventive aspects." Ergonomics 32, no. 7 (1989): 697–716. http://dx.doi.org/10.1080/00140138908966837.

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9

Harbec, Jacinthe. "Within the Quota de Cole Porter et Charles Koechlin : la francisation du jazz américain." Les musiques franco-européennes en Amérique du Nord (1900-1950) : études des transferts culturels 16, no. 1-2 (2017): 39–50. http://dx.doi.org/10.7202/1039611ar.

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Créé à Paris le 23 octobre 1923 par les Ballets suédois de Rolf de Maré, Within the Quota a été commandé en vue de la tournée américaine prévue pour le mois suivant. Ayant comme toile de fond les péripéties d’un immigrant suédois arrivant à New York, le ballet se déroule sur une musique jazz composée par Cole Porter et orchestrée par Charles Koechlin. Or, lors de la représentation new-yorkaise en novembre 1923, F. D. Perkins du New York Tribune affirme que le jazz de Porter contient plus de traces stylistiques de Darius Milhaud que celles de George Gershwin. Installé à Paris depuis 1919, Porte

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10

Abdillah, Herudin. "Accounts of Adult English Language Learners in Their Classroom Communication: A Phenomenology." Psychology and Education: A Multidisciplinary Journal 25, no. 7 (2024): 924–47. https://doi.org/10.5281/zenodo.13833710.

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This qualitative study described the accounts of five (5) adults English language learners from Gani L. Abpi College Incorporated, Datu Piang, Maguindanao. The study is based on Cross's (1981), theory that adult learning characteristics have been primarily focused on understanding how adults learn. Thus, it was utilized the phenomenological research design described by Colaizzi’s, (1978) seven steps strategy that provided a meticulous analysis of data. The transcription and translation, as well as classifying statements into themes, were employed with in-depth interview with the particip

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11

Ito, Kanami, Tatsunori Watanabe, Takayuki Horinouchi, et al. "Higher synchronization stability with piano experience: relationship with finger and presentation modality." Journal of Physiological Anthropology 42, no. 1 (2023). http://dx.doi.org/10.1186/s40101-023-00327-2.

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Abstract Background Synchronous finger tapping to external sensory stimuli is more stable for audiovisual combined stimuli than sole auditory or visual stimuli. In addition, piano players are superior in synchronous tapping and manipulating the ring and little fingers as compared to inexperienced individuals. However, it is currently unknown whether the ability to synchronize to external sensory stimuli with the ring finger is at the level of the index finger in piano players. The aim of this study was to compare the effect of piano experience on synchronization stability between the index and

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12

JITAO, CHEN, RATTACHAIWONG NATAPORN, and XIULEI REN. "THE AESTHETIC EXPERIENCE OF "THE YELLOW RIVER" PIANO CONCERTO FROM THE PERSPECTIVE OF RECEPTION AESTHETICS." 17, no. 07 (2022): 500–508. https://doi.org/10.5281/zenodo.6875657.

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<strong>Abstract</strong> Reception aesthetics is mainly a literary research method. It regards the process of aesthetic reception as the core part of the whole literary aesthetic process and places the subjective role of the recipient in an extremely important position. Literary aesthetics and artistic aesthetics are different in form, but they are interlinked in essence. Therefore, the research will take the theory of reception aesthetics as analytical framework, analyze the reason why the Yellow River Piano Concerto has become a classic, explore how to use the theory of reception aesthetics

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13

Cruz, Alfonso Pérez, and Alfonso Pérez Sánchez. "Preludio y fuga sobre un tema de Haendel – Análisis técnico de esta obra para piano de Manuel M. Ponce." Revista Vórtex 7, no. 3 (2019). http://dx.doi.org/10.33871/23179937.2019.7.3.3196.

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Manuel M. Ponce ha sido considerado uno de los compositores más importantes del panorama nacional de México y, aunque su obra es interpretada con asiduidad, los estudios teóricos especializados son menos frecuentes. Este artículo busca ofrecer un análisis técnico-expresivo del Preludio y fuga sobre un tema de Haendel, que constituye un ejercicio escolástico donde muestra destreza para evocar el procedimiento imitativo y capacidad de personalizar la forma. El resultado es una obra romántica contrapuntística donde la lógica compositiva está en consonancia con la excelente factura pianística,

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14

Vargas-Larreta, Benedicto, Carlos Enrique Aguirre-Calderón, Cristóbal Gerardo Aguirre-Calderón, and Francisco Javier Hernández. "Factores de forma y ecuaciones de volumen comercial para cinco especies de pino en el estado de Durango, México." Investigación y Ciencia de la Universidad Autónoma de Aguascalientes, no. 84 (October 31, 2021). http://dx.doi.org/10.33064/iycuaa2021842815.

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La descripción del perfil del fuste de los árboles es importante para la correcta estimación del volumen maderable de un bosque. El objetivo de este estudio fue ajustar ecuaciones de volumen comercial y generar factores de forma para cinco especies de pino en la región forestal El Salto, Durango, México. La información experimental se obtuvo de 840 árboles mediante muestreo destructivo. Se ajustaron ocho tarifas para estimar el volumen individual del fuste con corteza, así como una función compatible ahusamiento-volumen para calcular el volumen comercial. Los parámetros de los modelos se obtuv

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15

Mita, Shinjiro, Nayuta Sato, Morio Fujimoto, et al. "5 Lanes 5 Fingers Portable Touch-Typing Interface “ParoTone” for Efficient Sensorimotor Learning: Musical Performance Acquisition Much Faster than Piano." International Journal of Human–Computer Interaction, September 1, 2022, 1–11. http://dx.doi.org/10.1080/10447318.2022.2108635.

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16

Goubault, Etienne, Felipe Verdugo, François Bailly, Mickaël Begon, and Fabien Dal Maso. "Inertial Measurement Units and Partial Least Square Regression to Predict Perceived Exertion During Repetitive Fatiguing Piano Tasks." IEEE Transactions on Human-Machine Systems, 2023, 1–9. http://dx.doi.org/10.1109/thms.2023.3278874.

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