Relevant bibliographies by topics / Fahrenheit 9/11

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  2. Dissertations / Theses
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  4. Book chapters

Academic literature on the topic 'Fahrenheit 9/11'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 January 2023

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Journal articles on the topic "Fahrenheit 9/11"

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Rasmusson, Sarah L. "Masculinity and Fahrenheit 9/11." International Feminist Journal of Politics 7, no. 1 (2005): 137–41. http://dx.doi.org/10.1080/1461674052000342339.

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Lawrence, Regina G. "A Review of “Fahrenheit 9/11”." Political Communication 22, no. 2 (2005): 253–55. http://dx.doi.org/10.1080/10584600590933269.

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Secor, Anna J. "Fahrenheit 9/11: War, Fantasy, and Society." Environment and Planning D: Society and Space 22, no. 6 (2004): 919–23. http://dx.doi.org/10.1068/d2206e.

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Hissen, Alexandra. "Fahrenheit 9/11: Der Film zum Wahlkampf." Rhetorik 26, no. 1 (2007): 84–94. http://dx.doi.org/10.1515/9783484605022.0.84.

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WEBER, CYNTHIA. "Fahrenheit 9/11: The Temperature Where Morality Burns." Journal of American Studies 40, no. 1 (2006): 113–31. http://dx.doi.org/10.1017/s0021875806000776.

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Michael Moore's 2004 film Fahrenheit 9/11 is a visual and narrative tour de force that critiques everything from the controversial conditions under which George W. Bush assumed the US presidency to President Bush's handling of his so-called “war on terror.” With its tagline “The temperature where freedom burns,” Moore stresses the dubious ethical nature of the Bush administration's post-9/11 policies, especially as they redefine the US relationship between freedom and censorship. In so doing, he challenges the Bush administration's constructions of US morality as ultimately elitist and self-se
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Briley, Ron. "Fahrenheit 9/11: Michael Moore Heats It Up." Film & History: An Interdisciplinary Journal of Film and Television Studies 35, no. 2 (2005): 11–12. http://dx.doi.org/10.1353/flm.2005.0029.

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Nolley, Ken. "Fahrenheit 9/11: Documentary, Truth-telling, and Politics." Film & History: An Interdisciplinary Journal of Film and Television Studies 35, no. 2 (2005): 12–16. http://dx.doi.org/10.1353/flm.2005.0052.

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Vieira, Laís Farago, and Vanessa Matos dos Santos. "Descortinando Fahrenheit 9/11: as estratégias de Michael Moore." DOC online - Revista Digital de Cinema Documentário, no. 23 (March 30, 2018): 196–211. http://dx.doi.org/10.20287/doc.d23.ac02.

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Dear, Michael. "Fahrenheit 9/11: The Temperature at which Regimes Burn?" Environment and Planning D: Society and Space 22, no. 6 (2004): 924–26. http://dx.doi.org/10.1068/d2206f.

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Goodnight, G. Thomas. "The Passion of the Christ Meets Fahrenheit 9/11." American Behavioral Scientist 49, no. 3 (2005): 410–35. http://dx.doi.org/10.1177/0002764205279417.

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Dissertations / Theses on the topic "Fahrenheit 9/11"

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Häll, Karin. "En retorisk analys av Fahrenheit 9/11 ur ett dokumentärhistoriskt perspektiv." Thesis, Högskolan Dalarna, Medie- och kommunikationsvetenskap, 2006. http://urn.kb.se/resolve?urn=urn:nbn:se:du-2723.

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The history of rhetorics in documentary film is a long one. The French brothers Louise and Auguste Lumiére were among the first persons who produced a documentary and their work has had a big impression in the history of documentary during the 1900 century. John Grierson has been called “the father” of documentary film. He produced films in the English speaking part of the world and he is the founder of the concept “documentary film”. Propaganda filming has a big part in the history of documentary film. Most frequently it appeard in Germany before and during the secound WW II, but propaganda f
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Hadley, Tiffany S. "Not all reality is created equal a rhetorical hybrid of conspiracy and diatribe in Michael Moore's Fahrenheit 9/11 /." Cincinnati, Ohio : University of Cincinnati, 2006. http://www.ohiolink.edu/etd/view.cgi?acc%5Fnum=ucin1141244903.

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Thesis (M.A.)--University of Cincinnati, 2006.<br>Title from electronic thesis title page (viewed Apr. 11, 2006). Includes abstract. Keywords: Michael Moore, Documentary, Diatribe, Conspiracy, Hybrid, Generic Hybrid, Rhetorical Hybrid, Modes of Representation, Nichols. Includes bibliographical references.
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Lange, Christiane. "Meinungsmacher Michael Moore? der Einfluss des Films Fahrenheit 9/11 auf das Nationenimage Amerikas in Deutschland ; eine empirische Analyse." Hamburg Diplomica-Verl, 2006. http://d-nb.info/987352318/04.

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Hadley, Tiffany Sunshine. "Not All Reality Is Created Equal: A Rhetorical Hybrid Conspiracy and Diatribe in Michael Moore’s Fahrenheit 9/11." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1141244903.

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Mariano, Márcia Corrêa de Oliveira [UNESP]. "Leituras e imagens do 11 de setembro: reavaliações da história em Falling Man (2007), de Don DeLillo e em Fahrenheit 9/11 (2004), de Michael Moore." Universidade Estadual Paulista (UNESP), 2012. http://hdl.handle.net/11449/151183.

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Made available in DSpace on 2017-03-14T14:10:08Z (GMT). No. of bitstreams: 0 Previous issue date: 2012-02-17. Added 1 bitstream(s) on 2017-03-14T14:42:42Z : No. of bitstreams: 1 000685750.pdf: 67781 bytes, checksum: 3c54d1cb16730767c0361aa0d3ec3549 (MD5) Bitstreams deleted on 2017-07-28T12:36:26Z: 000685750_20161231.pdf,. Added 1 bitstream(s) on 2017-07-28T12:37:14Z : No. of bitstreams: 1 000685750.pdf: 55765135 bytes, checksum: 4bf6c4444b278ebc053c3f7c0ff2844b (MD5) Bitstreams deleted on 2017-08-07T14:09:17Z: 000685750.pdf,. Added 1 bitstream(s) on 2017-08-07T14:10:21Z : No. of bitstreams
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Mariano, Márcia Corrêa de Oliveira. "Leituras e imagens do 11 de setembro : reavaliações da história em Falling Man (2007), de Don DeLillo e em Fahrenheit 9/11 (2004), de Michael Moore /." São José do Rio Preto : [s.n.], 2012. http://hdl.handle.net/11449/151183.

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Orientador: Giséle Manganelli Fernandes<br>Banca: Manuel Fernando Medina<br>Banca: Norma Wimmer<br>Resumo: Os atentados de 11 de setembro originaram diversas manifestações artísticas buscando não apenas explicações para a tragédia, mas também tentando repensar os acontecimentos. Neste sentido, esta pesquisa apresenta uma investigação a respeito da maneira como um romance e um documentário se apropriaram desse episódio para reavaliá-lo. Com os ataques, os Estados Unidos experimentaram uma forte sensação de vulnerabilidade, desencadeando reações do governo americano, que formulou com bastante ra
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Le, Grange Marcell. "Die toepassing van Field se drietoneelstruktuur op drie dokumentêre rolprente van Michael Moore / Marcell le Grange." Thesis, 2014. http://hdl.handle.net/10394/11740.

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Internationally, there is concern among judges and organisers of documentary film festivals pertaining to the lack of a proper storyline in documentary films. According to certain documentary film producers and theoreticians, however, there is a solution. They are of the opinion that the three-act structure that was originally applicable to fiction films can also be applied to documentary films. The three-act paradigm serves as a guideline for the writing of successful fiction film screenplays. Should the three-act structure be applied to documentary films, the three-act paradigm could possibl
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Books on the topic "Fahrenheit 9/11"

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The official Fahrenheit 9/11 reader. Simon & Schuster Paperbacks, 2004.

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Moore, Michael (director). The official Fahrenheit 9/11 reader. Simon & Schuster Paperbacks, 2004.

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Moore, Michael. The official Fahrenheit 9/11: Reader. Simon & Schuster, 2004.

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1954-, Moore Michael, ed. Fahrenheit 9/11: Das Buch ; alle Fakten, alle Beweise, alle Szenen. Piper, 2004.

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Bradbury, Ray. Fahrenheit 451. Voyager, 2001.

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Bradbury, Ray. Fahrenheit 451. Debolsillo, 2019.

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Bradbury, Ray. Fahrenheit 451. Diogenes, 1996.

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Bradbury, Ray. Fahrenheit 451. Simon & Schuster Paperbacks, 2013.

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Bradbury, Ray. Fahrenheit 451. Grafton Books, 1986.

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Bradbury, Ray. Fahrenheit 451. Chivers, 1988.

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Book chapters on the topic "Fahrenheit 9/11"

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Iglesias, Eulàlia. "Positioning Documentaries at the Cannes International Film Festival: Fahrenheit 9/11 and Beyond." In Documentary Film Festivals Vol. 2. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-17324-1_7.

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"Fahrenheit 9/11 (Michael Moore, 2004)." In Watching Human Rights. Routledge, 2015. http://dx.doi.org/10.4324/9781315631219-102.

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Bodnar, John. "Camera Angles." In Divided by Terror. University of North Carolina Press, 2021. http://dx.doi.org/10.5149/northcarolina/9781469662619.003.0007.

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American filmmakers, both producers of feature films and documentaries, entered the cultural debate over the War on Terror with their creations. Adherents to a war-based sense of loyalty tended to highlight the heroic actions of American fighters like Navy SEALS and not question the basic need for the war itself. American valor is evident in movies like United 93 and Zero Dark Thirty. A more critical perspective was evident in most movies, however, and in documentaries. In these cinematic presentations there was a willingness to register the trauma of warfare and an insistence that the pain and suffering military violence brought to warriors and families should not be masked in any way. This was clear in productions such as In the Valley of Elah and Fahrenheit 9/11.
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Banerjee, Mita. "Black Lives Matter in Flint, Michigan: Narrative Medicine and Ecocriticism in Goliath and Michael Moore’s Fahrenheit 11/9." In The Bloomsbury Handbook to the Medical-Environmental Humanities. Bloomsbury Academic, 2022. http://dx.doi.org/10.5040/9781350197336.ch-003.

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"“what is there really in the world?” forms of theory, evidence and truth in fahrenheit 9/11: a philosophical and intuitionist realist approach ian aitken." In Film Theory and Contemporary Hollywood Movies. Routledge, 2009. http://dx.doi.org/10.4324/9780203030769-23.

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