Journal articles: 'Fairies'

1

Larrington, Carolyne, and Fay Hield. "Making ‘Modern Fairies’: Making Fairies Modern." Folklore 132, no. 1 (January 2, 2021): 72–96. http://dx.doi.org/10.1080/0015587x.2020.1804728.

Full text

APA, Harvard, Vancouver, ISO, and other styles

2

Andow, James. "Epistemic Consequentialism, Truth Fairies and Worse Fairies." Philosophia 45, no. 3 (April 12, 2017): 987–93. http://dx.doi.org/10.1007/s11406-017-9833-0.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Strong, Tanner. "Transformation of Knights with Magic." Journal of Student Research 4, no. 2 (June 24, 2015): 58–63. http://dx.doi.org/10.47611/jsr.v4i2.240.

Full text

Abstract:

This paper explores the idea of how fairies were able to shape the identities of knights within the medieval time period. It will discuss two main fairies, Morgan le Fay and the fairy from Marie de France's Lanval. A history of magic is reviewed to have a better understanding of what witches and an enchantresses were like in this time period followed by a disucssion of a fairy's true role in society at that time.

APA, Harvard, Vancouver, ISO, and other styles

4

Yewe-Dyer, M. "Tooth fairies." British Dental Journal 183, no. 9 (November 1997): 317. http://dx.doi.org/10.1038/sj.bdj.4809485.

Full text

APA, Harvard, Vancouver, ISO, and other styles

5

Levi, Federico. "Sea fairies." Nature Physics 13, no. 9 (September 2017): 824. http://dx.doi.org/10.1038/nphys4260.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

Fessenden, Marissa. "Fickle Fairies." Scientific American 307, no. 5 (October 16, 2012): 26. http://dx.doi.org/10.1038/scientificamerican1112-26a.

Full text

APA, Harvard, Vancouver, ISO, and other styles

7

Barnett, S. A. "Rewards and fairies." Nature 328, no. 6126 (July 1987): 119. http://dx.doi.org/10.1038/328119a0.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Rak, Michele. "Logic of Fairies." Romanic Review 99, no. 3-4 (May 1, 2008): 297–315. http://dx.doi.org/10.1215/26885220-99.3-4.297.

Full text

APA, Harvard, Vancouver, ISO, and other styles

9

Chayes, Sarah. "The night fairies." Bulletin of the Atomic Scientists 62, no. 2 (March 2006): 17–19. http://dx.doi.org/10.1080/00963402.2006.11460965.

Full text

APA, Harvard, Vancouver, ISO, and other styles

10

Dollerup, Cay. "Fairies & Witches." American Book Review 35, no. 4 (2014): 19. http://dx.doi.org/10.1353/abr.2014.0081.

Full text

APA, Harvard, Vancouver, ISO, and other styles

11

Rawstrone, Annette. "We've explored…fairies." Nursery World 2021, no. 11 (November 2, 2021): 44–45. http://dx.doi.org/10.12968/nuwa.2021.11.44.

Full text

APA, Harvard, Vancouver, ISO, and other styles

12

Horbury, Ezra. "Early Modern Transgender Fairies." TSQ: Transgender Studies Quarterly 8, no. 1 (February 1, 2021): 75–95. http://dx.doi.org/10.1215/23289252-8749596.

Full text

Abstract:

AbstractThe early modern fairy is a long ignored transgender figure. This article presents a transhistoricist analysis of how a range of “transgender” concepts manifest in the early modern literary imagination—instabilities, transformations, ambiguities, or indeterminacies in sex and gender—through the representation of fairies and the supernatural. It focuses on Ariel in Shakespeare's Tempest, Duessa in Spenser's Faerie Queene, and Jocastus in Randolph's Amyntas. Breaking from the threatening fairies of the medieval tradition, early modern writers reshaped how fairies were conceptualized in popular imagination, which inform our ideas of the supernatural and gender instability to this day. While transgender approaches to the medieval period have recently come to prominence, transgender approaches to the early modern remain marginal. This article seeks to establish what early modern fairies offer transgender theory and what transgender theory can offer early modern historicism. Through transgender readings of fairies and supernatural figures, this article demonstrates how such figures provided a space in which early modern culture could fantastically conceptualize transgender concepts and identities.

APA, Harvard, Vancouver, ISO, and other styles

13

Binth e Zia, Atifa, Anila Akbar, and Zafar Iqbal Bhatti. "AN ALTERNATIVE PERSPECTIVE: SHAKESPEARE AND THE WORLD OF FAIRIES IN A MIDSUMMER NIGHT’S DREAM." Humanities & Social Sciences Reviews 9, no. 2 (April 29, 2021): 632–36. http://dx.doi.org/10.18510/hssr.2021.9259.

Full text

Abstract:

Purpose: This research aims to explore the world of fairies in a comedy, A Midsummer Night’s Dream (1605) written by William Shakespeare. This study proposes that the concept of fairies described by William Shakespeare is mere supernatural rather than being philosophical as the Elizabethan age itself is defined for its prudence and emerging philosophies. Further, This study intends to present an alternative perspective on Elizabethan Fairies. Methodology: This research is hermeneutic in approach and descriptive in nature. The sources are collected in the form of both print and web. The primary text used for this research is Shakespeare's A Midsummer Night’s Dream (1605). Findings: Shakespeare not only changes the physiognomy of Elizabethan fairies but also alters the functions that are associated with them.Elizabethan Fairies were known for their awe and evil-doing but the world of fairies that Shakespeare describes in the play is to some extent altered. Aplication of the study: This study is relevant to the field of literature, Elizabethan Literature ,and Occult philosophy. Students and researchers of Elizabethan drama will find it useful. Novelity or Originality of the study: The study is hitherto a novel approach to Elizabethan supernatural powers. By considering this alternative viewpoint, this qualitative study intends to study the world of fairies of this play in depth by focusing on multiple standpoints of the Elizabethan age contradicting with Shakespearian fairies characterized in A Midsummer Night’s Dream.

APA, Harvard, Vancouver, ISO, and other styles

14

Bruckner, Julia Michie. "COVID Monsters and Fairies." Academic Pediatrics 21, no. 5 (July 2021): 765–66. http://dx.doi.org/10.1016/j.acap.2021.01.001.

Full text

APA, Harvard, Vancouver, ISO, and other styles

15

Baldelli, Simona, Oonagh Stransky, and Enrica Maria Ferrara. "Evelina and the Fairies." Massachusetts Review 63, no. 2 (June 2022): 345–53. http://dx.doi.org/10.1353/mar.2022.0050.

Full text

APA, Harvard, Vancouver, ISO, and other styles

16

Hanratty, John, John Kelly, W. B. Yeats, and W. J. McCormack. "The Reality of Fairies." Books Ireland, no. 103 (1986): 99. http://dx.doi.org/10.2307/20625746.

Full text

APA, Harvard, Vancouver, ISO, and other styles

17

Chayes, Sarah. "Afghanistan: The night fairies." Bulletin of the Atomic Scientists 62, no. 2 (March 1, 2006): 17–19. http://dx.doi.org/10.2968/062002005.

Full text

APA, Harvard, Vancouver, ISO, and other styles

18

Phelpstead, Carl. "Fairies in Medieval Romance." European Legacy 18, no. 7 (December 2013): 956–58. http://dx.doi.org/10.1080/10848770.2013.832538.

Full text

APA, Harvard, Vancouver, ISO, and other styles

19

Estling, Ralph. "One for the fairies?" Nature 386, no. 6620 (March 1997): 13. http://dx.doi.org/10.1038/386013b0.

Full text

APA, Harvard, Vancouver, ISO, and other styles

20

Branford, Anna. "Gould and the fairies." Australian Journal of Anthropology 22, no. 1 (March 7, 2011): 89–103. http://dx.doi.org/10.1111/j.1757-6547.2011.00105.x.

Full text

APA, Harvard, Vancouver, ISO, and other styles

21

Bromley, Helen. "Fairies in the garden." Early Years Educator 14, no. 4 (August 2012): xiv—xvi. http://dx.doi.org/10.12968/eyed.2012.14.4.xiv.

Full text

APA, Harvard, Vancouver, ISO, and other styles

22

Susina, Jan. "Dealing with Victorian Fairies." Children's Literature 28, no. 1 (2000): 230–37. http://dx.doi.org/10.1353/chl.0.0063.

Full text

APA, Harvard, Vancouver, ISO, and other styles

23

Fenton, Janet. "Carnivores in Fairies' Clothing." Australasian Plant Conservation: journal of the Australian Network for Plant Conservation 16, no. 3 (February 2008): 5. http://dx.doi.org/10.5962/p.373144.

Full text

APA, Harvard, Vancouver, ISO, and other styles

24

Kimber, Marian Wilson. "Victorian Fairies and Felix Mendelssohn's A Midsummer Night's Dream in England." Nineteenth-Century Music Review 4, no. 1 (June 2007): 53–79. http://dx.doi.org/10.1017/s1479409800000069.

Full text

Abstract:

In art, literature, theatre and music, Victorians demonstrated increased interest in the supernatural and nostalgia for a lost mythic time, a response to rapid technological change and increased urbanization. Romanticism generated a new regard for Shakespeare, also fuelled by British nationalism. The immortal bard's plays began to receive theatrical performances that more accurately presented their original texts, partially remedying the mutilations of the previous century. The so-called ‘fairy’ plays, A Midsummer Night's Dream and The Tempest, were also popular subjects for fairy paintings, stemming from the establishment of the Boydell Shakespeare Gallery in 1789. In such a context, it is no wonder that Felix Mendelssohn's incidental music for A Midsummer Night's Dream was so overwhelmingly popular in England and that his style became closely associated with the idea of fairies. This article explores how the Victorians’ understanding of fairies and how the depiction of fairies in the theatre and visual arts of the period influenced the reception of Mendelssohn's music, contributing to its construction as ‘feminine’. Victorian fairies, from the nude supernatural creatures cavorting in fairy paintings to the diaphanously gowned dancers treading lightly on the boards of the stage, were typically women. In his study of Chopin reception, Jeffrey Kallberg has interpreted fairies as androgynous, but Victorian fairies were predominantly female, so much so that Lewis Spence's 1948 study, The Fairy Tradition in Britain, includes an entire section on fairy gender intended to refute the long-standing notion that there were no male fairies. Thus, for Mendelssohn to have composed the leading musical work that depicted fairies contributed to his increasingly feminized reputation over the course of the nineteenth century.

APA, Harvard, Vancouver, ISO, and other styles

25

Bown, Nicola. "‘There are fairies at the bottom of our garden’: Fairies, fantasy and photography." Textual Practice 10, no. 1 (March 1996): 57–82. http://dx.doi.org/10.1080/09502369608582239.

Full text

APA, Harvard, Vancouver, ISO, and other styles

26

Hamera, Paweł. "Wróżki i zacofanie irlandzkich chłopów w świetle wybranych dziewiętnastowiecznych dzienników z podróży." Studia Historyczne 63, no. 1(249) (July 20, 2022): 51–59. http://dx.doi.org/10.12797/sh.63.2020.01.03.

Full text

Abstract:

THE ROLE OF FAIRIES IN THE LIVES OF IRISH PEASANTS AND THEIR DEPICTION IN SELECTED NINETEENTH-CENTURY TRAVELOGUES Life in the nineteenth-century Irish countryside was not easy. Irish peasants lived in abject poverty and struggled to make ends meet. They consumed almost only potatoes and famines occurred regularly. Peasants often blamed their hardships on fairies, whose various races were supposed to inhabit Ireland. Tales about fairies were very popular among travelers who visited Ireland in the nineteenth century and subsequently published books about their travels there. They often highlighted the role of magic in daily activities of the Irish. The aim of this paper is to discuss the role of fairies in the lives of Irish peasants and argue that by underlining the attachment of the Irish to magical creatures, travelers underscored the backwardness of Irish peasants and propagated negative stereotypes about the inhabitants of the Emerald Isle.

APA, Harvard, Vancouver, ISO, and other styles

27

Jiga Iliescu, Laura. "Taboo Violation and Charming Initiation, as Expressed by Some Romanian Legends and Incantations Addressed to the Fairies." Incantatio. An International Journal on Charms, Charmers and Charming 11 (December 2023): 79–102. http://dx.doi.org/10.7592/incantatio2023_11_laura_jiga_iliescu.

Full text

Abstract:

Within the context of charmings, as it has been recorded among Romanians, the article aims to disclose the meaning of the theme of fairies’ taboo violation as a precondition necesary to gain sacred knowledge. In this regard, various certain incantations addressed to the fairies are examined, along with legends and third person accounts that underline the role played by these supernatural entities as numinous agents for initiation to the `secret` register of knowledge through a special form of communication, which in modern neuroscience terminology might be referred to as an ‚altered state of consciouness’, but which, in the emic terms of magic medicine is described as a disease, namely beeing taken by the fairies. In concordance with the idea of mutual exchanges between humans and the numinous, the one who accept the fairies’ authority and pay the price of being tormented by them, gain the gift of therapeutic and divinatory abilities.

APA, Harvard, Vancouver, ISO, and other styles

28

Jivanyan, Alvard. "Christianization of Fairies in Armenia." Armenian Folia Anglistika 3, no. 1 (3) (April 16, 2007): 147–51. http://dx.doi.org/10.46991/afa/2007.3.1.147.

Full text

Abstract:

The Armenian church was quite intolerant towards any expression of pagan faith in the early periods of Christianity. Pagan gods and spirits (fairies) were either rejected or labeled as “evil” or were simply “Christianized” acquiring the necessary features to be able to survive in the realm of the new religion. This phenomenon can be observed in various folklore narrations, namely in national tales. The article draws parallels between similar phenomena in other cultures.

APA, Harvard, Vancouver, ISO, and other styles

29

Ógáin, Ríonach Uí. "Music Learned from the Fairies." Béaloideas 60/61 (1992): 197. http://dx.doi.org/10.2307/20522407.

Full text

APA, Harvard, Vancouver, ISO, and other styles

30

Smith, J. B. "A History of Irish Fairies." Folk Life 43, no. 1 (January 1, 2004): 130–31. http://dx.doi.org/10.1179/flk.2004.43.1.130.

Full text

APA, Harvard, Vancouver, ISO, and other styles

31

Nicholson, H. "History at large. Postmodern fairies." History Workshop Journal 46, no. 1 (1998): 205–12. http://dx.doi.org/10.1093/hwj/1998.46.205.

Full text

APA, Harvard, Vancouver, ISO, and other styles

32

Chlond, Martin J. "Puzzle—O.R. with the Fairies." INFORMS Transactions on Education 8, no. 2 (January 2008): 100–102. http://dx.doi.org/10.1287/ited.1070.0007.

Full text

APA, Harvard, Vancouver, ISO, and other styles

33

Smith, J. B. "A History of Irish Fairies." Folk Life - Journal of Ethnological Studies 43, no. 1 (January 1, 2004): 130–31. http://dx.doi.org/10.1179/043087704798237191.

Full text

APA, Harvard, Vancouver, ISO, and other styles

34

Frederika Bain. "The Binding of the Fairies:." Preternature: Critical and Historical Studies on the Preternatural 1, no. 2 (2012): 323. http://dx.doi.org/10.5325/preternature.1.2.0323.

Full text

APA, Harvard, Vancouver, ISO, and other styles

35

Peters, Arne. "Fairies, banshees, and the church." Cultural Linguistic Contributions to World Englishes 4, no. 2 (December 14, 2017): 127–48. http://dx.doi.org/10.1075/ijolc.4.2.01pet.

Full text

Abstract:

Abstract The present paper approaches Irish English from a cultural linguistic perspective. It illustrates how the study of cultural schemas, cultural categories, cultural conceptualisations, and conceptual metaphors/metonymies can contribute to the understanding of Irish English as a variety of English whose speech community shares a unique cultural cognition, which is instantiated in linguistic patterns that appear to be ‘marked’ for everybody from outside of Ireland. Drawing from two corpora (ICE-Ireland, Corpus of Galway City Spoken English) as well as from ethnographic research (Wentz 1911; National Folklore Collection 1939/2017), the paper discusses possible cultural keywords of Irish English, cultural schemas involving banshees and fairies as well as conceptual metonymies such as the church is authority, all of which can be understood to express particular Irish cultural experiences. The paper also illustrates how cultural conceptualisations are constantly being negotiated and renegotiated through time and across generations within the Irish English speech community. The paper illustrates the applicability of the cultural linguistic paradigm to the study of Irish English, offering a new perspective on a well-studied variety of English.

APA, Harvard, Vancouver, ISO, and other styles

36

Clark, Stephen R. L. "How to believe in fairies." Inquiry 30, no. 4 (January 1987): 337–55. http://dx.doi.org/10.1080/00201748708602128.

Full text

APA, Harvard, Vancouver, ISO, and other styles

37

Frueh, Joanna. "Tarts, Stars, Jewels, and Fairies." Art Journal 58, no. 4 (1999): 88. http://dx.doi.org/10.2307/777915.

Full text

APA, Harvard, Vancouver, ISO, and other styles

38

Jin-Ah Lee. "Fairies in Spenser’s Faerie Queene." Medieval and Early Modern English Studies 18, no. 1 (February 2010): 115–38. http://dx.doi.org/10.17054/memes.2010.18.1.115.

Full text

APA, Harvard, Vancouver, ISO, and other styles

39

McKee, Alan. "Do You Believe in Fairies?" Media International Australia 79, no. 1 (February 1996): 115–18. http://dx.doi.org/10.1177/1329878x9607900116.

Full text

APA, Harvard, Vancouver, ISO, and other styles

40

Frueh, Joanna. "Tarts, Stars, Jewels, and Fairies." Art Journal 58, no. 4 (December 1999): 88–89. http://dx.doi.org/10.1080/00043249.1999.10791969.

Full text

APA, Harvard, Vancouver, ISO, and other styles

41

Zelezinskaya, N. S. "Why the English Reformation succeeded demonising witches but failed with fairies." Voprosy literatury, no. 5 (November 29, 2021): 188–210. http://dx.doi.org/10.31425/0042-8795-2021-5-188-210.

Full text

Abstract:

The article aims to explain the signiﬁcance of Shakespeare’s transformations of the fairy image (A Midsummer Night’s Dream), which represent a shiﬅ in English mentality in early modern times and establish astill relevant tradition. The author follows the evolution of the perception of thesupernatural in popular consciousness, contemporary documents (bestiaries, treatises, and court proceedings), as well as literature (Spenser, Chaucer, and Milton). N. Zelezinskaya proceeds to identify the factors influencing the image of fairies in a religious, cultural, and philosophical context: opinions of d’Abano, Buridan, and Pomponazzi; the division into divine and false miracles, the Protestant crusade against the belief in spirits, the association of fairies with Papism, Elizabethan masquerades, and fears of James I and others. The article mentions the two traditions in thedepiction of fairies and explores the unique quality of Shakespearean images: agglutination of the two traditions in the same play, transformed appearance of fairies, distancing from the witchcraﬅ discourse, enhancement of positive connotations, and downgrading of the fairy queen’s image.

APA, Harvard, Vancouver, ISO, and other styles

42

Spyra, Piotr. "Shakespeare and the Demonization of Fairies." Text Matters, no. 7 (October 16, 2017): 194–213. http://dx.doi.org/10.1515/texmat-2017-0011.

Full text

Abstract:

The article investigates the canonical plays of William Shakespeare - Hamlet, Macbeth, A Midsummer Night’s Dream and The Tempest - in an attempt to determine the nature of Shakespeare’s position on the early modern tendency to demonize fairy belief and to view fairies as merely a form of demonic manifestation. Fairy belief left its mark on all four plays, to a greater or lesser extent, and intertwined with the religious concerns of the period, it provides an important perspective on the problem of religion in Shakespeare’s works. The article will attempt to establish whether Shakespeare subscribed to the tendency of viewing fairies as demonic agents, as epitomized by the Daemonologie of King James, or opposed it. Special emphasis will also be put on the conflation of fairies and Catholicism that one finds best exemplified in Thomas Hobbes’ Leviathan. The article draws on a wealth of recent scholarship on early modern fairies, bringing together historical reflection on the changing perception of the fairy figure, research into Shakespeare’s attitude towards Catholicism and analyses of the many facets of anti-Catholic polemic emerging from early modern Protestant discourse.

APA, Harvard, Vancouver, ISO, and other styles

43

Dickinson, Peter. "Review: The Sea‐Fairies, Opus 59." Music and Letters 83, no. 2 (May 1, 2002): 333–35. http://dx.doi.org/10.1093/ml/83.2.333.

Full text

APA, Harvard, Vancouver, ISO, and other styles

44

Mattar, Sinéad Garrigan. "Yeats, Fairies, and the New Animism." New Literary History 43, no. 1 (2012): 137–57. http://dx.doi.org/10.1353/nlh.2012.0006.

Full text

APA, Harvard, Vancouver, ISO, and other styles

45

Wilkinson, Julia, Justine Halls, and Rebecca Soong-Towell. "We do believe in (tooth) fairies!" Dental Nursing 12, no. 5 (May 2, 2016): 270–71. http://dx.doi.org/10.12968/denn.2016.12.5.270.

Full text

APA, Harvard, Vancouver, ISO, and other styles

46

Webber, David. "Economic Darwinism versus financial tooth fairies." Nature Biotechnology 17, S3 (May 1999): 14–15. http://dx.doi.org/10.1038/9087.

Full text

APA, Harvard, Vancouver, ISO, and other styles

47

Keyser, Elizabeth. "Feminist Revisions: Frauds on the Fairies?" Children's Literature 17, no. 1 (1989): 156–70. http://dx.doi.org/10.1353/chl.0.0284.

Full text

APA, Harvard, Vancouver, ISO, and other styles

48

Linkin, Harriet Kramer. "Lucy Hooper, William Blake, and “The Fairy’s Funeral”." Articles, no. 54 (December 15, 2009): 0. http://dx.doi.org/10.7202/038760ar.

Full text

Abstract:

Abstract The American poetess and abolitionist Lucy Hooper (1816-1841) was the first North American to publish a poem inspired by Blake’s prophetic imagination, “The Fairy’s Funeral” (1833), which transforms the famous anecdote about Blake witnessing a fairy funeral into a visionary lyric. This essay provides a brief introduction to Hooper, perhaps best-known as the subject of Whittier’s elegy “On the Death of Lucy Hooper” (1841), situates her in a literary milieu of British Romantic poets that includes Hemans, Landon, Byron and Clare, discusses how an American poetess from Brooklyn might have learned about Blake and his work, and reads “The Fairy’s Funeral” as a critique of Blake’s often violent representation of fairies and flowers.

APA, Harvard, Vancouver, ISO, and other styles

49

Luan, Nguyen Van, and Nguyen Van Linh. "Research on Fairy Character in Chinese Classic Novel in Vietnam Ancient time." International Journal of Language, Literature and Culture 3, no. 1 (2023): 31–36. http://dx.doi.org/10.22161/ijllc.3.1.5.

Full text

Abstract:

This paper aims to present Research On Fairy character in Chinese Classic Novel in Vietnam Ancient time . The study shows: firstly, the authors of legendary novels always emphasize the indelible difference between the two worlds: the fairy world and the earthly world. Second, it is inevitable that fairies leave family ties in the mortal world. Authors often describe that necessity with a conception of a pre-determined period of time. When the due date comes, the fairy will move from the earthly world to the world that belongs to the fairy. Third, in that difference, the choice to leave the earthly world and go to the fairy world shows that fairies tend to leave the tightest ties in the world, which are the ties of power and family, to become to the free world. It can be concluded that the ideal of escapism of fairies in Vietnamese legends is a form of expression of the Taoist ideal of life.

APA, Harvard, Vancouver, ISO, and other styles

50

Luan, Nguyen Van, and Nguyen Van Linh. "Research on Fairy Character in Chinese Classic Novel in Vietnam Ancient Time." Scholars Journal of Arts, Humanities and Social Sciences 11, no. 04 (April 7, 2023): 65–70. http://dx.doi.org/10.36347/sjahss.2023.v11i04.002.

Full text

Abstract:

This paper aims to present Research On Fairy character in Chinese Classic Novel in Vietnam Ancient time. The study shows: firstly, the authors of legendary novels always emphasize the indelible difference between the two worlds: the fairy world and the earthly world. Second, it is inevitable that fairies leave family ties in the mortal world. Authors often describe that necessity with a conception of a pre-determined period of time. When the due date comes, the fairy will move from the earthly world to the world that belongs to the fairy. Third, in that difference, the choice to leave the earthly world and go to the fairy world shows that fairies tend to leave the tightest ties in the world, which are the ties of power and family, to become to the free world. It can be concluded that the ideal of escapism of fairies in Vietnamese legends is a form of expression of the Taoist ideal of life.

APA, Harvard, Vancouver, ISO, and other styles

Journal articles on the topic 'Fairies'

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles