Relevant bibliographies by topics / Fairy tale representation

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Fairy tale representation'

Author: Grafiati
Published: 3 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "Fairy tale representation"

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Messerli, Alfred. "Spatial Representation in European Popular Fairy Tale." Marvels & Tales 19, no. 2 (2005): 274–84. http://dx.doi.org/10.1353/mat.2005.0034.

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Yeremeieva, N. F. "PECULIARITIES OF ENGLISH FAIRY TALE SEMANTIC STRUCTURE." English and American Studies 1, no. 16 (2019): 137–43. http://dx.doi.org/10.15421/381919.

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The article deals with semantics of English folk fairytales. Conceptual analysis is considered to be a new approach to the learning of folk fairytales. This analysis is performed in terms of cognitive linguistics which deals with structures of knowledge representation, which form language signs and speech patterns. The purpose of the investigation is to identify the patterns of structuring of mental representations which form conceptual (psychological) space of folk fairytale texts. They are considered to be the main prerequisite for both the folk fairytale formation and its understanding. Whi
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Lopez-Ortiz, Nina. "Fairy Tales of Genocide: Processing the Holocaust by Recontextualising Fairy-Tale Narratives." International Research in Children's Literature 17, no. 3 (2024): 321–34. http://dx.doi.org/10.3366/ircl.2024.0582.

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This article explores the intersection of fairy tales and Holocaust narratives, exploring the emerging trend of presenting Holocaust tales within the fairy-tale genre as a societal response to grappling with Holocaust trauma. Examining linguistic and ethical approaches in works by authors Liz Braswell, Louise Murphy, and Jane Yolen, it poses a central question: does merging Holocaust and fairy-tale narratives enhance understanding or hinder respectful remembrance? The article scrutinises subliminal storytelling in Holocaust tales, highlighting varied authorial approaches, from Braswell's crypt
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Ляхович, Артём Владимирович. "Prokofiev and Fairy Tale." Музыкальная академия, no. 1(777) (March 31, 2022): 96–105. http://dx.doi.org/10.34690/221.

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Статья посвящена образной сфере сказки в творчестве Прокофьева, которая трактуется как ключевой локус его поэтики. Эта сфера рассмотрена в двух планах: сказочность как нарратив (в аспекте музыкально-инструментальной литературности, уподобления инструментального произведения литературной притче) и сказочность как творческий метод (в аспекте музыкального языка Прокофьева, его принципиальной установки на оригинальность и, соответственно, на необычность, остранение, чудо). Со вторым планом связана и сфера детства в музыке Прокофьева, тождественная миру, увиденному «как впервые». Нарратив трактуетс
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Shakolo, Aliaksandr V. "“Friend-or-foe” opposition and its implementation through the concepts “house” and “forest” in Russian fairy-tale discourse." Russian Language Studies 18, no. 1 (2020): 113–25. http://dx.doi.org/10.22363/2618-8163-2020-18-1-113-125.

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Researches of the discursive analysis become more and more significant sphere of linguistics. Both forest and house act as two main and never identical worlds. The fundamental conceptual opposition of fairy-tale discourse is based on the concepts of house and forest, fundamental opposite worlds. The purpose of the article is to examine the two concepts as crucial components of friend-or-foe opposition, and to reveal features of their representation in Russian linguistic culture. During the research, the author used descriptive, inductive and cultural-historical methods. The research showed tha
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Markova, Maria V. "THE WONDER TALE AND THE WONDER OF ANIMATION." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 1 (2025): 213–25. https://doi.org/10.28995/2686-7249-2025-1-213-225.

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This paper examines the context of creation of the first full-length animated film by Walt Disney – Snow White and the Seven Dwarfs (1937) – and suggests a hypothesis that the reason behind the success of Disney adaptations of European fairy tales may be found, among other things, in the typological similarity between the animation technology and the poetics of folk tales. Using Snow White as an example we will analyze the way in which color film, a flat and bright image, universally understandable and at the same time responding to the specific demands of the Great Depression era, became the
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Syahrir, Hana Hanifah, Risa Triarisanti, and Ashanti Widyana. "Representation of Existentialism in Jo Yong's Fairy Tales in the Drama It's Okay to Not Be Okay (A.J. Greimas Semiotic Analysis)." QISTINA: Jurnal Multidisiplin Indonesia 3, no. 2 (2024): 1833–43. https://doi.org/10.57235/qistina.v3i2.4376.

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This research examines the fairy tale 진짜 진짜 얼굴을 찾아서 (Finding The Real Face) which is found in the Korean drama "It's Okay to Not Be Okay". This research analyzes the actant schema and functional structure from A.J.'s structural narrative theory. Greimas, after that, identified the representation of existentialism in it. The method used is qualitative with narrative semiotic analysis presented descriptively. The results of this research show that the fairy tale 진짜 진짜 얼굴을 찾아서 (Finding The Real Face) fulfills the six actants in varying amounts. The dominant actant of this tale is the Box Man, nam
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Balabekova, Q., Zh Otarbekova, and M. Imanqulova. "LINGUISTIC REPRESENTATION OF THE CONCEPTS “WEALTH” AND “POVERTY” IN FOLKTALES." Tiltanym, no. 2 (July 16, 2024): 52–66. http://dx.doi.org/10.55491/2411-6076-2024-2-52-66.

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The purpose of this paper is to identify the concepts “wealth” and “poverty” in Kazakh folk tales as linguistic representations of folk cognition.Linguocultural analysis revealed cultural information in a historical and ethnographic context, ancient folk knowledge, and allowed us to recognise the linguistic character. Wealth and poverty as a binary opposition were considered from the point of view of world outlook and cognition of the world, moral and ethical norms in the period of formation of ethnos consciousness in the fairy tale era and compared with the mental life of the people at the pr
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Jorgensen, Jeana. "The Thorns of Trauma: Torture, Aftermath, and Healing in Contemporary Fairy-Tale Literature." Humanities 10, no. 1 (2021): 47. http://dx.doi.org/10.3390/h10010047.

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While classical fairy tales do not portray much depth of suffering, many contemporary fairy-tale retellings explore trauma and its aftermath in great detail. This article analyzes depictions of trauma in fairy tales, utilizing as a primary case study the “Beauty and the Beast” retelling A Court of Thorns and Roses by Sarah J. Maas, arguing that this text provides a scientifically accurate representation of trauma and its aftermath, thereby articulating the real in fairy tales. Further, this article classifies that work as not simply a “dark” fairy tale (a contentious term that invites rethinki
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Kartzhan, Narkozy, Sabira Issakova, and Salima Kenzhemuratova. "LINGUISTIC REPRESENTATION OF THE CONCEPT OF «MENTAL ACTIVITY» IN THE KAZAKH FAIRY-TALE DISCOURSE." Bulletin of the Eurasian Humanities Institute, Philology Series, no. 3 (September 15, 2024): 63–79. http://dx.doi.org/10.55808/1999-4214.2024-3.06.

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The article is devoted to the analysis of the linguistic representation of the concept of «mental activity» in the discourse of Kazakh fairy tales. The research is conducted within the framework of new directions in modern linguistics, such as linguoculturology, linguistic stylistics, ethnopsycholinguistics, discourse analysis, and linguoconceptology. The object of the study is the concept of «mental activity» in Kazakh fairy-tale discourse. The subject of the study is the lexical units that actualize this concept. The purpose of the study is to identify the specific features of understanding
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Dissertations / Theses on the topic "Fairy tale representation"

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Meyer, Berry. "Representations of female sexuality in fairy tale illustrations and text, with specific reference to the Brothers Grimm's The handless maiden." Thesis, Stellenbosch : University of Stellenbosch, 2010. http://hdl.handle.net/10019.1/4124.

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Thesis (MPhil (Visual Arts))--University of Stellenbosch, 2010.<br>ENGLISH ABSTRACT: This dissertation aims to investigate, from a feminist perspective, representations of female sexuality in fairy tale text and illustrations. I conduct my analysis in the form of a case study of the Brothers Grimm’s The Handless Maiden as it appeared in the 1915 English edition of their Children and Household Tales. My investigation is prompted by the belief that fairy tales play an important role in the social construction of gender relations, a process known as ‘interpellation’ within contemporary femin
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Pinheiro, Nárgyla Maria Lourenção Pimenta. "Como você está diferente, vovó! Aspectos sócio-históricos dos contos populares." Universidade de São Paulo, 2012. http://www.teses.usp.br/teses/disponiveis/8/8156/tde-29102012-122544/.

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É de conhecimento geral o fato de que os contos de fada transmitem importantes mensagens carregadas de ideologia que, às vezes, diferem de maneira significativa. Isso ocorre em razão da época ou localidade em que a produção é contextualizada, como podemos bem ver nas variações do conto Chapeuzinho Vermelho, seja aqueles da tradição oral medieval, os adaptados por Perrault ou pelos Irmãos Grimm, ou mesmo as versões da contemporaneidade. Traçando um percurso histórico das transformações dos contos de fada de origem popular partindo da França, percorrendo Alemanha, Portugal e culminando no Brasi
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Rowe, Rachel Marie. "Multiplicity of the Mirror: Gender Representation in Oyeyemi's Boy, Snow, Bird." University of Dayton / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1438613978.

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Grobben, Karen Ann. "Retelling Grimm girlhood : representations of girlhood in the contemporary fairy tale film adaptation cycle." Thesis, University of Exeter, 2016. http://hdl.handle.net/10871/24306.

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Working within the filmic fairy tale adaptation cycle that emerged between 2005 and 2015, this thesis investigates how girlhood is cinematically constructed through the lens of fantasy, in relation to gendered representation in media. The relationship between femininity and fairy tales is well-established. By reading contemporary filmic adaptations of the tales, the thesis deconstructs gendered myth-making and reveals the extent to which fairy tale imagery and plot continue to inform cultural constructions of girlhood. It argues that by centring upon young female protagonists and often targeti
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Nyh, Johan. "From Snow White to Frozen : An evaluation of popular gender representation indicators applied to Disney’s princess films." Thesis, Karlstads universitet, Institutionen för geografi, medier och kommunikation, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-36877.

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Simple content analysis methods, such as the Bechdel test and measuring percentage of female talk time or characters, have seen a surge of attention from mainstream media and in social media the last couple of years. Underlying assumptions are generally shared with the gender role socialization model and consequently, an importance is stated, due to a high degree to which impressions from media shape in particular young children’s identification processes. For young girls, the Disney Princesses franchise (with Frozen included) stands out as the number one player commercially as well as in cust
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Mehrbrey, Sophia. "Figures d'enfance : la représentation de l'enfant dans la littérature française des XVIIe et XVIIIe siècles." Thesis, Normandie, 2019. http://www.theses.fr/2019NORMR024.

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Avec son ouvrage L’Enfant et la vie familiale sous l’Ancien Régime, Philippe Ariès a découvert l’enfant comme objet de recherche interdisciplinaire. Cependant, une étude systématique sur le thème dans la littérature française des XVIIe et XVIIIe siècles n’a pas encore été entreprise. C’est pourtant à cette époque que le regard sur l’enfant change considérablement. La littérature de ces deux siècles ne témoigne pas seulement de cette évolution, mais joue un rôle décisif dans l’élaboration d’une nouvelle conception de l’enfance qui préfigure en bien des points le renouveau rousseauiste. S’appuya
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Ramos, Samira dos Santos. "Entre a espera e a jornada: as representações do feminino na literatura infantil brasileira como metáfora social." Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8156/tde-31032017-093301/.

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A presente dissertação está inserida na área de Estudos Comparados de Literaturas de Língua Portuguesa e tem como objetivo constatar que elementos literários permitem a contribuição da Literatura Infantil para a formação de espírito sobre o feminino em determinada época, em obras que se apropriam do conto popular Forma literária legitimada como transmissora de valores para desenvolver a consciência crítica do leitor, através do questionamento, validação e de divulgação de novas proposições de valores. Para tanto, realizou-se uma análise comparativa de obras que tinham como protagonista a fig
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Mendes, Franciele Lima de Oliveira. "“A mais bela dama”: as ressignificações do feminino em adaptações (2012-2013) do conto “Branca de Neve”." Universidade Federal de Pelotas, 2017. http://repositorio.ufpel.edu.br:8080/handle/prefix/3648.

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Submitted by Aline Batista (alinehb.ufpel@gmail.com) on 2017-07-13T19:52:09Z No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertacao_Franciele_Lima_Mendes.pdf: 1716036 bytes, checksum: e3a883607582d101ae016fa12cab87f9 (MD5)<br>Approved for entry into archive by Aline Batista (alinehb.ufpel@gmail.com) on 2017-07-13T19:58:55Z (GMT) No. of bitstreams: 2 license_rdf: 0 bytes, checksum: d41d8cd98f00b204e9800998ecf8427e (MD5) Dissertacao_Franciele_Lima_Mendes.pdf: 1716036 bytes, checksum: e3a883607582d101ae016fa12cab87f9 (MD5)<br>Made available in DSpa
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Charvátová, Denisa. "Odraz stáří v seriálech pro děti." Master's thesis, 2016. http://www.nusl.cz/ntk/nusl-274191.

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The subject of the thesis is the problem of portrayal of the elderly in Vecernicek animated cartoons for children. Content analysis is conducted on twenty-two selected animated Vecernicek stories that portrayed older characters (371 cartoons for a total of 2974 minutes). The objective of this paper is to examine the depiction of the elderly in Vecernicek cartoons and to point out age stereotypes. The first part of the paper consists of a theoretical framework necessary for the subsequent analysis, particularly media depiction, media representation, construction of reality, the relationship bet
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Huang, Hsin-Yi, and 黃欣怡. "Mental RepresentationThe Interpretation and Creation of the Meaning of the Implications in the Fairy TalesMental Representation─The Interpretation and Creation of the Meaning of the Implications in the Fairy Tales." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/41189463472200431258.

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碩士<br>國立臺中教育大學<br>美術學系碩士班<br>98<br>This study is based on the implication of the fairy tales; by studying their symbolic images and the surrealistic forms, this study will analyze two issues: a literature reflecting both the fictional and the real, and a life of moral judgment. Through reading the fairy tales, readers will learn a philosophy of life and a moral lesson, since a fairy tale is an art of human nature and feelings. It reflects the reality to present a value of self through the creativity of pictures. On the theoretical methodology, this study analyzes how the implication of a fair
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Books on the topic "Fairy tale representation"

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Facchin, Andrea. Le palme muoiono in piedi al-Naḫl yamūtu wāqifan. Fondazione Università Ca’ Foscari, 2021. http://dx.doi.org/10.30687/978-88-6969-540-7.

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al-Naḫl yamūtu wāqifan (Palm Trees Wither Upright) is the first work by Tunisian writer Ibrāhīm Darġūṯī, born in El-Mahassen (Tozeur) in 1955, proponent of the experimentalism and magical realism, and known all over the Arab world for his pungent writing style. The work was published in Sfax in 1989, and is a collection of short stories devoted to the local life of al-Ǧarīd region, in southern Tunisia; to its traditions, distinctive traits and, at times, to imagination, creating a unique mixture, which is representative of Darġūṯī’s literature. Men, the desert, and palm trees are the essential
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Carney, J. Fairy Tale Queens: Representations of Early Modern Queenship. Palgrave Macmillan, 2012.

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Carney, Jo Eldridge. Fairy Tale Queens: Representations of Early Modern Queenship. Palgrave Macmillan, 2012.

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Carney, J. Fairy Tale Queens: Representations of Early Modern Queenship. Palgrave Macmillan, 2012.

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Fairy Tale Queens Representations Of Early Modern Queenship. Palgrave MacMillan, 2012.

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Magnanini, Suzanne, ed. A Cultural History of Fairy Tales in the Age of the Marvelous. Bloomsbury Publishing Plc, 2021. http://dx.doi.org/10.5040/9781350094666.

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How have fairy tales from around the world changed over the centuries? What do they tell us about different cultures and societies? Drawing on the contributions of scholars working on Italian, French, English, Ottoman Turkish, and Japanese tale traditions, this book underscores the striking mobility and malleability of fairy tales written in the years 1450 to 1650. The essays examine how early modern scientific theories, debates on the efficacy of witchcraft, conceptions of race and gender, religious beliefs, the aesthetics of landscape, and censorial practices all shaped the representations o
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Mozingo, Karen. Lotte Goslar’s Clowns. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036767.003.0007.

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Lotte Goslar employed clowning and fairy tales throughout her choreographic career to create a feminist disruption of romanticism and tragedy in German and American dance representations of women. However, her departure from the tragic moods and narratives of Ausdruckstanz and her resistance to conventional representations of the intellectual emigration trouble the histories of dance and exile on both sides of the Atlantic. This chapter examines the performance of clowning in Goslar's works, an artistic strategy that marginalized the choreographer in histories of modern dance on both sides of
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Winkelmann, Anna. Disney vs. Fairy Tale: Representations of Culture and Stereotyping Through Language According to the Main Character in Beauty and the Beast. GRIN Verlag GmbH, 2013.

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Antunes, Filipa, Brittany Eldridges, and Rebecca Williams, eds. Nightmare Before Christmas. Bloomsbury Publishing Inc, 2025. https://doi.org/10.5040/9798765113622.

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This edited collection considersThe Nightmare Before Christmasas a milestone in animation and film history, considering the different layers of meaning and history of the film from pre-production to the present day. TheNightmare Before Christmas(Henry Selick, 1993) has become a key point of reference in negotiations of genre and the boundaries between mainstream and cult cultures, both on screen and in the spaces of fandom, and in original and retrospective reception contexts where it often becomes tangled with nostalgia. Contributors to this edited collection consider the film as a cultural o
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Strychacz, Thomas. Popular Culture and Political Economic Thought. The Rowman & Littlefield Publishing Group, 2023. https://doi.org/10.5040/9781978721678.

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We live in an era of economic fabling where often fantastic representations of economic life in popular culture sit uncomfortably alongside a neoliberal capitalist fairy tale that the Earth's resources can continue to be exploited into an indefinite future. Popular Culture and Political Economic Thought: Fables of Commonwealth examines a variety of animated movies, TV shows, written fictions, adventure travelogues, and Paleo archeologies (and diets) to suggest that popular culture poses a multiform challenge to the failing theories and practices of neoclassical economics. This book contends th
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Book chapters on the topic "Fairy tale representation"

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Levorato, Alessandra. "The Representation of Social Practice." In Language and Gender in the Fairy Tale Tradition. Palgrave Macmillan UK, 2003. http://dx.doi.org/10.1057/9780230503878_3.

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Boškovic, Aleksandar, and Ainsley Morse. "Chapter 4. Soviet socialist su(pe)rrealism for children." In Children’s Literature, Culture, and Cognition. John Benjamins Publishing Company, 2023. http://dx.doi.org/10.1075/clcc.17.04bos.

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This chapter posits a kind of Soviet Surrealism, or “su(pe)rrealism”, in photo-illustrated Soviet children’s literature of the interwar period. The techniques of manipulating photo-images that carried out the montage in a single frame were widely employed in photo-illustrated children’s books published in the late 1930s. Unlike earlier Soviet children’s books, which mostly employed photography toward “capturing real life” and promoting mass education, these late-1930s photobooks conjured a fairy-tale wonderland in which reality is somewhat bracketed and objects are given visible agency. Instea
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"The Broken Voice of History: Fairy Tales, Anti-Tales, and Holocaust Representation." In Contemporary Fairy-Tale Magic. Brill | Rodopi, 2019. http://dx.doi.org/10.1163/9789004418998_021.

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Polańska, Daria. "Ucieczka od życia. Baśń 672 nocy Hugo von Hofmannsthala." In Sen, marzenie, zaświaty w literaturze i kulturze. Wydawnictwo Uniwersytetu Łódzkiego, 2017. https://doi.org/10.18778/8088-695-7.16.

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Viennese Modernism of the turn of the 19th century is a literary period which, with all its diversity ofgenres, forms and trends, provides ample space for the oneiric. This article directs a single work by Hugovon Hofmannsthal. One of the main motives of his oeuvre was dream, conceived as a state of withdrawalfrom reality, an aesthetic representation of the self, a conscious departure from the literal and the concrete.The protagonist of Hofmannsthal’s short story shapes his life into a beautiful fairy tale, but realityfaces him with the dark side of the world and he pays a high price for this
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Mills, Alice. "Appropriate or anathema? The representation of incest in children’s literature." In Incest in contemporary literature. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781526122162.003.0006.

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The chapter draws attention to the extreme unspeakability of incest in children’s literature and the rarity of texts either literally or symbolically dealing with the topic. It analyses Crew and Scott’s picture story book, In My Father’s Room (2000), in terms of the Bluebeard fairy tale, with close attention to ways of seeing and being seen. This disturbing text (marketed as a book for young children) plays a father’s love for his daughter, manifested in his secret story-writing, against the Bluebeard story of secrecy, multiple sexual partners and murder. The boundaries of the unspeakable in l
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Wagner, Tamara S. "‘Like some of the princesses in the fairy stories, only I was not charming’: The Literary Orphan and the Victorian Novel." In Rereading Orphanhood, edited by Diane Warren and Laura Peters. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474464369.003.0004.

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Oliver Twist, Bleak House, ‘No Thoroughfare’, King Arthur and The Fatal Three let us map how Victorian literature generated and exploited the fascination with the orphan. These narratives capitalise on the popularity and flexibility of this figure while reworking pervasive paradigms. With growing self-reflexivity, they tackle established patterns to express particular preoccupations with society and often with narrative form itself. Bleak House dismantles expectations of sentimentalised orphans and their identification as the ideal resolution in foundling tales, answering questions that Oliver
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Blue, Morgan Genevieve. "Television Girlhoods, the Musical." In The Oxford Handbook of the Disney Musical. Oxford University Press, 2025. https://doi.org/10.1093/oxfordhb/9780197633496.013.16.

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Abstract Disney’s Descendants movie-musical franchise, which now includes four made-for-TV movies, spin-off programs, promotional videos, and licensed music and merchandise, expands Disney fairy-tale legacies by reinvigorating well-known characters for new and nostalgic television and streaming audiences. This chapter applies an antiracist, feminist perspective to critique the structuring presence of gender, sexuality, race, youth, and class in the Descendants movie musicals. In the context of a twenty-first-century neoliberal economy that positions young people in a precarious state, threaten
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Vetter, Lara. "Märchen and Historical Fiction." In A Curious Peril. University Press of Florida, 2017. http://dx.doi.org/10.5744/florida/9780813054568.003.0004.

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Chapter 3 examines the second half of The Sword Went Out to Sea. This chapter looks at how H.D. combines fairy tale and historical fiction to create the fragmentary vignettes that comprise Part II of the novel. In the second half of Sword, the narrative spins out centrifugally into vignettes that record the history of Britain by focusing on scenes of war and imperialism from the ancient world to the Renaissance. In these vignettes, history is a seemingly endless series of one nation conquering and colonizing another. The unresolvable fracture of narrative form recreates the experience of war,
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Westmoreland, Mark R. "Beirut, There Was and There Was Not 1." In ReFocus: The Films of Jocelyne Saab. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474480413.003.0007.

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In the wake of the Lebanese civil war, many filmmakers turned to formal experimentation in ways that accentuated the inescapable paradox between representation and lived experience. While these works often levied critiques of the reductive ways in which Lebanon had been represented, these artists also grappled with the vexed relationship between memory, mediation, and materiality. These formal critiques often centered on the problematic status of the archive both in its conceptual and material forms and provided important models for the burgeoning art and film culture in Beirut to critically w
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Coste, Jill. "New Heroines in Old Skins: Fairy Tale Revisions in Young Adult Dystopian Literature." In Beyond the Blockbusters. University Press of Mississippi, 2020. http://dx.doi.org/10.14325/mississippi/9781496827135.003.0007.

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This chapter examines three Sleeping Beauty retellings to illustrate the way dystopian scenarios complicate traditional fairy tale tropes. Dystopian literature and fairy tale retellings often feature elements of embodiment, romance, and political activism, and this chapter uses these key notions to consider how the dystopian fairy tale deploys feminist empowerment. While YA dystopian fairy tales often highlight collective action and social activism to resist the status quo, others reproduce troubling representations of passive heroines. This chapter argues that the dystopian YA fairy tale is u
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Conference papers on the topic "Fairy tale representation"

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Kik, Fei Jiun. "GROWING UP WITH DISNEY: GENDER REPRESENTATION AND SPECTATORSHIP OF FAIRY-TALE CINEMAS." In Arts & Humanities Conference, Venice. International Institute of Social and Economic Sciences, 2016. http://dx.doi.org/10.20472/ahc.2016.001.009.

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Sheng, Kaili, and Lanjia Peng. "Representation of the Concept “Home” in Andersen’s Fairy Tales." In 8th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2021). Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220306.043.

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Chernikov, P. Yu. "Nonconformist draws a fairy tale. Children’s illustration in the works of Viktor Pivovarov." In https://elibrary.ru/item.asp?id=75086102&selid=75086387. Scientific and Publishing Center "Science" of the Russian Academy of Sciences, 2024. https://doi.org/10.52929/9785605111078_647.

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Viktor Dmitrievich Pivovarov is an artist, a representative of nonconformist art, one of the founders of Moscow Conceptualism. At the same time, he has been illustrating children’s books for several decades, which have been recognised and loved by several generations of readers. The article tells about Pivovarov’s illustrations and their significance for the artist’s work.
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Lapina, Evgeniia. "Women in love against the underworld: “Female savior” scenario in English, Russian and Turkish folklore narratives." In Eighth Brno Conference on Linguistics Studies in English. Masaryk University Press, 2020. http://dx.doi.org/10.5817/cz.muni.p210-9767-2020-7.

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The main idea of this work was to study gender representations in the English “Ballad of Tam Lin”, the Russian fairy tale “Finist the Bright Falcon” and the Turkish tale “Patience-Stone” through the analysis of language units with implicit gender semantics. These folklore narratives have important similarities featuring the female protagonist as the main plot driver and possessor of cultural wisdom. They follow the “female savior” scenario, depicting women as decisive and challenging the traditional role of a decorative victim.
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Alexandrova, N. V., and A. A. Veshchugina. "POSSIBILITIES OF A MATHEMATICAL FAIRY TALE IN THE FORMATION OF TIME REPRESENTATIONS OF OLDER PRESCHOOL CHILDREN." In Непрерывное педагогическое образование как фактор развития региональной экосистемы. Новгородский государственный университет имени Ярослава Мудрого, 2023. http://dx.doi.org/10.34680/978-5-89896-840-3/2023.education.08.

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Zhang, Yuxiang, Jiamei Fu, Dongyu She, Ying Zhang, Senzhang Wang, and Jufeng Yang. "Text Emotion Distribution Learning via Multi-Task Convolutional Neural Network." In Twenty-Seventh International Joint Conference on Artificial Intelligence {IJCAI-18}. International Joint Conferences on Artificial Intelligence Organization, 2018. http://dx.doi.org/10.24963/ijcai.2018/639.

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Emotion analysis of on-line user generated textual content is important for natural language processing and social media analytics tasks. Most of previous emotion analysis approaches focus on identifying users’ emotional states from text by classifying emotions into one of the finite categories, e.g., joy, surprise, anger and fear. However, there exists ambiguity characteristic for the emotion analysis, since a single sentence can evoke multiple emotions with different intensities. To address this problem, we introduce emotion distribution learning and propose a multi-task convolutional neural
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Pilar, Martin. "EWALD MURRER AND HIS POETRY ABOUT A DISAPPEARING CULTURAL REGION IN CENTRAL EUROPE." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/s28.06.

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The contemporary Czech poet using the pseudonym Ewald Murrer (born in 1964 in Prague) used to be a representative of Czech underground literature before 1989. Then he became one of the most specific and original artists of his generation. The present essay deals with his very successful collection of poetry called The Diary of Mr. Pinke (1991, English translation published in 2022). Between the world wars, the most Eastern part of Czechoslovakia was so-called Subcarpathian Ruthenia (or Karpatenukraine in German). This rural and somewhat secluded region neighbouring Austrian Galicia (or Galizie
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Pilar, Martin. "EWALD MURRER AND HIS POETRY ABOUT A DISAPPEARING CULTURAL REGION IN CENTRAL EUROPE." In 10th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2023. SGEM WORLD SCIENCE, 2023. http://dx.doi.org/10.35603/sws.iscah.2023/s10.06.

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The contemporary Czech poet using the pseudonym Ewald Murrer (born in 1964 in Prague) used to be a representative of Czech underground literature before 1989. Then he became one of the most specific and original artists of his generation. The present essay deals with his very successful collection of poetry called The Diary of Mr. Pinke (1991, English translation published in 2022). Between the world wars, the most Eastern part of Czechoslovakia was so-called Subcarpathian Ruthenia (or Karpatenukraine in German). This rural and somewhat secluded region neighbouring Austrian Galicia (or Galizie
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Sarkar, Dripta, Emiliano Renzi, and Frederic Dias. "Wave Power Extraction by an Oscillating Wave Surge Converter in Random Seas." In ASME 2013 32nd International Conference on Ocean, Offshore and Arctic Engineering. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/omae2013-10188.

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This paper investigates the behaviour of a bottom hinged flap-type wave energy converter (WEC), namely the Oscillating Wave Surge Converter (OWSC), in random seas. The semi-analytical model of Renzi and Dias (2013b) for an OWSC in the open ocean is considered to analyze the performance of the device in random incident waves. The modelling is performed within the framework of a linear potential flow theory, by means of Green’s integral theorem. The resultant hypersingular integral equation for the velocity potential obtained from the above formulation is solved using a series expansion in terms
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Qiao, Dongsheng, Changxin Zheng, Binbin Li, Jinping Ou, and Gangjun Zhai. "Comparative Analysis on Fatigue Damage of Deepwater Hybrid Mooring Line." In ASME 2010 29th International Conference on Ocean, Offshore and Arctic Engineering. ASMEDC, 2010. http://dx.doi.org/10.1115/omae2010-20642.

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In the deepwater exploitation of oil and gas, the replacement of polyester rope for the wire in chain-wire-chain mooring line is proved to be fairly economic. Previous studies are mainly conducted to hydrodynamic analysis and dynamic response calculation, but there are few studies on the fatigue damage analysis of hybrid mooring line. Take the mooring system of a Spar platform as the research object, and the multi-component mooring lines are usually made up of chain-wire-chain. The representative mooring line has been considered while other conditions are kept unchanged, and top end tension-st
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