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Journal articles on the topic 'Falling out of love'

Author: Grafiati

Published: 4 June 2021

Last updated: 12 February 2022

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1

Dickinson, Jean, Charity K. Martin, and Margaret Mering. "Falling In and Out of Love." Library Resources & Technical Services 47, no. 3 (July 1, 2003): 125–31. http://dx.doi.org/10.5860/lrts.47n3.125.

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2

Payne, Rupert. "Falling out of love with pills." Prescriber 29, no. 5 (May 2018): 4. http://dx.doi.org/10.1002/psb.1669.

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3

Järvinen, Teppo L. N., and Gordon H. Guyatt. "Falling out of love with knee arthroscopy." Nature Reviews Rheumatology 13, no. 9 (July 6, 2017): 515–16. http://dx.doi.org/10.1038/nrrheum.2017.106.

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4

Lopez-Cantero, Pilar, and Alfred Archer. "Lost without you: the Value of Falling out of Love." Ethical Theory and Moral Practice 23, no. 3-4 (February 18, 2020): 515–29. http://dx.doi.org/10.1007/s10677-020-10067-2.

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Abstract In this paper we develop a view about the disorientation attached to the process of falling out of love and explain its prudential and moral value. We start with a brief background on theories of love and situate our argument within the views concerned with the lovers’ identities. Namely, love changes who we are. In the context of our paper, we explain this common tenet in the philosophy of love as a change in the lovers’ self-concepts through a process of mutual shaping. This, however, is potentially dangerous for people involved in what we call ‘subsuming relationships’, who give up too much autonomy in the process of mutual shaping. We then move on to show how, through the relation between love and the self-concept, we can explain why the process of falling out of love with someone is so disorientating: when one is falling out of love, one loses an important point of reference for self-understanding. While this disorientating process is typically taken to be harmful to the person experiencing it, we will explain how it can also have moral and prudential value. By re-evaluating who we were in the relationship and who we are now, we can escape from oppressive practices in subsuming relationships. We finish by arguing that this gives us reason to be wary of seeking to re-orient ourselves -or others- too quickly after falling out of love.

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5

Forrester, John. "Falling In and Out of Love with Philosophy." Metaphilosophy 43, no. 1-2 (January 2012): 96–111. http://dx.doi.org/10.1111/j.1467-9973.2011.01729.x.

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6

Hume, Tom. "Why are vets falling out of love with the job?" Veterinary Record 183, no. 7 (August 17, 2018): 226. http://dx.doi.org/10.1136/vr.k3562.

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7

Pahl, Kerstin Maria. "The Language of Love’s Lessening. Falling Out of Love and Nineteenth-Century English Literature." Cultural and Social History 17, no. 3 (November 27, 2019): 391–406. http://dx.doi.org/10.1080/14780038.2019.1689025.

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8

Percy, Martyn. "Falling out of love: The ordination of women and recent Anglo‐American Anglican schisms explored." Journal of Contemporary Religion 12, no. 1 (January 1997): 35–49. http://dx.doi.org/10.1080/13537909708580788.

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9

Grant, Derek. "‘Desolate and sick of an old passion’: The psychodynamics of falling in and out of love." Psychodynamic Counselling 4, no. 1 (February 1998): 71–92. http://dx.doi.org/10.1080/13533339808404170.

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10

SCRAMAGLIA, ROSANTONIETTA. "Love and the web." European Review 10, no. 3 (July 2002): 317–38. http://dx.doi.org/10.1017/s1062798702000248.

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The purpose of this study was to examine and explain how the landscape of personal relationships is changing through new means of technologies such as the Internet. Nowadays, increasing numbers of individuals are getting to know each other, and falling in love, thanks to this form of communication. In order to understand and analyse this phenomenon from a sociological perspective, I have carried out exploratory research on the situation in Italy. We conducted a series of interviews and constructed the histories of the lives of Italians who, by navigating, fell in love with their correspondents and got involved in affairs with, more or less, happy endings. We were thus able to discover that, behind this virtual world, there are real feelings, emotions, hopes and dreams. Often, on the computer, anonymity and the barrier of the screen allow people to be more spontaneous, sincere, true and genuine with each other than they might be in real life. True love affairs according to Francesco Alberoni's definition are born. However, meeting in person, which must happen sooner or later, can result in losing what might have been gained up to that point. As in every challenge, many end up as losers and few as winners.

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11

Lersch, Philipp M., and Sergi Vidal. "Falling Out of Love and Down the Housing Ladder: A Longitudinal Analysis of Marital Separation and Home Ownership." European Sociological Review 30, no. 4 (June 3, 2014): 512–24. http://dx.doi.org/10.1093/esr/jcu055.

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12

Boswell, Rosabelle. "Falling out of love? A response to Francis Nyamnjoh's ‘Beyond an evangelizing public anthropology: science, theory, and commitment’." Journal of Contemporary African Studies 33, no. 1 (January 2, 2015): 64–68. http://dx.doi.org/10.1080/02589001.2015.1021216.

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13

Holden, Russell. "Losing the Heritage - Falling out of Love with Cricket: Why Has This Happened to the British Afro-Caribbean Community?" International Journal of Human Movement and Sports Sciences 5, no. 3 (September 2017): 41–50. http://dx.doi.org/10.13189/saj.2017.050301.

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14

Wądolny-Tatar, Katarzyna. "Inkluzje i ekskluzje podmiotu w zbiorze Bez ciebie Anny Augustyniak." Poznańskie Studia Polonistyczne. Seria Literacka, no. 33 (October 26, 2018): 171–84. http://dx.doi.org/10.14746/pspsl.2018.33.10.

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The main concept of Anna Augustyniak’s poetic volume (Bez ciebie, Warsaw 2014) is based on poetics and semantics of a number of categories: deficiency, body, affection, journey. They make an entanglement, which shows the metamorphosis of feminine lyrical subject, at first being mentally, emotionally and sensually disconnected (excluded by itself) from the environment though love, later again connected with world through the journey in geographically-cultural and spiritual dimension. In this case, the strong affection (falling in it and out of it after the parting) can be treated analogously. Construction and titles of several poems included in volume create an enumerative series describing the condition of subject (condition “without”), both as addiction and as deliverance, inclusion and exclusion. “Traveling erotics” – as Alicja Jakubowska-Oż.g named these poems – are also an individual realisation of a convention of literary genetics. A poem appears as a body of inclusion, which encloses a story of love.

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15

Zhukova, M., and I. Kor Chahine. "French verb tomber and its synonyms: down and beyond." Acta Linguistica Petropolitana XVI, no. 1 (August 2020): 225–47. http://dx.doi.org/10.30842/alp2306573716106.

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The aim of the study is to identify and describe frame situations in the use of the verbs tomber, chuter, choir, and, in some cases, dégringoler in French. Semantic parameters relevant to each of the analyzed verbs are also described. The study is based on Frantext – the French corpus of XX century literary texts. The Russian National Corpus and Google.fr search results were also used to describe some contexts. The analyzed contexts can be divided into several groups in which the verbs are used to express different types of falling. Verbs tomber, choir, and chuter are used in the literal sense to describe the following situations of falling: (i) free falling (an object, a person), (ii) detaching (hair, teeth), (iii) falling out of the container (a fledgling) and falling into the container (a person), (iv) loss of vertical orientation (a person, a building, a tree). Natural phenomena, such as precipitation (snow, rain) and liquids, can also be used as subjects of falling in French. The most frequent contexts in which the analyzed verbs of falling are used in the figurative sense are: (i) the change of natural phenomena (nightfall), (ii) the decrease of some parameter on the scale (temperature), (iii) accidental events, (iv) the state of a person (falling in love), (v) death (of a person). In addition, the study identifies an intermediate meaning between the literal and the figurative, relating to the description of physical objects (most often, items of clothing or body parts): the verb tomber can be used in situations where the subject is “attached” at the top and the rest moves (relatively) freely (curtains, a skirt). In general, it is not typical in French to use specific verbs to distinguish different types of falling. In most cases, the semantic meaning of falling is expressed with the usage of the verb tomber and, occasionally, with its synonyms chuter and, more rarely, choir, both indicating that the subject moves downwards on the vertical plane. All the analyzed contexts are characterized by the unpreparedness or randomness of the event in both literal and figurative uses.

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16

Emmerij, Louis. "Has Europe Fallen out of Love with the Rest of the World?" IDS Bulletin 20, no. 3 (July 1989): 9–16. http://dx.doi.org/10.1111/j.1759-5436.1989.mp20003003.x.

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17

Dayan, Peter, and Carolina Orloff. "Finding Rhythm in Julio Cortázar's Los Premios." Paragraph 33, no. 2 (July 2010): 215–29. http://dx.doi.org/10.3366/para.2010.0005.

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One character in Cortázar's novel (Persio) truly believes in cosmic rhythm. This belief is characteristic of a magical view of the universe central to 1960s (proto-‘New Age’) counterculture. The other characters in Los Premios, like the implied narrator, reject Persio's essentialism; they dismiss the notion that there is really any rhythm common to art, humanity, and the universe. However, there are key points in the narrative, inspired by falling in love and by works of art, at which their world does appear patterned by just such a rhythm, a ‘swing cósmico’. The novel itself turns out to depend on the intermittent conviction of this rhythm, not objectively embedded in anything, but always seen, living, and dying in time; the price of art is the acceptance of this rhythmed mortality.

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18

Bulakh, M. "Verbs of falling in Tigrinya." Acta Linguistica Petropolitana XVI, no. 1 (January 2020): 677–720. http://dx.doi.org/10.30842/alp2306573716121.

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The paper gives a survey of verbs of falling in Tigrinya (an Ethio-Semitic language spoken in Eritrea and northern Ethiopia). The employment of each verb related to the situation of falling down is illustrated with phrasal examples. The Tigrinya data is further compared with Geez, a closely related extinct language. A special subsection deals with metaphorical use of the basic verb ‘to fall’ in Tigrinya. Tigrinya possesses one basic verb of falling, wädäḳä, which is applied to describe the downward movement of a solid object through the air or a loss of vertical position of a vertically oriented object. Falling of a solid, heavy object, either through the air or, less typically, along an oblique surface, can also be referred to by a special verb ṣädäfä. In all situations deviating from this default situation of falling in Tigrinya, special verbs are employed. Thus, the verbs tägälbäṭä ‘to be overturned, to topple’ or tägämṭälä ‘to be turned over’ are used to describe the situation of toppling, overturning which does not involve physical falling from a higher level to a lower one. Detachment of an object which had been fi rmly fi xed to another object, is usually denoted by the verb moläḳä ‘to slip off ; to become detached’. Falling to pieces of buildings or other built structures is described by the special verbs färäsä ‘to collapse, crumble, to fall’ or ʕanäwä ‘to collapse’ (but ṣädäfä can also be used in such contexts). Detachment of parts of body or plants due to natural reasons is denoted by the special verb rägäfä ‘to fall off (leaves), to break off , break loose (fruit, leaf), to shed a coat (livestock)’ (although the physical falling which is caused by such a detachment can well be described by the verb wädäḳä ‘to fall’). Furthermore, with respect to teeth, a special verb goräfä ‘to lose milk teeth, to have one’s tooth pulled out’ is used, with the possessor of the tooth encoded as the subject, and the tooth itself, as the object. Downward movement of liquids is denoted by a wide range of verbs, such as wäḥazä ‘to fl ow’, näṭäbä ‘to fall in drops, to drop (water), to drip (water)’, fäsäsä ‘to be spilled, poured (out) (water, grain, etc.), to fl ow (liquid, stream), to run (water), to fall (water)’, ṣärär bälä ‘to ooze, exude’, läḥakʷä ‘to drip, run (water along a wall after leaking through a roof), lo leak, to seep, fi lter through (intransitive)’. The verb wärädä ‘to descend’ is also used to describe the movement of liquids from a higher level to the lower. Spilling of granular material is denoted by fäsäsä ‘to be spilled, poured (out) (water, grain, etc.)’. Rolling down is denoted by the verb ʔankoraräyä/ʔankoraräwä ‘to roll’. Downward movement in water is described by the verb ṭäḥalä ‘to sink, to submerge’. Intentional losing of vertical position is described by the verb bäṭṭ bälä ‘to lie down’,and intentional movement from a higher level to the lower is described by wärädä ‘to descend’. The metaphors of falling include the employment of the verb wädäḳä to describe an abrupt, unexpected (and often unpleasant) change. This involves decrease in a measure, loss of interest, the destruction of a social power, arriving of a sudden calamity. A separate group of metaphorical employment is the verb wädäḳä as the standard predicate of such nouns as “lottery” and “lot”, presumably by extension from the situation of dice falling to the ground. Finally, death in battle is also denoted by the verb wädäḳä. The Geez cognate of wädäḳä likewise functions as the basic verb ‘to fall’, whose employment is very similar to, although not identical with, its Tigrinya equivalent. Similarly, Geez ṣadfa does not display any signifi cant diff erence from Tigrinya ṣädäfä in its semantics and usage.

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19

Kozlov, A., and P. Kasyanova. "Verbs of falling in Chukchi." Acta Linguistica Petropolitana XVI, no. 1 (August 2020): 1020–33. http://dx.doi.org/10.30842/alp2306573716132.

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The paper focuses on the lexicalization of falling events in Amguema Chukchi, which is a variety of the eastern dialect of Chukchi, spoken by inland reindeer herders in the tundra around the village of Amguema in the Chukotka Peninsula. The data on which the research is based were collected in course of authors’ own fi eldwork. The research is done in the framework developed by the Moscow Lexical Typology Group: the authors investigate diff erent frames pertaining to the conceptual field of falling, checking whether they can or cannot be lexicalized by several verbs that the language possesses. The system has two main verbs, peqetatək, which denotes falling from a higher level to a lower one, and eretək, which is used to describe toppling down of vertically oriented elongated objects. For example, only the former will be used in a sentence describing a cup falling from a table onto the ground, and only the latter describes falling down of a tree during a windstorm or of a person who has slipped up. This semantic opposition is cross-linguistically recurrent, furthermore, it is the major opposition which structures the field of falling from the typological point of view. The system is further furnished by several verbs which lexicalize narrow classes of situations: atsatək ‘topple down (of non-elongated objects that have a prototypical orientation in space and lose this orientation)’, kuwɬitkuk ‘roll down’, pəɬqetək ‘fall into water, drown’ и ŋərepetək ‘fall into a substance’. Another interesting feature of the Chukchi system is the absence of metaphors with falling as source cognitive domain. This fact is cross-linguistically peculiar, as in general falling events are particularly prone to give rise to metaphors. Finally, the verbs ŋətək ‘break free from a leash, separate oneself from something’ и pirqək ‘bend down to earth’ develop secondary meanings that pertain to the semantic domain of falling, ‘fall out (e.g. of teeth or hair)’ and ‘sink in (e. g. of a tent)’ correspondingly

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20

Fahner, Kimberly. "Underneath(s)." Con Texte 1, no. 1 (December 31, 2017): 2. http://dx.doi.org/10.28984/ct.v1i1.78.

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You cannot walk it out. You cannot push it through your body, try as you might. Sturdy steps, winter-boot-clad, through fast falling snow in early morning light—all ice fog and fantastical—are futile. Your heart sits squarely, not moving. Bird in a cage, this heart. Wants only for someone to open the door, to let it out and give it wings. Instead, you try to walk it out. But you cannot push it through your body, try as you might. It aches, beats—persistent—strings tugging on memory like a balloon fastened to a child’s wrist with a loose bow. It is enough to know it beats, without thinking. It is enough. You cannot walk it out, this love. You cannot push it out through the soles of your feet, urging it down into the earth and—underneath that, even—more deeply, into hidden labyrinths of nickel and copper mines. You cannot walk it out. It will not let you. Instead, it begs you to carry it, heavy and laden, tired and weary, from this point of land under winter pines to that one, where the bay curves in like the place where a waist is sculpted by a man’s hand. You cannot walk it out because you know it is enough. And it is also too much.

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21

Albinus, Lars. "Tro og beslutsomhed." Dansk Teologisk Tidsskrift 76, no. 4 (May 20, 2018): 276–90. http://dx.doi.org/10.7146/dtt.v76i4.105693.

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Kierkegaard and Heidegger agree in seeing the prominenceof human existence in the reflexive concern for itself and the anxietywhich follows from recognizing the abyss of possibility and nothingness.However, Heidegger misses a notion of the formal structure of beingin Kierkegaard’s work, which he conceives to merely offer a theologicalsolution to questions that only a phenomenological outlook mightprovide on neutral grounds. Kierkegaard, on the other hand, lends hisvoice to forms of existence by which the “existentiell” dimension restson the awakening of the Spirit as the condition of possibility. Contraryto Heidegger, Kierkegaard does not regard the fulfi llment of existenceas something the subject can decide for itself without falling into despair.Using the literary figure of Hans Castorp from the novel Zauberbergby Thomas Mann, the article aims to show how easily the decisionto confront life with love falls back into a spell of escapism, leavingKierkegaard with the upper hand in pointing out the inadequacy of thehuman spirit, including philosophical endeavors, to ground itself.

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22

Chambers, Ross. "Si(g)ns of Omission: The Books that Got Away." Nottingham French Studies 55, no. 1 (March 2016): 5–17. http://dx.doi.org/10.3366/nfs.2016.0135.

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For this piece, Ross Chambers proposes a reflection on the academic ‘discipline’ – on writing, literary theory, history and hauntings, and on the time spent, lost, and bound up both with writing books and falling in love with books long dreamt of and planned out, but which fall by the wayside in the course of a life spent thinking, reading, and writing (e.g., studies of Berlioz and Gautier, on the audience as an ex-timate included/excluded third-party in theatre, or a ‘Big Book on Baudelaire’). In this poignant, powerful piece on personal and intellectual œuvres that are, in some sense, always bound to remain incomplete (or désœuvrées), Chambers takes us through, as idle fellow flâneurs, a kind of auto-bio-bibliography: that is, a texturing/textualization of the self as thinker and writer who has dedicated the last fifty years to interrogating the radically disruptive potential of that strange institution he calls loiterature.

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23

Choudhury, Sabiha Alam, and Indranee P. Borooah. "Character Strengths and Academic Achievements of Undergraduate College Students of Guwahati, Assam." Space and Culture, India 5, no. 1 (June 30, 2017): 49. http://dx.doi.org/10.20896/saci.v5i1.242.

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Character strengths, as conceptualised by the Values-In-Action (VIA) strengths classification system, are core characteristics of individuals that allow people to be virtuous (Seligman 2002). They are moral, intrinsically valuable, and ubiquitous traits that can be developed and enhanced. Social psychologists and sociologists consider achievements in college or university level, because of recognition and proper utilisation of the character strengths possessed by the individual students. The current study was conducted amongst 240 undergraduate college students of arts stream (60 males and 60 females) and science stream (60 males and 60 females) falling within the age group of 18-21 years, with the aim of finding out if the character strengths of the male and female undergraduate students are associated with their college academic achievements. It was found that significant correlation existed between appreciation of beauty and excellence, fairness, forgiveness, honesty, humour, kindness, love of learning and humility with the academic achievement of the students.

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24

Archambault, Julie Soleil. "Taking Love Seriously in Human-Plant Relations in Mozambique: Toward an Anthropology of Affective Encounters." Cultural Anthropology 31, no. 2 (May 4, 2016): 244–71. http://dx.doi.org/10.14506/ca31.2.05.

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Behind some of the tall fences that compartmentalize domestic space in Inhambane hide luxurious gardens that are usually under the care of an individual who answers requests for cuttings and who seeks out, in everyday meanderings, new species to add to his or her collection. In this Mozambican city, gardeners articulate their engagement with plants as guided by an overriding principle: the love of plants. One gardener even described his plants as his lovers. What makes human-plant relations in Inhambane even more ethnographically intriguing is that the most romantic gardeners tend to be either young men or older women. In this essay, I engage with the growing posthumanist literature on multispecies ethnography and explore what it would entail to take the love of plants seriously. I ask whether the statement “my plants are my lovers” should be taken metaphorically or literally. I situate human-plant relations in Inhambane against the backdrop of the region’s particular social and historical geographies—from a Portuguese settlement to a postsocialist, postwar society wrestling with growing inequality and the commodification of intimacy—and show how human-plant relations deserve to be understood both as ontological relations in their own right and as a response to the commodification of intimacy. I do not argue that the commodification of intimacy has led young men, in their search for new forms of affection, to fall in love with plants; falling in love with plants is contingent, not reactive. Rather, I suggest that human-plant relations are not only experienced and constructed in contrast to commodified forms of intimacies, but also offer a template for new interpersonal intimacies. My analysis of human-plant relations is informed by my wider interest in affective encounters, in the transformative potential of everyday engagement with the material world. I explore the transformative potential of affective encounters between plants and gardeners to start thinking about how new intimacies, new ways of being and relating, emerge and take shape.

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25

Zaika, N. "Verbs of falling and throwing in Basque." Acta Linguistica Petropolitana XVI, no. 1 (August 2020): 274–95. http://dx.doi.org/10.30842/alp2306573716108.

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. The present article analyses verbs of falling and throwing in Basque. The frame-based approach is used to fi nd out the relevant semantic oppositions. Both elicitation and corpus data are used in the study. The dominant Basque verbs of falling are erori ‘to fall’ and its Bizcayan counterpart jautsi, which can be used in most of the frames. Another verb, isuri ‘flow’, can refer to liquids, as well as the dominant verb. The verb etorri ‘to come’ refers to liquids moving horizontally, rather than vertically. Falling of hair and teeth can be expressed with the verb galdu ‘to lose’. The only frame where the dominant verb erori is hardly ever used is falling of rain and snow. The predicate ariizan with progressive meaning and the verbs egin ‘to do’ and bota ‘to throw’ can be used instead. The dominant verb of throwing in Basque is bota ‘to throw’ taking both allative and locative arguments. Intensive throwing is expressed by verbs jaurti, jaurtiki, aurtiki ‘throw, toss, cast’. Some verbs of throwing, such as lurreratu ‘to throw to the ground’ < lur ‘ground’, ureratu ‘to throw to water’ < ur ‘water’, airatu ‘to throw to air’ < aire ‘air’ incorporate the Orienter. The incorporation of a typical Trajector is possible as well, cf.harrikatu ‘to throw stones’ < harri ‘stone’ and dardatu ‘to throw an arrow, a spear’ <dardo ‘arrow, spear’. Metaphorical meanings of verbs of falling and throwing in Basque often have their counterparts in the neighbouring Romance languages — Spanish and French. Thus, the verb erori ‘to fall’, as well as its Spanish counterpart caer can refer to winning something in lottery. The Basque verb bota ‘to throw’, as well as Spanish echar can refer to fi ring an employee, getting rid of an object or showing a film

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26

Tamas, Sophie. "Three Ways to Lose Your Epistemology." International Review of Qualitative Research 2, no. 1 (May 2009): 43–60. http://dx.doi.org/10.1525/irqr.2009.2.1.43.

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This piece offers an autoethnographic examination of the unraveling of epistemic certainty. The reader is offered three stories of falling, which explain the author's loss of knowing as a result of education, trauma, or apostacy. The aporias and assumptions in each story are teased out as we explore what they profess, where they fall silent, and how they understand uncertainty. Rather than determining which story is true, the text asks ethical and practical questions about where each story takes us. The irreconcilability of these three narratives raises questions about the limits of pluralism, how we respond to ideological difference, and the viability of our need to know.

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27

Galpin, Charlotte. "Has Germany “Fallen Out of Love” with Europe? The Eurozone Crisis and the “Normalization” of Germany's European Identity." German Politics and Society 33, no. 1 (June 1, 2015): 25–41. http://dx.doi.org/10.3167/gps.2015.330103.

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The European Union has been in its biggest ever crisis since the onset of the Greek sovereign debt crisis in 2010. Beyond the political and economic dimensions, the crisis has also sparked discussions about Germany's European identity. Some scholars have argued that Germany's behavior in the crisis signals a continuation of the process of “normalization” of its European identity toward a stronger articulation of national identity and interests, that it has “fallen out of love” with Europe. This article will seek to reassess these claims, drawing on detailed analysis of political and media discourse in Germany—from political speeches through to both broadsheet and tabloid newspapers. It will argue that the crisis is understood broadly as a European crisis in Germany, where the original values of European integration are at stake. Furthermore, the crisis is debated through the lens of European solidarity, albeit with a particular German flavor of solidarity that draws on the economic tradition of ordoliberalism. Rather than strengthening expressions of national identity, this has resulted in the emergence of a new northern European identity in contrast to Greece or “southern Europe.”

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28

Rustom, Mohammed. "Devil’s Advocate: ʿAyn al-Quḍāt’s Defence of Iblis in Context." Studia Islamica 115, no. 1 (September 2, 2020): 65–100. http://dx.doi.org/10.1163/19585705-12341408.

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Abstract The writings of ʿAyn al-Quḍāt Hamadānī (d. 525/1131) anticipate some of the major trends that characterize the post-Avicennan ḥikmat tradition. But modern scholarship has as of yet not completely come to grips with the far-reaching implications of ʿAyn al-Quḍāt’s teachings, many of which are framed in terms of the symbolic language and imagery of the Persian Sufi school of passionate love (madhhab-i ʿishq) and the defence of the devil’s monotheism (tawḥīd-i Iblīs). The focus in this article will be upon this latter aspect of ʿAyn al-Quḍāt’s Sufi doctrine. Upon closer inspection, his “Satanology” (for lack of a better term) turns out to not only be concerned with a defence of the devil as a tragic, fallen lover of God; it is also intimately related to our author’s robust theodicy, as well as his theory of human freedom and constraint. At the same time, ʿAyn al-Quḍāt’s defence of Iblis demonstrates his understanding of philosophical and theological discourse as themselves symbolic representations of another, higher form of being and knowing.

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Parkinson, John. "Psychiatrist or Sex Worker? Emotional Awareness in Ethics Education." Australasian Psychiatry 11, no. 1 (March 2003): 71–73. http://dx.doi.org/10.1046/j.1440-1665.2003.00507.x.

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Objective: When too many psychiatrists have been behaving like prostitutes, it is instructive to compare and contrast that ancient profession with our own. The present paper sets out to do that. Methods: Codes of conduct are compared and clinical anecdotes discussed. Results: Both professions give time and services in exchange for money. Guidelines for each highlight limits and boundaries. A danger is ‘falling in love’, a quasi-psychotic experience that facilitates some phases of development but which can be destructive when uncontained. Since the advent of cognitive behavioural therapy (CBT), transference and countertransference are concepts no longer widely used. However, many behaviourists know the importance of a therapeutic alliance and see the therapist as a figure who can invoke idealization and dependence. All psychiatric treatment has a developmental aspect because it seeks to replace primitive feelings and impulsivity with mature behaviour. Adolescence brings not only sexual development but emotional change from the dependent child to the adult capable of care and bonding. Sexual attraction is more mature the more the element of neediness is modified by care and concern. Conclusions: Peer groups are commended for both professions. In psychiatric training, human development should be learnt not just as theoretical background but as lively reality in clinical work, alerting psychiatrists to monitor their own maturity in the doctor-patient setting. The value of personal therapy or analysis is discussed, together with possible adverse sideeffects.

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Slater, Merlyn E. "Falling in love." Journal of Psychosocial Nursing and Mental Health Services 36, no. 12 (December 1998): 7. http://dx.doi.org/10.3928/0279-3695-19981201-04.

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Evans, Mary. "`Falling in Love with Love is Falling for Make Believe'." Theory, Culture & Society 15, no. 3-4 (August 1998): 265–75. http://dx.doi.org/10.1177/0263276498015003012.

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This article suggests that an understanding of love which allowed for a rational discourse about human relationships was proposed at the time of the Enlightenment but was subsequently contested and replaced by an ideology of romantic love. Romantic love, far from emancipating human understanding and behaviour, trapped individuals in a narrow and often negative set of expectations and aspirations.

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McGhee, Derek. "Falling (in Love), Falling (in Death)." Space and Culture 4, no. 7-9 (February 2001): 162–72. http://dx.doi.org/10.1177/120633120000300514.

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Dimitrova, Janka, Risto Fotov, Olivera Gjorgieva Trajkovska, and Marija Todorovska. "Retrospective of Macedonian capital market for the last ten years (from 2004 to 2013)." Risk Governance and Control: Financial Markets and Institutions 4, no. 3 (2014): 102–18. http://dx.doi.org/10.22495/rgcv4i3c1art4.

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Investments on the capital market depend on the current political situation of the country, as well as on the movements of the global economy. In countries with unstable political situation, the performance of the stock exchange declines, unlike politically stable countries, where stock exchange operation is carried out continuously, the stock exchange is a mirror and a barometer of general developments in a society. The economic crisis that spread all around the world in 2008, triggered the strongest negative effect on the capital markets, both on the trading volume and on securities’ prices. Prices of securities were falling overnight and stock indices also. In most cases an absurd situation occurred, where although companies showed good financial results and had promising investment activities, stock prices were still falling because of the euphoric panic that investors would lose their ventures, so they sought to take the last chance to save what can be saved. Macedonian capital market, although relatively young, experienced its flourish in 2006 and 2007, but also felt and still feels the effects of the global economic crisis. The beginning of that negative impact was first felt in the last quarter of 2007, and was more evident in 2008 and onwards. The numbers were most disappointing in 2013 both in terms of trading volume and in terms of number of transactions.

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Latifah, Syahrotul, and Purwati Anggraini. "FEMINISM STUDY OF THE MALE CHARACTER PERSPECTIVE IN THE ORANG KASAR SCRIPT BY ANTON CHEKOV." Jurnal Kata 4, no. 1 (May 22, 2020): 20. http://dx.doi.org/10.22216/kata.v4i1.4741.

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<p><em>The purpose of this research is to describe (1) the form of feminism based on the perspective of the main male character; (2) strategies of male main characters in implementing feminism towards female main characters; (3) failure of the perspective of the main male characters in interpreting feminism. This research uses a feminism approach. The method in this research is descriptive analysis method. The source of the research data is the text of Orang Kasar by Anton Chekov. The data in this study are excerpts of dialogue in the text of Orang Kasar by Anton Chekov. The results of the study are as follows (1) the form of feminism based on the perspective of male figures found the thoughts and actions of men who reject the existence of women's character; the necessity of overall equality of mindset, speech, and deeds between men and women; and there are no restrictions on talks between men and women; (2) the strategy of male main characters in carrying out feminism towards female main characters, namely through the thought of male feminism which considers no boundaries in any case with women such as bluffing, arguing, and inviting dueling with women who actually have no mastery about that; (3) Misperception of men in interpreting feminism causes feelings of falling in love with men towards men towards men towards women which causes the perspective of male feminism to no longer be the main thing and accept any error for applying feminism according to male perspective.</em><em></em></p>

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Malovic, Marko. "A note about price competitiveness impact on conventional theory and overall pay-off of intraindustry trade." Ekonomski anali 51, no. 169 (2006): 166–83. http://dx.doi.org/10.2298/eka0669166m.

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Contrary to much of the mainstream literature on trade in monopolistic competition setting, we point out the importance of departure from CES dogma and consequently revealed, if thus far neglected, price competitiveness effect, as a supplement to the classical Dixit-Stiglitz "love of variety". Quite apart from initial price and cost cuts due to greater competition as well as increased consumer welfare as a corollary of more substitutes being available for consumption, there is additional room for price-cost competitiveness boost in terms of scale economies grasped by global market expansion of successful varieties (firms). Analytical framework developed in the paper has led us to conclude that intra industry trade does lower prices and enable greater variety, in as much as it raises efficiency by melting the gap between the zero-profit equilibrium utility and the constrained optimum utility. However, unlike some most recent contributions, our supposition of further downward flexibility of marginal costs prevents us from unambiguously claiming that national firms in the open economy must be fewer as opposed to the autarky case. Put differently, profit margins need not necessarily be falling pro rata (or at all, for that matter) with world prices. That might be one plausible explanation for just why in spite of evident procompetitive effects within the Ell-automobile industry, its price-cost wedges did notfall, but have rather related still. <br><br><font color="red"><b> This article has been retracted. Link to the retraction <u><a href="http://dx.doi.org/10.2298/EKA0670190U">10.2298/EKA0670190U</a></u></b></font>

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CANALE, S. TERRY. "Falling in Love Again*." Journal of Bone and Joint Surgery-American Volume 82, no. 5 (May 2000): 739–42. http://dx.doi.org/10.2106/00004623-200005000-00014.

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Fox, Christopher. "FALLING IN LOVE AGAIN." Tempo 69, no. 273 (July 2015): 30–32. http://dx.doi.org/10.1017/s0040298214001016.

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Laurin Porter. "Falling in Love with O'Neill." Eugene O'Neill Review 33, no. 2 (2012): 275. http://dx.doi.org/10.5325/eugeoneirevi.33.2.0275.

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Karnos, David D., and Robert G. Shoemaker. "Falling in Love with Wisdom." Philosophy East and West 46, no. 2 (April 1996): 293. http://dx.doi.org/10.2307/1399415.

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Swindler, J. K. "Falling in Love with Wisdom." Southwest Philosophy Review 9, no. 2 (1993): 148–50. http://dx.doi.org/10.5840/swphilreview19939233.

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Bower, Jane. "Falling in love… with words." Primary Teacher Update 2012, no. 12 (September 2012): 32–33. http://dx.doi.org/10.12968/prtu.2012.1.12.32.

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Aron, Arthur, Donald G. Dutton, Elaine N. Aron, and Adrienne Iverson. "Experiences of Falling in Love." Journal of Social and Personal Relationships 6, no. 3 (August 1989): 243–57. http://dx.doi.org/10.1177/0265407589063001.

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Smith, Tracy K. "Falling in Love with Numbers." Callaloo 20, no. 3 (1997): 520–21. http://dx.doi.org/10.1353/cal.1998.0093.

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44

Page, Don N. "Falling in love with gravity." Physics World 3, no. 12 (December 1990): 44–45. http://dx.doi.org/10.1088/2058-7058/3/12/26.

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45

Milton, Marianne, Wendy Mulford, Helen Kidd, Julia Mishkin, and Sandi Russell. "Falling in Love with Words." Women's Review of Books 8, no. 10/11 (July 1991): 29. http://dx.doi.org/10.2307/4021060.

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46

Kirshner, Lewis A. "Problems in Falling in Love." Psychoanalytic Quarterly 67, no. 3 (July 1998): 407–25. http://dx.doi.org/10.1080/00332828.1998.12006049.

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47

Maynard, Senko K. "Falling in love with style." Functions of Language 8, no. 1 (December 3, 2001): 1–39. http://dx.doi.org/10.1075/fol.8.1.02may.

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This study analyzes the emotive meanings of three strategies - vocatives/reference forms, desu/masu versus da verb forms, and the use and non-use of the interactional particle yo -in a particular Mode of Japanese discourse. The research site is a television drama series, Majo no Jooken (Conditions of a Witch), that depicts a forbidden love affair. With the chronological development of the relationship between the two main characters in focus, the stylistic shift observed in these strategies is understood in terms of different expressive functions, and as a means for presenting different aspects of selves. The analysis is conducted adopting advanced methodologies in conversation analysis and discourse analysis. This study reveals not only that emotion is imbued and omnipresent in language and interaction, but also and more importantly, that linguistic strategy such as stylistic shift expresses changing emotions between the characters, and, in particular, that stylistic shift indexes changing degrees of intimacy.

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48

Regan, Francis. "Falling in Love with Litigation." Alternative Law Journal 28, no. 5 (October 2003): 251–52. http://dx.doi.org/10.1177/1037969x0302800510.

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Kanamori, Hiroo. "Falling in Love with Waves." Annual Review of Earth and Planetary Sciences 42, no. 1 (May 30, 2014): 1–6. http://dx.doi.org/10.1146/annurev-earth-121713-012705.

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Efremov, D. V., I. A. Bannikova, Y. V. Bayandin, E. V. Krutikhin, and V. A. Zhuravlev. "Experimental study of rheological properties of liquids for hydrofracturing." Вестник Пермского университета. Физика, no. 4 (2020): 69–77. http://dx.doi.org/10.17072/1994-3598-2020-4-69-77.

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The work is devoted to the study of the rheological behavior of proppant carrier fluids used for hydraulic fracturing (HF) technology in order to increase oil recovery, including from hard-torecover oil and gas reserves, in a wide range of deformation rates using viscometers of various designs. Rheological properties were studied for proppant carrier fluids based on guar and Surfogel grade D, (type 70–100, produced by JSC “Polyex”) with comparable shear rate 128 s–1. Quasistatic experiments to determine the values of the dynamic viscosity of the liquids under study were carried out using a falling ball viscometer (according to the Stokes method). Using an original viscometer, consisting of two coaxial cylinders (rotary rheometer), the dynamic viscosity of surfogel was investigated in a wide range of shear rates. The viscoelastic properties of surfactants were studied using a Physica MCR501 rheometer, which has a plane-to-plane measuring system and allows rheological studies in rotational and oscillatory modes. A comparison of the rheological properties of fluids based on the guar and the viscoelastic surfactant is carried out and it is established that a fluid based on the viscoelastic surfactant has a higher dynamic viscosity and does not lose its elastic properties, which is an certain advantage over a fluid based on the guar.

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