Relevant bibliographies by topics / False arrest in fiction

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  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'False arrest in fiction'

Author: Grafiati
Published: 25 July 2024
Last updated: 19 July 2025

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Journal articles on the topic "False arrest in fiction"

1

Zirkel, Perry A., and Ivan B. Gluckman. "False Arrest and Malicious Prosecution." NASSP Bulletin 74, no. 522 (1990): 85–88. http://dx.doi.org/10.1177/019263659007452218.

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Kolb, Martina. "Resisting Arrest: Detective Fiction and Popular Culture." Comparative Literature Studies 46, no. 3 (2009): 545–49. http://dx.doi.org/10.2307/complitstudies.46.3.0545.

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3

Rix, Keith. "Wrongful Arrest, False Imprisonment, Trespass and Assault?" Journal of Forensic Psychiatry 6, no. 3 (1995): 617–33. http://dx.doi.org/10.1080/09585189508410791.

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Oza, Manish. "Fictions in Legal Reasoning." Dialogue 61, no. 3 (2022): 451–63. http://dx.doi.org/10.1017/s0012217322000312.

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AbstractA legal fiction is a knowingly false assumption that is given effect in a legal proceeding and that participants are not permitted to disprove. I offer a semantic pretence theory that shows how fiction-involving legal reasoning works.
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5

Sternin, Joseph A. "False Meanings in Linguistic Consciousness: Reality or Fiction?" Journal of Psycholinguistic, no. 1 (March 26, 2021): 98–109. http://dx.doi.org/10.30982/2077-5911-2021-47-1-98-109.

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The article deals with the problem of status of various types of meanings that emerge when describing the semantics of a word by psycholinguistic methods in the linguistic consciousness. It is shown that during the lexicographic fixation of psycholinguistic meanings revealed by the results of an associative experiment, there arises a problem of describing the reflections of meanings that in traditional systemic linguistics are referred to as agnonymic and taronymic. With regard to psycholinguistic meanings that reflect the actual linguistic consciousness of native speakers, there emerges the p
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6

Lucasi, Stephen. "False to the Past: Charles Johnson's Parabiographical Fiction." Critique: Studies in Contemporary Fiction 52, no. 3 (2011): 288–312. http://dx.doi.org/10.1080/00111610903380071.

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7

Fitzgerald, B., and G. Scalia. "Female False Positive Stress Testing – Fact or Fiction?" Heart, Lung and Circulation 22 (January 2013): S41. http://dx.doi.org/10.1016/j.hlc.2013.05.097.

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8

Perr, Irwin N. "Claims of Psychiatric Injury After Alleged False Arrest." Journal of Forensic Sciences 33, no. 1 (1988): 12433J. http://dx.doi.org/10.1520/jfs12433j.

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9

Cohen, Allan R. "False Arrest: A Rejoinder to "The Killer Group"." Journal of Management Education 15, no. 4 (1991): 486–88. http://dx.doi.org/10.1177/105256299101500409.

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10

Radishauskaite, N. V. "Non-book history of book by Julia Shcherbinina." Book. Reading. Media 2, no. 1 (2024): 65–68. http://dx.doi.org/10.20913/brm-2-1-7.

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Dissertations / Theses on the topic "False arrest in fiction"

1

Brown, Marisa. "Of Atlases and False Projections." Thesis, Boston College, 2005. http://hdl.handle.net/2345/577.

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Thesis advisor: George O'Har<br>In these three longer short stories I explore the theme of "sense of place," of the geographic and psychological confusion of the world and the people in and on it. The first piece, "Cartography," is the story of a woman who, despite living in a large and vibrant city, struggles to find herself within it. The second piece, "The Birds," is the story of a man, Adam, who searches to define himself against the earth and attempts to reject his own embodiment, ultimately failing, but in doing so finds something else. The third piece, "Men Shall Know Nothing of This" (
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2

Zimnoch, Mateusz. "Współczesny reportaż – między racjonalizmem a doświadczeniem." Doctoral thesis, 2014.

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Cel i zakres pracyCelem rozprawy jest analiza sytuacji reportażu w realiach komunikacyjnych dwudziestego pierwszego wieku z perspektywy nauk o mediach przy uwzględnieniu wątków filozoficznych i kulturoznawczych. Wychodząc od opisu problemów kluczowych dla szeroko pojmowanej komunikacji medialnej, na czele z kompresją czasu i przestrzeni, dokonuje się osadzenia reportażu wobec tych problemów. Wywód teoretyczny podąża śladem kolejnych pojęć będących pochodną problematyki wyjściowej: czasu, prawdy, faktu i fikcji, narracji oraz doświadczenia. Wnioski z części teoretycznej aplikuje się następnie d
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Books on the topic "False arrest in fiction"

1

Ifkovits, Nicholas. Other dreams. Counter-Force Press, 1996.

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Ifkovits, Nicholas. Other dreams. 2nd ed. Counter-Force Press, 1999.

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3

Thornton, Betsy. A whole new life. Thomas Dunne Books/St. Martin's Minotaur, 2006.

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Pachón, José Luis Pico. No dudes de mí. Guadalturia Ediciones, 2013.

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5

Kulp, Jodee. The whitest wall: A novel. Better Endings New Beginnings, 2008.

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Collier, Iris. Reluctant spy. Piatkus, 2002.

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7

Young, Karen. A father's heart. Harlequin Books, 1998.

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8

Burke, Diane. Bounty hunter guardian. Love Inspired, 2011.

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9

Copyright Paperback Collection (Library of Congress), ed. Slocum and the hangman's lady. Jove Books, 2004.

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Copyright Paperback Collection (Library of Congress), ed. The Viscount's Scandalous Return. Harlequin Books, 2010.

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Book chapters on the topic "False arrest in fiction"

1

Mookerjee, Robin. "False Pretenses: The Antisocial Hero." In Transgressive Fiction. Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137341082_6.

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2

Russell, Dora. "False!" In Varieties of Women's Sensation Fiction, 1855-1890 Vol 6. Routledge, 2024. http://dx.doi.org/10.4324/9781003550198-15.

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Maunder, Andrew. "The Arrest." In Varieties of Women's Sensation Fiction, 1855-1890 Vol 2. Routledge, 2024. http://dx.doi.org/10.4324/9781003548942-43.

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Kupperman, Karen Ordahl. "How [Not] to Run a Colony in the Distant Past and the Future." In History and Speculative Fiction. Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-42235-5_6.

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AbstractColonialism always rests on a false premise: we will bring our superior culture to a new region. The beings who inhabit the territory may be useful to us, but they certainly can be pushed out of the way. Such was the case in England’s first attempts in North America 400 years ago, and now fictional accounts of colonization in outer space see humans repeating their mistakes. This chapter uses pamphlets, letters, and official documents written in the beginning decades of English colonization in North America. It also draws on two modern science fiction accounts, one from the mid-twentieth century, Harry Martinson’s Aniara, and the other recently published, Charlie Jane Anders’ The City in the Middle of the Night.
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Antiochou, Konstantina, and Stathis Psillos. "How to Handle Reasonable Scientific Disagreement: The Case of COVID-19." In The Pandemic of Argumentation. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-91017-4_4.

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AbstractThe COVID-19 pandemic has been accompanied by an overabundance of information about the new coronavirus and the disease it causes, which is often false or misleading. Science communication can play a key role in the fight against mis- and disinformation. However, the attempt to separate facts from fiction and control the flow of information is hindered by the uncertainties surrounding the scientific understanding of SARS-CoV-2. In this chapter we discuss the recent debate between John Ioannidis and Nassim Taleb about the COVID-19 forecasts and the measures that should be taken to prevent SARS-CoV-2 transmission. Our aim is to explain what distinguishes a ‘reasonable disagreement’ that may arise within science from misinformation or dissemination of false news. The Ioannidis-Taleb debate is susceptible to two readings: it can be seen as a methodological debate between scientists or as a debate about the values that can appropriately influence science policy making. This suggests a difficulty to say which is the basis of the disagreement. We show, however, that these two readings are equally supported under uncertainty and in particular that the second reading relates to the issue of how much transparency is needed to ensure the legitimacy of the values involved in decision-making.
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Operto, Fiorella. "Elements of Roboethics." In Makers at School, Educational Robotics and Innovative Learning Environments. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-77040-2_10.

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AbstractRoboethics analyzes the ethical, legal and social aspects of robotics, especially with regard to advanced robotics applications. These issues are related to liability, the protection of privacy, the defense of human dignity, distributive justice and the dignity of work. Today, roboethics is becoming an important component in international standards for advanced robotics, and in various aspects of artificial intelligence. An autonomous robot endowed with deep learning capabilities shows specificities in terms of its growing autonomy and decision-making functions and, thus, gives rise to new ethical and legal issues. The learning models for a care robot assisting an elderly person or a child must be free of bias related to the selected attributes and should not be subject to any stereotypes unintentionally included in their design. As roboethics goes hand in hand with developments in robotics applications, it should be the concern of all actors in the field, from designers and manufacturers to users. There is one very important element in this—albeit one that is related indirectly—that should not be overlooked: namely, how robotics and robotic applications are represented to the general public. Of the many representations, the legacy of mythology, science fiction and the legend still play an important role. The world of robotics is often marked by icons and images from literature. Exaggerated expectations of their functions, magical descriptions of their behavior, over-anthropomorphization, insistence on their perfection and their rationality compared to that of humans are only some of the false qualities attributed to robotics.
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Richter, Gerhard. "Homeless Images." In Extraterritorialities in Occupied Worlds. punctum books, 2016. https://doi.org/10.21983/p3.0131.1.19.

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If it has a home at all, the proper home of the image, and even the thought-image or Denkbild, is homelessness. Never fully itself, the image remains at odds both with itself and with the referen-tial burden that it is expected to carry. In its iterability, the image, which threatens to be divorced from referential functions such as time and space, tells of distance, absence, and loss, of exile and diasporic dispersal. It tells, in other words, of the states that make the image what it is and that relates it to all other images. The demand that an image can be of something and that it faithfully and reliably represent that something, on the one hand, and the inevitably unpredictable ways in which an image fails to comply with that demand, on the other hand, sponsor a melancholia that is shared by all im-ages, even as it cannot travel through the structural and historical specificity of a singular image. The image records a historical moment at the same time that it interrupts history, perpetuating the very thinkability of history even as it breaks with the logic of historical unfolding. As the site of multiple dis-placements, the image is historical when it tells us of its own departure from history, capturing time most fully when it removes itself from time, the way in which, for instance, a snapshot memorializes time by stepping outside the temporal flow. Because an image can never fully represent, that is, present once again in exactly the same way, the vast network of traces and meanings that it first sets out to arrest, it performs an Aufhebung that simultaneously preserves and cancels the event that was once its subject. In this double ges-ture, the image both forestalls and commemorates loss by recording a mo-ment, documenting its constitutive inevitability, and making it visible as the loss that it always already was. That is to say, the image reveals the ways in which an assumed presence already was a fiction at the time when it was be-lieved to be present. We even could say that rather than simply representing its subject, the image retroactively makes visible the absence that already lay at the core of the event it set out to record.
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"Perils of false parsimony." In Fiction and Metaphysics. Cambridge University Press, 1998. http://dx.doi.org/10.1017/cbo9780511527463.012.

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"The Fiction that Is False:." In Thackeray's Novels. University of California Press, 2024. http://dx.doi.org/10.2307/jj.16430733.5.

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"“Powers of the False” and “Real Fiction”:." In Movie Minorities. Rutgers University Press, 2021. http://dx.doi.org/10.2307/j.ctv2v55k9k.14.

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