Relevant bibliographies by topics / Family albums

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Family albums'

Author: Grafiati
Published: 4 June 2021
Last updated: 3 February 2022

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Journal articles on the topic "Family albums"

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Dorfman, Elsa, Nancy Andrews, and Mariana Cook. "Family Albums." Women's Review of Books 11, no. 12 (1994): 20. http://dx.doi.org/10.2307/4021946.

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Greenbaum, Jessica, Linda Pastan, and Cathy Song. "Family Albums." Women's Review of Books 6, no. 1 (1988): 19. http://dx.doi.org/10.2307/4020318.

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Strazdina, Eva. "Archive Photography That Forms a Personal and Collective Memory." International Journal of Smart Education and Urban Society 12, no. 3 (2021): 50–67. http://dx.doi.org/10.4018/ijseus.2021070105.

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Personal and family albums created by Latvians in the period from 1939 until the 1950s are placed in a wider social and historical perspective by analyzing its content, as well as the individual intent to create it. This work explores photography album as a tool to organize memories and how historical, personal photography albums serve and interact as evidence of private as well as a public past. The research tries to prove the historical authenticity in two personal albums created by Latvians during the Second World War and the following years – a visual diary illustrating the imprisonment in the Soviet working camp in Siberia and a family album memorializing the way and life of the Latvian refugees in the Alt Garge camp, Germany. Two personal albums (currently stored at the archive of the Museum of Occupation of Latvia) have become objects of historical value and are an informative source for learning, analyzing and educating about historical events.
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Soursos, Nathalie Patricia. "The Dictator's Photo Albums: Photography under the Metaxas Dictatorship." Journal of Modern European History 16, no. 4 (2018): 509–25. http://dx.doi.org/10.17104/1611-8944-2018-4-509.

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The Dictator's Photo Albums: Private and Public Photographs in the Metaxas-Dictatorship The Greek authoritarian «Fourth of August Regime» (1936–1941) focussed in its propaganda on promoting the dictator Ioannis Metaxas as father, grandfather and «First peasant» and while in foreign policy the close ties to the Balkan Entente was advertised, the transfer of ideas from the European fascist regimes was negated. By examining 57 photo albums preserved today in the Hellenic Parliament Archives the article discusses photo albums as a source for the interpretation of the Metaxas dictatorship and as a source for the history of photography in Greece. It examines the private photo album aesthetics and its use in three official brochures with an exceptional high amount of photographs: Fourth of August 1936–1938, Fourth of August 1938–1939 and Four Years of Government by I. Metaxas, 1936–1940. The article's main argument is, that due to their photo album aesthetic the propaganda brochures were invoking the intimacy of a family album.
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Guttman, F. "Canada Park: Two Family Albums." positions: east asia cultures critique 13, no. 1 (2005): 49–54. http://dx.doi.org/10.1215/10679847-13-1-49.

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CHEN, LONGBIN, BAOGANG HU, LEI ZHANG, MINGJING LI, and HONGJIANG ZHANG. "FACE ANNOTATION FOR FAMILY PHOTO ALBUM MANAGEMENT." International Journal of Image and Graphics 03, no. 01 (2003): 81–94. http://dx.doi.org/10.1142/s0219467803000920.

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In this paper, we propose a framework to semi-automatically annotate faces in family photo albums. The core of the framework is the features used to define face similarity and this results in the learning algorithm used to refine automatic face annotation. We have adopted similarity based search and relevance feedback ideas developed for content-based image retrieval and a set of simple yet effective color and texture based features, in addition to the traditional face recognition features, in performing candidate annotation search. The experimental evaluation of the proposed approach has been conducted with a family album of 1707 photos and the results show that the proposed approach is an effective and efficient one for semi-automatic family photo album annotation.
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So, Angelica. "Cambodian Family Albums: Tian's "L'année du lièvre"." Genocide Studies and Prevention 14, no. 3 (2020): 90–109. http://dx.doi.org/10.5038/1911-9933.14.3.1734.

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This article explores how Franco-Cambodian cartoonist Tian’s graphic novel, L’année du lièvre [Year of the Rabbit], represents second-generation postmemory in the form of, what I call, a “Cambodian family album,” or a personal-collective archive. The album serves to convey to subsequent generations: 1) the history of the Cambodian genocide, 2) the collective memories of pre-1975 Cambodia preceding the Khmer Rouge takeover of Phnom Penh, and 3) the Cambodian humanitarian crisis and exodus of the 1970s-1990s. The conceptualization of the family album is derived from the literal translation, from Khmer into English, of the term “photo album” – “book designated for sticking pictures.” The translation of the term emphasizes the fragmentary and creative nature of postmemory, or the second-generation’s experience of their parents’ trauma. This article begins with an analysis of L’année du lièvre as family album and moves beyond the comics medium to show how Cambodian identity is being reshaped and renegotiated through 1.5- and second-generation Cambodian genocide survivors’ contributions to film, dance, and the literary-arts.
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Naguib, Nefissa. "Storytelling: Armenian Family Albums in the Diaspora." Visual Anthropology 21, no. 3 (2008): 231–44. http://dx.doi.org/10.1080/08949460801986228.

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Vajda, Peter, Ivan Ivanov, Jong-Seok Lee, and Touradj Ebrahimi. "Epitomize Your Photos." International Journal of Computer Games Technology 2011 (2011): 1–11. http://dx.doi.org/10.1155/2011/706893.

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With the rapid growth of digital photography, sharing of photos with friends and family has become very popular. When people share their photos, they usually organize them into albums according to events or places. To tell the story of some important events in one’s life, it is desirable to have an efficient summarization tool which can help people to receive a quick overview of an album containing large number of photos. In this paper, we present and analyze an approach for photo album summarization through a novel social game “Epitome” as a Facebook application. This social game can collect research data, and, at the same time, it provides a collage or a cover photo of the user’s photo album, while the user enjoys playing the game. The proof of concept of the proposed method is demonstrated through a set of experiments on several photo albums. As a benchmark comparison to this game, we perform automatic visual analysis considering several state-of-the-art features. We also evaluate the usability of the game by making use of a questionnaire on several subjects who played the “Epitome” game. Furthermore, we address privacy issues concerning shared photos in Facebook applications.
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Zussman, Robert. "Picturing The Self: My Mother's Family Photo Albums." Contexts 5, no. 4 (2006): 28–34. http://dx.doi.org/10.1525/ctx.2006.5.4.28.

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Dissertations / Theses on the topic "Family albums"

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Humayun, Saalem. "Constructing family photograph albums : how the process of archival acquisition writes history." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99722.

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This thesis is about photographic archives. Specifically, it concerns the process of acquisition for family photograph albums as archival texts. It argues that the process of acquisition writes history, and not one sole author. Additionally it argues that the institutional policy of an archive governs this process. Further, it argues that there is a homology between a public and private archive. In this light, it pursues an autobiographical approach, and compares the author's family photograph album with a family photograph album in the McCord Museum of Canadian History.
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Tinaut, Maria. "Construction of an album for oneself." VCU Scholars Compass, 2017. http://scholarscompass.vcu.edu/etd/4818.

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My work focuses on the construction and validation of images assembled from fragments of found photographs, generating new narratives that hover between “reality” and fiction. Archive and Fiction: Construction of the past and the self is the result of two years of artwork exploring my family archives and my relationship to my family through them. I understand the family as a place of identity in continuous change, serving as a container of history and memory. Conceiving of my family albums as material allows me to approach my family history as a visitor. Mediated memory and constructed memory intertwine in the family album, a linear format that also inadvertently reveals gaps, both temporal and contextual. By understanding how photography’s authority constructs personal and family identity, I seek to undermine this authority, using photography’s “realness” against itself to create alternative narratives of within which I can belong.
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Vicente, Mullor Pedro Joaquín. "Otros álbumes. Usos, reúsos y reciclajes del álbum de familia en las prácticas artísticas contemporáneas dentro del programa VISIONA (2012-2016)." Doctoral thesis, Universitat Politècnica de València, 2021. http://hdl.handle.net/10251/163024.

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[ES] En esta tesis doctoral se analizan y estudian la relevancia y significación de diferentes trabajos y proyectos de artistas contemporáneos en torno al álbum de familia y la representación autobiográfica, siguiendo para ello la programación del programa de la Imagen VISIONA, formando esta la estructura de la tesis. Este trabajo parte de un estudio de los orígenes y evolución del álbum de familia desde la invención de la fotografía hasta la actualidad, al mismo tiempo que se analizan los diferentes estudios teóricos y muestras expositivas en torno al álbum de familia. Una vez contextualizado el álbum de familia, la tesis estudia el programa de la Imagen VISONA, las motivaciones y sus orígenes, así como parte de los contenidos de algunas de las diferentes actividades de VISIONA. De esta forma se analizan aspectos como el uso del álbum de familia por artistas contemporáneos, la trascendencia del álbum de familia en la construcción de nuestras identidades individuales y colectivas, o hasta qué punto el uso del álbum de familia y la autobiografía constituyen un tema de trabajo e interés en el arte contemporáneo y que constituye casi un género propio en el arte contemporáneo propio de finales del siglo XX y principios de XXI.<br>[CA] En aquesta tesi doctoral s'analitzen i estudien la rellevància i significació de diferents treballs i projectes d'artistes contemporanis entorn de l'àlbum de família i la representació autobiogràfica, seguint per a això la programació del programa de la Imatge VISIONA, formant aquesta l'estructura de la tesi. Aquest treball parteix d'un estudi dels orígens i evolució de l'àlbum de família des de la invenció de la fotografia fins a l'actualitat, al mateix temps que s'analitzen els diferents estudis teòrics i mostres expositives entorn de l'àlbum de família. Una vegada contextualitzat l'àlbum de família, la tesi estudia el programa de la Imatge VISONA, les motivacions i els seus orígens, així com part dels continguts d'algunes de les diferents activitats de VISIONA. D'aquesta forma s'analitzen aspectes com l'ús de l'àlbum de família per artistes contemporanis, la transcendència de l'àlbum de família en la construcció de les nostres identitats individuals i col·lectives, o fins a quin punt l'ús de l'àlbum de família i l'autobiografia constitueixen un tema de treball i interés en l'art contemporani i que constitueix quasi un gènere propi en l'art contemporani propi de finals del segle XX i principis de XXI.<br>[EN] This PhD thesis studies and analyses the relevance and significance of different works and projects by contemporary artists around the family album and autobiographical representation, following the activities of the cultural program VISIONA, forming this the structure of this thesis. This thesis also includes a study of the origins and evolution of the family album from the invention of photography to the present, at the same time that the different theoretical studies and exhibitions around the family album are analysed. Once the family album is contextualized, the thesis studies the cultural program VISONA, the motivations and its origins, as well as part of the contents of some of the different activities at VISIONA. Regarding this, the thesis analyses and studies aspects such as the use of the family album by contemporary artists, the importance of the family album in the construction of our individual and collective identities, or to what extent the use of the family album and autobiography constitute a subject of work and interest in contemporary art and that constitutes almost its own genre in contemporary art typical of the late twentieth and early twenty-first centuries.<br>Vicente Mullor, PJ. (2021). Otros álbumes. Usos, reúsos y reciclajes del álbum de familia en las prácticas artísticas contemporáneas dentro del programa VISIONA (2012-2016) [Tesis doctoral]. Universitat Politècnica de València. https://doi.org/10.4995/Thesis/10251/163024<br>TESIS
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Justo, Joana Sanches [UNESP]. "Olhares que contam histórias: a fotografia como memórias e narrativas da família." Universidade Estadual Paulista (UNESP), 2008. http://hdl.handle.net/11449/97632.

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Made available in DSpace on 2014-06-11T19:29:03Z (GMT). No. of bitstreams: 0 Previous issue date: 2008-12-18Bitstream added on 2014-06-13T20:59:02Z : No. of bitstreams: 1 justo_js_me_assis.pdf: 947980 bytes, checksum: af3ae29a49f1b79a29e058b00a778b94 (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>Fotografias estão constantemente ao nosso redor: nos jornais, revistas, outdoors, galerias de arte, nos envolvendo também de forma mais íntima através dos álbuns de família. Colecionar imagens de momentos importantes tais como nascimentos, casamentos, aniversários e viagens é costume de quase toda família, mas por que registrar e guardar estas lembranças? A fim de explorar detalhadamente a relação dos membros da família com seus acervos fotográficos, rastreando os sentidos dos álbuns, realizamos uma investigação tendo como participantes duas famílias: Aragão e Silva. Cada família possuía três voluntários que foram entrevistados individualmente, tendo como foco as narrativas instigadas por fotografias previamente selecionadas de momentos importantes para a família. A conduta básica do entrevistador pautou-se por intervenções mínimas, deixando os entrevistados discorrerem sobre as imagens. Como principais resultados observamos que, apesar das diferenças quanto ao relacionamento com o álbum da família, as fotos guardadas permitem a revisitação de experiências, a re-significação de acontecimentos e a criação de narrativas. No contato com interlocutores possibilita-se a produção de sentido de forma que o sujeito se reconhece como parte de uma história construída coletivamente. Dessa forma, o álbum de família é um importante acervo documental iconográfico e patrimônio do grupo familiar. Funciona não somente como arquivo de registros da memória, mas, sobretudo, como imagens disparadoras de afetos, sentimentos e recordações instigadores de narrativas capazes de ampliar a compreensão do passado e do presente.<br>Photographs are constantly around us in newspapers, magazines, advertizing bill boards, art galleries and specially through the family albums. Collecting pictures of special occasions like births, weddings, birthdays, and trips are a custom of almost any family. Why register and file these souveniers? In order to explore in detail the relation of the family with their photo album and trace the significance of the photo album for the family, a recent study between two families, Aragão and Silva was carried out. This study involved six volunteers, three in each family who were interviewed individually on their personal memories of each pre-selected picture shown of their own family pictures. The behavior of the interviewer was based on minimum interventions, leaving the participants free to discourse about the images. As a result it was observed that regardless of the differences in relationship of the photo album, the pictures allowed the participants to revisit experiences, re-signify events and create vivid memory narratives. The significance of recollective memory is made through contact with others and one recognizes himself as part of a history constructed collectively. In this way, the family album is an important iconographic documented legacy for the family and therefore, not only a file of registered souveniers but over all as images of affection, feelings and memories that instigate narratives capable of extending/amplifying the past and the present.
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Bowen, Mary Elizabeth. "Family Album." ScholarWorks@UNO, 2009. http://scholarworks.uno.edu/td/909.

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Sanches-Justo, Joana. "Olhares que contam histórias : a fotografia como memórias e narrativas da família /." Assis : [s.n.], 2008. http://hdl.handle.net/11449/97632.

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Orientador: Elizabeth da Silva Gelli<br>Banca: Maria Lúcia de Oliveira<br>Banca: Isaac Antonio Camargo<br>Resumo: Fotografias estão constantemente ao nosso redor: nos jornais, revistas, outdoors, galerias de arte, nos envolvendo também de forma mais íntima através dos álbuns de família. Colecionar imagens de momentos importantes tais como nascimentos, casamentos, aniversários e viagens é costume de quase toda família, mas por que registrar e guardar estas lembranças? A fim de explorar detalhadamente a relação dos membros da família com seus acervos fotográficos, rastreando os sentidos dos álbuns, realizamos uma investigação tendo como participantes duas famílias: Aragão e Silva. Cada família possuía três voluntários que foram entrevistados individualmente, tendo como foco as narrativas instigadas por fotografias previamente selecionadas de momentos importantes para a família. A conduta básica do entrevistador pautou-se por intervenções mínimas, deixando os entrevistados discorrerem sobre as imagens. Como principais resultados observamos que, apesar das diferenças quanto ao relacionamento com o álbum da família, as fotos guardadas permitem a revisitação de experiências, a re-significação de acontecimentos e a criação de narrativas. No contato com interlocutores possibilita-se a produção de sentido de forma que o sujeito se reconhece como parte de uma história construída coletivamente. Dessa forma, o álbum de família é um importante acervo documental iconográfico e patrimônio do grupo familiar. Funciona não somente como arquivo de registros da memória, mas, sobretudo, como imagens disparadoras de afetos, sentimentos e recordações instigadores de narrativas capazes de ampliar a compreensão do passado e do presente.<br>Abstract: Photographs are constantly around us in newspapers, magazines, advertizing bill boards, art galleries and specially through the family albums. Collecting pictures of special occasions like births, weddings, birthdays, and trips are a custom of almost any family. Why register and file these souveniers? In order to explore in detail the relation of the family with their photo album and trace the significance of the photo album for the family, a recent study between two families, Aragão and Silva was carried out. This study involved six volunteers, three in each family who were interviewed individually on their personal memories of each pre-selected picture shown of their own family pictures. The behavior of the interviewer was based on minimum interventions, leaving the participants free to discourse about the images. As a result it was observed that regardless of the differences in relationship of the photo album, the pictures allowed the participants to revisit experiences, re-signify events and create vivid memory narratives. The significance of recollective memory is made through contact with others and one recognizes himself as part of a history constructed collectively. In this way, the family album is an important iconographic documented legacy for the family and therefore, not only a file of registered souveniers but over all as images of affection, feelings and memories that instigate narratives capable of extending/amplifying the past and the present.<br>Mestre
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Phillips, Michael. "The family album : an extended portrait /." Online version of thesis, 1987. http://hdl.handle.net/1850/8851.

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Belleau, Hélène. "Les représentations de l'enfant dans les albums de photographies de famille." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq26638.pdf.

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Visa, Barbosa Mariona. "Evolució sociològica i narrativa de l'àlbum fotogràfic familiar. Anàlisi pragmàtica de l'àlbum familiar analògic i digital des dels anys seixanta fins a la primera dècada del segle XXI." Doctoral thesis, Universitat de Lleida, 2012. http://hdl.handle.net/10803/81080.

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Aquesta Tesi Doctoral té com a objectiu principal l’estudi dels canvis sociològics i narratius dels àlbums de fotografia, partint dels anys seixanta del segle passat fins a arribar a la primera dècada del segle XXI. L’anàlisi es fa des d’una perspectiva pragmàtica, combinant la metodologia semiòticonarrativa, sociològica, compositiva, tecnològica i discursiva. De l’anàlisi multidisciplinar dels àlbums de fotografia se’n poden extreure moltes dades significatives, ja que aquests ens parlen del tipus de societat de cada moment. Veurem com els àlbums s’estructuren seguint pautes socials que les families reprodueixen i com la classificació i organització de les fotografies ens mostra la consideració que tenim de la nostra vida com un relat que pot ser explicat en imatges. A la vegada, l'evolució plasmada en els àlbums digitals respecte als analògics és un reflex de l'evolució que ha patit la societat, tant a nivell de canvis en els rols familiars com en els valors que es transmeten. La primera part de la tesi fa un repàs sociohistòric a l’ús de la fotografia (i anteriorment, la pintura) per a il·lustrar la vida quotidiana, fent especial èmfasi a les dècades estudiades, que s’engloben dins dels períodes de la Primera Modernitat, la Tardomodernitat i la Hipermodernitat. La segona part inclou l’estudi de casos, on s’extreuen les conclusions de la recollida de dades fetes segons els criteris metodològics exposa<br>Esta Tesis Doctoral tiene como objetivo principal el estudio de los cambios sociológicos y narrativos de los álbumes de fotografía, partiendo de los años sesenta del siglo pasado hasta llegar a la primera década del siglo XXI. El análisis se hace desde una perspectiva pragmática, combinando la metodología semiótico-narrativa, sociológica, compositiva, tecnológica y discursiva. Del análisis multidisciplinar de los álbumes de fotografía se pueden extraer muchos datos significativos, ya que estos nos hablan del tipo de sociedad de cada momento. Veremos como los álbumes se estructuran siguiendo pautas sociales que las familias reproducen y como la clasificación y organización de las fotografías nos muestra la consideración que tenemos de nuestra vida como un relato que puede ser explicado en imágenes. A su vez, la evolución plasmada en los álbumes digitales con respecto a los analógicos es un reflejo de la evolución que ha sufrido la sociedad, tanto a nivel de cambios en los roles familiares como en los valores que se transmiten. La primera parte de la tesis hace un repaso sociohistórico al uso de la fotografía (y anteriormente, la pintura) para ilustrar la vida cotidiana, haciendo especial énfasis en las décadas estudiadas, que se engloban dentro de los períodos de la primera modernidad, la tardomodernitat y la hipermodernidad. La segunda parte incluye el estudio de casos, donde se extraen las conclusiones de la recogida de datos hechas según los criterios metodológicos expuestos.<br>This Doctoral Thesis has a main aim the study of the narrative and sociological changes in photographic family albums, starting from the sixties of the last century until the first decade of the XXI century. The analysis is done from a pragmatic perspective, combining the semiotic-narrative, sociological, compositive, technological and discursive methodology. From this multidisciplinar analysis of photographic family albums, a lot of meaningful data can be drawn, because they tell us about the type of society we are living in. We will see how the albums are structured according to social patterns that every family reproduces and how the classification and organization of the snapshots shows the way in we consider our life as a story that can be told in pictures. At the same time, the tecnichal evolution from analogic to digital albums reflects the evolution of society, both in terms of changes in family roles and in the values that are transmitted. The first part of the thesis presents an overview of socio-historical use of photography (and previously, painting) to illustrate everyday life, emphasizing the decades studied, which embrace the period of the First Modernity, Postmodernity and Hipermodernity. The second part includes the study of albums, where the collection of data conclusions made by the methodological criteria are presented.
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Sales, Bruno Sampaio. "Silent Screams: Trajectory and Meanings of Family Album in a Housing Complex." Universidade Federal do CearÃ, 2012. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=10418.

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CoordenaÃÃo de AperfeiÃoamento de Pessoal de NÃvel Superior<br>Fotografias carregam consigo e em torno de si, pessoas, lugares onde estiveram, momentos que as atravessaram. A imagem excede Ãlbuns e ganha vida na memÃria e imaginaÃÃo dos observadores e todos que fizeram parte do contexto em que ela foi produzida. Faz-se entÃo necessÃrio que a utilizaÃÃo dessas imagens em pesquisas sociais opere num circuito mais amplo formado por esses indivÃduos, seu ambiente e sua rede de relaÃÃes. Partindo desse pressuposto, o presente trabalho tem por objetivo construir um compÃndio de palavras e imagens que busca mapear e analisar a gama das dimensÃes, significados e papÃis sociais da fotografia em uma famÃlia de classe popular, a partir de estudo de caso no Conjunto Habitacional SÃo Vicente de Paulo, localizada na cidade de Fortaleza. Ã perceptÃvel uma multiplicidade de papÃis e afetos que essas imagens mobilizam dentro de tais grupos. Quais entÃo seriam esses sentidos do arquivamento de imagens para uma famÃlia? Na intenÃÃo de conhecer o outro, observando e tentando compreender seus registros visuais de ritos, cotidiano e diferenÃas - aprofundando-se em vidas - Ã necessÃrio tambÃm olhar em volta. Sentir e perceber instantes que nÃo se revelam nem se escrevem em papÃis, pois transbordam deles e alcanÃam um campo mais complexo. Ã importante entÃo perceber que buscando compreender fotografias, podemos alcanÃar tambÃm visÃes de mundo e imagens da alma. SÃo essas as mais fortes e potentes que encontrei junto de algumas pessoas e que pretendo aqui analisar e compartilhar.<br>Fotografias carregam consigo e em torno de si, pessoas, lugares onde estiveram, momentos que as atravessaram. A imagem excede Ãlbuns e ganha vida na memÃria e imaginaÃÃo dos observadores e todos que fizeram parte do contexto em que ela foi produzida. Faz-se entÃo necessÃrio que a utilizaÃÃo dessas imagens em pesquisas sociais opere num circuito mais amplo formado por esses indivÃduos, seu ambiente e sua rede de relaÃÃes. Partindo desse pressuposto, o presente trabalho tem por objetivo construir um compÃndio de palavras e imagens que busca mapear e analisar a gama das dimensÃes, significados e papÃis sociais da fotografia em uma famÃlia de classe popular, a partir de estudo de caso no Conjunto Habitacional SÃo Vicente de Paulo, localizada na cidade de Fortaleza. Ã perceptÃvel uma multiplicidade de papÃis e afetos que essas imagens mobilizam dentro de tais grupos. Quais entÃo seriam esses sentidos do arquivamento de imagens para uma famÃlia? Na intenÃÃo de conhecer o outro, observando e tentando compreender seus registros visuais de ritos, cotidiano e diferenÃas - aprofundando-se em vidas - Ã necessÃrio tambÃm olhar em volta. Sentir e perceber instantes que nÃo se revelam nem se escrevem em papÃis, pois transbordam deles e alcanÃam um campo mais complexo. Ã importante entÃo perceber que buscando compreender fotografias, podemos alcanÃar tambÃm visÃes de mundo e imagens da alma. SÃo essas as mais fortes e potentes que encontrei junto de algumas pessoas e que pretendo aqui analisar e compartilhar.
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Books on the topic "Family albums"

1

Bruce, Weber. All-American family albums. Little Bear Press, 2004.

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McNeill, Suzanne. Family memories: Photos, albums, journals. Design Originals, 1996.

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Michael. Nicholas and Alexandra: The family albums. Tauris Parke Books, 1992.

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Tomczyk, George M. Gates revisited: Timeless images from family albums. Gates Historical Society, 2011.

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Mary. Queen Mary's photograph albums. Sidgwick & Jackson, 1989.

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Taylor, Maureen Alice. Scrapbooking your family history. Betterway Books, 2003.

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Elton, Richard. My family album. Gibbs Smith, 2003.

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Finding the Civil War in your family album. Picture Perfect Press, 2011.

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Wiazemsky, Anne. Album de famille. Du May, 1992.

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(South), Workers' Educational Association Yorkshire District. Pictures from the past: Glimpses from some Ecclesfield family albums. Ecclesfield WEA Branch, WEA Yorkshire District (South), 1985.

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Book chapters on the topic "Family albums"

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Ward, David. "Family Albums and Conspiracy Theories." In Contemporary Italian Narrative and 1970s Terrorism. Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-46648-4_3.

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Zussman, Robert. "Picturing the Self My Mother’s Family Photo Albums." In Gender, Sexuality, and Intimacy: A Contexts Reader. SAGE Publications, Inc, 2018. http://dx.doi.org/10.4135/9781506352299.n89.

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Sagar, Pooja. "Images of Deaths and Marriages: Syrian Christian Family Albums and Oral Histories in Kerala." In Photography in India. Routledge, 2020. http://dx.doi.org/10.4324/9781003103790-6.

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Zhao, Ming, Yong Wei Teo, Siliang Liu, Tat-Seng Chua, and Ramesh Jain. "Automatic Person Annotation of Family Photo Album." In Lecture Notes in Computer Science. Springer Berlin Heidelberg, 2006. http://dx.doi.org/10.1007/11788034_17.

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Xia, Chao, Siyu Xia, Ming Shao, and Yun Fu. "Album to Family Tree: A Graph Based Method for Family Relationship Recognition." In Computer Vision – ACCV 2018. Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-20890-5_32.

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Lunardi, Antonio. "A Family Album as Autobiography: Intermedial Readings of Lalla Romano’s Romanzo di figure." In Experiments in Life-Writing. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-55414-3_8.

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Sherman, Carol L. "Charrière’s Family Albums." In Women Writers in Pre-Revolutionary France. Routledge, 2018. http://dx.doi.org/10.4324/9780203760833-4.

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Long, J. J. "Family Albums: The Emigrants." In W. G. Sebald - Image, Archive, Modernity. Edinburgh University Press, 2007. http://dx.doi.org/10.3366/edinburgh/9780748633876.003.0006.

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"The Family Album, the Feminine and the Personal." In Women’s Albums and Photography in Victorian England. Routledge, 2017. http://dx.doi.org/10.4324/9781315083889-2.

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Adams, Suze. "Visual Meditations: An Island in Time – (Re)interpreting Family Albums and Oral Histories." In Picturing the Family. Routledge, 2020. http://dx.doi.org/10.4324/9781003103837-5.

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Conference papers on the topic "Family albums"

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Zhang, Lei, Longbin Chen, Mingjing Li, and Hongjiang Zhang. "Automated annotation of human faces in family albums." In the eleventh ACM international conference. ACM Press, 2003. http://dx.doi.org/10.1145/957013.957090.

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Zhang, Lei, Yuxiao Hu, Mingjing Li, Weiying Ma, and Hongjiang Zhang. "Efficient propagation for face annotation in family albums." In the 12th annual ACM international conference. ACM Press, 2004. http://dx.doi.org/10.1145/1027527.1027689.

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Diprose, Graham, and Amalia Toyas. "A 21 st Century ‘Victorian’ Family Album." In Proceedings of EVA London 2019. BCS Learning & Development, 2019. http://dx.doi.org/10.14236/ewic/eva2019.16.

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Stacchio, Lorenzo, Shirin Hajahmadi, and Gustavo Marfia. "Preserving Family Album Photos with the HoloLens 2." In 2021 IEEE Conference on Virtual Reality and 3D User Interfaces Abstracts and Workshops (VRW). IEEE, 2021. http://dx.doi.org/10.1109/vrw52623.2021.00204.

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Shen, Sijie, Toshihiko Yamasaki, Michi Sato, and Kenji Kajiwara. "Photo Selection for Family Album using Deep Neural Networks." In ICMR '18: International Conference on Multimedia Retrieval. ACM, 2018. http://dx.doi.org/10.1145/3209693.3209697.

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Yuan, Xinpu, Chunhui Zhao, Wei Zou, et al. "A Bioinformatics Analysis for the Plasma Albumin of Lampetra Japonica and the Evolution of Albuminoid Gene Family." In 2009 3rd International Conference on Bioinformatics and Biomedical Engineering (iCBBE). IEEE, 2009. http://dx.doi.org/10.1109/icbbe.2009.5162149.

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