Relevant bibliographies by topics / Family photographs

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
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Academic literature on the topic 'Family photographs'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Family photographs"

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Viditz-Ward, Vera. "Photography in Sierra Leone, 1850–1918." Africa 57, no. 4 (October 1987): 510–18. http://dx.doi.org/10.2307/1159896.

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Opening ParagraphIn recent years scholars have shown considerable interest in the early use of photography by non-Western peoples. Research on nineteenth-century Indian, Japanese and Chinese photography has revealed a rich synthesis of European and Asian imagery. These early photographs show how non-Western peoples created new forms of artistic expression by adapting European technology and visual idioms for their own purposes. Because of the long history of contact between Sierra Leoneans and Europeans, Freetown seemed a logical starting point for similar photographic research in West Africa.
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Kea, Pamela. "Photography, care and the visual economy of Gambian transatlantic kinship relations." Journal of Material Culture 22, no. 1 (December 14, 2016): 51–71. http://dx.doi.org/10.1177/1359183516679188.

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This article examines transnational kinship relations between Gambian parents in the UK and their children and carers in The Gambia, with a focus on the production, exchange and reception of photographs. Many Gambian migrant parents in the UK take their children to The Gambia to be cared for by extended family members. Mirroring the mobility of Gambian migrants and their children as they travel between the UK and The Gambia, photographs document changing family structures and relations. It is argued that domestic photography provides an insight into the representational politics, values and ae
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Bresnahan, Krystal, and Alyse Keller. "Performing Family Photographs." Departures in Critical Qualitative Research 5, no. 2 (2016): 30–46. http://dx.doi.org/10.1525/dcqr.2016.5.2.30.

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Historically, scholars have treated photography and performance as separate aesthetic entities. However, the authors show how combining a performance-based analysis with photo elicitation can generate new possibilities for remembering family experiences of divorce and illness. They purposefully frame photographs as performances, questioning how they are used in photo elicitation and how meanings are made through the embodied acts of the researchers. They use family photographs in their interviews to create a dialogical performance, bringing self and other together to question, explore, and cha
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Heroldová, Helena, and Jiřina Todorovová. "A Family Portrait: Enrique Stanko Vráz and the Qing Aristocracy During the Boxer Rebellion." Annals of the Náprstek Museum 39, no. 1 (2018): 51–74. http://dx.doi.org/10.1515/anpm-2018-0005.

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The Czech traveller and photographer Enrique Stanko Vráz (1860–1932) spent three spring months in China during the Boxer Uprising in 1901. He was amongst the first travellers – photo-reporters. He preferred realistic photographs as the best proof of capturing the world around him. In Beijing, he took several hundred photographs including the Manchu aristocratic families. Among them, he photographed Prince Su (1866–1922), an important late Qing statesman, and his family. The study discusses Prince Su’s family photographs in relations to Vráz’s notes and travel books.
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Lassetter, Jane H., Barbara L. Mandleco, and Susanne Olsen Roper. "Family Photographs." Qualitative Health Research 17, no. 4 (April 2007): 456–67. http://dx.doi.org/10.1177/1049732306298804.

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Sheikh-Miller, Nasira. "Muslim Cultures beyond the Aperture: An East African Photo-Story Illuminated by First-Hand Accounts." Journal of Material Cultures in the Muslim World 1, no. 1-2 (February 9, 2021): 150–90. http://dx.doi.org/10.1163/26666286-12340006.

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Abstract This paper is an exploration of Indian Muslim culture in East Africa through pre- and post-independence eras via the medium of photography. It examines the art and craft of photographic practice, the training of photographers, their social networks and those of their patrons, as well as the personal context of photographs. It also discusses the dispersal of archives and personal collections. It is based upon first-hand accounts from professional photographers, their family members as well as patrons, whose ancestors travelled from India via Indian Ocean trade routes. Fareh te chareh i
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Jarmołowicz-Dziekońska, Małgorzata. "Exilic representation and the (dis)embodied self: memory and photography in Yoshiko Uchida’s , autobiography Desert Exile: The Uprooting of a Japanese-American Family." Idea. Studia nad strukturą i rozwojem pojęć filozoficznych 31 (2019): 148–71. http://dx.doi.org/10.15290/idea.2019.31.09.

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Photography and memory seem to be inextricably bound up with each other, as photographs can invoke memories which help to excavate past moments with vivid details. Yoshiko Uchida in her autobiography, Desert Exile: The Uprooting of a Japanese-American Family (1982), delves into her past experiences through the lens of counter-memory, i.e. the memory of the minor and the subjugated. The Japanese-American author strives to recover the past by means of photographic images which—blended into written reminiscences— uncover yet another plane of articulation. Individual memory has enabled the author
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Anahita, Sine. "Postmortem Identity Work in Territorial-colonialist Alaska." Humanity & Society 43, no. 2 (July 10, 2018): 179–203. http://dx.doi.org/10.1177/0160597618787848.

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Erving Goffman’s dramaturgical ideas about impression management are applied to analyze four historical photographs of deceased children. The photographs are archived at the Alaska State Library and were taken during Alaska’s territorial-colonialist era. This article explains how living photographic subjects, who are often unseen but are symbolized through items visible in the photograph, work with viewers to co-construct social identities of themselves and of the dead children in the photographs. I propose that participants—the seen and unseen subjects, the photographer, and the receiving aud
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Wyatt, Kirk D., Anissa Finley, Richard Uribe, Peter Pallagi, Brian Willaert, Steve Ommen, James Yiannias, and Thomas Hellmich. "Patients' Experiences and Attitudes of Using a Secure Mobile Phone App for Medical Photography: Qualitative Survey Study." Journal of Medical Internet Research 22, no. 5 (May 12, 2020): e14412. http://dx.doi.org/10.2196/14412.

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Background Point-of-care clinical photography using mobile devices is coming of age as a new standard of care for clinical documentation. High-quality cameras in modern smartphones facilitate faithful reproduction of clinical findings in photographs; however, clinical photographs captured on mobile devices are often taken using the native camera app on the device and transmitted using relatively insecure methods (eg, SMS text message and email) that do not preserve images as part of the electronic medical records. Native camera apps lack robust security features and direct integration with ele
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Mandleco, Barbara, Jessica Rosemann, Aimee Palicharla, Tammy Rampton, Tina Dyches, and Donna Freeborn. "Sibling Snapshots: Living with Youth who have Autism or Down syndrome." International Journal of Integrative Pediatrics and Environmental Medicine 2 (August 12, 2015): 13–30. http://dx.doi.org/10.36013/ijipem.v2i0.17.

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This study used photography to capture important symbols in the lives of 14 siblings of 13 youth with autism (ASD) and 16 siblings of 15 youth with Down syndrome (DS) and then determine if there were differences in the photographs taken according to the type of developmental disability, age, and gender of the sibling. Analysis revealed two types of photographs: people, including family members and non-family, and non-people, including objects, animals, and buildings/scenery. Siblings of youth with DS took a higher percentage of photographs of people and a higher percentage of photographs of fa
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Dissertations / Theses on the topic "Family photographs"

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Blomgren, Constance, and University of Lethbridge Faculty of Education. "Family photos : an exploration of significant exposures." Thesis, Lethbridge, Alta. : University of Lethbridge, Faculty of Education, 1999, 1999. http://hdl.handle.net/10133/93.

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This hermeneutic inquiry into the significance of family photographs in our personal and public lives explores the relationship between the subject, the photographer and the viewer. The discussion uses the photgraphic oeuvres of the author's paternal grandfather and maternal grandmother as the basis of the exploration. Themes which appear include the following: the represented and projected images of a family within family photos; the significance of gender in the making of snapshots; and, the influence of history and religion upon families. The discussion also includes the relationship betwe
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Darnell, Amy Lynn. "Pencils of Light: Family, Photography, and Performance." Available to subscribers only, 2009. http://proquest.umi.com/pqdweb?did=1791777591&sid=2&Fmt=2&clientId=1509&RQT=309&VName=PQD.

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Thesis (Ph. D.)--Southern Illinois University Carbondale, 2009.<br>"Department of Speech Communication." Keywords: Auto-performance, Cinema, Memory, Performance studies, Photographs, Photography, Family. Includes bibliographical references (p. 148-153). Also available online.
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Davies, Mark Philip. "Moving Images : The Practices and Politics of Displaying Family Photographs." Thesis, Keele University, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.522673.

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Sile, Agnese. "The space of love in photographic essays of illness narratives." Thesis, University of Aberdeen, 2016. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=231012.

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Mates, Andrea W. "What talking about them reveals about us the organization of person reference in conversations about family photographs /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1930285341&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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Rehman, Sadia. "This is My Family: An Erasure." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1492399220029598.

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Fromm, Karen. "Das Bild als Zeuge." Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät III, 2014. http://dx.doi.org/10.18452/16968.

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Obwohl das dokumentarische Bild als beglaubigte Aufzeichnung einer außermedialen Realität als Diskursgegenstand bereits seit Längerem dekonstruiert ist, scheint die Faszination am Dokumentarischen nahezu ungebrochen. Die stete Bezugnahme auf das Dokumentarische in unterschiedlichen Diskursen der Fotografie zeugt davon. Auch zahlreiche künstlerische Auseinandersetzungen rekurrieren seit den 80er-Jahren verstärkt auf dokumentarische Konzepte und Formate. Ausgehend von diesem Paradoxon, der Dekonstruktion des Dokumentarischen in Theoriekontexten und dem Wiedererstarken dokumentarischer Formate in
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Polansky, Tara R. "Erasures and Inventions: Re-Forming our Memories." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1309355214.

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Korver, Ruth M. "In memory of cats : the camera and the ordinary moment : a thesis presented in partial fulfilment of the requirements for the degree of Masters in Fine Arts at Massey University, Wellington, New Zealand." Massey University, 2009. http://hdl.handle.net/10179/956.

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In memory of cats: The camera and the ordinary moment looks at the way in which families use photographs to remember the past. Photography’s offer of memory is limited to a visual trace, so strategies of oral telling are examined to interrogate the way in which memories can be recovered from photographs. Martha Langford’s study of the similarities between structures in oral culture and the photograph album and Annette Kuhn’s strategies for reading family photographs in a broader historical context, are used to examine and recover memories from my own photographic archive. Using moving image to
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Humayun, Saalem. "Constructing family photograph albums : how the process of archival acquisition writes history." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99722.

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This thesis is about photographic archives. Specifically, it concerns the process of acquisition for family photograph albums as archival texts. It argues that the process of acquisition writes history, and not one sole author. Additionally it argues that the institutional policy of an archive governs this process. Further, it argues that there is a homology between a public and private archive. In this light, it pursues an autobiographical approach, and compares the author's family photograph album with a family photograph album in the McCord Museum of Canadian History.
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Books on the topic "Family photographs"

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Geras, Adèle. The Fantora family photographs. London: Hamish Hamilton, 1993.

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1938-, Ross Tony, ed. The Fantora family photographs. London: Puffin, 1995.

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Family photographs, 1860-1945. Richmond, Surrey: Public Record Office, 2002.

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Shrimpton, Jayne. Family photographs & how to date them. Newbury, Berkshire: Countryside Books, 2008.

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Shrimpton, Jayne. Family photographs & how to date them. Newbury, Berkshire: Countryside Books, 2008.

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Shrimpton, Jayne. Family photographs & how to date them. Newbury, Berkshire: Countryside Books, 2008.

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1947-, Gurganus Allan, and Rose Charlie, eds. A family named spot: Photographs. New York: Five Ties Publishing, 2006.

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Schulz, Carolyn. Creating family memories. Newton Abbot, Devon: David & Charles, 1998.

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Elton, Richard. My family album. Layton, Utah: Gibbs Smith, 2003.

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Taylor, Maureen Alice. Your family story in photographs: Capturing memories. Provo, Utah: Ancestry Pub., 2007.

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Book chapters on the topic "Family photographs"

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Pitt, Penelope. "Family Photographs in Displacement." In The Handbook of Displacement, 599–611. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-47178-1_41.

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Roberts, Elisabeth. "Family Photographs: Memories, Narratives, Place." In Geography and Memory, 91–108. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137284075_6.

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Gomila, Antònia. "Family Photographs: Putting Families on Display." In Families and Kinship in Contemporary Europe, 63–77. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230307452_5.

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Thompson, Moris. "Family Photographs as Traces of Americanization." In Oral History and Photography, 149–68. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230120099_9.

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Bainbridge, William Sims. "Documenting and Digitally Presenting Family Photographs." In Human–Computer Interaction Series, 31–65. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-01063-8_2.

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Thomson, Alistair. "Family Photographs and Migrant Memories: Representing Women’s Lives." In Oral History and Photography, 169–85. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230120099_10.

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Bytheway, Bill, and Joanna Bornat. "The Oldest Generation As Displayed in Family Photographs." In Representing Ageing, 169–88. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137009340_11.

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Wilton, Janis. "Imaging Family Memories: My Mum, Her Photographs, Our Memories." In Oral History and Photography, 61–76. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230120099_4.

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Parrott, Fiona R. "Bringing Home the Dead: Photographs, Family Imaginaries and Moral Remains." In An Anthropology of Absence, 131–46. New York, NY: Springer New York, 2010. http://dx.doi.org/10.1007/978-1-4419-5529-6_8.

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Miller, Kyle. "Do You See What I See? Family-Produced Photographs and the Transition to School." In Participant Empowerment Through Photo-elicitation in Ethnographic Education Research, 139–62. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-64413-4_7.

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Conference papers on the topic "Family photographs"

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Calisi, Daniele. "PHOTOGRAMMETRIC SURVEY AND 3D MODELING OF THE FUNERARY URN DEPICTING THE MYTH OF OENOMAUS, FOUND INSIDE THE TOMB OF THE ETRUSCAN FAMILY OF CACNI IN PERUGIA (III-I CENTURY BC)." In ARQUEOLÓGICA 2.0 - 8th International Congress on Archaeology, Computer Graphics, Cultural Heritage and Innovation. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/arqueologica8.2016.3318.

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The urn, recovered in 2013 by the Cultural Heritage's Police Command along with other 21 and with the funeral set of the tomb of the Cacni family at Perugia, was exhibited at the Quirinale and then moved to Perugia, at the National Archaeological Museum of Umbria. 2014. After a first attempt to survey the laser scanner, the survey, aimed at the graphic documentation and implementation of a virtual model for the study and dissemination, has been performed with photographic processed with software modeling structure from motion.3D model in mesh made with the appropriate software has been cleaned
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Lasaosa, Virginia Espa, María José Gutiérrez Lera, María Cañas Aparicio, and María Adelaida Gutiérrez Martín. "Veinte años de docencia de la fotografía. Estudio de caso: Escuela de Arte de Huesca (España), Twenty years teaching photography. Case study: The Art School of Huesca (Spain)." In I Congreso Internacional sobre Fotografia: Nuevas propuestas en Investigacion y Docencia de la Fotografia. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/cifo17.2017.6741.

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ResumenEl Ciclo Formativo de Grado Superior en Fotografía pertenece a la familia profesional artística de Comunicación Gráfica y Audiovisual y forma parte del sistema educativo español público.Esta comunicación presenta un panorama de la evolución de los estudios sobre fotografía en las Escuelas de Artes Plásticas y Diseño, exponiendo, a través del ejemplo de la Escuela de Arte de Huesca, el caso de la Comunidad Autónoma de Aragón.La implantación del grado superior de fotografía en Huesca se incardinó en la estructura propicia que aportaba una ciudad acostumbrada a valorar este modo de expresi
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Delplancq, Véronique, Ana Maria Costa, Cristina Amaro Costa, Emília Coutinho, Isabel Oliveira, José Pereira, Patricia Lopez Garcia, et al. "STORYTELLING AND DIGITAL ART AS A MEANS TO IMPROVE MULTILINGUAL SKILLS." In International Conference on Education and New Developments. inScience Press, 2021. http://dx.doi.org/10.36315/2021end073.

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The use of storytelling and digital art as tools to understand a migrant family’s life path will be in the center of an innovative methodology that will ensure the acquisition of multilingual skills and the development of plurilingual awareness, reinforcing the various dimensions of language (aesthetic and emotional, in addition to cognitive), in a creative, collaborative and interdisciplinary work environment. This is especially important among students who are not likely to receive further language training. It is not yet clear how teachers can explore multilingual experiences of learners, b
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Reports on the topic "Family photographs"

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Visa Barbosa, M., T. Serés Seuma, and J. Soto Merola. From the family portrait to the profile picture. Uses of photography in the Facebook social network. Revista Latina de Comunicación Social, April 2018. http://dx.doi.org/10.4185/rlcs-2018-1278en.

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