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Books on the topic 'Family photographs'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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1

Geras, Adèle. The Fantora family photographs. London: Hamish Hamilton, 1993.

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2

1938-, Ross Tony, ed. The Fantora family photographs. London: Puffin, 1995.

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3

Family photographs, 1860-1945. Richmond, Surrey: Public Record Office, 2002.

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4

Shrimpton, Jayne. Family photographs & how to date them. Newbury, Berkshire: Countryside Books, 2008.

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5

Shrimpton, Jayne. Family photographs & how to date them. Newbury, Berkshire: Countryside Books, 2008.

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6

Shrimpton, Jayne. Family photographs & how to date them. Newbury, Berkshire: Countryside Books, 2008.

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7

1947-, Gurganus Allan, and Rose Charlie, eds. A family named spot: Photographs. New York: Five Ties Publishing, 2006.

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8

Schulz, Carolyn. Creating family memories. Newton Abbot, Devon: David & Charles, 1998.

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9

Elton, Richard. My family album. Layton, Utah: Gibbs Smith, 2003.

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10

Taylor, Maureen Alice. Your family story in photographs: Capturing memories. Provo, Utah: Ancestry Pub., 2007.

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11

Photography for family historians. Bury: Federation of Family History Societies, 1999.

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12

Uncovering your ancestry through family photographs. Cincinnati, Ohio: Betterway Books, 2000.

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13

Uncovering your ancestry through family photographs. Cincinnati, Ohio: Family Tree Books, 2005.

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14

Taylor, Maureen Alice. Uncovering your ancestry through family photographs. Cincinnati, Ohio: Betterway Books, 2000.

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15

Greater Manchester County Record Office., ed. The expert guide to dating Victorian family photographs. [Manchester]: Greater Manchester County Record Office, 2000.

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16

Reck, Renate. Two concepts of photography: Two concepts of humanity : Diane Arbus and The Family of Man. Innsbruck: Institut für Sprachwissenschaft der Universität Innsbruck, 1988.

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17

McNeill, Suzanne. Family memories: Photos, albums, journals. Fort Worth, Tex: Design Originals, 1996.

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18

Charles & Diana: A royal family album : photographs. New York: Summit Books, 1991.

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19

Schafer, C. L. Beginners guide to copying and preserving your family photographs. [British Columbia]: C.L. Schafer, 1990.

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20

To know and to love god. Our family archive: Super-simple tools to create a digital family scrapbook. Pleasantville, NY: Reader's Digest, 2009.

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21

Taylor, Maureen Alice. Scrapbooking your family history. Cincinnati, Ohio: Betterway Books, 2003.

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22

ill, Miller Victoria, ed. Meet my family. New York: Simon Spotlight/Nick Jr., 2001.

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23

Sturges, Jock. The last day of summer: Photographs. New York: Aperture, 1991.

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24

Warner, Janine. Digital family album special occasions: Tools for making digital memories. New York: Watson-Guptill Publications, 2007.

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25

Warner, Janine. Digital family album special occasions: Tools for creating digital memories. New York: Watson-Guptill Publications, 2007.

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26

Queen Victoria's family: A century of photographs 1840-1940. Stroud: Sutton, 2001.

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27

Spada, James. The Bush family: Four generations of history in photographs. New York: St. Martin's Press, 2004.

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28

The Bush family: Four generations of history in photographs. New York: St. Martin's Press, 2004.

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29

Longhurst, Robert. The value of photographic sources to family historians. Brisbane: Library Board of Queensland, 1989.

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30

Phototherapy techniques: Exploring the secrets of personal snapshots and family albums. San Francisco: Jossey-Bass, 1993.

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31

Saville, Reba Christine Payne. Our Payne heritage: Personal index and photographs with family histories. Fern Park, FL: R.C.P. Saville, 1992.

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32

Halsman, Bello Jane, Bello Steve, and National Portrait Gallery (Smithsonian Institution), eds. Philippe Halsman: A retrospective : photographs from the Halsman Family collection. Boston: Little, Brown, 1998.

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33

The camera and the tsars: The Romanov family in photographs. Stroud: Sutton, 2004.

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34

DeLong, Ova O. Auxier-DeLong-Brown, allied by marriage: Genealogy, family history & photographs. [California?]: O.O. DeLong, 1987.

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35

(Firm), Memory Makers Books, ed. Making gift scrapbooks in a snap: 20 perfect presents for family and friends. Denver, CO: Memory Makers Books, 2004.

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36

Klassen, Pam. Making gift scrapbooks in a snap: 20 perfect presents for family and friends. Denver, CO: Memory Makers Books, 2004.

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37

Scrapbooking your family history. New York: Sterling Pub. Co., 2005.

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38

Mannon, Melissa. The unofficial family archivist: A guide to creating and maintaining family papers, photographs, and memorabilia. [United States]: Melissa Mannon, 2011.

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39

Kenney, Louis A. The Frank J. and Amelia Kenney album of photographs and biographical dictionary. San Diego, Calif: L.A. Kenney, 1991.

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40

Geras, Adele. Family Photographs (Fabulous Fantoras). Econo-Clad Books, 2000.

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41

Preserving Your Family Photographs. Picture Perfect Press, 2010.

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42

Family: Photographers Photograph Their Families. Phaidon Press, 2005.

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43

Alexander, Kwame. Family Pictures: Poems and Photographs Celebrating Family. Edited by Kwame Alexander. Capital BookFest Books, 2007.

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44

Cleghorn, Mark. Start Taking Great Family Photographs (Start Taking Great Photographs). Photographers' Institute Press, 2007.

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45

Press, Rutledge Hill. The Brighton Heirloom Collection of Photograph Albums: Our Family Photographs. Rutledge Hill Press, 1998.

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46

Beck, Jennifer. Family Photos. Rigby, 1996.

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47

Capturing Memories (Your Family Story in Photographs). Ancestry.com, 2008.

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48

Geras, Adele. Fabulous Fantoras: Family Photographs (Fabulous Fantoras). Avon Books, 2000.

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49

Identifying & Dating Your Family Photographs: VHS. 123 Genealogy, 2003.

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50

Finnegan, Cara A. The Presence of Unknown Soldiers and Imaginary Spirits. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039263.003.0002.

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Abstract:

This chapter analyzes close readings of photographs of the battlefield dead at Antietam, published accounts of photographs of unknown soldiers, and public commentary and trial transcripts related to the practice of spirit photography. Such photographs posed considerable reading problems for viewers who were unaccustomed to the idea of photographic representations of death and the afterlife. In a time of national crisis, grief, and trauma, viewers made sense of such images by drawing on their recognition of photography's capacity to produce presence. The chapter first provides an overview of Ci

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