Relevant bibliographies by topics / Family photographs / Dissertations / Theses
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Dissertations / Theses on the topic 'Family photographs'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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1

Blomgren, Constance, and University of Lethbridge Faculty of Education. "Family photos : an exploration of significant exposures." Thesis, Lethbridge, Alta. : University of Lethbridge, Faculty of Education, 1999, 1999. http://hdl.handle.net/10133/93.

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This hermeneutic inquiry into the significance of family photographs in our personal and public lives explores the relationship between the subject, the photographer and the viewer. The discussion uses the photgraphic oeuvres of the author's paternal grandfather and maternal grandmother as the basis of the exploration. Themes which appear include the following: the represented and projected images of a family within family photos; the significance of gender in the making of snapshots; and, the influence of history and religion upon families. The discussion also includes the relationship betwe
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2

Darnell, Amy Lynn. "Pencils of Light: Family, Photography, and Performance." Available to subscribers only, 2009. http://proquest.umi.com/pqdweb?did=1791777591&sid=2&Fmt=2&clientId=1509&RQT=309&VName=PQD.

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Thesis (Ph. D.)--Southern Illinois University Carbondale, 2009.<br>"Department of Speech Communication." Keywords: Auto-performance, Cinema, Memory, Performance studies, Photographs, Photography, Family. Includes bibliographical references (p. 148-153). Also available online.
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3

Davies, Mark Philip. "Moving Images : The Practices and Politics of Displaying Family Photographs." Thesis, Keele University, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.522673.

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4

Sile, Agnese. "The space of love in photographic essays of illness narratives." Thesis, University of Aberdeen, 2016. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=231012.

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5

Mates, Andrea W. "What talking about them reveals about us the organization of person reference in conversations about family photographs /." Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1930285341&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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6

Rehman, Sadia. "This is My Family: An Erasure." The Ohio State University, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=osu1492399220029598.

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7

Fromm, Karen. "Das Bild als Zeuge." Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät III, 2014. http://dx.doi.org/10.18452/16968.

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Obwohl das dokumentarische Bild als beglaubigte Aufzeichnung einer außermedialen Realität als Diskursgegenstand bereits seit Längerem dekonstruiert ist, scheint die Faszination am Dokumentarischen nahezu ungebrochen. Die stete Bezugnahme auf das Dokumentarische in unterschiedlichen Diskursen der Fotografie zeugt davon. Auch zahlreiche künstlerische Auseinandersetzungen rekurrieren seit den 80er-Jahren verstärkt auf dokumentarische Konzepte und Formate. Ausgehend von diesem Paradoxon, der Dekonstruktion des Dokumentarischen in Theoriekontexten und dem Wiedererstarken dokumentarischer Formate in
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8

Polansky, Tara R. "Erasures and Inventions: Re-Forming our Memories." The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1309355214.

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9

Korver, Ruth M. "In memory of cats : the camera and the ordinary moment : a thesis presented in partial fulfilment of the requirements for the degree of Masters in Fine Arts at Massey University, Wellington, New Zealand." Massey University, 2009. http://hdl.handle.net/10179/956.

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In memory of cats: The camera and the ordinary moment looks at the way in which families use photographs to remember the past. Photography’s offer of memory is limited to a visual trace, so strategies of oral telling are examined to interrogate the way in which memories can be recovered from photographs. Martha Langford’s study of the similarities between structures in oral culture and the photograph album and Annette Kuhn’s strategies for reading family photographs in a broader historical context, are used to examine and recover memories from my own photographic archive. Using moving image to
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10

Humayun, Saalem. "Constructing family photograph albums : how the process of archival acquisition writes history." Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=99722.

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This thesis is about photographic archives. Specifically, it concerns the process of acquisition for family photograph albums as archival texts. It argues that the process of acquisition writes history, and not one sole author. Additionally it argues that the institutional policy of an archive governs this process. Further, it argues that there is a homology between a public and private archive. In this light, it pursues an autobiographical approach, and compares the author's family photograph album with a family photograph album in the McCord Museum of Canadian History.
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11

Justo, Joana Sanches [UNESP]. "Olhares que contam histórias: a fotografia como memórias e narrativas da família." Universidade Estadual Paulista (UNESP), 2008. http://hdl.handle.net/11449/97632.

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Made available in DSpace on 2014-06-11T19:29:03Z (GMT). No. of bitstreams: 0 Previous issue date: 2008-12-18Bitstream added on 2014-06-13T20:59:02Z : No. of bitstreams: 1 justo_js_me_assis.pdf: 947980 bytes, checksum: af3ae29a49f1b79a29e058b00a778b94 (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>Fotografias estão constantemente ao nosso redor: nos jornais, revistas, outdoors, galerias de arte, nos envolvendo também de forma mais íntima através dos álbuns de família. Colecionar imagens de momentos importantes tais como nascimentos, casamentos, aniversários e
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12

Petsini, Penelope. "Photography and the contemporary Greek family." Thesis, University of Derby, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.412423.

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13

Sanches-Justo, Joana. "Olhares que contam histórias : a fotografia como memórias e narrativas da família /." Assis : [s.n.], 2008. http://hdl.handle.net/11449/97632.

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Orientador: Elizabeth da Silva Gelli<br>Banca: Maria Lúcia de Oliveira<br>Banca: Isaac Antonio Camargo<br>Resumo: Fotografias estão constantemente ao nosso redor: nos jornais, revistas, outdoors, galerias de arte, nos envolvendo também de forma mais íntima através dos álbuns de família. Colecionar imagens de momentos importantes tais como nascimentos, casamentos, aniversários e viagens é costume de quase toda família, mas por que registrar e guardar estas lembranças? A fim de explorar detalhadamente a relação dos membros da família com seus acervos fotográficos, rastreando os sentidos dos álbu
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14

Phillips, Michael. "The family album : an extended portrait /." Online version of thesis, 1987. http://hdl.handle.net/1850/8851.

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15

Sykora, Scott. ""Family Focus: Photography Service Design with Sojourner House MOMS"." Research Showcase @ CMU, 2012. http://repository.cmu.edu/theses/30.

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Photography can play an incredibly important role in strengthening relationships. It can also help give individuals and communities voices to tell their stories both to the outside world and to themselves. In this project I explore how photography can play a meaningful role within a specific community and context. I also explore how Design as a discipline can help in creating sustainable activities within an organization. Sojourner House is an organization that works with formerly homeless female addicts and their children. Sojourner House’s MOMS Program (Motivation, Opportunities, Mentoring a
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16

Beard, Sophie. "Collecting Collects: the family photograph in the British newspaper." Thesis, University of the Arts London, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.650314.

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17

Durrant, Abigail Christine. "Family portrayals design to support photographic representations of intergenerational relationships in family homes." Thesis, University of Surrey, 2011. http://epubs.surrey.ac.uk/846429/.

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Focusing on intergenerational relationships, this project combined theoretical and empirical studies to explore the use of photographs in self and family representation at home. This exploration was considered timely given the recent adoption of digital capture devices by both parents and children and the unprecedented amount of photographic content that they generate. This has raised interesting questions concerning the digitisation and democratisation of family photography, in terms of form and content. Inquiry was positioned in the field of Human Computer Interaction (HCI). The proposed con
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18

Cronin, Orla Siobhan Therese. "The meaning and psychological significance of family photographic collections." Thesis, University of Southampton, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.388804.

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19

Schlosser, Katelyn E. "Photographic Research Through a Child Life Lens." Ohio University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1375695582.

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20

Lesme, Anne. "L'enfant dans la photographie sociale américaine de 1888 a 1941 (Jacob A. Riis, Lewis W. Hine et des photographes dela Farm Security Administration) : enjeux sociaux et esthétiques." Thesis, Aix-Marseille, 2012. http://www.theses.fr/2012AIXM3122.

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La naissance de la photographie sociale aux États-Unis à la fin du XIXe siècle est contemporaine d'une place nouvelle accordée à l'enfant dans la structure familiale. Le contraste est grand entre l'enfant riche, sacralisé, à l'innocence louée dans les arts, et l'enfant pauvre, souvent exploité mais représenté de façon surtout pittoresque. Tout en mettant l'enfant pauvre au cœur de leurs préoccupations, les réformateurs font usage de la photographie dans une optique de progrès social et d'intervention où texte et image se révèlent indissociables, qu'il s'agisse de Jacob A. Riis, journaliste et
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21

Doubt, Emma. "Portraiture, material culture and photography in the Cherokee Nation's "first family", 1843-1907." Thesis, University of Sussex, 2018. http://sro.sussex.ac.uk/id/eprint/74674/.

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22

Erbetta, Alejandro. "Mémoire et (re)construction d'histoires individuelles, familiales et collectives (approches photographiques)." Thesis, Paris 8, 2018. http://www.theses.fr/2018PA080033.

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Dans une époque qui manifeste une exacerbation de la représentation de soi (àtravers les réseaux sociaux notamment), notre objet d'étude propose uneréflexion sur la mémoire et la reconstruction d'histoires dans les pratiquesartistiques. Utilisant comme point de départ une production photographiquepersonnelle (Reprises), nous proposons une articulation entre théorie etcréation, dans une dialectique qui part de l'analyse des oeuvres personnelles,pour établir un dialogue avec des théoriciens et des oeuvres contemporainestraitant ces problématiques. Dans ce type de démarches rétrospectives quiréin
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23

Bamford, Ian. "Picturing hunger : photography and the Irish famine 1945-50." Thesis, Ulster University, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.603579.

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Enduring for more than five years, the Great Irish Potato Famine, an apparently intractable humanitarian catastrophe characterised by substantial population displacement, widespread starvation and mass mortality throughout the island of Ireland, produced multiple crises for the emerging structures of modernism. Prevailing ideological concepts surrounding social organisation, the limits of governmental intervention, economic orthodoxy, as well as religious and moral responsibility in response to distant suffering, were all challenged by the advent of a disaster of this magnitude within the boun
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24

Dailey, Christian Edward. "In memoriam /." Online version of thesis, 1996. http://hdl.handle.net/1850/11958.

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25

Visa, Barbosa Mariona. "Evolució sociològica i narrativa de l'àlbum fotogràfic familiar. Anàlisi pragmàtica de l'àlbum familiar analògic i digital des dels anys seixanta fins a la primera dècada del segle XXI." Doctoral thesis, Universitat de Lleida, 2012. http://hdl.handle.net/10803/81080.

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Aquesta Tesi Doctoral té com a objectiu principal l’estudi dels canvis sociològics i narratius dels àlbums de fotografia, partint dels anys seixanta del segle passat fins a arribar a la primera dècada del segle XXI. L’anàlisi es fa des d’una perspectiva pragmàtica, combinant la metodologia semiòticonarrativa, sociològica, compositiva, tecnològica i discursiva. De l’anàlisi multidisciplinar dels àlbums de fotografia se’n poden extreure moltes dades significatives, ja que aquests ens parlen del tipus de societat de cada moment. Veurem com els àlbums s’estructuren seguint pautes socials q
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26

Bresnahan, Krystal M. "From Portraits to Selfies: Family Photo-making Rituals." Scholar Commons, 2016. http://scholarcommons.usf.edu/etd/6472.

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From family-style portraits to selfies, who is photographer and/or photographed varies as families engage, stage, and interpret the visual. How families participate in photo-making changes how individual family members feel about and relate to not only their photographs, but also each other. In this dissertation, I examine photographs as visual and material objects, and include the communication processes and ritual practices of producing, consuming, curating, viewing, and circulating these photos. By framing family photo-making as ritual, I explore how families do photo-making in everyday lif
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27

McGrath, Andrew J. "Beyond Plasticity: Cochlear Implants, Family Objects, and Quasi-Neuronal Lives." University of Cincinnati / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1504781636219078.

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28

Weiner, Eva. "Photography and Mourning: Excavating Memories of My Great-Grandmother." Scholarship @ Claremont, 2018. http://scholarship.claremont.edu/scripps_theses/1096.

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This paper explores how photographs have affected mourning processes in the past and how photo-technology may be able to change the way in which we mourn in the future. It includes an overview of the history of post-mortem photography and discusses the perspectives of well-known media theorists such as Roland Barthes and Susan Sontag. It engages with psychologists by including their perspectives on the effect that photographs have on the mourning process. A project was created to investigate how photo-technology can affect the bereaved. The project places photographs of a mother into pictures
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Sales, Bruno Sampaio. "Silent Screams: Trajectory and Meanings of Family Album in a Housing Complex." Universidade Federal do CearÃ, 2012. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=10418.

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CoordenaÃÃo de AperfeiÃoamento de Pessoal de NÃvel Superior<br>Fotografias carregam consigo e em torno de si, pessoas, lugares onde estiveram, momentos que as atravessaram. A imagem excede Ãlbuns e ganha vida na memÃria e imaginaÃÃo dos observadores e todos que fizeram parte do contexto em que ela foi produzida. Faz-se entÃo necessÃrio que a utilizaÃÃo dessas imagens em pesquisas sociais opere num circuito mais amplo formado por esses indivÃduos, seu ambiente e sua rede de relaÃÃes. Partindo desse pressuposto, o presente trabalho tem por objetivo construir um compÃndio de palavras e imagens qu
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30

Belleau, Hélène. "Les représentations de l'enfant dans les albums de photographies de famille." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq26638.pdf.

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31

Prietto, Malia P. "Picture Yourself: A Heuristic Exploration of Identity Development Through the Use of Photography." Digital Commons at Loyola Marymount University and Loyola Law School, 2011. https://digitalcommons.lmu.edu/etd/87.

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This research project explores the use of photography in the therapeutic setting as a means to develop one’s identity as an emerging adult. It contains a literature review that synthesizes the existing research on the developmental stage of emerging adulthood, identity formation, art therapy with adolescents, and photo art therapy. The research project is an art-based, heuristic study of the researcher’s journey of identity formation through examining old photographs and creating new ones. The findings suggest that the use of photography in the therapeutic setting can enhance one’s identity de
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Fine, Jenny. "Performing Tenderness." The Ohio State University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=osu1276799884.

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Tinaut, Maria. "Construction of an album for oneself." VCU Scholars Compass, 2017. http://scholarscompass.vcu.edu/etd/4818.

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My work focuses on the construction and validation of images assembled from fragments of found photographs, generating new narratives that hover between “reality” and fiction. Archive and Fiction: Construction of the past and the self is the result of two years of artwork exploring my family archives and my relationship to my family through them. I understand the family as a place of identity in continuous change, serving as a container of history and memory. Conceiving of my family albums as material allows me to approach my family history as a visitor. Mediated memory and constructed memory
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34

Blazejewski, Susanne. "Bild und Text-Photographie in autobiographischer Literatur : Marguerite Duras' "L'Amant" und Michael Ondaatjes "Running in the family /." Würzburg : Königshausen und Neumann, 2002. http://catalogue.bnf.fr/ark:/12148/cb38994408q.

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35

Retford, Kate. "Family and familiarity : the domestic sphere in eighteenth-century English visual culture." Thesis, University of Warwick, 2000. http://wrap.warwick.ac.uk/54814/.

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This thesis analyses eighteenth-century portraiture within the context of 'norms' propagated in contemporary prescriptive and fictional literature, 'norms' which overlay a heterogeneous reality. The aspirant portraitist had to accord with the desire of sitters to be depicted in a manner that would receive approbation. Thus, disparate relationships were pictorially subsumed within affectionate ideals that burgeoned in the mid eighteenth century, stimulated by the cult of sensibility and disseminated through an expanding body of literature to an expanding readership. However, these did not displ
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36

Hsu, Chi-Lin. "La pholographie de famille comme oeuvre photographique." Paris 1, 1995. http://www.theses.fr/1995PA010574.

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La question est de savoir comment le sujet de la famille est représenté dans un travail photographique destinée à l'œuvre d'art. Une définition a double axe, celui du sujet d'œuvre et celui de l'acte de l'artiste, permet de cerner le champ de discours. Par la mise en parallèle de la photographie d'amateur et de celle d'artiste, il est possible d'établir deux catégories d'œuvres produites au cours de l'histoire de la photographie : "la famille" comme objet photographie, et "la photographie de famille" comme objet de contemplation. L'ensemble des œuvres traitées fournit un exemple concret à trav
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Ward, Laurian Gillian. "Family experiences of physical trauma." Diss., Pretoria : [s.n.], 2007. http://upetd.up.ac.za/thesis/available/etd-04292008-113212.

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Sheffield, Katie J. "Descendants." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etd/3155.

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The photographer discusses the photographs in Descendants, her Master of Fine Arts thesis exhibition which was held at Tipton Gallery, Johnson City, Tennessee from October 31, 2016 through November 23, 2016. The exhibit consisted of 19 large format color photographs. This body of work visually represents the artistʼs interest in those who participate in Civil War re-enactments. The historical and contemporary influences discussed are in accordance to Sheffieldʼs photographs. Historical influences include Matthew Brady, James Abbott McNeill Whistler, Walker Evans, and Helen Levitt, as well as t
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Dornier-Agbodjan, Sarah. "Histoire de liens, histoire de biens : la photographie de famille : mémoire et transmission." Besançon, 2003. http://www.theses.fr/2003BESA1001.

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Liée au vécu du groupe familial, la photographie de famille est un "lieu de mémoire" par excellence. Tranche d'espace-temps fixée pour toujours, elle provoque sans cesse le langage pour lui donner tout son sens. Histoire de vie plurielle, mettant en évidence divers rôles sociaux, divers réseaux sociaux, la photographie de famille traduit une ré-appropriation de la vie sociale et apparaît comme un atout méthodologique privilégié pour le recueil de récits de vie. Au sein de la famille, le lien qui unit le connaisseur à ses photographies, trahit le lien qui l'unit à ce qui est photographié, c'est
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Delage, Chollet Colette. "Pratique de photographie et de videoscopie familiales dans la France contemporaine." Toulouse 2, 2001. http://www.theses.fr/2001TOU20026.

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L'essor de la photographie, lié à l'expansion économique, a favorisé son approximation par les particuliers (démocratisation du portrait, pratique amateur). L'ethnologie a aussi utilisé la photographie puis le film (illustration, observation participante) avant de s'y intéresser en tant qu'objet d'étude. Cette recherche propose l'analyse de pratiques photo/vidéo familiales en France (1990-2000). L'état des travaux sur l'évolution récente de la famille et ceux relatifs aux pratiques de photographie familiale en situent les contextes. Outre les sujets des prises de vues, que représentent en elle
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Eggers, Sarah H. "Using Photography and Poetry in Group Therapy for People with Severe and Persistent Mental Illness: An Outcome Study." Digital Commons at Loyola Marymount University and Loyola Law School, 2014. https://digitalcommons.lmu.edu/etd/58.

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This research explores the experience of participation in a pilot program that integrated poetry and photography for a group of seven adults living with severe and persistent mental illness. Data was gathered in the form of written, visual and verbal responses generated through a semistructured, qualitative focus group that took the week after the end of the pilot program. The data was categorized and coded using a analytical procedure based on Photovoice, a participatory action research model that seeks to empower research participants by providing them with cameras to document and share issu
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Brown, Christopher Shawne. "Exegesis." Digital Commons @ East Tennessee State University, 2008. https://dc.etsu.edu/etd/1903.

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The photographer discusses the work in Exegesis, his Master of Fine Arts exhibition held at Slocumb Galleries, East Tennessee State University, Johnson City, Tennessee from October 29 through November 2, 2007. The exhibition consists of 19 large format color photographs representing and edited from a body of work that visually negotiates the photographer's home in East Tennessee. The formulation of a web of influence is explored with a focus on artists who continue to pertain to Brown's work formally and conceptually. Included are photographers Eugene Atget, Walker Evans, William Eggleston, an
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Barromi, Perlman Edna. "Researching photographic representation of biological families in kibbutzim in Israel between 1948 and 1967 : family snaps on kibbutz : do they exist?" Thesis, University of Sussex, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.442443.

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Borel, Florence. "Visages photographiés, une inquiétante familiarité : approche formulée d'un usage personnel de la prise de vue." Paris 1, 1997. http://www.theses.fr/1997PA010659.

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Cette recherche comporte des photographies en noir et blanc, au moyen format, et un texte. Les images mettent toujours en scène une personne seule, en mouvement et floue, devant une bâtisse ancienne, cadrée de manière frontale. L'ensemble forme une suite incitant à confronter les clichés entre eux. Traduit sous le titre "l'inquiétante étrangeté", un article de Sigmund Freud, fournit le point de départ de la réflexion écrite. Il parait en effet susceptible de constituer un outil pour analyser ces prises de vues. Une évolution s'est produite au fil de la rédaction, aboutissant à une définition p
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Brown, Phoebe A. "The Culinary Browns." Digital Archive @ GSU, 2009. http://digitalarchive.gsu.edu/art_design_theses/63.

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The Culinary Browns is an experimental documentary that traces four generations of the Brown family beginning with Bob Brown, my great-grandfather, a writer of pulp fiction, modern poetry, cookbooks and social commentary. This documentary is not a linear history or purely factual document, but instead, uses personal experience as a means to generate more universal connections to the inherently dysfunctional dynamics of family, the fragmentary quality of memory, and to ultimately remind the viewer that history is relative.
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Gorham, Elizabeth Trabue. "Boundaries." Digital Commons @ East Tennessee State University, 2011. https://dc.etsu.edu/etd/1395.

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The photographer discusses the work in Boundaries, her Master of Fine Arts exhibition on display at Slocumb Galleries, East Tennessee State University, Johnson City, Tennessee from October 31 to November 4, 2011. The exhibition consists of 20 black and white photographs, the main subject of which is the photographer's son. The photographs and supporting thesis explore the idea of boundaries real and implied, and how confinement can prompt a variety of behaviors. Topics include the process and evolution of the work and the artists who have influenced it, the importance of light and the challeng
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Redondo, i. Arolas Mar. "Llegat i vigència de les aportacions de l'exposició "The Family of Man" en la representació fotogràfica de la identitat." Doctoral thesis, Universitat de Barcelona, 2010. http://hdl.handle.net/10803/32049.

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La recerca que es presenta aborda la capacitat discursiva de la fotografia, delimitant uns usos concrets del mitjà fotogràfic i analitzant algunes exposicions que es qüestionen la fotografia que parla de l’home en relació amb el seu context social. És per aquest motiu que la investigació pren com a centre d’interès "The Family of Man", exposició fotogràfica de gran rellevància quant a la idea de projecte, quant al procés de gestió de les imatges, i quant a la recepció pública. Comissariada per Edward Steichen, es va inaugurar al Museu d'Art Modern de Nova York l’any 1955. Del seu estudi se’n c
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Becker, Natasha. "Inside and outside the family album: Making, exhibiting and archiving the photograph in the South African National Gallery and the National Library of South Africa." University of the Western Cape, 2018. http://hdl.handle.net/11394/6046.

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Magister Artium - MA (History)<br>One of the first things that reached me about photography was how a photograph tells a story or stories. This experience is perhaps most common when viewing personal photographs. A few years ago I was looking through a vast number of personal photographs, of a family I knew well, and was struck by how all the photographs (in albums, framed or lying loosely about) were part of a particular family narrative. Even without the storytelling, which accompanied my viewing of the photographs, I could still 'read' bits and pieces of the family history (and the br
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Cajiao, Nieto Ana Isabel. "El lugar de lo siniestro en la fotografía contemporánea. Realidad y ficción, identidad y muerte." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/404219.

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Esta tesis se plantea el estudio de la estrecha concomitancia que existe entre la fotografía contemporánea y la manifestación de lo siniestro. A partir del ensayo de Freud de 1919, Das Unheimliche, y la constatación del rol protagónico que asume hoy en día la fotografía en los procesos de construcción de realidad, se analizan los motivos que hacen de la imagen fotográfica un campo propiciatorio para la experimentación de lo ominoso. El análisis se desarrolla por medio de una serie de ejemplos fotográficos, producidos a partir de la década de los 80’s, por artistas activos en Europa y Estados
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Browning, Robin Eileen. "Evolution of roots." CONNECT TO THIS TITLE ONLINE, 2008. http://etd.lib.umt.edu/theses/available/etd-08282008-142232/.

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