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Journal articles on the topic 'Famous artists'

Author: Grafiati

Published: 4 June 2021

Last updated: 28 July 2025

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1

Lindgren, Carl. "Neurological Disorders in Famous Artists." Acta Paediatrica 100, no. 4 (2011): 628–29. http://dx.doi.org/10.1111/j.1651-2227.2011.02155.x.

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2

Munk-Jorgensen, Povl. "Neurological disorders in famous artists." Acta Psychiatrica Scandinavica 113, no. 5 (2006): 447. http://dx.doi.org/10.1111/j.1600-0447.2006.00753.x.

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3

Rawstrone, Annette. "We've explored…artists." Nursery World 2024, no. 2 (2024): 28–29. http://dx.doi.org/10.12968/nuwa.2024.2.28.

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4

Koeppen, Arnulf H. "Neurological Disorders of Famous Artists, Part 2." Journal of Neuropathology and Experimental Neurology 66, no. 12 (2007): 1155. http://dx.doi.org/10.1097/nen.0b013e31815d8c78.

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5

Mastandrea, Stefano, and William D. Crano. "Peripheral Factors Affecting the Evaluation of Artworks." Empirical Studies of the Arts 37, no. 1 (2018): 82–91. http://dx.doi.org/10.1177/0276237418790916.

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The goal of the research was to determine whether artworks said to be created by famous artists were appreciated more than the same artworks attributed to nonfamous artists. Analysis indicated that the works attributed to famous artists were more appreciated than the identical works attributed to nonfamous artists: The works were liked more and judged more interesting and beautiful (all p values < .001). Participants ( N = 309), all art nonexperts, also were willing to pay more to see the works if described as created by famous artists ( p < .001); importantly, however, no differences we

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6

Filimonov, S. V. "AUDIO-SENSORY DEPRIVATION AND FAMOUS ARTISTS (PART 2. B.)." Folia Otorhinolaryngologiae et Pathologiae Respiratoriae 26, no. 1 (2020): 82–89. http://dx.doi.org/10.33848/foliorl23103825-2020-26-1-82-89.

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Filimonov, S. V. "AUDIO-SENSORY DEPRIVATION AND FAMOUS ARTISTS (PART 2.A.)." Folia Otorhinolaryngologiae et Pathologiae Respiratoriae 25, no. 4 (2019): 91–97. http://dx.doi.org/10.33848/foliorl23103825-2019-25-4-91-97.

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8

Zhang, Yujie. "How Can Curators in Today's Art World Help Emerging Chinese Artists to Increase the Commercial Value of Their Artworks?" International Journal of Education and Humanities 17, no. 1 (2024): 40–48. http://dx.doi.org/10.54097/n8wjdt66.

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The changing landscape of the art world drives consumer preferences, and emerging trends in art and technology. While the art world is constantly evolving, there are many emerging artists, but very few of them have made it to the top. One of the challenges that hinder the emerging artist community is finding buyers for their artworks and connecting with galleries, fairs and exhibitions to increase their commercial value of the artworks. Although the Asian market has grown and gained real recognition compared to previous decades, it is surprising that China’s emerging artists are still struggli

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Zelenchuk, Ivan, and Yaroslav Zelenchuk. "Outstanding National Artists of Hutsul Region." Ukrainian Studies, no. 4(57) (December 17, 2015): 202–9. http://dx.doi.org/10.30840/2413-7065.4(57).2015.224171.

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This article contains the results of Ukrainian studies scientific research expeditions devoted to creative collaboration between famous Hutsul musician Vasyl Ivanovych Hrymaliuk and talented violin master Vasyl Mykhailovych Martyshchuk in Ivano-Frankivsk Region.

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Pitrus, Andrzej. "Artists play games." Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 29, no. 38 (2021): 113–22. http://dx.doi.org/10.14746/i.2021.38.07.

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Andrzej Pitrus discusses complex relationships between the two worlds – art and computer/ games. Numerous artists are looking for inspirations in the world of an interactive entertainment, yet some of them are creating new paths of its development. Some of the artists focus on new and unique interfaces. Others refer to the mechanics of games to create their own interactive works. Bill Viola’s The Night Journey is an excellent example of such project. The author also reviews critical games, which are based on the mechanisms easily found in commercial games. Yet, their goal is to deconstruct the

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11

Chai, Fangyuan, Kaiping Peng, and Feng Yu. "Pricing Aesthetics: How Cognitive Perception Affects Bidding for Artworks." Social Behavior and Personality: an international journal 44, no. 4 (2016): 541–54. http://dx.doi.org/10.2224/sbp.2016.44.4.541.

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There are few studies in which the focus is on cognitive determinants of artwork bidding. Using a micro approach, we explored factors that may influence bidders' offering from a psychological perspective. The 157 participants rated 25 paintings on the price they were willing to offer for works by famous Chinese artists executed in the traditional Chinese style and variants of the same works by a modern Chinese artist working in adaptations of the style of famous Western artists. Results showed that for both the Chinese and Western-style paintings in 3 price anchoring and 3 price nonanchoring c

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12

Sharma, Yam Prasad. "Contemporary Nepali Arts: Some Shocking Trends." Journal of Fine Arts Campus 3, no. 1 (2021): 1–5. http://dx.doi.org/10.3126/jfac.v3i1.42488.

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In contemporary Nepali arts, there are some trends that shock any sensible viewer or any informed person in the area. Some artists repeat the same subject matter, figure and technique throughout their life or from the beginning of their profession till now. The presentation of the same thing all the time creates monotony and nausea in the viewers. The question arises: how can an artist do the same thing all the time? Some artists see the works of famous western artists in art history books, art magazines and the world wide web, and they copy their subject matters and techniques thinking that t

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13

Nash, Susan Smith. "Effective Learning Strategies in the Homes of Famous Artists and Writers Converted to Museums." Frontiers in Education Technology 2, no. 1 (2019): 1. http://dx.doi.org/10.22158/fet.v2n1p1.

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<p class="Normal1"><em>Homes of writers and artists that have been converted into museums are powerful frameworks for a wide range of both individual and group learning experiences. The museums have a unique ability to engage the learners on a deeper level by piquing their curiosity, and also by encouraging participative creative activities. The foundation is that of experiential learning, with an emphasis on authentic and content-based learning. Each visit to an artist’s home museum is a springboard for more universal learning experiences, particularly if the learner follows up an

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14

Kozbelt, Aaron, and Yana Durmysheva. "Lifespan Creativity in a Non-Western Artistic Tradition: A Study of Japanese Ukiyo-E Printmakers." International Journal of Aging and Human Development 65, no. 1 (2007): 23–51. http://dx.doi.org/10.2190/166n-6470-1325-t341.

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Western cultures' conceptions about creativity emphasize originality and final products; Eastern cultures, skill and process. Does this cultural difference impact how creativity unfolds over the lifespan? To examine this, we investigated Japanese “ukiyo-e” printmaking (c. 1670–1865). Almost 2,000 illustrations of datable prints by 44 artists were found in 36 art books. Career landmarks (earliest, most frequent, and latest illustrated print) and eminence ratings were estimated for each artist. Results are largely consistent with prior research on Western samples: artists' career peaks vary grea

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15

Pitenina, V. "Artistic and stylistic peculiarities of the graphic work of Petro Lapyn, illustrator of the children's books in the first third of the 20th century." Research and methodological works of the National Academy of Visual Arts and Architecture, no. 27 (February 27, 2019): 193–99. http://dx.doi.org/10.33838/naoma.27.2018.193-199.

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The beginning of the 20th century is a period of creative and printing experiments in the Ukrainian art. New generation of Ukrainian books was born in this period. The illustration of the children's books was a significant part of this process. Famous Ukrainian graphic artists, such as H. Narbut, M. Zhuk, O. Sudomora, V. Kononchuk, took part in the creation of a new Ukrainian children's book. Some little-known artists also worked with them, and their creativity was an important part of the artistic process. Petro Lapyn was one of those artists. From 1917 to 1929, he worked with the famous publ

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16

Gross, Adam. "An Epidemic of Breast Cancer Among Models of Famous Artists." Breast Cancer Research and Treatment 84, no. 3 (2004): 293. http://dx.doi.org/10.1023/b:brea.0000019965.21257.49.

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17

Dutta, Varsha. "Neurological Disorders in Famous Artists - Part 1, 2 & 3." Journal of Cancer Research and Therapeutics 7, no. 2 (2011): 240. http://dx.doi.org/10.4103/0973-1482.82946.

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18

Farhod, Turekhanov. "Thoughts on The Art of Famous Doyra Players." European International Journal of Pedagogics 5, no. 2 (2025): 31–33. https://doi.org/10.55640/eijp-05-02-09.

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This article provides an in-depth overview of Usta Olim Komilov's contributions to Uzbek performing arts, particularly in the fields of doyra playing and traditional dance. It highlights his early career with the ethnographic ensemble led by Mukhiddin Qori Yoqubov and his collaborations with renowned artists such as Tamaraxonim, Tokhtasin Jalilov, and Abduqodir Ismoilov. The article emphasizes his role in preserving and systematizing centuries-old doyra techniques, culminating in the publication of the Doyra Darsi (Doyra Lesson) method book in 1982.

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19

Мирончук, B. "ART IMAGES IN TV PROFESSOR VK YAKUNIN." Problems of Political History of Ukraine, no. 15 (February 5, 2020): 40–43. http://dx.doi.org/10.33287/11925.

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The article is devoted is scientific personal contribution to the development of fine art by the talented scientist and teacher Victor Kuzmovich Yakunin, who proved himself a capable amateur artist, embodying a certain system of artistic standards, attracting forms of professional art, emphasizes that the genre preferences of the artist were, in the time and portraits, there were copies of canvases of famous artists.

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20

Muharremi, Agnesa. "Development of art in Kosovo after World War II." Street Art & Urban Creativity 5, no. 1 (2020): 20–27. https://doi.org/10.25765/sauc.v5i1.166.

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At this article we wanted to present the Art Works of kosovo famous artists after World War II and their influences with famous artists from world.This study shows the liberation of the man under the Yugoslav regime at that time.There are few notes for our artists from Kosovo,our tradition , the creativity that was very deficient and it had been touched by social topics ,workers often suffered where the epic-historical legends and folklore sprout.Schools in Albanian were also lack and for that it was difficult for people who would spread the healthy figurative-visual culture,while in Europe wa

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21

Petrov, Vladimir M. "Entropy and Stability in Painting: An Information Approach to the Mechanisms of Artistic Creativity." Leonardo 35, no. 2 (2002): 197–202. http://dx.doi.org/10.1162/00240940252940595.

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The author presents a method for identifying the sequence of stages of the creative process in painting, specifically an artist's decisions about such parameters as genre, composition, color structure, etc. The method is based on the calculation of the coefficients of informativity relating to the distribution (and hence, entropy) of the artist's works over the above parameters. Using this method, 240 paintings by three famous Russian artists (Pavel

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22

Saskara, I. Putu Adi, I. Gusti Ayu Jatiana Manik Wedanti, and Ida Bagus Komang Sindu Putra. "USE OF PAINTING SALES WEBSITE AS A MARKETING COMMUNICATION MEDIA IN TAKMUNG VILLAGE, BANJARANGKAN SUB-DISTRICT, KLUNGKUNG DISTRICT." Widya Duta Jurnal Ilmiah Ilmu Agama dan Ilmu Sosial Budaya 18, no. 1 (2023): 47–58. http://dx.doi.org/10.25078/wd.v18i1.2009.

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Takmung village is one of several in the Klungkung area. Takmung Village has a popular tourist destination known as "Nyoman Gunarsa Classical Painting Museum," which is famous for its paintings. However, Takmung Village itself is less known to the public as a village of artists. In contrast to Kamasan Village, Takmung Village's artists are much less known, and many of them do not have their stalls or time to sell their artworks. The use of websites comes in handy in this problem, which helps artists to advertise their services and sell their artwork online. Aside from providing information and

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23

Pénasse, Julien, Luc Renneboog, and José A. Scheinkman. "When a Master Dies: Speculation and Asset Float." Review of Financial Studies 34, no. 8 (2021): 3840–79. http://dx.doi.org/10.1093/rfs/hhab006.

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Abstract An artist’s death constitutes a negative shock to his future production; death permanently decreases the artist’s float. We use this shock to test predictions of speculative trading models with short-selling constraints. As predicted in our model, we find that an artist’s premature death leads to a permanent increase in prices and turnover; this effect being larger for more famous artists. We document that premature death increases prices (by 54.7%) and secondary market volume (by 63.2%).

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24

Balaišytė, Lina. "Dailininkas XVIII amžiuje: karjeros galimybės." Lietuvos Didžioji Kunigaikštystė Luomas. Pašaukimas. Užsiėmimas, T. 5 (November 14, 2019): 229–53. http://dx.doi.org/10.33918/23516968-005011.

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THE ARTIST IN THE EIGHTEENTH CENTURY: CAREER OPPORTUNITIES The article is dedicated to discussion about the opportunities artists had in the eighteenth-century Grand Duchy of Lithuania, what factors were defining artist’s career and his valuation and how it changed along with social and cultural shifts in the country. Historical sources retain names of around 700 artists that worked in the eighteenth-century Grand Duchy of Lithuania. The artists belonged to a peculiar inter-estate stratum with significant differences in education, social and economic situation. Majority of artists lived and wo

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25

Stakhova, Tatiana. "Creative Approaches to Book Illustration." Visual Studies 8, no. 2 (2024): 257–65. http://dx.doi.org/10.54664/zgqs9076.

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The paper is devoted to various creative approaches that an artist can apply to book design and illustration. These approaches are accompanied by examples of works by famous artists. The conclusion is made that the systematic analysis of creative approaches to book illustration in classes with students is important for increasing their visual literacy, activating creative thinking and developing professional skills.

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Kuzmenko, H., and O. Matviichuk. "Creative writings of Borys Grinchenko through the illustration of famous artists." Research and educational studies, no. 2 (2018): 35–53. http://dx.doi.org/10.32405/2663-5739-2018-2-35-53.

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27

Nazim qızı Quluzadə, Aysel. "Features of Arif Aziz's creativity in modern Azerbaijani art." SCIENTIFIC WORK 66, no. 05 (2021): 177–80. http://dx.doi.org/10.36719/2663-4619/66/177-180.

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Arif Aziz is one of the invaluable artists of Azerbaijan.Talented master of pencil, full member of the UNESCO’s International Art Academy, goodwill ambassador, prominent man of art, professor Arif Aziz is one of the most famous, well-known persons of the modern Azerbaijan art. He travelled a rich and interesting creative career. Arif Aziz's work is rich and diverse. Decorative is typical for his works. The theme of Absheron occupies a special place in his work. He is engaged in graphics, painting and stage design. The famous artist has had solo exhibitions in many countries around the world. K

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de Campos, Deivis, Danielle Coutinho Rodrigues, and Luciano Buso. "A conjunctival papilloma in Raffaello Sanzio da Urbino (1483–1520)?" European Journal of Ophthalmology 32, no. 2 (2021): NP146—NP147. http://dx.doi.org/10.1177/11206721211055969.

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The specialized literature has described that Raffaello Sanzio da Urbino (1483–1520), universally known as Raphael, is among the greatest artists of the Renaissance. Additionally, it is also described that there are still many controversies regarding Raphael’s health when he died in 1520. In this context, due to the 500th anniversary of his death, it would be timely to bring up some pieces of information that haven't been presented in the literature so far, regarding the health of this famous artist Therefore, we have decided to present in this description a self-portrait of Raphael from 1519,

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ЛИ, Янь. "Русская культура и образование в Тяньцзине". Известия Восточного института, № 2 (28 червня 2024): 64–70. http://dx.doi.org/10.24866/2542-1611/2024-2/64-70.

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The article is based on extensive historical materials and is devoted to the cultural achievements of the Russian community in Tianjin, where the Russian Theater and the drama club "Theater and Music" operated successfully, famous Russian artists were popular – E. G. Davydov, K. P. Arkanzanov, M. A. Tumanova and others, ballerina S. A. Voitenko and dancer F. G. Khmarin, ballet studios of A. Voitenko and A. Graftsov were opened, tours of F. I. Chaliapin and other famous artists took place. In Tianjin there were Russian secondary educational institutions andthe Russian Tianjin Polytechnic Instit

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Alrasheed, Ibtesam S., and Mohrah Hamed Sakr. "Role of Arabian female plastic artists in the art market: A comparative analysis study on selected samples of Arab countries." Arte, Individuo y Sociedad 32, no. 4 (2020): 1009–38. http://dx.doi.org/10.5209/aris.66088.

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When we try to recall the most famous artworks, what immediately comes to mind are works by male western artists, which makes us wonder about the role of women, especially Arabian women in the art world. This research utilizes the comparative analytical method to discuss the role of female Arabian artists in the Arab region and the western world’s art market. By first gathering data pertaining to works sold at auctions by female Arabian artists from the 20th and the 21st centuries, and who belong to both the eastern and western ends of the Arab world. Then analyzing and comparing the data to u

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31

Apressyan, Armen R. "Street artists: acquiring a face." Chelovek 33, no. 2 (2022): 165. http://dx.doi.org/10.31857/s023620070019517-5.

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Despite the growing popularity of street art, the names of street artists — with the possible exception of one or two - are not known to the general public, street art is impersonal in the mass consciousness. Of course, there is a significant amount of information resources dedicated to street art, but they do not significantly affect the wide popularity of artists. Like many years ago, even the names of very interesting authors are known only to a narrow circle of fans of the genre. An absurd situation is emerging: even Banksy, who can be considered as the most famous street artist in the wor

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32

Zenkin, S. N. "A celebration of the artists (Notes on Balzac’s article “On Artists”)." Shagi / Steps 10, no. 4 (2024): 146–62. https://doi.org/10.22394/2412-9410-2024-10-4-146-162.

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The article provides historical comments to Honoré de Balzac’s article “Des artistes” (1830). It shows the genre complexity of the text, which references the traditions of the rhetorical panegyric, the literary and artistic manifesto and the physiological essay that describes a certain social “type”. The title word “artistes” gets a new, expanded meaning, including in the category of “men of art” also writers and connoisseurs of beauty; this semantic evolution was prepared by the writings of the French Saint-Simonists. The man of art is considered by Balzac not only in the process of creativit

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33

Юрій, Ямаш. "Студії Івана Труша в Мюнхенській школі Антона Ашбе". ВІСНИК Львівської національної академії мистецтв, № 31 (10 травня 2017): 236–47. https://doi.org/10.5281/zenodo.573865.

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The studies are devoted to continuation of the professional art education of Ivan Trusz in Munich 1897. At that time artist finished courses of Krakiv Academy of Fine Arts and got a scholarship for studying in Munich Academy of Fine Arts. Visiting already in Germany he didn’t receive any receipts and instead of state institution enrolled himself to the private school of famous Austro-Hungarian artist and tutor Anton Ažbe. The school, where at one time studied many of outstanding artists including Vasyl Kandіnsky, was well known and popular in Europe.

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34

YARMATS, А. "PROFESSION OF A COURTROOM ARTIST." Vestnik of Polotsk State University Part D Economic and legal sciences, no. 1 (May 6, 2024): 87–89. http://dx.doi.org/10.52928/2070-1632-2024-66-1-87-89.

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The article talks about one of the rare professions – the profession of a forensic artist, which, for a number of objective reasons, today is on the verge of extinction. Based on a comparative analysis of two related professions – forensic artist and journalist – some characteristic features of the profession of forensic artist have been identified. Also, the most famous currently existing court artists describe the specifics of working in court. Judicial sketches, as an institution that is becoming a thing of the past, still continue to exist and interest certain, albeit narrow, circles: rese

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35

ÇAKIROĞLU, Elif. "APPROPRIATION IN THE POSTMODERNISM PROCESS: REVIEW OF LLUIS BARBA'S ARTWORKS IN THE CONTEXT OF INTERSEMIOTIC." TURKISH ONLINE JOURNAL OF DESIGN ART AND COMMUNICATION 11, no. 2 (2021): 490–504. http://dx.doi.org/10.7456/11102100/011.

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Appropriation can generally be explained as the reinterpretation and production of artworks by quoting them. Appropriation is associated with the postmodern period, although it was also seen in previous periods. In the postmodern period, in which the pluralist approach gained prominence, collage and montage became widespread; artists perform reproductions containing different expressions and effects, using quotes, pastiche, parody, emulation, and similar usage within the scope of intersemiotic. Artists can use the works they quote through these reproduction forms in different contexts as meani

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36

Ustinov, A. B., and I. E. Loshchilov. "Nikolai Zabolotsky and His Artists." Studies in Theory of Literary Plot and Narratology 15, no. 1 (2020): 260–90. http://dx.doi.org/10.25205/2410-7883-2020-1-260-290.

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The essay reconstructs the history of Nikolai Zabolotsky’s relations with artists, starting with his debut book of poems “The Pillars,” published in February 1929 and throughout the 1930s. Zabolotsky can be considered an artist both in a broad (an artist as a creator) and in a professional sense: before “The Pillars,” he attended Pavel Filonov’s workshop, created some drawings, and designed his handwritten books using the technique of Filonov’s “analytical art.” He included some of these calligraphic manuscripts in his collection “Ararat” (1928). He also painted the cover putting in the center

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Vučković, Nemanja, and Milena Nikodijević. "A historical overview of the understanding of art and the path to abstract painting." Univerzitetska misao - casopis za nauku, kulturu i umjetnost, Novi Pazar, no. 21 (2022): 228–38. http://dx.doi.org/10.5937/univmis2221228v.

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This paper deals with the analysis of the historical work from the beginning of the ancient era, when painting was considered a craft, until today, where the artist has complete freedom of expression. It is about the time when painting was declared as a spiritual skill and through which stages painting and society itself went through. Many challenges were imposed on artists in order to survive in the coming periods, until they fully freed themselves and started making pure art from the depths of their souls. Pictures that are full of emotions and feelings can only create a pure spirit. Artists

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38

Buyak, Halyna. "Bookplate in the works of Bohdan Khavarivskyi (THE 1990s)." Scientific Papers of the Kamianets-Podilskyi National Ivan Ohiienko University. History 39 (April 6, 2023): 256–67. http://dx.doi.org/10.32626/2309-2254.2023-39.256-267.

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The aim of the study is to analyze the bookplate as a component of Bohdan Khavarivskyi’s cultural and artistic heritage in the 1990s. Th e research methodology is based on the principles of historicism, objectivity, scientifi city, and systematicity. Th e methods used are generalization, quantitative, historical and comparative, chronological, retrospective, and local history. Th e scientifi c novelty is based on the fact that the author is the fi rst in Ukrainian historiography to comprehensively analyze the problem under study, to fi nd out its impact on the crea tive work of famous Ukrainia

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39

Ignjatović, Mile. "The thyroid gland in works of famous old anatomists and great artists." Langenbeck's Archives of Surgery 395, no. 7 (2010): 973–85. http://dx.doi.org/10.1007/s00423-010-0673-7.

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40

Fairchild, Charles. "LET US NOW PRAISE FAMOUS GUITARS: PERSONA AND THE MATERIAL DISPLAYS OF POPULAR MUSIC MUSEUMS." Persona Studies 5, no. 1 (2019): 61–74. http://dx.doi.org/10.21153/psj2019vol5no1art841.

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The study of popular music museums has expanded greatly in the past decade or so. The numerous studies produced so far have largely focused on issues to do with tourism, heritage, and curatorship. Most analysis has attempted to gauge the effectiveness and degree of success of the various methods of constructing and displaying collections of sounds, objects, and ideas. One area that can be of interest in moving beyond these analyses of museum practice is to examine how larger ideologies of artistry and artists that pervade the celebrity personas so assiduously built around famous musicians are

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41

Stoleriu, Irina-Andreea. "A Contemporary Approach of Las Meninas." Anastasis. Research in Medieval Culture and Art 7, no. 1 (2020): 137–49. http://dx.doi.org/10.35218/armca.2020.1.08.

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The present study is meant to underline the importance of a famous work from the baroque period, Las Meninas, made by the painter Diego de Silva y Velásquez who has become a source of inspiration for future generations of artists. Numerous modern and contemporary artists have integrally or partially ”paraphrased” Velásquez’s composition by intercepting the portrait of revolutionary group for the time when it was created, extremely innovative regarding its compositional qualities and its hidden meanings which underlined the role and status of the artist in the context of a conservative society.

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42

Lamonova, O. "Liudmyla Bruievych’s water-colors in the 1990s." Culture of Ukraine, no. 72 (June 23, 2021): 110–17. http://dx.doi.org/10.31516/2410-5325.072.15.

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The aim of this study is to analyze in detail the watercolors by Liudmyla Bruievych, made in the 1990s: “Tuha” (1992), “Raiuvannia” (1993), “Trapeza” (1995), “Myslyvets” (1998) and others. Methodology. The study of the works of the new generation of Ukrainian artists, which was completely formed after 1991, is just beginning. In particular, it refers to Liudmyla Bruievych, one of the most famous contemporary domestic graphic artists. The vast majority of publications about her works are popular and belong more to the genre of essay or interview (Bychkova (2000), Ivanochka (2012), Taran (

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Sihite, Andriani Febbi, and Citra Anggia Putri. "Cyberbullying in Indonesian Female Artist™s Instagram Account: Semiotics Approaches With Psychoanalysis by Carl Gustav Jung." TRANSFORM : Journal of English Language Teaching and Learning 12, no. 2 (2023): 57–67. https://doi.org/10.24114/tj.v12i2.47262.

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In today's digital era, cases of cyberbullying are living in society, especially on social media. Not infrequently also occurs among the public and famous artists. Cyberbullying has various impacts on its victims. This study discusses the behavior of cyberbullying in the development of a developmental digital world using semiotics approaches with psychoanalysis theory of Carl Jung. This study aims to, (a) find out the types of cyberbullying in Indonesia female artist's Instagram account, (b) describe the cyberbullying which existed in the post of Indonesian female artist's instagram account, (

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Sheremet, Sergey Vladimirovich. "Student Spring Festival in Russia: an educational potential." Uchenyy Sovet (Academic Council), no. 3 (February 28, 2025): 174–80. https://doi.org/10.33920/nik-02-2503-06.

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The lives of people in creative professions sometimes take unexpected turns. There are biographies of many famous artists who did not intend to devote themselves to artistic creativity. But it happened. Often this occurred because in their student years they engaged in creativity in the student theater of miniatures, played in Club of the Merry and Inventive teams, performed in amateur concert parties... As a result, they were forced to reconsider their attitude to the profession they chose in their youth. The article shows that many of today's famous artists came to art through student festiv

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Dashchenko, Nataliia L. "Presentation of the artist in the regional journal periodical." Communications and Communicative Technologies, no. 24 (March 28, 2024): 22–29. http://dx.doi.org/10.15421/292403.

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The artistic component of the literary-artistic and public-political magazine Literary Ternopil» (2008–2019) was formed by publications that show the current state of painting in the region through familiarization with the personalities of artists and their creative work. The article highlights and analyzes typical textual means of presenting the artist in the specialized section «Artist of the Number». As a result of the research, it was found that the text presentation is based on the involvement of elements of drawing, which are manifested in the depiction of heroes in action, retelling of

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Tyler, Ph.D., D.Sc., Christopher W. "Sources of Inspiration in the Early Life of Leonardo da Vinci." Journal of Research in Philosophy and History 4, no. 3 (2021): p45. http://dx.doi.org/10.22158/jrph.v4n3p45.

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Although the early life of Leonardo da Vinci in Florence seems singularly unproductive, particularly considering the acknowledged breadth of his genius, an inferential examination of his early work reveals an interesting scope of likely activities. A self-referential element is his only signed and dated work, a landscape drawing, which is identified as a likely commemoration of the date of his conception in Vinci, a unique concept in art historical analysis. To develop a fuller picture of his accomplishments in this early period requires an interconnected series of analyses and reappraisals, i

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Romanova, E. O. "The Artist and His Circle. Russian Emigre Artist Eugene Klimoff." Art & Culture Studies, no. 2 (June 2023): 92–155. http://dx.doi.org/10.51678/2226-0072-2023-2-92-155.

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The article is devoted to the artist of the Russian emigre artistic circle Eugene E. Klimoff (1901–1990). A committed realist, as a painter and graphic artist, Klimoff worked in the field of landscape and portrait. The artist’s creative heritage includes many portraits of representatives of Russian artistic emigre circles, cultural and scientific figures, as well as landscapes of those places in which he happened to live during his life. These landscapes are autobiographical and belong to the category of historical evidence, acquiring special value after a hundred of years. A significant part

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Fuld, James J., and Frances Barulich. "Harmonizing the Arts Original Graphic Designs for Printed Music by World-Famous Artists." Notes 43, no. 2 (1986): 259. http://dx.doi.org/10.2307/897375.

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Kim, Sunghoon. "Research on the Development of City Image Using Cultural Contents of Famous Artists." Journal of Humanities and Social sciences 21 14, no. 3 (2023): 5091–100. http://dx.doi.org/10.22143/hss21.14.3.365.

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Azimova, Mukhaye Barotovna. "SCIENTIFIC BASIS OF DEVELOPMENT OF CREATIVE SKILLS OF PRIMARY SCHOOL STUDENTS." Multidisciplinary Journal of Science and Technology 3, no. 5 (2023): 37–39. https://doi.org/10.5281/zenodo.10276900.

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The article presents the practical significance of fine arts in the development of artistic and creative abilities of schoolchildren, research and scientific views on this subject of famous artists-teachers.

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