Journal articles: 'Famous mark'

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Baetzhold, Howard G., and Carl Dolmetsch. ""Our Famous Guest": Mark Twain in Vienna." American Literature 66, no. 2 (1994): 383. http://dx.doi.org/10.2307/2927999.

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Baker, William, and Carl Dolmetsch. ""Our Famous Guest": Mark Twain in Vienna." Antioch Review 51, no. 3 (1993): 457. http://dx.doi.org/10.2307/4612789.

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Sims, Alexandra. "Dilution in New Zealand: The Effects of the Tarnishment Limb of Dilution on Free Speech." Victoria University of Wellington Law Review 32, no. 1 (2001): 103. http://dx.doi.org/10.26686/vuwlr.v32i1.5901.

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Calls have been made to introduce trade mark dilution into New Zealand 's trade mark legislation. Currently trade mark protection is limited to the same or similar goods or services to those over which the trade mark is registered, and within this class only certain uses of that trade mark are protected. The positive associations the selling power of famous trade marks is such that their use on dissimilar goods or services can make those goods or services more attractive to consumers. Trade mark dilution recognises that such unauthorised use will weaken the famous trade mark's selling power and proscribes such use. Trade mark dilution, however, goes further and removes the distinction currently made between different uses of a trade mark. Infringement occurs if unauthorised use of the trade mark damages the positive associations the trade mark invokes. Unless exceptions are made to the latter aspect of trade mark dilution, the impact of trade mark dilution upon free speech will be significant.

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Baker, J. H. "Famous English Canon Lawyers I." Ecclesiastical Law Journal 1, no. 3 (1988): 3–7. http://dx.doi.org/10.1017/s0956618x00007031.

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Given the prominence accorded to doctrinal authority in the earlier canon law, it is natural that most famous canonists achieved their fame through their writings. Although the leading writers were often also judges and men of affairs, it was possible to lead an active life in the practice of the canon law without leaving any identifiable mark on history. To this general principle Bishop Bateman constitutes a remarkable exception: distinguished judge, leading figure in the Curia at Avignon, and patron of legal studies in Cambridge, he left several marks on history which entitle him, though not known as a writer, to be classed with the greatest English canon lawyers.

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Prentoulis, N. G. "Psychoanalysis and politics in Greek trade mark law: the case of famous trade marks." Journal of Intellectual Property Law & Practice 3, no. 5 (2008): 339–41. http://dx.doi.org/10.1093/jiplp/jpn034.

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Crow, Charles L. "“Our Famous Guest”: Mark Twain in Vienna by Carl Dolmetsch." Western American Literature 28, no. 2 (1993): 175–76. http://dx.doi.org/10.1353/wal.1993.0078.

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Hash, Phillp. "Book Review: Mark Fonder, Patrick Conway and His Famous Band." Journal of Historical Research in Music Education 37, no. 2 (2016): 178–80. http://dx.doi.org/10.1177/1536600616641823.

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Asarin, E. A., I. A. Bakhtin, N. A. Bobylev, et al. "Mark Alexandrovich Krasnosel'skii, (April 27, 1920 - February 13, 1997)." Journal of Applied Mathematics and Stochastic Analysis 10, no. 2 (1997): 119–26. http://dx.doi.org/10.1155/s1048953397000142.

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Wan, Yong, and Hongxuyang Lu. "Trademark protection of single-colour trademarks: a study of the Chinese Louboutin case." Queen Mary Journal of Intellectual Property 10, no. 2 (2020): 255–64. http://dx.doi.org/10.4337/qmjip.2020.02.06.

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In December 2018, Beijing Higher Court released the final decision associated with Christian Louboutin's trademark registration of the famous Red Sole Mark, holding that the mark should be categorized as a single-colour mark applied to a specific portion of the good and it could be registered as a trademark in China. This decision is the first Chinese judicial opinion associated with trademark registrability of a single-colour mark applied to a specific portion of the good, and therefore it plays a significant role in future trademark protection of single-colour trademarks.

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Hood, G. A. "Famous trade marks may help to insulate an allegedly confusing trade mark from a reasonable likelihood of confusion." Journal of Intellectual Property Law & Practice 9, no. 9 (2014): 706–8. http://dx.doi.org/10.1093/jiplp/jpu125.

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Shepardson, Britton L. "The role of Rapa Nui (Easter Island) statuary as territorial boundary markers." Antiquity 79, no. 303 (2005): 169–78. http://dx.doi.org/10.1017/s0003598x0011378x.

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A new survey and spatial analysis enables the author to argue that inland examples of Easter Island’s famous stone statues were not in transport to the coast but mark out ancient territories proposed by ethnologist Katherine Routledge in 1919.

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Franklin, James. "Leibniz's solution to the problem of evil." Think 2, no. 5 (2003): 97–102. http://dx.doi.org/10.1017/s1477175600002670.

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In issue 4, Mark piper presented the famous problem of evil, which appears to show that there is no God, that is to say, no all-powerful, all-knowing and all-good being. Here James Franklin suggests that there may, after all, be a solution to the problem.

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Malafouris, Lambros. "Mark Making and Human Becoming." Journal of Archaeological Method and Theory 28, no. 1 (2021): 95–119. http://dx.doi.org/10.1007/s10816-020-09504-4.

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AbstractThis is a paper about mark making and human becoming. I will be asking what do marks do? How do they signify? What role do marks play in human becoming and the evolution of human intelligence? These questions cannot be pursued effectively from the perspective of any single discipline or ontology. Nonetheless, they are questions that archaeology has a great deal to contribute. They are also important questions, if not the least because evidence of early mark making constitutes the favoured archaeological mark of the ‘cognitive’ (in the ‘modern’ representational sense of the word). In this paper I want to argue that the archaeological predilection to see mark making as a potential index of symbolic representation often blind us to other, more basic dimensions of the cognitive life and agency of those marks as material signs. Drawing on enactive cognitive science and Material Engagement Theory I will show that early markings, such as the famous engravings from Blombos cave, are above all the products of kinesthetic dynamics of a non-representational sort that allow humans to engage and discover the semiotic affordances of mark making opening up new possibilities of enactive material signification. I will also indicate some common pitfalls in the way archaeology thinks about the ‘cognitive’ that needs overcome.

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Crane, Tim. "Intentionality as the Mark of the Mental." Royal Institute of Philosophy Supplement 43 (March 1998): 229–51. http://dx.doi.org/10.1017/s1358246100004380.

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‘It is of the very nature of consciousness to be intentional’ said Jean-Paul Sartre, ‘and a consciousness that ceases to be a consciousness of something wouldipso factocease to exist.’ Sartre here endorses the central doctrine of Husserl's phenomenology, itself inspired by a famous idea of Brentano's: that intentionality, the mind's ‘direction upon its objects’, is what is distinctive of mental phenomena. Brentano's originality does not lie in pointing out the existence of intentionality, or in inventing the terminology, which derives from scholastic discussions of concepts orintentiones. Rather, his originality consists in his claim that the concept of intentionality marks out the subject matter of psychology: the mental. His view was that intentionality ‘is characteristic exclusively of mental phenomena. No physical phenomenon manifests anything like it.’ This isBrentano's thesisthat intentionality is the mark of the mental.

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Baldick, Julian. "Massignon: Man of Opposites." Religious Studies 23, no. 1 (1987): 29–39. http://dx.doi.org/10.1017/s0034412500018527.

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The following is the text of a memorial lecture given in London, at the Royal Asiatic Society, on Thursday 10 November 1983, as part of the celebrations held to mark the centenary of Louis Massignon (1883–1962), the most famous French Islamic specialist of the century, and a leading Catholic intellectual.

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Imanly, M. "Murtuz Aleskerov - 90." Russian Journal of Legal Studies 5, no. 4 (2018): 198–99. http://dx.doi.org/10.17816/rjls18466.

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The article is dedicated to the memory of Murtuz Aleskerov, a famous socio-political and statesman, honored lawyer, professor. M. Aleskerov left a significant mark in modern history as an active social and political figure and an outstanding scholar in the field of law, who devoted his entire adult life to jurisprudence.

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Centaury, Patricia Irinne Alpha. "ANALISA PUTUSAN PENGADILAN TERKAIT PENGHAPUSAN MEREK YANG TIDAK DIGUNAKAN MENURUT UNDANG-UNDANG NOMOR 15 TAHUN 2001 TENTANG MEREK." JURNAL MEDIA HUKUM DAN PERADILAN 4, no. 1 (2018): 51–70. http://dx.doi.org/10.29062/jmhp.v4i1.4.

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Based on the provisions of Article 61 paragraph (2) letter (a) of Law No. 15 of 2001 explains that the brand can be removed from the list of the brands if the brand is not used for three (3) consecutive years from the date of the last registration. One of the problems arise when the brand "IKEA" a famous Sweden brand was successfully removed from the General Registration Brands by a local company. On this research, legal system which are used as a comparison regarding the removal of the brand are the Law Number 15 2001, Sweden Trade Mark Act and the Singapore Trade Mark Act

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Jacques, Jean-François. "Famous Figures and Diagrams in Economics, ouvrage collectif dirigé par Mark Blaug et Peter Lloyd." Revue de philosophie économique 14, no. 2 (2013): 201. http://dx.doi.org/10.3917/rpec.142.0201.

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Camus, Raoul F. "Patrick Conway and His Famous Band. By Mark Fonder. Galesville, MD: Meredith Music Publications, 2012." Journal of the Society for American Music 9, no. 2 (2015): 238–41. http://dx.doi.org/10.1017/s1752196315000097.

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Wang, Ling. "A Study of the Humor in Mark Twain’s Classic Works." Journal of Language Teaching and Research 10, no. 6 (2019): 1327. http://dx.doi.org/10.17507/jltr.1006.23.

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Mark Twain is a famous critical realist writer in the late nineteenth Century. Through combining humor and irony, he makes a relentless expose and criticism of the ugly phenomena in American social life. Humor is a unique way of thinking in his mind; he used humor to bring laugh to human. At the same time, he mercilessly criticized the ugly social reality, a profound reflection of the human condition in the world of metaphysical philosophy explores. The excellent satirical art in a number of his works showed, not only became an independent school at the time of the American literature, but also had a profound impact on the future of American literature. In this article, the author uses humor as a clue, and narrates the art of humor in Mark Twain's classic novels, the author will describe about the specific language and writing techniques from some classic novels of Mark Twain, to explore the art of humor embodied in the novel and the consequences of humor, so as to let the readers have a more intuitive and profound understanding of Mark Twain's novels, and also show the expression of noble tribute to Mark Twain for his outstanding achievement.

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21

Stow, Simon. "Histories, Logics and Politics: An Interview with Mark Bevir." Journal of Moral Philosophy 2, no. 2 (2005): 193–206. http://dx.doi.org/10.1177/1740468105054341.

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AbstractAlthough he has written extensively on a broad array of topics, Mark Bevir is most famous for his influential and controversial book The Logic of the History of Ideas (Cambridge University Press, 1999). In a wide-ranging interview, Bevir responds to a number of criticisms and mischaracterizations of the book, clarifies his aims in writing it, and identifies his relationship of his postfoundationalism to both analytical and continental philosophy. Additionally, Bevir articulates a hitherto unexpected ethical dimension to the work, suggesting that it seeks to provide for a philosophy of the human sciences that incorporates those capacities for agency and reasoning that make us fully human and are thus deserving of respect. As such, he connects the book to the broader web of moral and political beliefs that underpin his work as a whole.

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Bögle, Annette. "Cable-Stayed Bridges: The Düsseldorf Bridge Family." Bridges and Infrastructures, no. 45 (2011): 52–55. http://dx.doi.org/10.52200/45.a.bwzzfim1.

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The heart of the famous Düsseldorf Bridge Family are the three cable-stayed bridges built between the late 50s and early 70s of the last century. They mark the beginning of the development of Modern cable-stayed bridges, but not only from a technological point of view. Instead they develop the aesthetical potential once the new structural type has become favorable all over the world.

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Taylor, Heather. "The David-And-Goliath-esque Problematic of “Unfair Advantage” in Trade Mark Law: Is the EU Moving Towards a Categorical Protection of Famous Brands?" IIC - International Review of Intellectual Property and Competition Law 52, no. 8 (2021): 1069–85. http://dx.doi.org/10.1007/s40319-021-01114-1.

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AbstractThe extended protection of trade marks with a reputation is losing its “exceptional” character, making way for an almost categorical bar to the registration of any competing sign; indeed, the “unfair advantage” requirement appears to have been confounded with that of similarity. Certainly, trade marks are recognized as a legitimate restriction of the freedom of commerce and, arguably, in principle, competitors can and should invest their own efforts into conceiving and promoting an original sign under which they can market their goods and services. Nevertheless, trade mark law, insofar as it protects the investment function of a reputed mark, does not for as much shield the proprietor from all competition, even if this means that he must work harder in order to preserve this reputation. Indeed, the use of a similar sign is sometimes deemed to be ineluctable, where the applicant demonstrates that he cannot reasonably be required to abstain from using such a sign as, for example, it would be made necessary for the marketing of his products. This is especially true where the sign makes use of descriptive terms or elements in order to indicate the type of goods or services offered by the applicant under the mark applied for. This paper aims to critically discuss the most recent EU and UK jurisprudence on “unfair advantage” in the context of trade mark registration and infringement, focussing primarily on the components of this EU creation and how they are interpreted by courts on both a national and EU level.

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Bari, Naveed S., and Eugenie Hunsicker. "Isospectrality for Orbifold Lens Spaces." Canadian Journal of Mathematics 72, no. 2 (2019): 281–325. http://dx.doi.org/10.4153/s0008414x19000178.

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AbstractWe answer Mark Kac’s famous question, “Can one hear the shape of a drum?” in the positive for orbifolds that are 3-dimensional and 4-dimensional lens spaces; we thus complete the answer to this question for orbifold lens spaces in all dimensions. We also show that the coefficients of the asymptotic expansion of the trace of the heat kernel are not sufficient to determine the above results.

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Sitko, Joanna. "Protection of a Famous Person’s Surname in the Light of the European Union Trade Mark Regulation." EUROPEAN RESEARCH STUDIES JOURNAL XXIV, Special Issue 2 (2021): 210–23. http://dx.doi.org/10.35808/ersj/2219.

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BEALS, RICHARD, and PETER C. GREINER. "STRINGS, WAVES, DRUMS: SPECTRA AND INVERSE PROBLEMS." Analysis and Applications 07, no. 02 (2009): 131–83. http://dx.doi.org/10.1142/s0219530509001335.

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This survey treats a number of interconnected topics related in one way or another to the famous paper of Mark Kac, "Can one hear the shape of a drum?": wave motion, classical and quantum inverse problems, integrable systems, and the relations between spectra and geometry. We sketch the history and some of the principal developments from the vibrating string to quantum inverse problems, the KdV equation and integrable systems, spectral geometry and the index problem.

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Viklund, Roger, and Timo S. Paananen. "Distortion of the Scribal Hand in the Images of Clement’s Letter to Theodore." Vigiliae Christianae 67, no. 3 (2013): 235–47. http://dx.doi.org/10.1163/15700720-12341137.

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Abstract This article discusses Morton Smith’s famous manuscript find, Clement’s Letter to Theodore (including the so-called Secret Gospel of Mark), and critically assesses Stephen C. Carlson’s study of its handwriting (2005). Carlson’s analysis is found to be wanting due to line screen distortion introduced by the halftone reproduction process in the images he used. We conclude that the script in the manuscript of Clement’s Letter to Theodore lacks all and any kind of “signs of forgery”.

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Eyben, Piero. "Abismos e autorias: além de si." Aletria: Revista de Estudos de Literatura 20, no. 2 (2010): 151–65. http://dx.doi.org/10.17851/2317-2096.20.2.151-165.

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Resumo: O presente ensaio pretende discutir a escritura como texto assinalado pela marca autoral, mas igualmente como um universo do desaparecimento do sujeito. Para isso, serão analisados certos fragmentos de Michel de Montaigne em seus Essais, com o intuito de, para além da já famosa polêmica sobre o sujeito na escritura ensaística do autor, glosar o (im)possível ato de escrever sobre si.Palavras-chave: autoria; escritura; ensaio.Abstract: The present essay intends to argue the writing as text marked for one strong authorial mark, but equally as a universe of the disappearance of the subject. For this, certain extracts of Michel de Montaigne’s Essais will be discussed, with the intention of, beyond the already famous quarrel about the subject on the essay writing of the author, arguing the (im)possible act to write on the self.Keywords: authorship; writing; essay.

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Grünzweig, Walter. "Carl Dolmetsch. “Our Famous Guest”: Mark Twain in Vienna. Athens and London: University of Georgia Press, 1992." Austrian History Yearbook 25 (January 1994): 236–38. http://dx.doi.org/10.1017/s0067237800006561.

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BROWN, WILLIAM J., MICHAEL D. BASIL, and MIHAI C. BOCARNEA. "The Influence of Famous Athletes on Health Beliefs and Practices: Mark McGwire, Child Abuse Prevention, and Androstenedione." Journal of Health Communication 8, no. 1 (2003): 41–57. http://dx.doi.org/10.1080/10810730305733.

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Bakhmet, Tetiana. "Archive fund of the composer Mark Karminsky." Aspects of Historical Musicology 19, no. 19 (2020): 10–28. http://dx.doi.org/10.34064/khnum2-19.01.

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Mark Veniaminovich Karminskyi (1930–1995) is a composer who, already during his lifetime, was appreciated by his contemporaries as the brightest figure in musical art, in particular, musical theater. Well-known in the country and his native Kharkiv, he was also the constant reader of the Kharkiv ‘K. Stanislavskyi’ Music and Theater Library for many years, taking part in many events that took place within its walls. An excellent lecturer and interlocutor, benevolent and affable person, he found an attentive audience and ardent admirers of his musical talent among the library’s readers and stuff. Perhaps, this is why M. Karminskyi chose the Library as the main curator of his archive. What is better than studying the artist’s personal archive to give an idea of his personality, creative methods and worldview? Even a cursory glance at the collection of documents classified on the shelves of the archive, illustrating particular biographical episodes, helps the researcher to form a holistic impression of the artist’s creative personality, as well as to orient, if necessary, for further more depth studying of his heritage. The purpose of this article is a brief review of the general content of the archival fund of M. V. Karminskyi, with the materials of which the author had the honor to conduct research and bibliographic work, as of a documentary sources base for future research of the composer’s work and the history of the musical culture of Kharkiv in 1950–2000 years. Statement of the main positions of the publication. The composer began to transfer his archive to the library during his lifetime: he arranged folders with manuscripts, gave explanations about the time of writing and purpose of individual works. It was this archive that was the first to get into the library as a full-fledged array of documents about the life of a creative person. The condition for its transfer was the possibility of unimpeded viewing of the archive and its copying for the purpose of training and concert performance of the composer’s works. The full description of M. Karminskyi’s archive was completed in 1996, but the fund was supplemented several times thanks to new materials that came to the archival collection after its formation. It contains a variety of documents, including musical manuscripts, newspaper clippings, photographic documents, sound recordings on various media, posters, booklets, programs, manuscripts by other authors related to the activities of the composer. Thus, for the theater – opera, drama – the composer has been actively working since a young age. He wrote music for performances of Kharkiv theaters – Puppet Theater, Young Audience Theater, Ukrainian Drama Theater named after Taras Shevchenko, Jewish Theater, even for student amateur theaters. Four operas by M. Karminskyi, among them – “Ten days that shook the world”, “Irkutsk story” – were successfully staged in many theaters in Ukraine, Russia, the Czech Republic and Germany. Particular attention was drawn to the opera “Ten Days That Shook the World” based on John Reed’s book about the events in Petrograd in 1917, which was published as the separate piano reduction and received a large number of reviews in periodicals. The typewritten copies of reviews by famous Ukrainian musicologists K. Heivandova and I. Zolotovytska have been preserved in the archive. The collection of the archive also includes the published piano score of the opera “Irkutsk story”, the known “Waltz” from which served as a call sign of the Kharkiv Regional Radio for many years. One of the most interesting manuscripts of the archive is the music for the unfinished ballet “Rembrandt” on the libretto by V. Dubrovskyi. The musical “Robin Hood”, which was performed not only in Kharkiv, but also in Moscow, brought the composer national fame. The sound recording of the Moscow play was distributed thanks to the release of gramophone records created with the participation of stars of Soviet stage – the singers Joseph Kobzon, Lev Leshchenko, Valentina Tolkunova and the famous actor Eugene Leonov. The popularity of this musical was phenomenal; excerpts from it were performed even in children’s music schools, as evidenced by the archival documents. During the composer’s life and after his death, his vocal and choral works, works for various instruments were mostly published. The array of these musical editions and manuscripts of M. Karminskyi is arranged in the archive by musical genres. These are piano pieces and other instrumental works, among them is one of the most popular opuses of the composer – “Jewish Prayer” for solo violin (the first performer – Honored Artist of Ukraine Hryhoriy Kuperman). Number a large of publications about the life and career of M. Karminskyi published in books and periodicals are collected, among them are K. Heivandova’s book (1981) “Mark Karminskyi”, the brief collection of memoirs about the composer (compiler – H. Hansburg, 2000) and the congregation of booklets of various festivals and competitions, for example, the booklets of the International Music Festival “Kharkiv Assemblies”, in which the composer has participated since the day of their founding. The booklet of the M. Karminskyi Choral Music Festival testifies to a unique phenomenon in the musical life of the city: never before or since has such a large-scale event dedicated to the work of a single person taken place attracting so many choirs from all Ukraine. A separate array of documents is the photo archive, which includes 136 portraits, photos from various events; 41 of them were donated by a famous Kharkiv photographer Yu. L. Shcherbinin. The audio-video archive of M. V. Karminskyi consists of records of his works, released by the company “Melody”: staging of performances “Robin Hood”, “There are musketeers!” (based on the play by M. Svetlov “20 years later”), various songs, video and tape cassettes with recordings of concerts. Other interesting documents have been preserved, for example, a typewritten script for the Kharkiv TV program about M. Karminskyi with his own participation or the library form, which can be used to trace his preferences as a reader. M. Karminskyi also compiled reviews of publications on the performance of his works and short bibliographic descriptions of their print editions. Conclusions. M. Karminskyi’s personal archive founded by him own in Kharkiv ‘K. S. Stanislavskyi’ Music and Theater Library has been functioning as an independent library fund since 1996 and today it is an unique comprehensive ordered collection, which is freely available and stores documents of various types: music publications and manuscripts, newspaper and magazine fragments, announces, photos, sound and video documents. M. Karminskyi’s archival fund is used as a documentary source for scientific researches (the Candidate’s dissertations of art critics Yu. Ivanova (2001) and E. Kushchova (2004) were defended using the materials of the archive) and as a basic congregation of works by the composer for their performance. The use of digital technologies is part of the necessary modern perspective of the fund’s development, the value of which as a primary source of historical and cultural information only grows over time.

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Pope, Michael. "Extraction and Emission Language in Luke 8:45." Novum Testamentum 63, no. 2 (2021): 198–206. http://dx.doi.org/10.1163/15685365-12341698.

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Abstract This brief philological study focuses on Luke’s alteration of Mark’s συνθλίβειν, “compress,” to ἀποθλίβειν, “to squeeze out,” in the famous tableau of the woman with chronic uterine blood flow (Mark 5:25–34; Luke 8:42–48). The author first points to the general lack of critical attention this change receives and then traces out why the two terms, συνθλίβειν and ἀποθλίβειν, should not be understood as interchangeable. Finally, he suggests that Luke’s shift to ἀποθλίβειν offered him a term with more expansive semantic range for depicting the exit of δύναµις, “power,” from Jesus and the woman’s subsequent healing.

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Weinstein, Cindy. "The Invisible Hand Made Visible: "The Birth-Mark"." Nineteenth-Century Literature 48, no. 1 (1993): 44–73. http://dx.doi.org/10.2307/2933940.

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Allegorical characters in Hawthorne's "The Birth-mark" function according to the logic of the market. Selves in this story are like territories that must continually be possessed and repossessed, and the birthmark becomes the site upon which characters fight one another for ownership, self-ownership, and identity. Aylmer views the circulations in Georgiana's bodily economy as signifying an independent self he wishes to control. The marked defines both the relations that characters have to each other and Hawthorne's own relation to his characters, especially Aylmer. Aylmer's desire to erase the birthmark figures his allegiance to the principles of the market economy, principles articulated in the famous invisible hand passage from Adam Smith's The Wealth of Nations. In contrast, the visibility of the birthmark functions as a sign of Hawthorne's literary labor and authorial identity. Hawthorne thus finds himself in the curious position of having created a character whose raison d'etre seems to be the erasure of Hawthorne's own identity. His competitive relation with Aylmer, however, is perfectly logical given that the competition of the market governs all relations in the story. Furthermore, the erasure of the birthmark needs to be read in the context of antebellum American aesthetic ideology. The literary taste that demanded the erasure of the signs of labor grew out of cultural anxieties about new forms of mechanized and specialized labor, and its perceived attack on individual agency. An aesthetic of invisible labor functioned to keep literature separate from the problematics of industrial labor and the developing market economy, and yet, in demanding that authorial agency remain absent, this aesthetic reproduced one of the most troublesome consequences of mechanized labor. Allegory in "The Birth-mark" is thus read as a site upon which authors and readers inscribe the changing relations between labor and identity.

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Charles, Loïc. "Famous figures and diagrams in economics, edited by Mark Blaug and Peter Lloyd. Cheltenham: Edward Elgar, 2010, 468 pp." Erasmus Journal for Philosophy and Economics 4, no. 2 (2011): 105. http://dx.doi.org/10.23941/ejpe.v4i2.86.

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Hazard, Sonia. "Agency, the Idea of Agency, and the Problem of Mediation in America's God and Secularism in Antebellum America." Church History 84, no. 3 (2015): 610–15. http://dx.doi.org/10.1017/s0009640715000530.

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A common faith swept the country. According to Mark Noll's now-famous thesis, early republican and antebellum America was characterized by an ideological synthesis of evangelical religion, republican political theory, and common sense epistemology. Noll calls it “the Protestant consensus.” John Modern largely agrees. In Modern's telling, antebellum America was mired in the same entanglement of piety, politics, and epistemology. But in lieu of the civic language of consensus, Modern describes his formation as an “atmosphere,” a kind of conceptual cloud-hanging so thickly in the air that antebellum Americans inhaled it with every breath. This pervasive atmosphere is what Modern means by “the secular.”

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Tudor, Brîndușa. "10. Famous Pianists Perform Beethoven 32 Variations on an Original Theme in C Minor According to the Pianists Daniel Barenboim and Evgeny Kissin." Review of Artistic Education 21, no. 1 (2021): 78–84. http://dx.doi.org/10.2478/rae-2021-0010.

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Abstract Year 2020 constitutes an incredibly significant landmark in the classical music history as it is the year celebrating 250 years since the composer Ludwig van Beethoven was born. The “32 Variations on an Original Theme in C minor” are deemed to be some of the most brilliant pianistic works marking the second period of Beethoven creation. The interpretative visions of Daniel Barenboim and Evgeny Kissin are equally interesting, the two great pianists putting their personality, sensitivity, and culture mark. All these elements confer upon the piece “32 Variations on an Original Theme in C minor” particular expressive valences highlighting Beethoven’s creative genius.

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Proglio, Gabriele. "Il cammino degli eroi: the empire as a mark of modernity. Representations of colonial power in a famous regime documentary." Modern Italy 21, no. 3 (2016): 289–303. http://dx.doi.org/10.1017/mit.2016.26.

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This article examines the most important documentary film about the Italian ‘victory’ in Ethiopia, Il cammino degli eroi, by Corrado D’Errico (1936), the primary aim being to shed light on its complex iconographic system of representation. The first part examines the representation of the ‘African Mussolini’. In the second part, the article analyses the ‘conqueror’s gaze’ in the visual perspective employed by D’Errico in his account of the new Italian colony. The third part is devoted to arguing the juxtaposition between ‘Italian Creation and Ethiopian apocalypse’. Finally, the last part of the article deals with the reasons for the Ethiopian war.

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Craik, Clive. "A new interpretation of the 'skull' of the Death's-head Hawk-moth Acherontia atropos (Linnaeus, 1758) (Lepidoptera: Sphingidae)." Entomologist's Gazette 71, no. 4 (2020): 273–77. http://dx.doi.org/10.31184/g00138894.714.1780.

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If viewed upside-down, the entire Death's-head Hawk-moth Acherontia atropos (Linnaeus, 1758) conveys an illusion of an eyed head. The famous skull-like mark on the thorax becomes a 'nose' and its eye-sockets become 'nostrils'. Discal spots on the forewings become small 'eyes' and other features appear as 'ears', 'muzzle' and 'lips'. A very similar illusion is conveyed by Convolvulus Hawk-moth Agrius convolvuli (Linnaeus, 1758). Photographs are shown of those two species and of similar images in five species of moths. Possibilities are discussed of eyedhead illusions in other hawk-moths and in noctuid moths. The function of such images is almost certainly to deter, distract or otherwise deceive predators.

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Green, Shelby D. "Contesting Disclaimer-of-Reliance Clauses by Efficiency, Free Will, and Conscience." Texas A&M Law Review 2, no. 1 (2014): 1–51. http://dx.doi.org/10.37419/lr.v2.i1.1.

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Mark Twain’s famous remark, “The report of my death was an exaggeration,” has become most apt in recent years as it pertains to the purported demise of the rule of caveat emptor in real estate transactions. An ancient maxim of law, caveat emptor puts a buyer on his guard to discover defects in things purchased, with no general duty by a seller to disclose defects of which he has knowledge. Despite the apparent abrogation of the concept by legislative and judicially-imposed- disclosure obligations, a new phenomenon has emerged that allows a seller of real property, or related real property services, to easily maneuver around the requirement of disclosure through strategic, rent-seeking conduct.

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Rampling, Jennifer M. "Depicting the Medieval Alchemical Cosmos." Early Science and Medicine 18, no. 1-2 (2013): 45–86. http://dx.doi.org/10.1163/15733823-0003a0003.

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Alchemical images take many forms, from descriptive illustrations of apparatus to complex allegorical schemes that link practical operations to larger cosmological structures. I argue that George Ripley’s famous Compound of Alchemy (1471) was intended to be read in light of a circular figure appended to the work: the Wheel. In the concentric circles of his “lower Astronomy,” Ripley provided a terrestrial analogue for the planetary spheres: encoding his alchemical ingredients as planets that orbited the earthly elements at the core of the work. The figure alludes to a variety of late medieval alchemical doctrines. Yet the complexity of Ripley’s scheme sometimes frustrated later readers, whose struggles to decode and transcribe the figure left their mark in print and manuscript.

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Lister, John Rodney. "BBC Proms 2013: Gerald Barry, Peter Eötvös, Nishat Kahn, Frederic Rzewski and Mark Anthony Turnage." Tempo 68, no. 267 (2014): 55–57. http://dx.doi.org/10.1017/s0040298213001356.

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Mark Anthony Turnage's Frieze – performed by the National Youth Orchestra of Great Britain, conducted by Vasily Petrenko, on 11 August – and Nashit Kahn's The Gate of the Moon, a concerto for sitar and orchestra – performed by Kahn himself with the BBC National Orchestra of Wales, conducted by David Atherton on 12 August – both raise the question of how, in a new piece, one can meaningfully reference other music. Turnage's work was commissioned by the Royal Philharmonic Society to celebrate the organisation's bicentennial and to share a programme as their most famous and, probably, greatest commission, the Beethoven Ninth Symphony; this shorter work, which is clearly modelled on the Beethoven in its general layout, is a sort of gloss in Turnage's own language on the older one. Kahn's concerto brings together an orchestra of western instruments and a single Indian one and aims at joining their indigenous musical languages in a meaningful way.

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Charlesworth, Brian, and Paul Harvey. "Introduction." Philosophical Transactions of the Royal Society of London. Series B: Biological Sciences 355, no. 1403 (2000): 1551–52. http://dx.doi.org/10.1098/rstb.2000.0715.

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John Maynard Smith is one of the most influential evolutionary biologists of our time. This year he celebrates his 80th birthday, and it seemed appropriate to mark this occasion with a collection of papers by his former associates, and distinguished evolutionists whose work has been influenced by his example. John is noted for his breadth of interests and his ability to spot important but soluble problems, which he continues to attack by deceptively simple methods. He has published 13 books and collections of papers on an astonishing diversity of subjects. He has also published many semi–popular articles on biology, which are remarkable for their clarity and diversity. He is a widely sought–after lecturer, who is famous for his humorous and lucid presentations.

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Östenberg, Ida. "VENI VIDI VICIAND CAESAR'S TRIUMPH." Classical Quarterly 63, no. 2 (2013): 813–27. http://dx.doi.org/10.1017/s0009838813000281.

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Without doubt,veni vidi viciis one of the most famous quotations from Antiquity. It is well known that it was Julius Caesar who coined the renowned expression. Less frequently discussed is the fact that ‘I came, I saw, I conquered’ was announced as written text. According to Suetonius, Caesar paraded a placard displaying the wordsveni vidi viciin his triumph held over Pontus in 46b.c.(Suet.Iul. 37.2):Pontico triumpho inter pompae fercula trium verborum praetulit titulum VENI VIDI VICI non acta belli significantem sicut ceteris, sed celeriter confecti notam.In his Pontic triumph he exhibited among the biers of the procession a placard (titulus) with three words VENI VIDI VICI, not to show the deeds performed in the war, as in the others, but to mark out how fast the war had been concluded.

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Leather, Mark, Gil Fewings, and Su Porter. "Outdoor education: the Romantic origins at the University of St Mark and St John." History of Education Review 49, no. 1 (2020): 85–100. http://dx.doi.org/10.1108/her-04-2019-0009.

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PurposeThis paper discusses the history of outdoor education at a university in the South West England, starting in 1840.Design/methodology/approachThis research uses secondary sources of data; original unpublished work from the university archive is used alongside published works on the university founders and first principals, as well as sources on the developments of outdoor education in the UK.FindingsBoth founding principals were driven by their strong values of social justice and their own experiences of poverty and inequality, to establish a means for everyone to access high-quality education regardless of background or means. They saw education as key to providing a pathway out of poverty and towards opportunity and achievement for all. Kay-Shuttleworth, founder of St John's, wrote that “the best book is Nature, with an intelligent interpreter”, whilst Derwent Coleridge, St Mark's first principal, had a profound love of nature and reverence for his father's poetic circle. His father, the famous English Romantic poet Samuel Taylor–Coleridge, made the first recorded use of the verb “mountaineering”. Coleridge was using a new word for a new activity; the ascending of mountains for pleasure, rather than for economic or military purposes.Originality/valueThe Romantic influence on outdoor education, the early appreciation of nature and the outdoors for physical and psychological well-being and the drive for social justice have not been told in any case study before.

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Biondi, Elena, and Alessandro Bovero. "The virtual journey through history: from projects to building phases of one of the most famous baroque Royal Palace in the UNESCO’s World Heritage List." Virtual Archaeology Review 4, no. 8 (2015): 109. http://dx.doi.org/10.4995/var.2013.4333.

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<p>In this paper we present an experience designed to introduce virtual reality and computer graphic modeling as representing tools in all phases of interpretation, analysis, reconstruction and communication of archaeological and historical researches on Venaria Reale Complex. Ten three-dimensional CG reconstructions represent exterior shapes of the Complex corresponding its five major building phases: the relationship between the old town centre, the Royal Complex and its Gardens has been consistently the result of an unified vision. The virtual pass into the history of that site since seventeenth century to the present has been realized with careful virtual camera flight through 3D reconstructions. The main purpose for the final video was to highlight the most significant elements that mark urban and architectural evolutions.</p>

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Pendas, Devin O. "Retroactive Law and Proactive Justice: Debating Crimes against Humanity in Germany, 1945–1950." Central European History 43, no. 3 (2010): 428–63. http://dx.doi.org/10.1017/s0008938910000361.

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The Nuremberg Trial may well be the most famous trial of the twentieth century, which is as it should be. After all, the Nuremberg Trial, while perhaps not as unprecedented as is frequently assumed, did mark a decisive turning point in the history of international law. It marked the first broadly successful attempt to impose the rule of law not just on the conduct of war but also, in a limited way, on domestic atrocities as well. The fame of this single trial has had the unfortunate side-effect of overshadowing the literally thousands of other Nazi trials that took place after World War II, however. These additional trials can be divided into three categories: those that took place in the domestic courts of victim nations, those that took place in occupation courts, and, perhaps least well-known, those that took place inGermancourts.

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Kuljic, Todor. "The new (changed) past as value factor of development." Sociologija 48, no. 3 (2006): 219–30. http://dx.doi.org/10.2298/soc0603219k.

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Image of the past is an active framework of reference values that indirectly gives a meaning to and influences social development. The past provides a symbolic framework to the individuals and groups by which they conceptualize their existence. Changing the image of the past is an important part of the transition of values. The past is an active framework of social action not just passively reframed ideas adapted to the needs of the present. Since 1990s the past has been radically changed, reinvented and revisioned in newly formed Balkan states in order to initiate new development towards the national capitalism. The changing of the past was rather patchy in Serbia. While the Serbian opposition in 1990s (similarly to ruling elites in other newly founded states) has reconciled quickly its vision of the past to the new image of national capitalism, the radical changes in official statements about the past happened only after the 2000. Broadly speaking, in the Serbian memory culture there are two main value orientations marked by the past: (1) antifascism and (2) Hilandar (a famous Serbian cloister in Greece). Antifascism is a mark of rationalism, multiculturalism, brotherhood and unity, left position and anticonservatism, Hilandar is a mark of religion and national exclusivity and conservatism and the right values. The first one withdraws, the second is presently hegemonic.

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정봉현. "Registration invalid of the same, similar trademark to famous mark - Subject Decision of this Article: Supreme Court Decision 2012HU3657 Decided Jan. 29. 2015 -." Korean Lawyers Association Journal 65, no. 8 (2016): 771–91. http://dx.doi.org/10.17007/klaj.2016.65.8.023.

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Tronchin, Lamberto, and David J. Knight. "Transmitting acoustic phenomena and aural illusions: Examples from Athanasius Kircher’s Phonosophia anacamptica." Building Acoustics 25, no. 2 (2018): 101–10. http://dx.doi.org/10.1177/1351010x18772709.

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This article continues the preliminary exploration of the sonic observations of Athanasius Kircher, namely, the first book of his Phonurgiæ Nova (1673), the Phonosophia anacamptica (Tronchin, Durvilli and Tarabusi). This book analyzes in particular sound propagation in enclosed spaces. In this work, Kircher also describes the statua citofonica, or ‘talking statue’, in relation to the magical effect created by aural illusion and the famous ancient Egyptian acoustical phenomenon and cultural sound-mark associated with the Colossus of Memnon, the famous lost sound phenomenon of the northern of the two colossi of Amenhotep III in the Theban Necropolis, near Luxor, Egypt, that reportedly emitted a sound with the first and final daily touch of sunlight at dawn and dusk. This article aims to describe, analyse and comment on the 17th century contributions of Athanasius Kircher by understanding his Phonosophia anacamptica and the contemporary intellectual context in which he worked. This article differs from our former work; for example, in this article, an earlier example of Francis Bacon’s methods of enquiry into acoustic phenomena illustrates differences with Kircher’s own line of inquiry. We show how Kircher accepts and embraces a Baroque fascination for the ‘marvellous world’ and the allegiance between science and magic, specifically with the mysterious magical affect of sound through the construction of interior listening strategies, or aural espionage, as in the Heidelberg Palace, the Villa Simonetta, and via talking statues such as the Colossus of Memnon.

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ORLOVA, O. "THE KOCHUBEY FTMELY AS LITERARY HEROES." Philological Studies, no. 33 (April 19, 2021): 38–42. http://dx.doi.org/10.33989/2524-2490.2020.33.228220.

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The Kochubey family has left a significant mark on history, politics, and state reform. The article considers the representatives of the family as statesmen and literary characters of the works of Alexander Pushkin and Leo Tolstoy. Vasyl Kochubey, the protagonist of the poem “Poltava”, provokes discussions about Pushkin’s assessments of the events of the Great Northern War. However, the author of the poem was interested primarily in the psychological aspect of the character of a person who was captivated by parental feelings. The romanticized image of Kochubey is similar to the image of Mazepa from Byron’s poem, also far from historical similarity. L. Tolstoy’s novel depicts another well-known representative of the family, Viktor Pavlovich Kochubey, whose role in the work is significant not in the plot development, but ideologically - as an alternative to the Decembrist path of development of the Russian Empire. This is the hero who influenced the principles of Andrew Balkonsky, partially influenced the views of his son. The article suggests the absence of images of Dykan Kochubeys in the works of M. Gogol. The theme of historical and literary memory in the works of M. Gogol, who bypassed the silence of famous neighbors, is studied. The Kochubey family left a noticeable mark on Poltava land. Dykanka is still called Kochubeyivska, there is the Mykolayiv Church with a family crypt and an oak alley, which witnessed the love of Mazepa and Motri.

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Journal articles on the topic 'Famous mark'

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