Academic literature on the topic 'Famous poems'

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Journal articles on the topic "Famous poems"

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Pravtcheva, Latchezara. "FROM INK TO POETRY. WANG XIZHI AND THE ORCHID PAVILION GATHERING." Diplomatic, Economic and Cultural Relations between China and Central and Eastern European countries 9, no. 1 (2024): 272–78. http://dx.doi.org/10.62635/w22m-0r0y.

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Considered the creator of calligraphy, Wang Xizhi is also one of the famous poets of China. He is the author of one of the fabulous literary works – “Preface to the Poems Collected from the Orchid Pavilion”. During the Shangsi Festival, he gathered famous poets at the Orchid Pavilion near Shaoxing to create poetry and enjoy the environment. They created 37 poems, and the “saint of calligraphy” – Wang Xizhi, wrote the prologue to the poems, which is still considered one of the masterpieces of Chinese calligraphy. The work made such a strong impression that Emperor Taizong wanted to be buried wi
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Zhiyenbayev, Y., and Z. Asanova. "Comparison of the Structure, Themes and Style of Gulten Akin’s Poems “Yaşlanmayan Bir Kadına Türkü” and Fariza Ungarsynova’s “Ayel”." Iasaýı ýnıversıtetіnіń habarshysy 121, no. 3 (2021): 68–79. http://dx.doi.org/10.47526/habarshy.v3i121.735.

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Well-known are the poetic works of famous women poets of Turkic literature Gulten Akyn and Fariza Ungarsynova. However, these two poets tried to be harbingers of flaws in society, and not to become famous. Although she dealt with personal themes in the early stages of Gulten Akin's poetry, in her later poems she always dealt with social issues. In this regard, Fariza Ungarsynova also described the position of the masses in her poems. The image of a woman occupies a special place in the work of these poets, who lived simultaneously in Kazakh and Turkish literature and touching upon common theme
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Polina Sergeevna, Odinokova. "Genre originality of Shitao’s album “After Tao Yuanming poetry”." Vestnik of Saint Petersburg State University of Culture, no. 2 (55) (2023): 114–20. http://dx.doi.org/10.30725/2619-0303-2023-2-114-120.

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The albums of landscapes after poems became popular in China in late Ming and early Qing. It was the series of landscapes painted after poems of famous poets of the past. The album “After Tao Yuanming poetry” from Gugong Museum collection belongs to the brush of the famous Qing dynasty master Shitao (1642–1707). It was painted after poems of Tao Yuanming (365–427), the great poet of the Eastern Jin dynasty. The article reveals the content of the album; comparing with similar work of Qing dynasty master Gao Jian (1635–1713), also painted after the Tao Yuanming’s poetry, identifies the genre ori
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Hussein, Ali Ahmad. "Two Sources for Abu Dhuʾayb al-Hudhali's Famous Elegy". International Journal of Middle East Studies 53, № 2 (2021): 213–33. http://dx.doi.org/10.1017/s0020743821000027.

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AbstractThis article considers the celebrated elegy by the classical 7th-century Arabic poet, Abu Dhuʾayb al-Hudhali — his ʿayniyya, which ends with ʿayn as a rhyming letter. Analyzing the poem's structure and comparing it with that of two poems composed by Abu Dhuʾayb's teacher, Saʿida b. Juʾayya al-Hudhali, leads to the conclusion that Saʿida's two poems were the main sources on which the pupil drew to create his poem. The sophisticated changes that Abu Dhuʾayb introduced in structure and content, however, made his poem more memorable than those of his teacher. The article raises another que
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Nabila, Anisya Zahra, Erik Chandra Pertala, and Siska Hestiana. "Interpretation and Connotation in the Poems "Daddy" and "Tulips" by Slyvia Plath." Apollo Project: Jurnal Ilmiah Program Studi Sastra Inggris 12, no. 2 (2023): 165–74. http://dx.doi.org/10.34010/apollo.v12i2.9653.

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Poetry is a form of literary work that is very well known and appreciated throughout the world. Famous poetry works are often able to describe the emotions, experiences, and lives of the poets in a very beautiful and poetic way. One of the famous poets whose works are highly adored is Sylvia Plath. Sylvia Plath is known as one of the most talented poets of the 20th century, who managed to capture strong emotional nuances and life experiences in her poems. This research aims to analyze and interpret the meaning of connotation in two of Sylvia Plath's poems, namely "Daddy" and "Tulips". These po
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Abdurrahman, Aveen, and Govand Tayeb. "Spiritual Study on the Concept of Life and Death in the Poetry of Mawlana Jalaluddin Rumi." Humanities Journal of University of Zakho 11, no. 4 (2023): 917–22. http://dx.doi.org/10.26436/hjuoz.2023.11.4.1161.

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One of the universal occurrences, death seems to have inspired great poets and writers in Iranian and international literature. This study examined how Rumi’s poems address one of the most important life facts, which is death. He regarded death as similar to life or subsequent birth, which is unpleasant and bitter, however, it is also something that poets are eager to embrace and relish for its scrumptiousness. The qualitative content analysis method was used to analyze the concept of life and death in Rumi’s poetry. Several poems on life and death were chosen randomly from Rumi’s masterpiece
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Mhamad, Diar Mardan, Avin Abdulqadir Khalifa, and Najmaldin Rostam Yuns. "Prison experience in Faqe Qadir Hamawandi's poem." JOURNAL OF LANGUAGE STUDIES 7, no. 2 (2023): 77–95. http://dx.doi.org/10.25130/lang.7.2.4.

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In This research focuses on prison poetry, which has an ancient history in Kurdish literature, and many famous Kurdish poets have been imprisoned in different eras because of their political attitudes and different opinions, and the famous Kurdish poet researcher Faqe Qadiri ham He has chosen Awandi to talk about one of the poets who recorded the most poems in prison. Prison poems are the result of the situation and reflection of the lives of the days in which the poet lived. Faqe Qadir's works describe a day when The situation in the region has caused many problems and complications because o
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Hafiza Nasreen Akhtar та Dr. Iftikhar Ahmad khan. "المحاسن الأدبیۃ فی شعر محمد سعید السندی". Al-Qamar 6, № 3 (2023): 1–16. https://doi.org/10.53762/j17hzy81.

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The sub-continent is one of Allah’s blessed lands, it is the Land of preachers, Scholars, Religion people, Traders, writers and poets. Arabs were aware of the importance of Sub-continent, because they used to travel to Subcontinent for trade before Islam. When Muhammad bin Qasim came for the purpose of conquering India, many scholars, writers, and poets came with him, and they exerted their efforts to spread Islam and the Arabic language, most of whom were religious scholars and Sufis, and among the most famous Arabic poets in the Indian subcontinent, Like Abu Atta Al-Sindi, Al-Biruni, Ata bin
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Zhang, Na. "The Concept of “A Community of Shared Destiny” in Robert Frost’s Poems." BCP Social Sciences & Humanities 16 (March 26, 2022): 283–86. http://dx.doi.org/10.54691/bcpssh.v16i.474.

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Robert Frost was one of the most well-known poets in the United States. He used to live in the farm in New Hampshire. With familiarity with the natural scenery. Frost’s Poems were famous for the specific images in New England. However, his poems were rarely so plain as it appeared. Frost seemed likely to use the simple words to express the deep meanings. In his poems, the concept of “A community of Shared Destiny” was gradually but deeply implicated. The “community” included “Nature and Man”, “Animals and Man” “Man and Man” and so on.
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B, Dulmaa. "About Mongolian translation of poems by Kim So-Wol." Translation Studies 11, no. 1 (2023): 190–205. http://dx.doi.org/10.22353/ts20230120.

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Abstract of the Mongolian language translation of two poems by Kim So-Wol, a famous Korean poet One of the prominent poet Kim So-Wol's poems is famous for being like "traditional folk song lyrics". Kim So-Wol is well known for expressing the feeling of Korean people's "sadness and sorrow" through his poems. In this study, I tried to do side by side comparison of Mongolian language translation by 3 different translators' work in his poems "Azalea Flower" and "Calling the Soul". In these two poems, one describes the sorrow of feeling separated from his love of life by no choice but to let her go
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Dissertations / Theses on the topic "Famous poems"

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Belcher, Kacee Lynn. "Fault Line." FIU Digital Commons, 2013. http://digitalcommons.fiu.edu/etd/833.

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FAULT LINE examines the fragile humanity connected to the themes of sexuality, violence, addiction, family dynamics, and death. The book is not broken into sections; rather, as poems build upon one another to explore a narrative arc, FAULT LINE tracks a single speaker’s experience from girlhood to the verge of independent womanhood. The speaker employs formal structures such as the prose poem, sestina, and particularly the list poem to examine the fluidity of inner experience and also the culture at large while challenging the narrow definitions of femininity and masculinity. FAULT LINE works
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Books on the topic "Famous poems"

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1873-, Cook Roy Jay, ed. 101 famous poems. Contemporary Books, 2003.

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1914-, Gardner Martin, ed. Famous poems from bygone days. Dover Publications, 1995.

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Bennett, Hopkins Lee, and Staub Leslie 1957 ill, eds. Lives: Poems about famous Americans. HarperCollins Publishers, 1999.

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Thurber, James. Fables for our time: And famous poems illustrated. Perennial Library, 1990.

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Reiss, Stephen W. Reiss Dairy: Famous for milk bottles with poems. AuthorHouse, 2009.

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Niall, MacMonagle, and Bradish Joann, eds. Lifelines: An anthology of poems chosen by famous people. Penguin Books, 1993.

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Hodges, Josie May. Name fame: A selection of poems about the famous. Clear-off Publishing, 2002.

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Joann, Bradish, Erskine Jacki, and Gibson Carolyn, eds. Lifelines3: (an anthology of poems chosen by famous people). Underground Press, 1990.

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donor, O'Malley William T., ed. Lifelines II: [an anthology of poems chosen by famous people. Underground Press, 1988.

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Miller, Gary E. Poems from the privy, or, Outhouses of the rich and famous. Passion Among the Cacti Press, 2004.

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Book chapters on the topic "Famous poems"

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Cain, Tom, and Ruth Connolly. "On the Famous Voyage." In The Poems of Ben Jonson. Routledge, 2021. http://dx.doi.org/10.4324/9781315696195-181.

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Behn, Aphra, and Malcolm Hicks. "On the Death of Mr Grinhil, the Famous Painter." In Selected Poems. Routledge, 2020. http://dx.doi.org/10.4324/9781003061823-3.

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Hetherington, Paul, and Cassandra Atherton. "Women and Prose Poetry." In Prose Poetry. Princeton University Press, 2020. http://dx.doi.org/10.23943/princeton/9780691180656.003.0009.

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This chapter highlights the tradition of English-language prose poetry by women. It explores what women's prose poetries may be — not only in terms of content and approach but in terms of technique and emphasis. The chapter begins by looking at Holly Iglesias's seminal text, Boxing Inside the Box: Women's Prose Poetry (2004), which is the most comprehensive study of women's prose poetry to date. Iglesias advocates for the liberation of women prose poets, using the prose poem box as a metaphor for their containment. Beginning with Carolyn Forché's famous and disturbing prose poem about male pow
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Galenson, David W. "Poets." In Innovators. Oxford University Press, 2025. https://doi.org/10.1093/oso/9780197745618.003.0004.

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Abstract Robert Frost’s poetry emphasized the sound of language and observation of people and places. He wrote his greatest poem, “Stopping by Woods on a Snowy Evening,” at age 48. T. S. Eliot’s highly conceptual poetry was filled with quotations and allusions. He wrote his most famous poem, The Waste Land, at age 34. Robert Lowell and Elizabeth Bishop were experimental poets whose work explored their own lives and inspired the movement toward personal confessional poetry. Sylvia Plath created a poetry that expressed her anger and wrote her greatest poems in a single month before her suicide a
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Harrison, Stephen. "Charles Sorley." In Rupert Brooke, Charles Sorley, Isaac Rosenberg, and Wilfred Owen. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780192856678.003.0003.

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Abstract This chapter examines the poetry of the English poet Charles Sorley (1895–1915) from the perspective of classical reception, including the pre-war poems. It shows that his 1915 poem ‘I have not brought my Odyssey’ draws on the literary framework of Horace’s poetic letters to friends in his Epistles as well as the Odyssey of Homer advertised in its title—both texts he would have encountered in his elite classical education at Marlborough College. It also analyses Sorley’s most famous poem, the 1915 sonnet, ‘When you see millions of the mouthless dead’. Here it shows that the poem combi
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Hadjimichael, Theodora A. "Plato, Poetry, and the Lyric Nine." In The Emergence of the Lyric Canon. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198810865.003.0004.

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Chapter 3 focuses on Plato’s attitude towards the lyric poets and on the diversity with which certain lyric extracts are incorporated in his dialogues. Lyric poets are portrayed in Plato as authorities on ethical matters, lyric passages are integrated in philosophical arguments as pieces of eternal wisdom, and gnomic utterances from several lyric poems are re-contextualized in a number of passages in the Platonic dialogues. This method attests to the atemporal poetics and the broad applicability of lyric. The evidence provided in the Platonic dialogues allows us to conclude not only that the l
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Spearing, Caroline. "“More Famous by His Pen than by His Sword”." In Abraham Cowley (1618-1667). Liverpool University Press, 2024. http://dx.doi.org/10.3828/liverpool/9781638040729.003.0007.

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Cowley himself claimed in the preface to his Poems (1656) that it was his sense of the inevitability of defeat that caused him to abandon his English verse epic The Civil War, remarking on the futility of fashioning “laurels for the conquer’d.” I argue here that the poem represents the attempt of a highly ambitious young man to produce panegyric in an appropriately epic mode, an attempt ultimately frustrated by the brutality and futility of civil war. I consider how the discourse of heroic epic was put under pressure by the English Civil War’s use of firearms and the localized and domestic cha
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Harrison, Stephen. "Charles Sorley (1895–1915)." In Greek and Roman Antiquity in First World War Poetry. Oxford University PressOxford, 2024. http://dx.doi.org/10.1093/oso/9780198907879.003.0003.

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Abstract This chapter examines the war poetry of the English poet Charles Sorley (1895–1915), from the perspective of classical reception. It shows that his 1915 poem ‘I have not brought my Odyssey’ draws on the literary framework of Horace’s poetic letters to friends in his Epistles, as well as the Odyssey of Homer advertised in its title, both texts he would have encountered in his elite classical education at Marlborough College. It also analyses Sorley’s most famous poem, the 1915 sonnet, ‘When you see millions of the mouthless dead’. Here it shows that the poem combines elements from Home
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Blair, Kirstie. "‘No new note?’." In The Oxford Handbook of Robert Burns. Oxford University Press, 2024. http://dx.doi.org/10.1093/oxfordhb/9780198846246.013.29.

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Abstract This chapter explores the response of Victorian working-class writers and readers to Burns, investigating how they appropriated and rewrote some of his most famous poems. Focusing on Scotland and the North of England, it assesses little-known poems in the Scots, Lancashire, and Yorkshire dialects and in English, and it considers the ways in which they rework Burns’s well-known language and form for differing ends. The poets who produced works clearly influenced by Burns were not necessarily seeking to be original and could be self-conscious about their results, but many found unique w
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Zulumyan, Buraistan S. "Poetry Collection “Cypress Country” by Tiran Chrakyan (Intra)." In Literature of the Peoples of the Russian Federation and CIS: Spiritual Bases and Challenges of the Time. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2023. http://dx.doi.org/10.22455/978-5-9208-0736-6-414-437.

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The article is devoted to the cycle of sonnets “Cypress Country” (1908) by Tiran Chrakyan (pseudonym Intra, 1875–1921), one of the outstanding representatives of the brilliant galaxy of Western Armenian poets of the early 20th century, the author of the famous lyric-mystical prose poem “The Inner World”. The aesthetics of the symbolist worldview underlies the poetics of the cycle, it consists of forty poems, internally united in the development of the lyrical plot. In the center is the image of cypresses, the symbolism of which allows the author to connect the earthly and the higher world, whe
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Conference papers on the topic "Famous poems"

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Pilar, Martin. "�UNPOETICAL� POETRY OF PETR HRUSKA." In 11th SWS International Scientific Conferences on ART and HUMANITIES - ISCAH 2024. SGEM WORLD SCIENCE, 2024. https://doi.org/10.35603/sws.iscah.2024/s10.23.

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Petr Hruska (born 1964) is a poet and literary historian from Ostrava. This post-industrial city used to be famous for its black coal mines and steel factories. At the time of the industrial boom, Ostrava started to be a �melting pot� of nations living in this part of Central Europe � the Czechs, Poles, Germans from Silesia, Austrians, Jews, and Slovaks. No wonder, then, that the cultural life of this region differs from that in traditional centres of Czech culture like Prague or Brno. Nevertheless, Hruska�s collections of poems have been awarded the most prestigious Czech literary prizes and
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Štěpánek, Václav. "Čeští dobrovolníci v srbské armádě jako básníci a spisovatelé. Příspěvek k 110. výročí začátku Velké války." In Současná česká a srbská slavistická bádání. Masaryk University Press, 2025. https://doi.org/10.5817/cz.muni.p280-0684-2024-4.

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The paper is dedicated to the 110th anniversary of the outbreak of the Great War, which, as is well known, began with the very unsuccessful attacks of the Austro-Hungarian army on Serbia. The literature of the Czech participants in the Great War is very colourful, both those who wrote about their war journey within the Austrian army and those who, for various reasons, switched to the side of the Triple Entente who fought against their "wider homeland" and returned home, unlike the former, crowned with the glory of heroes. Much has been written about this literature, and it would seem that ther
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Zykova, G. "POEMS BY BORIS SLUTSKY IN VALERIA L. LEIBOVICH SAMIZDAT COLLECTION (SELECTION AND VERSIONS OF TEXTS)." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3712.rus_lit_20-21/147-152.

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A samizdat collection of Boris Slutsky’ poems, apparently compiled no later than the first half of the 1960s and deposited in the personal collection of Valeria L. Leibovich (born in 1939, a graduate of the Faculty of History of Moscow University, a staff member of the Fundamental Library of the Social Sciences) is considered as a possible source of author's textual versions, as well as evidence of poems popularity. Among the most significant (compared to the published versions) variations the version of the famous poem «God» is cited and evaluated as an early one.
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Nazarova, I. "THE IMAGE OF BAM IN RUSSIAN LITERATURE OF 1970-1980’S." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3716.rus_lit_20-21/162-166.

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The construction of Baikal-Amur Mainline gave birth to such unique esthetic phenomenon as BAM literature, that became an indispensable part of the literary process of the second part of the twentieth century (this phenomenon has not been a popular subject of scholarly attention and still awaits for its researcher). BAM literature enriched and diversified the thematic repertoire of famous writers’ oeuvre. During the years of mainline construction BAM was visited by L. Oshanin, Y. Evtushenko, R. Rozhdestvensky, bard-poets N. Dobronravov, M. Plyatskovsky, N. Reznik and many others. Their poems an
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APOPEI, Alla. "Nicolae Dabija and Nichita Stănescu: the dialogue between non-words and pre-words." In "Higher education: traditions, values, perspectives", international scientific conference. Ion Creangă Pedagogical State University, 2024. https://doi.org/10.46727/c.27-28-09-2024.p190-194.

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The poetic interferences of Nicolae Dabija with Nichita Stănescu are evident in many poems of the leader for "third eye" generation, which I analyze in this study using the comparative method of some well-known poetic texts, written by these two famous poets from both sides of the Prut river, who met in Chisinau in 1976. Through the dialogue of the texts, my article aims to reveal the similarities of their poetry and their personal perspectives on creation and the role of the word, identified in unique images such as Nicolae Dabija's "third eye", Nichita Stănescu's "tooth-eyed" vision or the c
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Gogichaishvili, Liliana. "T.S Eliot’s Early Poetry and John Donne’s “Metaphysical” Poetics." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.3.8931.

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The works of the “metaphysical” poet John Donne can be freely considered as one of the biggest influences of twentieth century English poetry. It was because of the modernist writers that Donne came to be popular again in the modern world. Modernist poets saw their own ideas and aspirations in Donne’s raging, controversial, highly intellectual poetry, a possibility of which they gained from the poetics of “metaphysical” verse itself. In terms of “getting back” to the “metaphysics”, 20th century literature greatly owes to T.S Eliot. In his critical theories and poetic practice Eliot notonly ana
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عبد الرزاق أيوب, ضياء. "Kurdish-Arab coexistence in Iraqi contemporary poetry." In Peacebuilding and Genocide Prevention. University of Human Development, 2021. http://dx.doi.org/10.21928/uhdicpgp/56.

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" One of the best manifestations of the ego is in its relation to the other as an identifiable equivalent. This relation is basically and culturally determined by the nature of the observant ego, both dialectically and dialogically. The other serves as an inspiring stimulus that produces a desirable effect on an expressive ego which is aiming at self-expression and actively shaped by that equivalent other. This article investigates the poetic ego in its constant, variable interaction with the Kurds as reflected in the poems of contemporary Iraqi poets who showed sympathy with and support to th
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Bagirov, Akram. "THE WORK “TAZKIRA-I NASRABADI” ABOUT THE POETS OF AZERBAIJAN." In 32nd International Congress on Source Studies and Historiography of Asia and Africa “Russia and the East. Сommemorating 300th anniversary of St. Petersburg State University. St. Petersburg State University, 2024. http://dx.doi.org/10.21638/11701/9785288064135.05.

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One of the most interesting and reliable sources for the study of the Safavid period of Azerbaijani literature is the work “Tazkere-ye Nasrabadi”, written by Muhammad Tahir Nasrabadi. There are many handwritten copies of this work in the world’s book treasures. “Tazkere” was published in Tehran in 1378 year of Hijra in two volumes by Mohsen Naji Nasrabadi. The work is a source that provides detailed information about the social, political and cultural life of its time. When writing this work, Muhammad Tahir Nasrabadi came into direct contact with contemporary poets, about whom he wanted to giv
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Bugor, Elena, and Tatiana Berezovicova. "Alexei Stârcea's early vocal creation. Romances on poems of Fyodor Tyutchev." In International scientific conference "Valorization and preservation by digitization of the collections of academic and traditional music from the Republic of Moldova". Academy of Music, Theatre and Fine Arts, Republic of Moldova, 2023. http://dx.doi.org/10.55383/ca.14.

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The article is dedicated to the vocal creation of Alexei Stârcea (1919-1974), a famous composer, singer and pedagogue. His early romances dating back to the years 1946-1955 are examples of love lyrics. Some of the vocal pieces signed during the reference period, such as „The Day Is Nearing Evening” („День вечереет”) on lyrics by F. Tiutchev, or „The Soul Bursts Out of the Chest” („Так и рвется душа”) on verses by A. Koltsov, entered the contemporary concert and pedagogical repertoire. The article studies two romances by A. Stârcea on poems by F. Tyutchev, which are analyzed from the point of v
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Andreeva, Ekaterina. "ANCIENT RUSSIAN MOTIFS AND IMAGES IN THE POEMS OF ARSENY TARKOVSKY 1941-1945." In FIRST KULAKOV READINGS: ON THE FIELDS OF RUSSIA'S MILITARY. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3637.khmelita-19/149-159.

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The article examines the functioning of ancient Russian artistic images and motifs in the poetry of Arseny Tarkovsky during the Great Patriotic War. The appeal to this motives and images fits modern events into the historical context, helps to create a general picture linking the past and present of the country. The author is particularly in demand for the images of Igor and Yaroslavna from “The Word about Igor's Regiment”, he reinterprets and re-creates images taking into account the new situation. Yaroslavna turns into a symbol of love, sadness, longing, memory, in her image everything oppos
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Reports on the topic "Famous poems"

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Buene, Eivind. Intimate Relations. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.481274.

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Blue Mountain is a 35-minute work for two actors and orchestra. It was commissioned by the Ultima Festival, and premiered in 2014 by the Danish National Chamber Orchestra. The Ultima festival challenged me – being both a composer and writer – to make something where I wrote both text and music. Interestingly, I hadn’t really thought of that before, writing text to my own music – or music to my own text. This is a very common thing in popular music, the songwriter. But in the lied, the orchestral piece or indeed in opera, there is a strict division of labour between composer and writer. There a
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