Relevant bibliographies by topics / Famous writers

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Famous writers'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Famous writers"

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O'Callaghan, Tiffany. "Diagnosing death in famous writers." New Scientist 216, no. 2885 (2012): 44. http://dx.doi.org/10.1016/s0262-4079(12)62588-3.

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Baker, J. H. "Famous English Canon Lawyers I." Ecclesiastical Law Journal 1, no. 3 (1988): 3–7. http://dx.doi.org/10.1017/s0956618x00007031.

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Given the prominence accorded to doctrinal authority in the earlier canon law, it is natural that most famous canonists achieved their fame through their writings. Although the leading writers were often also judges and men of affairs, it was possible to lead an active life in the practice of the canon law without leaving any identifiable mark on history. To this general principle Bishop Bateman constitutes a remarkable exception: distinguished judge, leading figure in the Curia at Avignon, and patron of legal studies in Cambridge, he left several marks on history which entitle him, though not known as a writer, to be classed with the greatest English canon lawyers.
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Zindel, Bonnie. "A Collection of Letters from Famous Writers toDearest Mother." Psychoanalytic Perspectives 12, no. 3 (2015): 324–33. http://dx.doi.org/10.1080/1551806x.2015.1068631.

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Manuneethi, R. Sellaraj. "A Study of Parsi Diaspora in Rohinton Mistry’s Family Matters." SMART MOVES JOURNAL IJELLH 7, no. 12 (2019): 6. http://dx.doi.org/10.24113/ijellh.v7i12.10208.

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Rohinton Mistry is one of the award winning Indian Writers. He is now living in Toronto. His famous novels are: “Such a long Journey”, “A Fine Balance” and “Family Matters”. Being a Parsi writer, he probes deep the problems of Parsi community in his novels.
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VITTURI, Bruno Kusznir, and Rubens José GAGLIARDI. "Post-stroke aphasia in famous writers: when Neurology left geniuses speechless." Arquivos de Neuro-Psiquiatria 79, no. 3 (2021): 251–53. http://dx.doi.org/10.1590/0004-282x-anp-2020-0282.

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ABSTRACT Aphasia is a frequent and devastating stroke complication that does not spare even great writers. In these cases, not only one of the highest cognitive functions is suddenly lost but also the act of bringing beauty into the world. Herein, we discuss the case of three writers who had to abandon their art compulsorily due to a cerebrovascular disease: Charles Baudelaire, Ralph Waldo Emerson, and Stendhal. They were magnificent writers, united by excellence in literature and an inevitable destiny that restricted their art to just a few words. They are also examples of the proximity of Neurology to Art, History, and Literature.
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Nakoneczny, Tomasz. "Rosja jako tekst w prozie Wiktora Pielewina." Studia Rossica Posnaniensia, no. 41 (June 20, 2018): 159–72. http://dx.doi.org/10.14746/strp.2016.41.13.

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The article presents the work of Victor Pelevin, one of the most famous contemporary Russian writers, in the context of changes in literary communication. The writer uses postmodern techniques and strategies (intertextuality, decanonization, heterogeneity) and traditional cultural motifs and themes (Russian and foreign) to compensate literature for the loss of its metaphysical attributes and authority of high art.
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Лосева, Наталия Вениаминовна. "Y.V. KRASAVIN AND LITERARY PROCESS. SECOND HALF OF THE XX CENTURY (on the relationships of Yuri Krasavin with Fedor Abramov)." Вестник Тверского государственного университета. Серия: Филология, no. 3(66) (November 6, 2020): 242–49. http://dx.doi.org/10.26456/vtfilol/2020.3.242.

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Значимость литературного наследия Юрия Красавина обусловлена как творческой индивидуальностью писателя, так и его литературными связями с крупнейшими художниками слова своего времени. Прослеживаются генетические и типологические связи с прозаиками второй половины ХХ века. Важное значение для становления и творческого развития Юрия Красавина сыграл известный русский прозаик Ф.А. Абрамов. The significance of the literary heritage of Yuri Krasavin is based on both the creative personality of the writer and his literary connections with the greatest writers of his time. Genetic and typological connections with prose writers of the second half of the twentieth century are traced. Of great importance for the formation and creative development of Yuri Krasavin was a famous Russian prose writer F.A. Abramov.
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Николаев, Дмитрий. "Образ писателя в публицистике Ивана Бунина 1920 г." Acta Polono-Ruthenica 1, № XXIV (2019): 75–94. http://dx.doi.org/10.31648/apr.4401.

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The image of the writer plays an important role in the publicist works of Ivan Bunin in 1920. It is the image of the author struggling against the Bolsheviks, and the image of those writers who helped the Bolsheviks propaganda as well as “new Soviet writers”. In 1920 Bunin as the most signif-icant writer of the Russian Diaspora focuses on the most famous writer among those who, according to Bunin, supports the Bolsheviks – Maxim Gorky. Bunin also pays close attention to the contro-versy with H.G. Wells: this is due to the role that the English writer played in the context of Soviet Russia. Bunin’s works in 1920 are written as a reaction of the Russian writer to the various texts published in the press, and the discussion with the works of his main opponents – Gorky and Wells.
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Stroganova, E. N. "TO THE 200TH ANNIVERSARY OF NADEZHDA DMITRIEVNA KHVOSHCHINSKAYA: ABOUT THE DATE OF THE WRITERS BIRTH." Culture and Text, no. 45 (2021): 113–20. http://dx.doi.org/10.37386/2305-4077-2021-2-113-120.

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The year of birth of the famous Russian writer of the second half of the XIX century Nadezhda Dmitrievna Khvoshchinskaya, who published her works under the nameV. Krestovskyj-pseudonym, is specified on the material of archival sources. The above information refutes the established opinion that the writer was born in 1824 or 1825 and allows us to say that 2021 is the year of the 200th anniversary of the writer. The author focuses on the question of the incorrect portrait representation of the writer in the 6th volume of the biographical dictionary «Russian Writers. 1800-1917».
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Hanlon, V. "Shakespeare's Tremor and Orwell's Cough: The Medical Lives of Famous Writers." Canadian Medical Association Journal 186, no. 1 (2013): E67. http://dx.doi.org/10.1503/cmaj.130591.

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Dissertations / Theses on the topic "Famous writers"

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Huang, Shi-Yuan, and 黃詩媛. "Famous Writers'' Sleep Habits and Literary Productivity." Thesis, 2017. http://ndltd.ncl.edu.tw/handle/w9m56n.

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碩士<br>國立臺灣大學<br>經濟學研究所<br>105<br>Science often says that sleep plays an important role in good health and well-being throughout one’s life. However, what kind of sleep patterns is good to human beings? In this paper, given the data of sleep habits of some historical figures — famous writers, we would like to find the relation between wake-up time and productivity. The OLS estimates reveal that there is a negative relationship between them. Taking endogeneity problem into consideration, the 2SLS method is applied, which does not report any relation between wake-up time and productivity. According to the regression quantile estimates, wake-up times have heterogeneous effect over the conditional distribution of writers’ productivity. In practice, since the relevant variables and the correct functional form are usually unknown, the method of LASSO can be modified, namely the double-selection method, cf. Belloni, Chernozhukov and Hansen (2014), to cope with variable selection and model specification under endogeneity. We demonstrate the double-selection method in the present study. Quantile treatment effects are investigated as well.
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Books on the topic "Famous writers"

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ill, Garnett Ron, ed. Five famous writers. Scholastic, 2001.

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Famous Irish writers. Appletree Press, 1999.

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Famous writers school: A novel. Counterpoint, 2006.

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Williamson, David. Author! Author!: Encounters with famous writers. Great Plains, 2000.

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Page fright: Foibles and fetishes of famous writers. McClelland & Stewart, 2009.

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Esther, Singleton. Famous sculpture as seen and described by great writers. Dodd, Mead & Co., 1985.

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Glyn, Jones Richard, ed. Solved!: Famous mystery writers on classic true-crime cases. P. Bedrick Books, 1987.

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Esther, Singleton. Famous sculpture as seen and described by great writers. Dodd, Mead & Co., 1985.

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Belkom, Edo Van. Northern dreamers: Interviews with famous science fiction, fantasy, and horror writers. Quarry Press, 1998.

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The Big bookshelf: Sunil Sethi in conversation with 30 famous writers. Published by Penguin Books India in association with NDTV, 2011.

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Book chapters on the topic "Famous writers"

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Haschemi Yekani, Elahe. "Resistances: Austen and Wedderburn." In Familial Feeling. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-58641-6_4.

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AbstractIn this chapter the most famous writer of (female) affective individualism, Jane Austen, and her canonical third published novel Mansfield Park featuring her supposedly most unpopular heroine Fanny Price is juxtaposed with orator Robert Wedderburn’s much more obscure pamphlet The Horrors of Slavery. The chapter also revisits Edward Said’s famous theory of counterpoint in his reading of Austen and proposes instead a focus on entanglement. By contrasting the two texts and their relation to the abolition of the slave trade in 1807, readers get a better understanding of how writers used the affective means of prose writing to introduce more resistant entangled tonalities of familial feeling. Austen presents wilful female subjectivity in a family that invested in slavery and Wedderburn, the unruly planter son, claims familiarity with both his enslaved mother and his slave-owning father, challenging the formula of the “horrors of slavery”. Via internal focalization and incendiary rhetoric respectively both texts tonally also create a more intimate familiarity with their readers. They thus aesthetically resist writing conventions and introduce more ambivalent nuance: pushing the limits of the genre of the country-house novel in Austen and refuting the demure tone of abolitionist writing in Wedderburn.
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Claridge, Brian, and Cary L. Cooper. "Sir Chris Bonington CVO, CBE, DL — World-Famous Mountaineer, Explorer, and Writer." In Stress in the Spotlight. Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137292353_17.

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Orel, Harold. "Arthur Conan Doyle, contributions to ‘What I Think’: A Symposium on Books and Other Things by Famous Writers of To-day, ed. H. Greenhough Smith (London: George Newnes, 1927) pp. 39–42, 80–1, 156." In Sir Arthur Conan Doyle. Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21487-7_36.

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Cabrera, Delfina. "Confined Weathers." In Cultural Inquiry. ICI Berlin Press, 2020. http://dx.doi.org/10.37050/ci-17_15.

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What is the effect of weathering in a confined space? What if this space is the bathroom of the famous Mexican painter Frida Kahlo? Writer Mario Bellatin and photographer Graciela Iturbide venture into this once intimate room and through a series of artistic interventions breathe new life into it. The logic of the archive is their guiding principle: in order to preserve what has been locked away and stored, it must be exposed and put to new uses.
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Hanna, Ralph. "Yorkshire Writers." In Proceedings of the British Academy, Volume 121, 2002 Lectures. British Academy, 2003. http://dx.doi.org/10.5871/bacad/9780197263037.003.0003.

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This lecture discusses the selective procedures that underlie a narrow range of later fourteenth-century Yorkshire books. It follows up a typically elliptical discussion from Ian Doyle's Cambridge dissertation, and supplements it with the unique unpublished portion of Doyle's famous 1967 Lycell Lectures.
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"Letters to Dearest Mother from famous writers." In Writing on the Moon, edited by Bonnie Zindel. Routledge, 2018. http://dx.doi.org/10.4324/9780429485312-6.

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Ju, Ke, and Li Zhengzhong. "Zhu Ti and I." In Manchukuo Perspectives, translated by Norman Smith. Hong Kong University Press, 2020. http://dx.doi.org/10.5790/hongkong/9789888528134.003.0009.

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In this chapter, Li Zhengzhong (pen name Ke Ju) (b. 1921) provides a heart-felt remembrance of his wife, writer Zhang Xingjuan (penname Zhu Ti) (1923-2012), her career, and their lives together. Married for over sixty years, they comprise one couple of the “Northeast’s four famous husband-wife writers.” Li is one of the last surviving Manchukuo-based Chinese writers and editors.
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"Post-War Narratives." In Life and Limb, edited by David Seed, Stephen C. Kenny, and Chris Williams. Liverpool University Press, 2016. http://dx.doi.org/10.3828/liverpool/9781781382509.003.0008.

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The two most famous writers to figure in this section are Ambrose Bierce, who actually saw battle, and Stephen Crane. Bierce’s sketches convey the confusion of battle with circumstantial detail which is deployed against glamourizing war. In Crane’s famous Red Badge of Courage the target is once again naïve heroism, here replaced with impressionistic confusion. The section concludes with Stephen C. Kenny’s ‘The Aftermath’, which surveys accounts of the war’s destruction and human cost.
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Daw, Sarah. "The Beat Ecologies of Allen Ginsberg and Jack Kerouac." In Writing Nature in Cold War American Literature. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474430029.003.0005.

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Chapter Four develops the previous chapter’s investigation into the substantial influence of translated Chinese and Japanese philosophical writing on presentations of an ecological Nature in Cold War American literature. However, it differs in its countercultural focus, exploring the influence of Americanised translations of Chinese and Japanese literature and philosophy on the work of the Beat Generation writers Allen Ginsberg and Jack Kerouac. Ginsberg and Kerouac’s extensive correspondence reveals the two writers’ developing interest in Taoist and Zen Buddhist thought, and their co-development of their own Americanised and highly inauthentic ‘Beat Zen’, which was heavily influenced by Dwight Goddard’s A Buddhist Bible (1932). Taking these letters as its starting point, the chapter reveals that translated Taoism and Zen Buddhism informed each writer’s ecological depictions of the human relationship to Nature in some of their most famous contributions to Beat literature, including Kerouac’s The Dharma Bums (1958) and Ginsberg’s “Howl” (1956).
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Smith, Norman. "Manchukuo Melancholy." In Manchukuo Perspectives. Hong Kong University Press, 2020. http://dx.doi.org/10.5790/hongkong/9789888528134.003.0008.

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Li Zhengzhong (pen name Ke Ju) (b. 1921) and Zhang Xingjuan (penname Zhu Ti)(1923-2012) are Chinese writers who established prominent careers in Manchukuo; together, they comprise one couple of the “Northeast’s four famous husband-wife writers.” This chapter outlines their personal lives and important elements of their professional careers before focusing on several of their fictional works: Li’s novel Native Place Yearning, and two of Zhang’s novellas, “Melancholy on the Mighty Black Dragon River” and “Cherry.” These major works feature melancholic themes reflecting their engaged, yet alienated, relationship with contemporary society under imperial Japan's occupation.
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Conference papers on the topic "Famous writers"

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Kovyneva, Elena. "AUTHOR NEOLOGISMS IN POETRY OF E. M. REMARQUE." In ЯЗЫК. КУЛЬТУРА. ПЕРЕВОД = LANGUAGE. CULTURE. TRANSLATION. Science and Innovation Center Publishing House, 2019. http://dx.doi.org/10.12731/lct.2019.16.

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Reports on the topic "Famous writers"

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Ivanyshyn, Petro. BASIC CONCEPTS OF YEVHEN MALANIUK’S NATIONAL-PHILOSOPHICAL INTERPRETATION: ESEISTIC DISCOURSE. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11070.

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The purpose of the research is to outline the structure of the main methodological ideas within the frames of interpretive thinking in the essay of the famous Vistnyk’s writer, critic and essayist Yevhen Malaniuk. Considering the purpose and tasks of the studio, an interdisciplinary methodological base, related to the author’s “national approach”, has been worked out. The epistemological potential of national philosophy as a philosophy of national existence, national science as a theory of nation, hermeneutics as a theory and practice of interpretation and post-colonialism as interpretation of cultural phenomena from the standpoint of anti- and post-imperial consciousness are used in the work. The scientific novelty is that on the basis of the previous hermeneutic generalization and definition of national-existential methodology, a propaedeutic outlining of the structure of national-philosophical concepts within the frames of the essayistic interpretation of reality in Ye. Malaniuk is proposed. In the methodological sense, the writer’s essayism is structured by such concepts as nation-centrism, idealism, voluntarism, heroism, and can be considered as one of the variants (close by the experiences of D. Dontsov, Yu. Lypa, M. Mukhyn, etc.) of the Vistnyk’s national-philosophical (national-existential, nationalistic or nation-centric) hermeneutics, that is, the way of understanding, which the author by himself outlined as a “national approach”. The support of Ye. Malaniuk as a culture-philosopher and exegete on the eternal nation-centric values and criteria in his essayistic studies makes his reflections not only historically interesting, but also theoretically productive, classically important for the development of modern Ukrainian hermeneutics and humanities in general.
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Buene, Eivind. Intimate Relations. Norges Musikkhøgskole, 2018. http://dx.doi.org/10.22501/nmh-ar.481274.

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Blue Mountain is a 35-minute work for two actors and orchestra. It was commissioned by the Ultima Festival, and premiered in 2014 by the Danish National Chamber Orchestra. The Ultima festival challenged me – being both a composer and writer – to make something where I wrote both text and music. Interestingly, I hadn’t really thought of that before, writing text to my own music – or music to my own text. This is a very common thing in popular music, the songwriter. But in the lied, the orchestral piece or indeed in opera, there is a strict division of labour between composer and writer. There are exceptions, most famously Wagner, who did libretto, music and staging for his operas. And 20th century composers like Olivier Messiaen, who wrote his own poems for his music – or Luciano Berio, who made a collage of such detail that it the text arguably became his own in Sinfonia. But this relationship is often a convoluted one, not often discussed in the tradition of musical analysis where text tend to be taken as a given, not subjected to the same rigorous scrutiny that is often the case with music. This exposition is an attempt to unfold this process of composing with both words and music. A key challenge has been to make the text an intrinsic part of the performance situation, and the music something more than mere accompaniment to narration. To render the words meaningless without the music and vice versa. So the question that emerged was how music and words can be not only equal partners, but also yield a new species of music/text? A second questions follows en suite, and that is what challenges the conflation of different roles – the writer and the composer – presents? I will try to address these questions through a discussion of the methods applied in Blue Mountain, the results they have yielded, and the challenges this work has posed.
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Yatsymirska, Mariya. SOCIAL EXPRESSION IN MULTIMEDIA TEXTS. Ivan Franko National University of Lviv, 2021. http://dx.doi.org/10.30970/vjo.2021.49.11072.

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The article investigates functional techniques of extralinguistic expression in multimedia texts; the effectiveness of figurative expressions as a reaction to modern events in Ukraine and their influence on the formation of public opinion is shown. Publications of journalists, broadcasts of media resonators, experts, public figures, politicians, readers are analyzed. The language of the media plays a key role in shaping the worldview of the young political elite in the first place. The essence of each statement is a focused thought that reacts to events in the world or in one’s own country. The most popular platform for mass information and social interaction is, first of all, network journalism, which is characterized by mobility and unlimited time and space. Authors have complete freedom to express their views in direct language, including their own word formation. Phonetic, lexical, phraseological and stylistic means of speech create expression of the text. A figurative word, a good aphorism or proverb, a paraphrased expression, etc. enhance the effectiveness of a multimedia text. This is especially important for headlines that simultaneously inform and influence the views of millions of readers. Given the wide range of issues raised by the Internet as a medium, research in this area is interdisciplinary. The science of information, combining language and social communication, is at the forefront of global interactions. The Internet is an effective source of knowledge and a forum for free thought. Nonlinear texts (hypertexts) – «branching texts or texts that perform actions on request», multimedia texts change the principles of information collection, storage and dissemination, involving billions of readers in the discussion of global issues. Mastering the word is not an easy task if the author of the publication is not well-read, is not deep in the topic, does not know the psychology of the audience for which he writes. Therefore, the study of media broadcasting is an important component of the professional training of future journalists. The functions of the language of the media require the authors to make the right statements and convincing arguments in the text. Journalism education is not only knowledge of imperative and dispositive norms, but also apodictic ones. In practice, this means that there are rules in media creativity that are based on logical necessity. Apodicticity is the first sign of impressive language on the platform of print or electronic media. Social expression is a combination of creative abilities and linguistic competencies that a journalist realizes in his activity. Creative self-expression is realized in a set of many important factors in the media: the choice of topic, convincing arguments, logical presentation of ideas and deep philological education. Linguistic art, in contrast to painting, music, sculpture, accumulates all visual, auditory, tactile and empathic sensations in a universal sign – the word. The choice of the word for the reproduction of sensory and semantic meanings, its competent use in the appropriate context distinguishes the journalist-intellectual from other participants in forums, round tables, analytical or entertainment programs. Expressive speech in the media is a product of the intellect (ability to think) of all those who write on socio-political or economic topics. In the same plane with him – intelligence (awareness, prudence), the first sign of which (according to Ivan Ogienko) is a good knowledge of the language. Intellectual language is an important means of organizing a journalistic text. It, on the one hand, logically conveys the author’s thoughts, and on the other – encourages the reader to reflect and comprehend what is read. The richness of language is accumulated through continuous self-education and interesting communication. Studies of social expression as an important factor influencing the formation of public consciousness should open up new facets of rational and emotional media broadcasting; to trace physical and psychological reactions to communicative mimicry in the media. Speech mimicry as one of the methods of disguise is increasingly becoming a dangerous factor in manipulating the media. Mimicry is an unprincipled adaptation to the surrounding social conditions; one of the most famous examples of an animal characterized by mimicry (change of protective color and shape) is a chameleon. In a figurative sense, chameleons are called adaptive journalists. Observations show that mimicry in politics is to some extent a kind of game that, like every game, is always conditional and artificial.
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