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Journal articles on the topic 'Fan practices'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 April 2022

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1

Duffett, Mark. "Fan Practices." Popular Music and Society 38, no. 1 (2014): 1–6. http://dx.doi.org/10.1080/03007766.2014.973764.

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2

Sauro, Shannon. "Online Fan Practices and CALL." CALICO Journal 34, no. 2 (2017): 131–46. http://dx.doi.org/10.1558/cj.33077.

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Yan, Siying. "Xiaohong Fan: breaking up “routine practices”." Annals of Translational Medicine 8, no. 4 (2020): 148. http://dx.doi.org/10.21037/atm.2020.01.54.

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4

Godwin, Victoria L. "Customizations, collections and corporations: Mass production and self-expression." Journal of Fandom Studies 6, no. 3 (2018): 211–24. http://dx.doi.org/10.1386/jfs.6.3.211_1.

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Collecting and customizing highlight the interrelation of fan works and fan practices with corporate counterparts. Neither can be neatly isolated from the other. Corporations appropriate multiple aspects of material fan practices to encourage consumption, framing choice as customization and mass-produced merchandise as rare collectibles. Meanwhile, fans practice mini-mass-production, making multiple versions of fan works for sale or trade. Moving beyond an artificial value-laden binary opposition between fan customizations and collections or corporate versions, it would be more productive to f

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Hudoshnyk, Oksana, and Valeriia Iarovkina. "FAN FICTION AS ALTERNATIVE MEDIA: MODERN COMMUNICATIVE PRACTICES." Bulletin of Lviv Polytechnic National University: journalism 1, no. 1 (2021): 43–48. http://dx.doi.org/10.23939/sjs2021.01.043.

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The modern directions of development of fan fiction as a media system that has acquired the characteristics of self-organization are actualized. Three stages of development of scientific views on the formation of the process of collective authorship are presented: from narrative criticism and isolation of media features of fandoms to comprehension of the facts of the reverse influence of fan fiction on culture and communication processes. On the example of the development of modern fan fiction space, the phenomena that express the communicative nature of the fan fiction community, as well as t

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Tremblay, Alyssa. "Found in translation: Rethinking the relationship between fan translation groups and licensed distributors of anime and manga." Journal of Fandom Studies 6, no. 3 (2018): 319–33. http://dx.doi.org/10.1386/jfs.6.3.319_1.

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This article examines contemporary systems, both legal and illegal, of anime and manga translation and distribution to English-speaking audiences. Rather than lumping fan translation in with practices such as fanart, cosplay or fan fiction, this article argues for a different understanding of the particularized labour of fan-operated anime and manga translation groups. Specifically, the continued existence of fan translation groups is considered indicative of consumers attempting to fill a gap in service not satisfied by licensed industry players – and fan translation itself as a practice born

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Henthorn, Jamie. "International Fan Professionalization on Viki." Television & New Media 20, no. 5 (2018): 525–38. http://dx.doi.org/10.1177/1527476418770742.

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Global economies and digital diasporas have led to a rise in fansubbing sites, one of the largest being Viki. Viki uses amateur expert fans to translate media from around the world into over two hundred languages. Global markets and for-profit fansubbing companies encourage volunteers to establish their own work practices. In examining the posts to one large segmenting forum, this article identifies ways Viki segmenters adapt workplace practices to online fan communities as well as ways that volunteers adapt localized community practices to online spaces. Specifically, volunteers adopted local

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Samutina, Natalia. "Emotional landscapes of reading: fan fiction in the context of contemporary reading practices." International Journal of Cultural Studies 20, no. 3 (2016): 253–69. http://dx.doi.org/10.1177/1367877916628238.

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This article focuses on fan fiction as a literary experience and especially on fan fiction readers’ receptive strategies. Methodologically, its approach is at the intersection of literary theory, theory of popular culture, and qualitative research into practices of communication within online communities. It characterizes fan fiction as a type of contemporary reading and writing. Taking as an example the Russian Harry Potter fan fiction community, the article poses a set of questions about the meanings and contexts of immersive reading and affective reading. The emotional reading of fan fictio

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Jenner, Mareike. "Binge-watching: Video-on-demand, quality TV and mainstreaming fandom." International Journal of Cultural Studies 20, no. 3 (2015): 304–20. http://dx.doi.org/10.1177/1367877915606485.

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This article explores the concept of the binge as viewing protocol associated with fan practices, industry practice and linked to ‘cult’ and ‘quality’ serialised content. Viewing binge-watching as an intersection of discourses of industry, audience and text, the concept is analysed here as shaped by a range of issues that dominate the contemporary media landscape. In this, factors like technological developments, fan discourses and practices being adopted as ‘mainstream’ media practice, changes in the discursive construction of ‘television’ and an emerging video-on-demand industry contribute t

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Łuksza, Agata. "‘Orgies of the upper gallery’: Preliminary reflections on nineteenth-century theatre fans." Journal of Fandom Studies 6, no. 3 (2018): 263–78. http://dx.doi.org/10.1386/jfs.6.3.263_1.

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Since the very beginning, fan studies have challenged common assumptions about media fans, gradually opening the research field onto different aspects and dimensions of fan culture. So far, however, little has been done regarding both fandom history and theatre fandoms, which would significantly enrich the landscape of fan studies. This article assesses the current state of research on historical audiences, and how historical knowledge on theatre audiences and methodologies, developed within these studies, can be further explored from a fan studies perspective. It is an attempt to look at nine

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Prasannam, Natthanai. "The Yaoi Phenomenon in Thailand and Fan/Industry Interaction." Plaridel 16, no. 2 (2019): 63–89. http://dx.doi.org/10.52518/2020.16.2-03prsnam.

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This article aims to explore yaoi phenomenon in Thailand particularly during the 2010s at the height of the industry involvement with yaoi fandom. The article draws on Paul Booth’s (2015) study of fan/industry interaction to expand existing scholarship on yaoi phenomenon in Thailand which tends to focus on textual readings linking back to the Japanese cultural origin, ethnographic research, and the aspect of queer cultural politics. The study also draws attention to GMMTV Company Limited, a key player in expanding the yaoi industry in Thailand and growing the fandom of Thai yaoi stars in diffe

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Petersen, Line Nybro, and Vilde Schanke Sundet. "Play moods across the life course in SKAM fandom." Journal of Fandom Studies 7, no. 2 (2019): 113–31. http://dx.doi.org/10.1386/jfs.7.2.113_1.

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This article considers fans’ playful digital practices and focuses on the play moods that are co-constructed in online fan communities. We analyse how these play moods are negotiated across the life course for participating fans. Play moods are closely tied to the playful modes of fan practices, and by gaining a greater understanding of the moods that fans engage in at different stages of their life course we gain new insights into fan play as it relates to issues of age-related norms in fan communities. Specifically, this article analyses the Norwegian teenage streaming drama SKAM (Shame) (NR

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Kienzl, Lisa. ""You're My True Vessel": Knowledge and Digital Fan Culture Discussed on the Basis of Mediumship and Possession in Supernatural's Narrative and Fandom." Journal of Religion, Media and Digital Culture 3, no. 1 (2014): 155–80. http://dx.doi.org/10.1163/21659214-90000044.

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Portrayals of mediumship in modern Western television narratives need to be seen as part of a broader phenomenon of the presence of religious elements in Western media, a phenomenon I argue expresses a longing for grand narratives in contemporary Western society. The portrayal and mediatization of religious elements in television narratives as well as their discussion in digital fan culture are part of what I would call a transformation process of knowledge and in particular knowledge of religious phenomena. More specifically, digital fan culture allows for an engagement with discursive transf

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Widita, Anindya. "The Evolving Consumer Behavior: Fan Culture in Online Community." Jurnal Manajemen dan Kearifan Lokal Indonesia 2, no. 1 (2018): 34. http://dx.doi.org/10.26805/jmkli.v2i1.17.

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It is obvious how technology has reformed the way consumers behave. More than influencing factors to buying decision, the study of media consumers has attracted scholars to investigate various subjects related to it. Fan culture has never been this fun back in the days before new media. With the benefit of Internet, fans can be more active in terms of producing and sharing contents and enrich their fan experience. This paper aims to investigate fan practices and experience in an online community as not just media consumers but also producers. The data for this research were collected thr

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Malik, Shahab Alam, Kanwal Nasim, and Muhammad Zahid Iqbal. "TQM practices in electric fan manufacturing industry of Pakistan." International Journal of Productivity and Quality Management 12, no. 4 (2013): 361. http://dx.doi.org/10.1504/ijpqm.2013.056716.

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Mora-Cantallops, Marçal, Eva Muñoz, Roberto Santamaría, and Salvador Sánchez-Alonso. "Identifying communities and fan practices in online retrogaming forums." Entertainment Computing 38 (May 2021): 100410. http://dx.doi.org/10.1016/j.entcom.2021.100410.

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Earl, Jennifer, and Katrina Kimport. "Movement Societies and Digital Protest: Fan Activism and Other Nonpolitical Protest Online." Sociological Theory 27, no. 3 (2009): 220–43. http://dx.doi.org/10.1111/j.1467-9558.2009.01346.x.

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Sociologists of culture studying “fan activism” have noted an apparent increase in its volume, which they attribute to the growing use of the Internet to register fan claims. However, scholars have yet to measure the extent of contemporary fan activism, account for why fan discontent has been expressed through protest, or precisely specify the role of the Internet in this expansion. We argue that these questions can be addressed by drawing on a growing body of work by social movement scholars on “movement societies,” and more particularly on a nascent thread of this approach we develop that th

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Hunting, Kyra. "Finding the child fan: A case for studying children in fandom studies." Journal of Fandom Studies 7, no. 2 (2019): 93–111. http://dx.doi.org/10.1386/jfs.7.2.93_1.

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As fan studies increasingly explores understudied fan communities this article calls for the inclusion of children as a crucial overlooked group of fans. Drawing upon research that considers fandom throughout the life course, it argues that fandom is an important part of childhood and one that may look different than it does for adult fans. I argue, the extent to which children’s media consumption practices resemble fan practices has obscured the fact that children can be fans. In this article I consider the impediments to considering the fandom of children, the ways in which children may be a

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Timokhovich, A. N., and O. I. Nikuradze. "ANALYSIS OF THE DEVELOPMENT OF VIRTUAL FAN COMMUNITIES MEDIA SPACES." Vestnik Universiteta, no. 12 (February 3, 2021): 171–75. http://dx.doi.org/10.26425/1816-4277-2020-12-171-175.

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The article deals with the development of media spaces of virtual fan communities. The aim of the research was to reveal the specifics of online communication of virtual fan communities with the audience. The paper investigates the dialectics of the concepts of fan-community, media space, fandom. The article considers the main approaches to studying media space by Russian and foreign authors. The study describes the traditional offline communication practices of the fandoms. The authors substantiate the problem of the existence of a variety of communication channels of the fan communities with

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Harrington, C. Lee. "Til death do us part? Fandom and the US death system." Journal of Fandom Studies 7, no. 2 (2019): 189–206. http://dx.doi.org/10.1386/jfs.7.2.189_1.

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This study extends scholarship on age, ageing and fandom to the end-of-life context, exploring the question of whether fan identities and practices are salient at life’s end. A focus on mortality is not new to fan studies, as research on post-object fandom, transitions and endings in fandom, and zombie fandom have opened rich new research trajectories in fan studies. In this article I focus on potentials associated with the mortality of fans themselves, framed by prior work on the social practices of personal identities in the realm of death and dying. Situated in media studies, gerontology an

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Scodari, Christine. "Resistance Re-Examined: Gender, Fan Practices, and Science Fiction Television." Popular Communication 1, no. 2 (2003): 111–30. http://dx.doi.org/10.1207/s15405710pc0102_3.

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Copeland, Timothy, Arthur Kohn, and Orrin Southall. "Industrial fan vibration signature characterization." INTER-NOISE and NOISE-CON Congress and Conference Proceedings 263, no. 1 (2021): 5611–22. http://dx.doi.org/10.3397/in-2021-3181.

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Technique for measuring and reducing industrial fan vibration and noise is detailed. A method used to characterize the vibration signature for 100% industrial fan systems shipped is described. A fan system consists of motor, propeller and cage. We measure triax accelerometer vibration, microphone (both sound pressure level in dBA and raw signal in Pa) along with the current of three phase power for each fan shipped. Comparisons are done immediately with the ISO 14694:2003 standard and troubleshooting and design changes are implemented if vibration limits are exceeded. The method and results ar

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Stanko, D. V. "ENGLISH FAN FICTION: RESEARCH PROSPECTS." Writings in Romance-Germanic Philology, no. 2(47) (January 15, 2022): 109–15. http://dx.doi.org/10.18524/2307-4604.2021.2(47).245944.

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The article highlights perspective trends investigation of the English fanfiction. The work offers a brief outline of history, main forms and modern trends in fan fiction studies as a genre of web literature. The relevance of the study of fan fiction is due, above all, to the fact that these works are a bright example of the so called live language. They reflect all modern language trends, express the musical, literary and film preferences of young people. In addition, fan fiction is an understudied phenomenon that has existed in various forms, but has received the greatest impetus in developm

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24

Price, Ludi, and Lyn Robinson. "‘Being in a knowledge space’: Information behaviour of cult media fan communities." Journal of Information Science 43, no. 5 (2016): 649–64. http://dx.doi.org/10.1177/0165551516658821.

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This article describes the first two parts of a three-stage study investigating the information behaviour of fans and fan communities, focusing on fans of cult media. A literature analysis shows that information practices are an inherent and major part of fan activities, and that fans are practitioners of new forms of information consumption and production, showing sophisticated activities of information organisation and dissemination. A subsequent Delphi study, taking the novel form of a ‘serious leisure’ Delphi, in which the participants are not experts in the usual sense, identifies three a

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Land, Caroline. "I Do Not Own Gossip Girl”: Examining the Relationship between Teens, Fan Fiction, and Gossip Girl." Language and Literacy 12, no. 1 (2010): 38. http://dx.doi.org/10.20360/g2rp4q.

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After reading Gossip Girl, I explored several pieces of fan fiction related to the series that were created by teen authors. From these pieces, I observed how teens can use fan fiction to exercise their own creative ideas, align a fictional world with their own, connect with other fans and writers, and receive instant feedback on their work. From these findings, I suggest how teachers and librarians can use this knowledge to support teens that are engaged or interested in the practices of writing fan fiction and writing for pleasure.

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Wakefield, Kirk. "Using Fan Passion to Predict Attendance, Media Consumption, and Social Media Behaviors." Journal of Sport Management 30, no. 3 (2016): 229–47. http://dx.doi.org/10.1123/jsm.2015-0039.

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Passion drives sport consumption, but we lack valid relevant measures of passion. The results of two studies provide evidence of a reliable and valid multiple-item passion scale that may be used in the study of sports-related consumption behavior. In Study 1 a multi-item fan passion scale was compared with established social identification fan classification scales to provide evidence of discriminant and predictive validity. Because the passion scale outperformed other relevant fan classification measures, in Study 2 the fan passion scale was compared with current single-item measurement pract

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Thompson Chaudhry, Theresa, and Mahvish Faran. "Organization, Management, and Wage Practices in Pakistan’s Electrical Fan and Readymade Garment Sectors." LAHORE JOURNAL OF ECONOMICS 20, Sspecial Edition (2015): 183–204. http://dx.doi.org/10.35536/lje.2015.v20.isp.a8.

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The electrical fan sector in Pakistan has existed since at least the country’s independence and produced for the domestic market for most of its history, although the sector has had strong export growth in the last 15 years. On the other hand, the readymade garment sector has a shorter history, but has been export-oriented from the beginning. The fan sector has retained the traditional batch production system while garments are produced along a line. Nonetheless, both rely on piece rate-based wages to meet their production targets. In this paper, we describe production, management, wage practi

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Halse, Rolf. "Textual Poaching, Gamekeeping and the Counter-stereotype." Nordicom Review 35, no. 1 (2014): 65–79. http://dx.doi.org/10.2478/nor-2014-0005.

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Abstract In the analogue era, fan studies explored localized resistance within fan communities’ cultural practices, examining how this might lead to new understandings of gender, sexuality, and race. However, there has been less work that examines the consequences fans’ cultural practices using digital media have for the cultural politics of ‘poaching’. The current article presents a study of online fans’ perceptions of positively depicted Muslim characters from the Middle East in the television serial, 24. Like the rest of the show’s regular cast, these characters should be in focus for fans

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Guld, Ádám. "“You are a Champion and Will Always Be!” – Sports Fans, Influencers, and Media Consumption in 2021." Acta Universitatis Sapientiae, Communicatio 8, no. 1 (2021): 36–48. http://dx.doi.org/10.2478/auscom-2021-0003.

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Abstract The spread of digital media culture can be seen in action in almost every walk of life. The use of online media results in new solutions even in the most common practices, and the field of sports and related fan cultures are no exceptions to that. From the mid-2010s, the trend of sports events, athletes, and their fans becoming more and more connected to online space can be well observed. This transformation generates significant changes, which can often have far-reaching effects. One such phenomenon is that excellent athletes can appear in the role of online opinion leaders or influe

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de Villiers, David J., Marc J. Mathews, Philip Maré, Marius Kleingeld, and Deon Arndt. "Evaluating the impact of auxiliary fan practices on localised subsurface ventilation." International Journal of Mining Science and Technology 29, no. 6 (2019): 933–41. http://dx.doi.org/10.1016/j.ijmst.2019.02.008.

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Levitt, Lauren. "Divergent Fan Forums and Political Consciousness Raising." Media and Communication 10, no. 1 (2022): 329–38. http://dx.doi.org/10.17645/mac.v10i1.4707.

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This article conducts a thematic analysis of 40 threads related to sociopolitical issues on two <em>Divergent</em> fan forums, one on Divergent Fans and another on Divergent Wiki, to determine whether these forums raise political consciousness, especially among young people. As scholars of civic imagination show, popular culture narratives may lead to the ability to imagine a better future. Utopian narratives in particular facilitate this process in a dialectical way by presenting us with an impossible world, and dystopian narratives may operate in a similarly dialectical fashion b

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Mcmanus, John. "Driven to Distraction: Turkish Diaspora Football Supporters, New Media and the Politics of Place-Making." Sociological Research Online 20, no. 2 (2015): 159–72. http://dx.doi.org/10.5153/sro.3588.

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This article explores how new media forms linked to the internet are feeding into the generation of community. It looks specifically at the place-making practices of a transnational group of football fans, European supporters of the Turkish club team Beşiktaş.I trace the mediations of two common football fan practices: the singing of chants and the display of banners. Adopting a multi-sited ethnographic approach, I track their circulation. While remaining part of the stadium experience, the chant and the banner have a prolonged life as digital objects. Fans combine them with new media practice

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Duchastel de Montrouge, Catherine. "Shipping Disability/Fanfiction: Disrupting Narratives of Fanfiction as Inclusive." Canadian Journal of Disability Studies 8, no. 2 (2019): 10–34. http://dx.doi.org/10.15353/cjds.v8i2.489.

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In this essay I will first give a definition of what fanfiction is within the wider online environment of online participatory cultures, as well examine whether inclusiveness holds up as a defining characteristic when disability is taken into consideration. I then examine how the development of fanfiction as a creative practice and of fanfiction-specific genres, have contributed to the queering of fanfiction spaces and practices Finally I argue that subversion and transgression are not best suited to conceptualize fanfiction, and that instead disruption can generate more apt interrogations. Sp

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Fremaux, Stephanie. "REVIEW | Popular Music Fandom: Identities, Roles and Practices // Fan Identities and Practices in Context: Dedicated to music." IASPM@Journal 6, no. 1 (2016): 143–46. http://dx.doi.org/10.5429/2079-3871(2016)v6i1.9en.

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Steinkuehler, Constance. "Massively Multiplayer Online Gaming as a Constellation of Literacy Practices." E-Learning and Digital Media 4, no. 3 (2007): 297–318. http://dx.doi.org/10.2304/elea.2007.4.3.297.

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The claim that video games are replacing literacy activities that is bandied about in the American mainstream press is based not only on unspecified definitions of both ‘games' and ‘literacy’ but also on a surprising lack of research on what children actually do when they play video games. In this article, the author examines some of the practices that comprise game play in the context of one genre of video games in particular — massively multiplayer online games (MMOGs). Based on data culled from a two-year online cognitive ethnography of the MMOG Lineage (both I and II), the author argues th

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Avalos, Xima, and Gonen Dori-Hacohen. "Criticism, consensus, and fandom: Demonstrated practices from a sports Facebook fan page." Discourse, Context & Media 29 (June 2019): 100284. http://dx.doi.org/10.1016/j.dcm.2018.11.006.

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MILOVIDOV, STANISLAV V. "TRANSMEDIA STORYTELLING AS A WAY TO TURN FAN PRACTICES INTO A CULTURAL INDUSTRY." ART AND SCIENCE OF TELEVISION 17, no. 1 (2021): 29–47. http://dx.doi.org/10.30628/1994-9529-2021-17.1-29-47.

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There are numerous empirical sociological researches of transmedia storytelling media consumption. However, they mainly record either the practices of media consumption of specific media formats included in the structure of a transmedia project or the producers’ ways for constructing a narrative that creates transitions between media platforms. Often, researchers pay little attention to the circumstances of users’ interaction with the fictional world and their social relationships that form around a transmedia project. This study consists of a series of in-depth interviews and observations on

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Anselmo, Diana W. "Gender and Queer Fan Labor on Tumblr." Feminist Media Histories 4, no. 1 (2018): 84–114. http://dx.doi.org/10.1525/fmh.2018.4.1.84.

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Dominated by LGBTQ+ and female-identified fans from various backgrounds, Tumblr blogs dedicated to queer readings of the BBC television series Sherlock (2010–ongoing) are a breeding ground for less-discussed forms of unremunerated queer labor: utopian, heuristic, and care work. In their digital fanworks, Tumblr queer users marry crafts associated with domestic heterosexual femininity (collage and scrapbooking) with established female fan practices (slashing and shipping) to articulate complex sexual and gender identities and navigate neuro-divergent mental health statuses. This article examine

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Burton, Nick, and Simon Chadwick. "European football supporter attitudes toward ambush marketing." International Journal of Sports Marketing and Sponsorship 20, no. 1 (2019): 143–62. http://dx.doi.org/10.1108/ijsms-10-2017-0107.

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Purpose The purpose of this paper is to explore attitudes towards ambush marketing at the 2016 Union of European Football Associations European Championships, seeking to examine fan affect towards ambush marketing. Design/methodology/approach A 24-item survey questionnaire was constructed, exploring consumers’ general cognition and affection of ambush marketing; following Dickson et al.’s (2015) design, industry-specific attitudes were canvassed, assessing supporters’ views of beer and gambling industry ambush marketers. Findings Results indicate that fans appear to be marginally more forgivin

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Jung, Sun, and Doobo Shim. "Social distribution: K-pop fan practices in Indonesia and the ‘Gangnam Style’ phenomenon." International Journal of Cultural Studies 17, no. 5 (2013): 485–501. http://dx.doi.org/10.1177/1367877913505173.

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Hsu, Nien-Sheng, Chung-Jung Chiang, Chung-Ho Wang, Chen-Wuing Liu, Chien-Lin Huang, and Hung-Jen Liu. "Estimation of pumpage and recharge in alluvial fan topography under multiple irrigation practices." Journal of Hydrology 479 (February 2013): 35–50. http://dx.doi.org/10.1016/j.jhydrol.2012.11.014.

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McKee, Alan. "IS Doctor Who Australian?" Media International Australia 132, no. 1 (2009): 54–66. http://dx.doi.org/10.1177/1329878x0913200107.

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As part of an ARC Discovery project to write a history of Australian television from the point of view of audiences, I looked for Australian television fan communities. It transpired that the most productive communities exist around imported programming like the BBC's Doctor Who. This program is an Australian television institution, and I was therefore interested in finding out whether it should be included in an audience-centred history of Australian television. Research in archives of fan materials showed that the program has been made distinctively Australian through censorship and scheduli

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Prabasmoro, Tisna, and Randy Ridwansyah. "Fan Culture and Masculinity: Identity Construction of Persib Supporters." Gender Studies 18, no. 1 (2019): 163–78. http://dx.doi.org/10.2478/genst-2020-0012.

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Abstract Linking the local practices that are used to build an apparently shared identity and generate personal and group attachment towards ʽPersibʼ, a local football club in West Java Indonesia, we examine ʽbobotohʼ that use football and football fan clubs as means of creating an in-group–out-group identity. We examine concepts of fandom, identity construction and masculinity to demonstrate how the bias becomes a unifying element that can provoke conflicts. We argue that ʽbobotohʼ and ʽPersibʼ become one of the most central sites of masculine performance in West Java and socialize Sundanese

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Lamerichs, Nicolle. "Stranger than fiction: Fan identity in cosplay." Transformative Works and Cultures 7 (September 20, 2010). http://dx.doi.org/10.3983/twc.2011.0246.

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Academic accounts of fan cultures usually focus on creative practices such as fan fiction, fan videos, and fan art. Through these practices, fans, as an active audience, closely interpret existing texts and rework them with texts of their own. A practice scarcely examined is cosplay ("costume play"), in which fans produce their own costumes inspired by fictional characters. Cosplay is a form of appropriation that transforms and actualizes an existing story in close connection to the fan community and the fan's own identity. I provide analytical insights into this fan practice, focusing on how

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Kennedy, Kimberly. "Fan binding as a method of preserving fan fiction." Transformative Works and Cultures 37 (March 13, 2022). http://dx.doi.org/10.3983/twc.2022.2107.

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Efforts in fan work preservation have increased in recent years, both from fan collaboration with institutional archival collections and through fan-run digital archives. Physical archival projects aimed at fan works generally limit their scope to fanzines from the mid- to late 1900s and fandom memorabilia like fan convention programs. Digital preservation in online archives allows for more comprehensive preservation of fan fiction, but fandom's history of content loss online as a result of takedowns, shutdowns, and regulation exemplifies the risks of letting fan fiction exist solely online. F

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Morrissey, Katherine E. "Fan/dom: People, practices, and networks." Transformative Works and Cultures 14 (June 20, 2013). http://dx.doi.org/10.3983/twc.2013.0532.

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Mcclantoc, Keshia. "Students as fan, or Reinvention and repurposing in first-year writing classrooms." Transformative Works and Cultures 35 (March 15, 2021). http://dx.doi.org/10.3983/twc.2021.1965.

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I performed a study of two first-year writing classrooms and their interactions that used a fan fiction–based pedagogy. Rather than using fan fiction as class texts, this pedagogy used the fan fiction practices of reinventing and repurposing to help students better understand themselves and their community. This was done to position the students as fans themselves. Students were challenged to act as a fan would as they moved through myriad overlapping fan fiction and composition studies practices. I include descriptions of major assignments, examples of student writing, and reflections on both

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Lee, Katja. "Acafan methodologies and giving back to the fan community." Transformative Works and Cultures 36 (September 14, 2021). http://dx.doi.org/10.3983/twc.2021.2025.

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In fan studies, researchers are encouraged to share their research with the fan communities they study, with some even suggesting that such a practice can be a way to ethically give back to the community. During a multiyear study of adult fans of Lego, several different ways to share research with the fan community were trialed and evaluated for their relative strengths. Community responses to these projects determined that both academic and creative practices for sharing research can successfully engage the community. Creative practice can capture the spirit of giving by making a contribution

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Burkhardt, Emily, Verity Trott, and Whitney Monaghan. "“#Bughead Is Endgame”: Civic Meaning-Making in Riverdale Anti-Fandom and Shipping Practices on Tumblr." Television & New Media, June 3, 2021, 152747642110228. http://dx.doi.org/10.1177/15274764211022804.

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In this paper, we seek to understand how shipping and anti-fan practices intersect to create meaningful audience engagement and civic discourse about contemporary social and political issues in the “politics of viewing” CW’s adaptation of Riverdale. By examining tagged posts from January 3, 2017 to June 26, 2019, we elicit how fan-rhetoric operates in a digitally networked environment and interrogate the intra-fan rivalries between shippers, anti-shippers, and anti-fans that underpin the Riverdale fandom on Tumblr. In doing so, we begin to sketch out a taxonomy of shipping-specific anti-fan pr

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Waysdorf, Abby. ""Framing fan fiction: Literary and social practices in fan fiction communities," by Kristina Busse." Transformative Works and Cultures 30 (September 15, 2019). http://dx.doi.org/10.3983/twc.2019.1849.

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