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Relevant bibliographies by topics / Fang-shan Yün chü ssu

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Academic literature on the topic 'Fang-shan Yün chü ssu'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 February 2022

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Journal articles on the topic "Fang-shan Yün chü ssu"

1

Seamen, Gary. "The Divine Authorship of Pei-yu chi [Journey to the North]." Journal of Asian Studies 45, no. 3 (May 1986): 483–97. http://dx.doi.org/10.2307/2056527.

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Pei-yu chi [Journey to the North] is a late Ming novel, which since Ch'ing dynasty times has usually been published together with three other short novels, namely Nanyu chi [Journey to the South], Tung-yu chi [Journey to the East], and Hsi-yu chi [Journey to the West], as a composite edition entitled Ssu-yu chi [The Four Journeys]. Authorship of Pei-yu chi is usually attributed to a certain Yü Hsiang-tou, but the work is popularly regarded as the mythic charter of divinity of the Emperor of the Dark Heavens (Hsüan-t'ien Shang-ti), apotheosis of the north. Arguments based on analogy with present-day religious practices on Taiwan, as well as the content and structure of Pei-yu chi, are used to support a theory that the text was originally composed as a religious tract (shan-shu) by Chinese spirit-medium cults.

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2

Sun, Yu, and Longhai Zhang. "Shakespeare across the Taiwan Strait: A Developmental Perspective." Multicultural Shakespeare: Translation, Appropriation and Performance 20, no. 35 (December 30, 2019): 115–31. http://dx.doi.org/10.18778/2083-8530.20.09.

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Shakespeare studies in Mainland China and Taiwan evolved from the same origin during the two centuries after Shakespeare being introduced into China in the early nineteenth century. Although Shakespeare was first seen on the Taiwan stage in the Japanese language during the colonial period, it was after Kuomintang moved to Taiwan in 1949 that Shakespeare studies began to flourish when scholars and theatrical experts from mainland China, such as Liang Shih-Chiu, Yu Er-Chang, Wang Sheng-shan and others brought Chinese Shakespeare to Taiwan. Since the 1980s, mainland Shakespeareans began to communicate actively with their colleagues in Taiwan. With the continuous efforts of Cao Yu, Fang Ping, Meng Xianqiang, Gu Zhengkun, Yang Lingui and many other scholars in mainland China and Chu Li-Min, Yen Yuan-shu, Perng Ching-Hsi and other scholars in Taiwan, communications and conversations on Shakespeare studies across the Taiwan Strait were gradually enhanced in recent years. Meanwhile, innovations in Chinese adaptations of Shakespeare have resulted in a new performing medium, Shake-xiqu, through which theatrical practitioners on both sides explore possibilities of a union of Shakespeare and traditional Chinese theatre. This paper studies some intricate relationship in the history of Shakespeare studies in mainland China and Taiwan from a developmental perspective and suggests opportunities for positive and effective co-operations and interactions in the future.

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3

Henricks, Robert G. "Fire and rain: a look at Shen Nung the Divine Farmer) and his ties with Yen Ti (the ." Bulletin of the School of Oriental and African Studies 61, no. 1 (February 1998): 102–24. http://dx.doi.org/10.1017/s0041977x00015780.

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Up to this point I have attempted to show how Shen Nung was portrayed in late Warring States and early Han texts. I have also reviewed what we know about Nung (or Chu) and Lieh Shan shih, Keng-fu (Plough Father), and T'ien-tsu (Field Ancestor), since it may be one or all four of these figures that comes to be known as Shen Nung.We can argue nothing for certain on this, and certainly T'ien-tsu in the Shih, was, we assume, a god of the Chou. But that point aside, there seems to be good reason to think that Shen Nung was originally a farming god of the Shang people. He is the hero who invented the plough, and the god to whom they turned when they needed rain. Ultimately, this may have been Hsieh, the first-born of the Shang people, known to us in our texts as Shu-chün or Yi-chün. That Shen Nung would become prominent only in texts that date from the late Chou should be no surprise; we should expect him to be overshadowed in early Chou times by their hero Hou Chi.It is important to keep in mind as we proceed that in the materials we have examined so far, we have seen repeated references to ‘fire’ and ‘rain’ and ‘drought’. Ritual ways of producing rainfall and combating the drought could involve fire (yen-huo, in Shih, 211); they might also involve ‘invocations’, charging the drought demon to ‘Go to the north!’ (Shan-hai ching).

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4

Fang, Li-Zhi. "Jiang Xiaoyuan ;, Wu Yan . Zijin shan tian wen tai shi gao: Zhongguo tian wen xue xian dai hua ge an. [History of Purplemountain Observatory.] (Zhongguo jin xian dai ke xue ji shu shi yan jiu cong shu.). 219 pp., tables, bibl., index. Jinan: Shandong jiao yu chu ban she [Shandong Education Press], 2004. 29 (paper)." Isis 99, no. 3 (September 2008): 645–46. http://dx.doi.org/10.1086/593267.

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5

Li, Shang‐Jen. "Guihan Luo. Jin dai xi fang shi Hua sheng wu shi [History of Western Botanical and Zoological Studies in China]. (Zhongguo jin xian dai ke xue ji shu shi yan jiu cong shu.). 434 pp., illus., tables, bibl., index. Jinan: Shandong jiao yu chu ban she [Shandong Education Press], 2005. ¥46 (paper)." Isis 99, no. 2 (June 2008): 380–81. http://dx.doi.org/10.1086/591325.

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Dissertations / Theses on the topic "Fang-shan Yün chü ssu"

1

Lee, Che-hung. "Guangzhou fang yan yong yu "du" gan rao xue sheng shu mian yu xue xi qing kuang chu tan A study on the influence of the Cantonese word "Dou" in the learning of written Chinese of Hong Kong students /." Click to view the E-thesis via HKUTO, 2008. http://sunzi.lib.hku.hk/hkuto/record/B42554275.

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Books on the topic "Fang-shan Yün chü ssu"

1

si, Mi er, and Liu feng shan. Shan di zi xing che. Ji nan: Ming tian chu ban she, 2003.

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2

Zhang, Xueying. Shu zi yu yin chu li ji MATLAB fang zhen. Beijing Shi: Dian zi gong ye chu ban she, 2012.

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3

Jie ma "Shan cha shu zhi lian": Zhang Yimou zai Yichang yan yi "shi shang zui gan jing de ai qing". Wuhan Shi: Chang Jiang chu ban she, 2010.

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4

Xie, Miaohua. Ban shi ji feng yun: Zhuan fang Xianggang shu ye qiao chu. Xianggang Quanwan: Shi jie chu ban she, 2004.

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5

Shui mi fang: Gei xi bao chi shui de shen qi zhu yan shu. Beijing: Ke xue ji shu wen xian chu ban she, 2012.

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6

Zhongguo chi chao yan jiu yu fang zhi: Zhongguo hai yang xue hui chi chao yan jiu yu fang zhi xue shu yan tao hui lun wen ji. Beijing: Hai yang chu ban she, 2005.

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7

Jinjian, Zhang, ed. Ai zheng su shi quan shu: Fang ai kang ai & zhi liao tiao yang & yu fang fu fa yin shi chu fang. Taibei Shi: Yuan shui wen hua, 2009.

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8

Qiang zhe di chu shi shu: Fang zhu si hai jie zhun di chu shi yüan ze. Taibei Shi: Han xin wen hua shi yeh yu xian gong si, 1988.

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9

Wu gui yu yin si: Chu jian suo jian fang shu zong jiao kao. Wuchang: Wuhan da xue chu ban she, 2010.

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10

He chu nü ren hao qi se: Quan fang wei tang shui yang yan shu. Xianggang: Qing ma wen hua shi ye chu ban you xian gong si, 2016.

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