Dissertations / Theses on the topic 'Fang'
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Moretti, Alessandra <1996>. "Fratture. Proposta di traduzione di alcuni capitoli di Qinduankou di Fang Fang." Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/18250.
Full textCadet, Xavier. "Histoire des Fang, peuple gabonais /." Paris : l'Harmattan, 2009. http://catalogue.bnf.fr/ark:/12148/cb414763946.
Full text朱崇學 and Chung-hok Chu. "Fang Bao, 1668-1749." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1986. http://hub.hku.hk/bib/B31208587.
Full textOndo, Mebiame Pierre. "De la phonologie à la morphologie du Fang-Ntumu parlé à Aboumezok (Bantu A. 75)." Doctoral thesis, Universite Libre de Bruxelles, 1992. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212884.
Full textNyangone, Assam Blanche. "Dictionaries as teaching instruments for mother-tongue education : the case of Fang in Gabong /." Link to the online version, 2006. http://hdl.handle.net/10019.1/1473.
Full textCadet, Xavier. "Histoire des Fang, peuple gabonais." [Lille], 2005. http://publikationen.ub.uni-frankfurt.de/volltexte/2005/650/.
Full textCadet, Xavier Martin Jean. "Histoire des Fang, peuple gabonais." Lille : A.N.R.T, 2005. http://www.univ-lille3.fr/theses/CADET_XAVIER/html/theses.html.
Full textBianchi, Virginia <1993>. ""La memoria sepolta". Proposta di traduzione di alcuni capitoli del romanzo "Ruanmai" di Fang Fang." Master's Degree Thesis, Università Ca' Foscari Venezia, 2018. http://hdl.handle.net/10579/12677.
Full textXie, Xiwei. "Fang Dongshu shi lun yan jiu = A critical study of Fang Dongshu's (1771-1851) poetic theory /." click here to view the abstract and table of contents, 1994. http://net3.hkbu.edu.hk/~libres/cgi-bin/thesisab.pl?pdf=b13379860a.pdf.
Full textMönch, Julia [Verfasser], and Michael [Akademischer Betreuer] Erhard. "Verletzungsrisiko bei der Verladung von Masthühnern – „manueller Fang“ vs. „maschineller Fang“ / Julia Mönch ; Betreuer: Michael Erhard." München : Universitätsbibliothek der Ludwig-Maximilians-Universität, 2021. http://d-nb.info/1236544161/34.
Full textAnzanello, Laura <1987>. "Fang Lijun: tra luci ed ombre." Master's Degree Thesis, Università Ca' Foscari Venezia, 2016. http://hdl.handle.net/10579/7413.
Full textZhao, Fang Fang [Verfasser], Johannes [Akademischer Betreuer] Pinnekamp, and Heidrun [Akademischer Betreuer] Steinmetz. "Anwendung von Mikrowellen zur Reaktivierung von granulierter Aktivkohle aus der Abwasserbehandlung / Fang Fang Zhao ; Johannes Pinnekamp, Heidrun Steinmetz." Aachen : Universitätsbibliothek der RWTH Aachen, 2016. http://d-nb.info/1130871673/34.
Full textTsoi, Mei-lan. "A study of Fang Xiao-ru, 1357-1402 Fang Xiaoru (yi san wen yi san wu qi zhi yi si ling er) yan jiu /." Click to view the E-thesis via HKUTO, 1993. http://sunzi.lib.hku.hk/hkuto/record/B31950450.
Full textMba-Nkoghe, Jules. "Desription linguistique du fang du Gabon, parler atsi : phonologie, morphologie, syntaxe, lexique." Paris 3, 2001. http://www.theses.fr/2001PA030167.
Full textIn this work, the linguistic description is considered as the study of the way the language Fang -its dialect variant Atsi- globally functions (the Fang-Atsi language is a Bantu language A 75, belonging of the group A 70 or Yaoundee-Fang, and spoken in Gabon. This analysis enabled us to enlighten the structures and mechanismes of that language in order to fulfil the linguistic expression. To get at such an objective, we considered a series of levels of analysis in which we could study the mechanisms laying out the units of the same order to obtain units of a larger scale. As such, the linguistic analysis allowed us to determine from the phonological stand point, the minimal distinctive units, the phonemes ; the single syntactic units, the syntaxemes, or the grammatical categories in the syntaxematical analysis ; the complex significant units, the synthemes, in synthematics ; the complex syntactic units, the syntagmatics ; the single functional units, the functionemes, in matter of functionematics, which are different from or equal to syntaxemes ; the complex functional units, the enuncemes, in the field of enuncematics, equal or different from the utterance, which is considered as the last step. .
Nzhie, Engono Jean. "L'image de la fête chez les Fang du Sud-Cameroun : contribution à une connaissance des Fang du Sud-Ouest." Paris 5, 1991. http://www.theses.fr/1991PA05H004.
Full textIn the junction of entertainment, fancy, and a certain way of life founded on a permanent requirement of nearness, the feast as a social phenomenon represents in the fang micro-groups living in the villages more than an ordinary constant of men communities, or a simple practice stipulated as a common way by which people everywhere try to escape from their daily routine for a leisure time and come periodically to enjoy themselves. It comes to express, beyond his divertissing appearance, an intensive moment of fusion, and shows up through the village member's attitudes, as well the influence of the past and consanguinity as the daily life of the group. It also contributes in his recurrent dimension to revive as the group coenesthesical consciousness as his memorial heirdom and his self-awareness. Even if, in searching of signs of legitimacy, it places in a prominent position as a pretence any joyfull event which appears in the group, or arises groundlessly, it remains in these forest countries a way these fang try to express their makebelieve, their social imaginary and their whole existence. And what is meaning here behind this feast scenery is the inward and invisible common feeling and consciousness : built on "affect", coalescence", and peasant morales ; it satisfies the group insertion and adaptation to his whole world ; it refers to an aesthetical view
Fame, Ndongo Jacques. "L'Esthétique romanesque de Mongo Beti : essai sur les sources traditionnelles de l'écriture moderne en Afrique /." Paris : Présence africaine (9, rue du Château d'eau, 75010) : Groupe média international, 1985. http://catalogue.bnf.fr/ark:/12148/cb348685167.
Full textAndeme, Allogo Marie-France. "Morphosyntaxe du ntumu : dialecte fang,langue bantu du Gabon." Paris, INALCO, 1991. http://www.theses.fr/1991INAL0008.
Full textTsoi, Mei-lan, and 蔡美蘭. "A study of Fang Xiao-ru, 1357-1402." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1993. http://hub.hku.hk/bib/B31950450.
Full textElla, Edgard Maillard. "A theoretical model for a Fang-French-English Specialized multi-volume school dictionary." Thesis, Link to the online version, 2007. http://hdl.handle.net/10019/423.
Full textMolitor, Heike-Maria. "Fang Shih-Shu (1692-1751) : gemalte Kunsttheorie der frühen Ch'ing-Zeit /." Köln : Hundt Druck, 1992. http://catalogue.bnf.fr/ark:/12148/cb355999055.
Full textFang, Li [Verfasser]. "Glacier monitoring using spaceborne SAR intensity images / Li Fang." Aachen : Shaker, 2018. http://d-nb.info/1188550500/34.
Full textFang, Nan [Verfasser], and Wolfgang [Akademischer Betreuer] Merkle. "Restricted Coding and Betting / Nan Fang ; Betreuer: Wolfgang Merkle." Heidelberg : Universitätsbibliothek Heidelberg, 2019. http://d-nb.info/1193347386/34.
Full textZhang, Rongfang [Verfasser]. "Fang Dongmei (1899-1977) und sein Religionsverständnis / Rongfang Zhang." Bonn : Universitäts- und Landesbibliothek Bonn, 2014. http://d-nb.info/1048047342/34.
Full textChow, Ching-wai. "The role of Fang Boqian in the sino-Japanese war of 1894 a new perspective = Jia wu zhan zheng zhong de Fang Boqian /." Click to view the E-thesis via HKUTO, 2009. http://sunzi.lib.hku.hk/hkuto/record/B43209476.
Full textLin, Weikai. "Ming dai de jiang hai lian fang Chang Jiang jiang hai jiao hui shui yu fang wei de jian gou yu bei yu /." Yilan Xian Luodong Zhen : Ming shi yan jiu xiao zu, 2006. http://catalog.hathitrust.org/api/volumes/oclc/124057091.html.
Full textDing, Yizhuang. "Qing dai ba qi zhu fang zhi du yan jiu." [Beijing] : Zhong yang min zu xue yuan, 1990. http://catalog.hathitrust.org/api/volumes/oclc/35014572.html.
Full textAssoumou, Alfred. "Le mariage à la dot chez les fang du Gabon." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0024/NQ31481.pdf.
Full textFang-Chun, Liu [Verfasser]. "Water deuterium fractionation in star-formation regions / Liu Fang-Chun." Bonn : Universitäts- und Landesbibliothek Bonn, 2017. http://d-nb.info/1149154497/34.
Full textYin, Fang [Verfasser]. "Cropland changes during 1980 to 2011 in China / Fang Yin." Berlin : Humboldt-Universität zu Berlin, 2020. http://d-nb.info/1222028743/34.
Full textNyangone, Assam Blanche. "Dictionaries as teaching instruments for mother tongue education : the case of Fang in Gabon." Thesis, Stellenbosch : University of Stellenbosch, 2006. http://hdl.handle.net/10019.1/1473.
Full textENGLISH ABSTRACT: This dissertation attempts a study in the design of school dictionaries for their use in the mother tongue or first language education. Pedagogical dictionaries have undergone changes, which are also due to changes, which had taken, place in the teaching of the mother tongue and in descriptive linguistics from the 1950s onwards. Features of the pedagogical model also have been affected by the development in language-teaching methodology. The teaching of the mother tongue is now less concerned with the knowledge and critical exploration of texts than with competence in oral and written expression.
Huang, Zhongqing. "Ming dai hai fang de shui zhai yu you bing Zhe Min Yue yan hai dao yu fang wei de jian zhi yu jie ti /." Yilan Xian : Xue shu jiang zhu ji jin, 2001. http://catalog.hathitrust.org/api/volumes/oclc/49401347.html.
Full textWu, Tian-Kai, and 吳添楷. "Research on the themes in Fang-Ge Du Pan, Yu-Fang Li and Fang-Tsu Chang’s poetry." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/pf33xv.
Full text國立清華大學
中國語文學系所
107
Du Pan Fang-Ge, Li Yu-fang and Zhang Fang-Tsu were poetess in "Li Poetrt". They were members in the "Female Whale Poetry Society". They write poems of land care in the former, while write poetry about feminism and The historical years latterly. From the perspective of written language, three poets write poems in Chinese and Hakka. They have the commonality of written language. This thesis will compare the political views, female thoughts, humanities and local records in each work from Du Pan Fang-Ge, Li Yu-Fang and Zhang Fang-Tsu's poems, and explore the diverse styles of three poets to expand the position of female poets in modern poetry writing. According to the research, the author finds three points: First, Du Pan Fang-Ge's female writing is motherhood and divinity, from both to explore the identity and the influence of God; the topology writing of the local history is mostly depicted by mountains, or the depiction of war background. In politics aspects, she have patriotic ideas. Second, Li Yu-Fang's female writing starts from the perspective of the body, and the sub-title is lust; the topology poetry in various poetry festivals makes the works the outside and the inside more international; the political viewpoint starts from the field structure of power. Third, Zhang Fang-Tsu's female writing is divided into girls, women and mothers and daughters. The identity difference is based on the past. Her topology work is divided into the hometown and her side as the emotional intertwined distribution; the last political poetry resists the narration of the the Feb. 28 Incident.
LOU, FANG-RONG, and 羅芳容. "LOU, FANG-RONG." Thesis, 1985. http://ndltd.ncl.edu.tw/handle/35358644643338220187.
Full text國防醫學院
生物形態學研究所
73
Streptamyces erythraeus ATCC 11635為紅黴素生產菌株，其紅黴素產量相當於80ug /ml 純品紅黴表Ａ之效價。以紫外光及NTG 對其孢子做誘變處理，結果發現紫外光之 誘變效果甚佳，由暴照60秒之處理組，可得３％之營養需求突變株，具中約有11％的 菌株之紅黴素產量優於未經誘發處理之制組。經二次紫外光誘變處理後，篩選得一高 產菌株：U-5-31，其紅黴素產量為原菌種之二倍。以NTG (1mg/ml)處理1.5 小時後， 約５％之存活菌株其紅黴素產量優於控制組，但無營養需求菌株的發現。 以Stmy.erythraeus ATCC 11635做原生質體化及再生處理，發現約有94％的再生菌株 其所產紅黴素之效價低於80 ug/ml純品紅黴表Ａ，且約有90％之再生菌株有顯著之形 態變異；但仍有２％之再生菌株表現出紅黴素增產之性狀。 Stmy.erythraeus ATCC 11635之原生質體再生率約為 0.012％，若於其再生培養基中 加入一些大分子聚合物或牛血清蛋白，則可提高其再生率，其中以加入牛血清蛋白 0.1％效果最佳，可使再生率達0.146％ 。 將Stmy.erythraeus ATCC 11635經紫外線誘變後所得之營養需求菌株：U-5、U-28、 U-33，做原生質體融合處理，可測得0.42％之重組率(U-33×U-5) ；融合處理後之重 組後代(U-33×U-28)有23％優於二融合親本，且有５％優於原始菌株ATCC 11635。 另以一紫外光誘變所得之非紅黴素生產囷株：U-15與Stmy. nodosus 行種間融合， Stmy. nodosus 之原生質體在行融合處理前，先以高劑量之紫外光處堙之。融合處理 後，在再生平板上的再生菌落，約有８％表現出抗staphylococcus aureus 的性狀， 但在液態培養液則無法測得此抗菌物質在。 以一紫外光誘變得之增產菌株：U-202在20liter之醱酵槽行紅黴素醱酵生產，可得相 當於430ug/ml純品紅黴素Ａ之效價的產量，以MIBK萃取醱酵液可得90％以上之回收率 ，真空濃縮後，以Methanol萃取、風乾，可得初步之結晶。
Huang, Chien-Fang, and 黃千芳. "Chien-Fang Huang." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/34210503150472425618.
Full text國立嘉義大學
食品科學系研究所
96
Abstract Sang-Hwang is medicinal fungus of Chinese herbs. At present, surgical resection is still the only modality for cure of the disease. Sang-Hwang is a well-known orange color mushroom which grows on mulberry trees. Previous studies have shown that Sang-Hwang has anti-tumor, anti-inflammatory and immunoregulatory effects. The objective of this study was to develop Sang-Hwang beverage using Sang-Hwang and Antrodia camphorata as compositions, and to determine mineral contents, antioxidative capacity, shelf-life, functional constituents and safety evaluation. Results showed that polysaccharide contents of functional components for Sang-Hwang beverage, Sang-Hwang multiherbal formula beverage and Sang-Hwang Chinese multiherbal formula beverage were 445.01 mg/100mL, 435.46 mg/100mL and 458.21 mg/100mL, respectively. Among studied beverages, Sang-Hwang Chinese multiherbal formula beverage showed significantly highest SOD-like activity 31.39 unit/100mL and antioxidant capacity expressed by scavenging activity on ABTS free radicals and DPPH free radical. In addition, Sang-Hwang Chinese multiherbal formula beverage was also well-accepted by the customers. The quality of the herbal beverage did not change and there was no microorganism growth during 90-day shelf-life test period. In the safety evaluation, the beverage was proven not to possess toxicity and mutagenicity. In conclusion, our newly developed Sang-Hwang Chinese multiherbal formula beverage contains several functional constituents that can improve health. The current results provide the information of developing a Sang-Hwang Chinese multiherbal formula. Our results merit further investigation in herbal supplement developments and studies. The objective of this study was to investigat the cultivation of Bacillus subtilis for nattokinase production, and further to identify the optimum conditions including culture substrates, inoculums size, culture temperatures, culture relative humidity, and viscosity for nattokinase production. In addition, soybean, black soybean and peanut were used to inoculate and culture for production of soybean natto, black and peanut natto. The optimal cultivation condition for inoculum size, relative humidity, temperature, time, and the highest activity of nattokinase included 1.5 mL, 85 %, 37 ℃, 24 hours, and 42.38 FU/g, respectively. In conclusion, our finding can be beneficial for the development of natto products and further enhance the variety and alternative of the relevant products of natto. Key words: Sang-Huang, Chinese multiherbal formula beverage, functional constituents, nattokinase, solid culture
XIE, YUN-ZHONG, and 謝雲忠. "Studies on Shih-Ching Fang Pei-Chi-Chien-Chin-Yao-Fang." Thesis, 1992. http://ndltd.ncl.edu.tw/handle/48823409839084177091.
Full textHONG, MING-XUAN, and 洪明玄. "Researching Fang Yizhi's phonology." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/u7953u.
Full textFANG, HSU MING, and 徐敏芳. "Hsu， Ming Fang Graduate Recital." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/32990791343306015052.
Full text國立屏東教育大學
音樂學系碩士班
94
Abstract This thesis consists of the graduate recital and the lecture recital both performed by the researcher. The graduate recital includes the program and program notes. The lecture recital includes the research paper focused on Felix Mendelssohn-Bartholdy’s Variation Sérieuses and Ferrucio Benvennto Busoni’s recomposed Chaconne. The research paper for the lecture recital comprises five chapters. Chapter One discusses the evolution of the variations. Chapter Two addresses listing of the types of piano technical skills. Chapter Three investigates Felix Mendelssohn-Bartholdy’s life, and the background of his Variation Sérieuses, and provides discussion on performance skills and annotations. Chapter Four approaches Ferrucio Benvennto Busoni’s life, and the background of the Chaconne, and provides discussion on performance skills and annotations. Chapter Five concludes the research. The researcher discusses Felix Mendelssohn-Bartholdy’s Variation Sérieuses and Ferrucio Benvennto Busoni’s recomposed Chaconne with seventeen kinds of technical skills of the variation form：scale, arpeggio, chord, staccato, trill, tremolo, broken chord, repeated-note and single-hand section, chromatic passages for both hands, remote jumps and moving, double mixed tone, double octave unison, irregular tone unison, continuous octave, multiple-voice timbre control, extended palm positions, etc …, in order to make some contributions to the annotation of musical performance. Key words：graduate recital, lecture recital, piano technique, variation, Mendelssohn, Variation Sérieuses, J. S. Bach, Busoni, chaconne.
Ki, Tam Chi, and 譚志基. ""Fang Yan" in modern dialects." Thesis, 1998. http://ndltd.ncl.edu.tw/handle/z8f2rk.
Full textWang, Fang-Wen, and 王方彣. "Fang-Wen Wang Piano Recital." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/58g47m.
Full text臺北市立大學
音樂學系
107
The "Piano Recital" is based on the Italian and Spanish music in Southern Europe, and the local dance, folk songs and literature are presented through music.The program includes: F. Liszt Sonetto 104 del Petrarca, from Années de Pélerinage–Deuxiéme Année, Italie, F. Liszt Supplément aux Années de Pèlerinage 2 de Année《Venezia e Napoli》, F. Poulenc Napoli Suite, I. Albeniz Granada, from Suite Española, Op. 47, I. Albeniz El Puerto, from Iberia, C. Debussy La soiree dans Grenade, from Estampes, F. Liszt Spanish Espagnole, S. 254.
Xu, Cai-Qi, and 徐彩琪. "The Research of Dong Fang Shuo." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/25193761703107487586.
Full text逢甲大學
中國文學所
93
Dong Fang Shuo''s pet name is Man Qian. He is a writer in earlier stage of Western Han Dynasty. He is well-known because of humorous and funny. Dong Fang Shuo and Si Ma, Xian-Ru have similar literature position and value in Ban Gu’s “the preface of Liang Du Fu”. Dong Fang Shuo is an artistic personage. Not only Sima Qian’s “Historical Records” but also Ban Gu’s “Han History” writed the biography for him, and is immortal in popular legend. Dong Fang Shuo has left his outline in historiography, literature and novel. Dong Fang Shuo is a attendant of language by Martial emperor of Han dynasty and called “The King of Humor” in historiography. The authors who writing Fu in Han dynasty including Dong Fang Shuo were regarded as fou. The articles of Dong Fang Shuo are popular and plain, for example: “Da Ke Nan” and “Fei Yo Xian Sheng”. The new style: “Da Nan” of “Da Ke Nan” has already become a “Shi Hui” form for expressing the feeling of unrecognized talents. The application of riddle also expresses his art of the language. Since the “Lie Xian Zhuan” of Liu-Xiang, the solemn historical personages had transferred to immortal personages. Dong Fang Shuo has already rumored to a constellation, the spirit of wood or the steal the peach and long-lived the sky infant genius. Dong Fang Shuo spends all his life on the affairs of state, but he is not as one wishes. The “Dong Fang Shuo Painting Praise” of Xia Hou Zhan commends the attitude of living in seclusion in the imperial court.
LIAO, FANG-YI, and 廖芳乙. "Landscape painting of Liao Fang Yi." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/4tscau.
Full text國立臺灣藝術大學
美術學系
104
The transcendental spirit of Taoists influences the painter deeply. Leaving the images behind, the works has shown the spirit of pursuing the romantic charm. Merging the egos with the big nature, I turn the merging part to the background scenery and transfer the flowing lines into the bushes and branches. As a result, the vision of the heart appears in the works gradually. The series works of《The heart‧Mountains and Waters》are not only the major points of this essay, but also the extension of the series works of《Resembling Waters》. Although the creating materials come from the West, the essence is based on the oriental spirit. Transferring the tradition methods into another, I try to open up a new way by merging my own living experiences. I assimilate the elements of crafts like : batik, print, tiles, watercolor and ink into his creation which tries to subvert the creation form of the thick, heavy and dry skin texture, and create the works with a moisture-filling way. The automatic skill dilutes the pigment and creates by splashing which maintains the texture of the canvas and presents the original texture. The hand movement makes the invisible and untouchable heart reveals naturally and shows the present mood which turns into a “like mountain like water” picture. The submitting mind realizes the “inaction leads to good deeds” spirit of Taoists. This creation essay has 5 chapters in total, the first chapter is an introduction which includes the motivation of the research, the purposes, the contents and the methods. The second chapter tries to open up the heart vision by discussing the abstracts which mainly analyses the abstract spirit of the oriental artists,
KO, PEI-RU, and 柯珮如. "The study of Fang dongmei' Panentheiam." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/12377659259567117926.
Full text輔仁大學
哲學研究所
98
The aim of this thesis is to explicate Fang Dongmei's Panentheism. The main issues are as follows. 1. What is God? 2. What is the relationship between God and world? 3. What is the relationship between God and human beings?
Wang, Fang [Verfasser]. "Shape optimization for piezoceramics / von Fang Wang." 2007. http://d-nb.info/985743832/34.
Full textWai-KeongMui and 梅偉強. "A Study of the Ming Gong Fang." Thesis, 2014. http://ndltd.ncl.edu.tw/handle/72c2bh.
Full text國立成功大學
歷史學系
102
A Study of the Ming Gong Fang Wai Keong-Mui Yong Chang-Zheng Department of History ＆ College of Liberal Arts SUMMARY When Yongle Emperor reestablished the capital of the Ming dynasty in Beijing, he also built a new palace for his family. The life of Royal family expended a large number of goods every day. For this reason the government needed to ship many goods from the former national capital Nanjing. Yellow ship , Horse ship and Fast ship were ordered to take this mission. Then, these ships developed into Gong Fang. Government had set up a variety of systems and regulations , it allowed the transport fleet worked regularly. Gong Fang was a huge transport fleet which was combined with hundreds of ships and thousands of people. A list of issues was created after long running operations. In Nanjing, many families worked for Gong Fang and they suffered a lot . Government changed the system and regulations to solve the issues. Government reduced the size of the transport fleet too. These changes made Gong Fang could work longer until the end of the Ming dynasty. In this paper, Gong Fang was the center. On one hand this paper would describe the the development of Gong Fang, the other hand the paper would explore the operation and impact of this transport fleet. According to the old books, this paper would restore the true face of Gong Fang. INTRODUCTION After Song dynasty and Yuan dynasty, the shipbuilding of the Ming Dynasty has developed into very high level in the history of Chinese shipbuilding. There were so many shipyards around the country. Such as Yellow ships, Horse ships and Fast ships were built In Nanjing to meet the needs of the empire. When Yongle Emperor re-established the capital of the Ming dynasty in Beijing, he also built a new palace for his family. The life of Royal family spent many goods every day. The government needed to ship many goods from the former national capital Nanjing to meet the royal demand. For this reason, Yellow ship, Horse ship and Fast ship were ordered to take this mission. When Wanli Emperor ruled the empire, officers used the word Gong Fang to call these ships. Gong Fang was a great transport fleet which was combined Yellow ship, Horse ship and Fast ship. These ships came from different departments. Government had set up a variety of systems and regulations , it allowed the transport fleet would work regularly. The management of Gong Fang could be divided into ship and freight. First, the government would hold the fleet. In the fleet, Government handled the ships and the people separately. Shipwrights built and repaired the ships in the shipyards around Nanjing. Many families lived in Nanjing worked for the fleet. When the mission was confirmed , the list of the goods would be issued. Gong Fang would be well prepared and the workers would freight the ships with goods. After the officers had checked the ships, Gong Fang would be allowed to leave. The goods on board were transported to Beijing. In the Ming Dynasty, Gong Fang shipped a lot of goods to Beijing every year. In this paper, Gong Fang was the center. On the one hand , the researcher would show the readers the development of Gong Fang. On the other hand the researcher would explore the operation and the management of this fleet. MATERIALS AND METHODS Though Yongle Emperor relocated the capital to Beijing, Nanjing was demoted to a secondary capital and many departments keep working. Many officers lived in Nanjing and they paid attention to the operation of the government. Gong Fang was a large and complex system of vessels, the ships came from different government departments. Government established many institutions and constitution. The operation of Gong Fang was assured. The institutions and constitutions were written into the books and these books were retained. After Gong Fang had been worked for many years , there were a lot of problems emerged from the public. Many officers recorded the painful life of the families that worked for Gong Fang. Some officers suggested that government should change the institutions and constitutions. The suggestions were written into the officers' works. Whether the management of Gong Fang, or the operation of Fang Gong, Ming officers left a lot of information in their books. Such as Da Ming Hui Dian, Longjiang shipyard Chi and Nanjing Censorate Chi are available nowadays. Thanks to these books the researchers could study the history of Gong Fang. RESULTS AND DISCUSSION In the Ming Dynasty, Gong Fang shipped a lot of goods every year. Gong Fang was a great transport fleet which was combined with thousands of ships. In this fleet , small ships played the most important role. The small ships could sail faster and they could go through the shallow river. Government sent a lot of small ships to transport goods to Beijing. In the history of Gong Fang, the secondary capital Nanjing played a important role. Nanjing was the home port of Gong Fang. Many families lived in Nanjing worked for this fleet. Many departments managed the fleet around the city. Hundreds of Gong Fang transported a large number of goods from Nanjing to Beijing. Nanjing was a important port. Ming government built Gong Fang on a series of systems and regulations. The government established a complete process for the operation of Gong Fang, so officials and soldiers were complied with. The process made Gong Fang could work regularly. The ships could be well prepared and government could keep enough ships to run. When the government ordered Gong Fang to transport the goods, unscrupulous officials transported their properties in the same time. They forced the sailors to give the money. These illegal acts made sailors suffered a lot. Many sailors left their posts. The government formulated some regulations to combat with the officials' illegal acts. The officials of Ming government tried their best to make the transport fleet could run longer. The methods of management was effective in keeping Gong Fang run until the end of the Ming Dynasty. CONCLUSION In the Ming Dynasty, Gong Fang became a huge transport fleet under the support of government. This fleet held an important position in the history of Ming shipbuilding industry. Gong Fang transported a lot of goods to meet the needs of royal family. Through the list of goods, the researchers could explore the life of the Ming royal family. Unfortunately the paper was too short, the researchers could not show the readers all the things. More researches about Gong fang should be finished in the future.
Fang, Po-Ching, and 方柏欽. "Po-Ching, Fang 1999~2002 Artist Statement." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/85664126853090042320.
Full text臺南藝術學院
應用藝術研究所
90
As an artistwho makes functional pots. I always consider that to complete my creative porcess of making pots is to see the users who were satisfied by the pots I made. My focus on creating functional pots that are not only for everyday use but also express my feelings and concerns. My main objective is to combine the man-made object with feelings inspired by nature, and use the natural wood kiln to fire. In my work I use man-made objects such as screws, bottle caps, and textures from household objects. I press mold these man-made forms and combine them with what I feel are natural textures, colors and firing techniquies. For me, the wood firing process is very importand for my work. It is a great communication between the hand made objects and fire. I also enjoy the wood firing process and the clean up afterwards. I feel these works are the everyday work of a functional potter iust like mingei potters.
Licuco, Ana Cristina Julião. "Biochemical approach to study the spider fang." Master's thesis, 2013. http://hdl.handle.net/10316/24657.
Full textThe environmental context where some animal are found may often explain some of their characteristics. This is not different for arthropods whose body is covered by an exoskeleton, the cuticle, a structure that, among other functions, confreres protection, shape and defense against parasite invasion. This is possible thanks to the organization of the exoskeleton in different layers with very specific characteristics. The cuticle of arthropods, composed of chitin and protein, exhibits notable variations in both organization and local microstructure. This situation occurs for all body anatomical structures containing cuticle and with different patterns of microstructural and chemical gradients between them. This work aims to give information about the organization of the cuticle of arthropods, using the spider Cupiennius salei as a model, and focusing the attention on the protein content. The project was developed assuming the existence of so far unidentified metal-dependent proteins, where the metal coordination is possible due to the presence of histidines, situation that also contributes to the mechanical properties of the cuticle. The project comprises the establishment of a principle for extraction, purification based on zinc affinity and characterization of proteins from cuticles of abdomen, tibia and fangs of Cupiennius salei. The optimization of the protein extraction and purification will allow the characterization of these proteins and the possible establishment of homology with proteins, of other organisms, with similar amino acid compositions and sequences and/or common functions.
O contexto ambiental em que alguns animais são encontrados pode muitas vezes explicar algumas das suas características. Tal não é diferente para os artrópodes cujo corpo é coberto por um exosqueleto, a cutícula, uma estrutura que, para além de outras funcões, confere protecção, forma e defesa contra invação de parasitas. isto é possível graças à organização do exosqueleto em diferentes camadas com características bastante específicas. A cutícula dos artrópodes, composta de quitina e proteínas, exibe oscilações notáveis quer a nível de organização quer a nível de micro-estrutura local. Esta situação occore em todas as estruturas anatómicas do corpo que contêm cutícula e com diferentes padrões micro-estruturais e gradientes químicos entre elas. Este trabalho tem por objectivo facultar mais informação acerca da cutícula de artrópodes, usando como modelo a aranha Cupiennius salei, e focando atenções no conteúdo proteico. O projecto foi desenvolvido assumindo a existência de proteínas metalo-dependentes, até agora não identificadas, onde a coordenação metálica é possível devido à existência de histidinas, situação que contribui igualmente para as propriedades mecânicas da cutícula. O projecto compreendede o estabelecimento de uma metodologia para a extraccção, purificação tendo por base a afinidade por zinco e caracterização de proteínas da cutícula de abdomen, tíbia e presas de Cupiennius salei,. A optimização do processo de extracção e purificação permitirão a caracterização dessas proteínas e o possível estabelecimento de homologias com proteínas, existentes noutros organismos, com composições de aminoácidos e sequências semelhantes e/ou funções comuns.
Lin, Tzo Lin, and 左玲玲. "The Study Of Fang,Xiao-Ru's Potry." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/27619585714753776139.
Full text中國文化大學
中國文學研究所
98
Abstract This thesis is to study FANG XIAO-RU’s poems. I would like to inform the influence to the latter poets and also the content, patterns and skills which he used in his poems. FANG XIAO-RU （1357A.D-1402A.D）was born and dead in the Hong-Wu Dynasty（1368A.D-1398A.D）. He thought he was the classical Confucianist. He was the advocate of manners but he lived in the dynasty which executed cruel tortures. Therefore, my study will start from his childhood to the achievement of becoming the Master in poetry. (Huang Tsung-Hsi called him the first Confucianist of the early Ming Dynasty.) I will also inform his ideas, teachers and friends. As for the content of his poems, it covered from many different kinds of poems. For instance, poems for the emperors, history stories, poems on the paintings, poems to describe an object, poems to express people’s feelings, poems about the nature and human beings. We can see that he was such a sensitive, free and gentle poet. In the forms of art, my study starts from the rhetoric of forms and the rhetoric of content to discover the beauty of his poems. His poems told the human beings and the care for all the mankind. They also revealed the social style. He insisted on Confucianism and good behaviors and manners which have influenced the later period a lot. He used natural wording but still showed strong feelings. FANG XIAO-RU’s poems are highly valued and are a great treasure to all of us. Keywords:Xun Zhi Zhai JI. Cheng Zhu reture. Kill ten clans. FANG XIAO-RU. Rhetoric. Poem
Lin, Fang Yeu, and 林芳羽. "Lin,Fang-Yeu Piano Recital Program Notes." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/69429672409680854617.
Full text國立屏東教育大學
音樂學系
99
The thesis includes both parts which are solo recital and performance recital. Both of the recitals contain the program and program notes. There are four pieces in the solo recital, each being the work of different period. The first piece being the Toccata in E minor, BWV.914 by J. S. Bach is one of the important keyboard works in the early stages which utilize the alternation between free and contrapuntal styles of the Baroque piano music. The second piece being the Piano Sonata, Op.22 by R.Schumann is a musical composition which is based on a short motive and is a rather well-known composition. The third piece being the Suite, Op.14 by B. Bartók is a the work in the style of strong folk music. The fourth piece being Les Soirées de Nazelles by F. Poulenc is a highly varied genre which is not only an improvised work at a party between Poulenc and his friends but also the most important composition amongst his piano music. The performance recital comprises of four musical compositions. The first piece being Cello Sonata No.5 in D Major, Op.102 no.2 by L.V. Beethoven is full of the maturity and rich polyphony technique and is the one that was never witnessed before. The second piece being the Hungarian Rhapsody No.10 by F. Liszt contains an interesting free spirit as well as causalness. The third piece being Excursions Op.20 by S. Barber has a highly varied style and also contains strong significance of spontaneity. The fourth piece being Hungarian Dances for piano four hands, No.1、3、5、6、21 by J. Brahms is a work which strongly demonstrates the style of Gypsy music. Key words：recital、Toccata、Sonata、Suite、Hungarian Rhapsody、Bach、Beethoven、Schumann、Liszt、Brahms、Barber、Bartok、Poulenc
Yuan, Mei-Fang, and 袁梅芳. "Graffiti on Canvas by Yuan, Mei-Fang." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/zc2h53.
Full text國立臺北藝術大學
美術學系碩士在職專班
106
This statement mainly focuses on sketching of dynamic human body, particularly in connection with the inner sensibility of intuition and perception through life experiences. This text is divided into five chapters. Chapter 1, to re-recognize myself. Chapter 2, brief statement of " Expression Theory of Art ". Chapter 3, try to find images of real emotions. Chapter 4, solo exhibition. Chapter 5, about the development of my works in future.
Lin, Yi-Fang, and 林依舫. "Yi-Fang Lin Piano Recital Program Notes." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/5vpcu8.
Full text國立中山大學
音樂學系研究所
107
This report is Yi-Fang Lin Piano Recital Program Notes on April., 23, 2019. The two pieces on the program include Piano Sonata in C minor, K.457 by W.A. Mozart, and Piano Concerto No.1 in F-Sharp minor, Op.1 by S. Rachmaninoff. The note will introduce the life of two composers, the compositional background of individual work, and the analysis of the structure, including tonal design and thematic material in each work.