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Relevant bibliographies by topics / Fanny Elssler

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Journal articles
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Academic literature on the topic 'Fanny Elssler'

Author: Grafiati

Published: 4 June 2021

Last updated: 8 February 2022

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Journal articles on the topic "Fanny Elssler"

1

Costonis, Maureen Needham. "The personification of desire: Fanny Elssler and American audiences." Dance Chronicle 13, no. 1 (1990): 47–67. http://dx.doi.org/10.1080/01472529008569024.

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Chevrier-Bosseau, Adeline. "Des ballerines et des spectatrices : la tournée de Fanny Elssler et les questions féministes au début des années 1840 aux États-Unis." Romantisme 193, no. 3 (2021): 48–60. http://dx.doi.org/10.3917/rom.193.0048.

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Martin, Christopher. "NAKED FEMALES AND SPLAY-FOOTED SPRAWLERS: BALLERINAS ON THE STAGE IN JACKSONIAN AMERICA." Theatre Survey 51, no. 1 (2010): 95–114. http://dx.doi.org/10.1017/s0040557410000232.

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When artist-inventor Samuel B. Morse alleged that the Bowery Theatre performance of French ballerina Madame Hutin was “to all intents and purposes thepublic exposure of a naked female,” he was expressing an opinion that conflicted with that of other critics, who felt that the performance of French dancers would “put to shame our splay-footed indigenous sprawlers, and will greatly refine the taste in dancing in the play-going public.” In Jacksonian American, citizens who were concerned with the direction of the nation's culture engaged in a debate about the respective merits of the less-polishe

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4

Zamponi, Linda. "URAUFFÜHRUNG VON „FANNY ELSSLER - FRAU UND MYTHOS“IN DER VOLKSOPER." Österreichische Musikzeitschrift 45, no. 1 (1990). http://dx.doi.org/10.7767/omz.1990.45.1.31.

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Dissertations / Theses on the topic "Fanny Elssler"

1

Singletary, Savannah M. "Theatrical Texts and Contexts: Poe and Hawthorne’s Fictional Women." VCU Scholars Compass, 2017. http://scholarscompass.vcu.edu/etd/4861.

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Edgar Allen Poe and Nathaniel Hawthorne are arguably two of the most highly read and heavily debated nineteenth-century antebellum authors in America. Their writings fascinate readers, while their character depictions, particularly their characterizations of fictional women, prompt intense academic debate. This thesis examines the previously less-studied historical developments surrounding Poe and Hawthorne in the antebellum era that shaped their approach to writing fiction. In particular, this study scrutinizes the effects of the development of a newly popular art form, ballet, the ascendency

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Books on the topic "Fanny Elssler"

1

Alfonso, Francisco Rey. Fanny Elssler: Cartas desde La Habana : tomado de The letters and journal of Fanny Ellsler [sic] de Henry Wikoff. Ediciones Boloña, 2005.

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2

Speidel, Ludwig. Fanny Elsslers Fuss: Wiener Feuilletons. Verlag Volk und Welt, 1989.

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Speidel, Ludwig. Fanny Elsslers Fuss: Wiener Feuilletons. Böhlau, 1989.

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Book chapters on the topic "Fanny Elssler"

1

Meisner, Nadine. "Russian Debut." In Marius Petipa. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190659295.003.0004.

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This chapter begins with Petipa’s arrival in St Petersburg and his first roles and productions there. It examines the structures of the Imperial Ballet and the directorate of the Imperial Theatres, especially the incumbent director Alexander Gedeonov. It describes the influence of the visits of Marie Taglioni, icon of the Romantic Ballet, and sketches the career of St Petersburg’s own ballerina, Elena Andreianova, who was often partnered by Petipa. It covers the appointment of Jules Perrot, choreographer of Giselle, as first ballet master, and of Jean Petipa, Marius’s father, as a teacher at the school. The arrivals of the celebrity ballerinas Fanny Elssler, Carlotta Grisi, and Fanny Cerrito are also covered, as is the effect of the Crimean War. There is also a lengthy section focusing on the subject of Petipa as a performer, outstanding in character (national) dance and mime.

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2

Lampert, Sara E. "Danger, Desire, and Celebrity Mania." In Starring Women. University of Illinois Press, 2020. http://dx.doi.org/10.5622/illinois/9780252043352.003.0006.

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This chapter examines the 1840-42 celebrity tour of Viennese dancer Fanny Elssler, which generated public enthusiasm described as "Elsslermania.” This celebrity mania demonstrated the possibilities of new mass media and marketing. It also offered contradictory views of American tastes and social behavior. Journalists read the dancer in relation to her publics. She was cast in idealized, sentimental terms and as a dangerous foreign threat to American society for both disrupting republican manhood and threatening genteel womanhood. Her draw with white middle-class publics signaled the growing gentrification of theater while producing alarm. Ultimately, this media-generated panic may have done more to enhance rather than damage her popularity—and profitability to journalists trafficking in her image.

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