Academic literature on the topic 'Fantastic works'

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Journal articles on the topic "Fantastic works"

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Serdar, DARTAR. "The Effect of Fantastic Elements in the Works of Hieronymus Bosch." INTERNATIONAL JOURNAL OF HUMANITIES AND ART RESEARCH 8, E.Ş. Special Issue (2023): 156–73. https://doi.org/10.5281/zenodo.8265107.

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In every period, the painters gave direction to their works based on the concepts they were interested in; They reflected the subject they wanted to tell by using different elements in their works. The concept of “fantastic” has been seen in most works since the existence of societies. Many factors such as the period in which people live, their beliefs and value judgments have been effective in the use of fantastic items. Fantastic elements found in written and unwritten sources were handled in the works of painters in different periods, with different styles. In literary products
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Hwang, Yun-Ok, and Da-Hong Kim. "A Study on Nail Design Applying Dreams and Fantastic Characteristics in Surrealist Works: Focusing on Vladimir Kush." Journal of the Korean Society of Cosmetology 31, no. 1 (2025): 128–39. https://doi.org/10.52660/jksc.2025.31.1.128.

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This study aims to expand the scope of nail design materials that can satisfy the tendencies of various consumers and provide commercialized materials through nail art works that apply the dream and fantastic characteristics of surrealist works. The research methods of this paper are as follows. In order to theoretically examine the dream and fantastic characteristics of Vladimir Kush’s works among surrealist artists, we analyzed Sigmund Freud’s psychoanalysis theory that influenced surrealism, previous research on Vladimir Kush, and the contents of exhibitions. Through this, we created five w
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Matoušková, Radka. "Intertextuality in contemporary fantastic fiction." Radomskie Studia Filologiczne. Radom Philological Studies 1, no. 11 (2022): 101–11. http://dx.doi.org/10.24136/rsf.2022.007.

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The article focuses on the elements of intertextuality in contemporary English literature at the theoretical level and then through literary analysis, and it also clarifies the notion of intertextuality in terms of the process of “Changes and Transformations” at two different levels. At the beginning, there is a description of the characteristics of the concept of intertextuality according to selected sources (F. de Saussure, J. Kristeva, M. Bakhtin, G. Genette, W. Benjamin, F. Jameson, G. Allen). Then the focus is on the examination of one particular intertextual work of a contemporary fantas
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Sergeev, Aleksandr. "“Caricature” in Hjalmar Bergman’s Works." Stephanos Peer reviewed multilanguage scientific journal 58, no. 2 (2023): 20–29. http://dx.doi.org/10.24249/2309-9917-2023-58-2-20-29.

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The article examines the creative originality of the Swedish writer Hjalmar Bergman, the creator of the original aesthetic concept, which he embodied in his novels of the first third of the 20th century, combining funny and tragic, fantastic and real, sharp grotesque and psychological depth, which served to affirm the ideals of good and humanity.
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William, James. "Fantastic Pragmatism." Nóema 1, no. 13 (2022): 63–75. http://dx.doi.org/10.54103/2239-5474/19025.

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The everyday sense of pragmatic involves ideas of sensible practice, cautious realism about current situations, flexibility allied to technical knowledge, and the prioritisation of what works, as opposed to unrealistic and damaging ideals. I argue against this technical and sensible flavour of pragmatism, pre-sent in many of its historical and contemporary versions. Pragmatism can be taken as technically-minded, realistic and practical, thereby avoiding the excesses of abstract ideologies. Instead, I will defend the thesis that pragmatism should be fantastic, in the precise sense of metaphysic
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Kolcu, Gökçe, and Mehmet Başak Uysal. "THE HISTORICAL FORMATION OF THE FANTASTIC GENRE AND ITS STRUCTURE FROM TZVETAN TODOROV’S PERSPECTIVE." International Journal Of Turkish Literature Culture Education 14, no. 2 (2025): 541–52. https://doi.org/10.7884/teke.1679669.

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This study explores the fantastic genre, emphasizing its role in shaping collective cultural narratives and engaging with supernatural and extraordinary elements throughout human history. Through an analysis of its structural and functional dimensions, the study investigates the mechanisms behind the fantastic genre, which constructs alternative realities distinct from the known world. The work of Tzvetan Todorov, in particular, provides a foundational framework for understanding the fantastic, where the tension between the uncanny and the marvellous creates a sense of hesitation for both the
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Lebedeva, Anna A. "The Birth of the Category of “Fantastic” in Russian Aesthetic Thought." Literary Fact, no. 1 (31) (2024): 167–86. http://dx.doi.org/10.22455/2541-8297-2024-31-167-186.

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The article attempts to identify the time when the category “fantastic” appeared in the aesthetic thought of the Pushkin era. Common and fixed in the poetics of this time was another, close in meaning, term “chudesnoe” (“miraculous”). It denoted the “supernatural” (a concept that has become crucial in literary fantastic) but did not fundamentally differ from similar phenomena, such as rare, unexpected, and extraordinary. According to the National Corpus of the Russian Language, the word “fantastic” finds frequent use only after 1830, which chronologically coincides with the period of active pe
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Nodier, Charles, Elizabeth Berkebile McManus, and Daniela Ginsburg. "The Fantastic in Literature." Publications of the Modern Language Association of America 134, no. 3 (2019): 540–54. http://dx.doi.org/10.1632/pmla.2019.134.3.540.

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Charles Nodier (1780–1844) holds the dismal distinction of being the most important French Romantic you have never heard of. A child prodigy, Nodier was reading Montaigne and Plutarch, and writing fluently in French and Latin, by the age of ten. By twenty-five he had vandalized a guillotine, founded the ironically Freemasonesque antiJacobin society called the Philadelphes, published one of the irst French works of scholarship on Shakespeare, and served a month in prison for criticizing Napoleon in the poem “La Napoléone.” It was only then that he got serious, and in 1806 Les tristes was publis
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TERIĆ, Marijana. "DEFINING THE FANTASTIC IN SOUTH-SLAVIC LITERATURE: MILORAD PAVIĆ AS THE CREATOR OF POSTMODERN FANTASY." Lingua Montenegrina 14, no. 2 (2014): 215–34. https://doi.org/10.46584/lm.v14i2.421.

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One of the first authors that started the post-modernization of the fantastic is Milorad Pavić. Nourishing the literary phenomenon of the fantastic, Pavić introduced new reception practices, starting the deepest processes of artistic perception of prose. In this way, the fantastic has started conquering the pages of post-modern works, occupying an important place in the science of literature. For this reason, the aim of the present paper is to determine the term of fantasy, classifying the fantastic and its typological characteristics in order to point to its functioning in the prose of Milora
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Borzova, Maria. "HORROR TEMPORIS: FANTASTIC UNCERTAINTY OF TIME." CONTEMPORARY LITERARY STUDIES, no. 20 (December 20, 2023): 7–16. http://dx.doi.org/10.32589/2411-3883.20.2023.293528.

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Stephen King often manipulates with time by referring to time anomalies, disrupting the timeline of his works, and incorporating time loops along with parallel worlds. In his works, time is an unpredictable phenomenon, and the disruption of its established order results in a sense of helplessness and loss of control as well as creates an atmosphere of horror.
 In the author’s novel of 1977, “The Shining” horrifying events from the past of the Overlook Hotel intertwine with contemporary events, generating terrifying visions in the characters’ consciousness. In his other novel, “Pet Sematar
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Dissertations / Theses on the topic "Fantastic works"

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Guffey, Ensley F. "Fantastic Histories: War and American Memory in Selected Works of Joss Whedon." Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/etd/2333.

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This thesis used theories of historical memory studies to examine the ways in which the American writer/director/showrunner Joss Whedon uses American memories, particularly those associated with American experiences in the Civil War and World War II, in his works of fictional, genre television and film. Emphasis was placed on the manner in which Whedon engages in the construction of popular memory, how his work challenges and/or reinforces existing memory narratives, and how Whedon uses historical memories to comment on and influence political, social, and cultural issues in the present. This
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Jenzen, Olu. "Queering the fantastic : dissident sexuality and gender in the works of Jeanette Winterson." Thesis, University of Sussex, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.496936.

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The thesis examines how the fantastic as a literary mode may offer imaginative possibilities for expressing dissident sexualities and gender, via an author study of Jeanette Winterson. The study concentrates on the potentially subversive nature of the literary fantastic as a critique of culturally dominant notions of reality and in a close reading of Winterson's texts the thesis explores fantastic figurations of dissident genders and sexualities; thematic and structural convergences between the psychoanalytic category of the 'uncanny' and the 'queer'; and Winterson's efficient use of the fanta
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Ozyurt, Kilic Mine. "The Function Of The Fantastic In The Works Of Angela Carter And Jeanette Winterson." Phd thesis, METU, 2005. http://etd.lib.metu.edu.tr/upload/12606170/index.pdf.

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This study sets out from the premise that the fantastic, in the hands of the women writers with feminist awareness,can be used as a tool to subvert patriarchal gender roles that are culturally constructed. The dissertation aims at analysing the fantastic novels by Angela Carter, The Infernal Desire Machines of Doctor Hoffman and Nights at the Circus, and by Jeannette Winterson, The Passion and The.PowerBook as examples in which the transgression of gender roles is achieved through the use of fantastic images. The analysis of the fantastic images in these novels is confined to the definitions b
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Wood, Felicity. "Fantasy and politics in South African literature : a comparative study of the use of the fantastic in selected works of Christopher Hope, Ivan Vladislavic and Andre Brink." Doctoral thesis, University of Cape Town, 2001. http://hdl.handle.net/11427/8755.

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Bibliography: leaves 349-359.<br>This thesis investigates the way in which Christopher Hope, Ivan Vladislavic and Andre Brink make use of the fantastic to respond to and explore historical and contemporary South African realities. In the Introduction, the imaginatively and aesthetically restricted nature of much English-language South African fiction during the apartheid era is examined. Many South African writers in English still seem unable to transcend these limitations. There is therefore a need for freer, more imaginatively charged literary approaches, such as the fantastic. In the first
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Kealy, Una. "'Mysterious, and fantastic strange' : the work of George Fitzmaurice." Thesis, University of Ulster, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.419051.

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Rodgers, Lindsey. "The North German Chorale Fantasia: A Sermon Without Words." Thesis, University of Oregon, 2013. http://hdl.handle.net/1794/13258.

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Heinrich Scheidemann and Jacob Praetorius (ii), young organ students from Hamburg, traveled to Amsterdam around the turn of the seventeenth century in order to study with the Dutch organist Jan Pieterszoon Sweelinck. While there, they learned not only the basics of counterpoint and voice-leading, but also how to create new kinds of musical texture, which were derived from improvisational practice. Scheidemann and Praetorius took those musical textures back to Hamburg, where they used them in increasingly long and complex chorale fantasias. This study traces those musical textures from their a
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Tucker, David. "Tracing 'a literary fantasia' : Arnold Geulincx in the works of Samuel Beckett." Thesis, University of Sussex, 2010. http://sro.sussex.ac.uk/id/eprint/6281/.

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This thesis investigates Beckett's interests in the seventeenth-century philosopher Arnold Geulincx, tracing these interests first back to primary sources in Beckett's own notes and correspondence, and then forward through his oeuvre. This first full-length study of the occasionalist philosopher in Beckett's works reveals Geulincx as closely bound, in changeable and subtle ways, to Beckett's altering compositional methodologies and aesthetic foci. It argues that multifaceted attentiveness to the different ways in which Geulincx is alluded to or explicitly cited in different works is required i
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Lindkvist-Ohlsson, Katarina. "Validera mera : Fantasi eller verklighet." Thesis, Stockholm University, Department of Education, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-40269.

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<p>Denna uppsats har till syfte att spegla studie- och yrkesvägledarens tankar kring validering och arbetet med detta i ett vägledningssamtal.  Validering handlar om att hjälpa en individ att hitta sina kunskaper och kompetenser som inte finns redovisade på ett formellt dokument, vilket kan benämnas som informell och icke-kunskap. Undersökningen är genomförd genom att enkät har skickats ut till verksamma studie- och yrkesvägledare över olika delar av Sverige. I denna enkät har de fått möjlighet att ge sin syn på valideringsarbete och vad validering kan vara. Resultatet av enkäten visar på ett
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Gabrielle-Beugelink, Saffron. "The wedding of Apollo : the marriage of historic hybridity and fantastic imagination in the work of Edwar Al-Kharrat." Thesis, University of Oxford, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.270657.

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Simms, Beverley. "The Solo Piano Works of John Corigliano: Etude Fantasy (1976) and Fantasia on an Ostinato (1985)." Thesis, University of North Texas, 1990. https://digital.library.unt.edu/ark:/67531/metadc332224/.

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John Corigliano (b. 1938) is a contemporary American composer who has in the last twenty years established himself as a composer whose versatility and accessibility are appreciated by a wide range of audiences. He has labeled himself an eclectic composer who unashamedly borrows from other musical styles and periods in an effort to create works that appeal to a variety of listeners. He has been mentioned along with George Rochberg, George Crumb, and Jacob Druckman as an advocate of the post-modern movement in contemporary American music, a trend that has been crucial to the development of conte
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Books on the topic "Fantastic works"

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London, Jack. Fantastic tales. University of Nebraska Press, 1999.

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Burch, Laurel. Fantastic felines. Chronicle Books, 1997.

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Valery, Fateyev, Kovtun E. F, and Rybakova Liudmila, eds. Fantastic and imaginative works by Russian artists. Aurora Art Publishers, 1989.

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Stanbridge, Nicole. Fantastic frame--works: Architectural utopias + designs for life. Edited by Art Gallery of Greater Victoria. Art Gallery of Greater Victoria, 2009.

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Hooper, Anne. Get fit,feel fantastic! Carroll & Brown, 2000.

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Ohara, Toshio. Pesona gamelan =: [Gamuran mugen] = Fantastic gamelan. Diterbitkan oleh Dian Rakyat bekerjasama dengan Universitas Nasional, 1992.

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Teitelbaum, Jacob. From Fatigued to Fantastic. Penguin Group USA, Inc., 2008.

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Teitelbaum, Jacob. From fatigued to fantastic! Avery Pub. Group, 1996.

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Fine, Edith Hope, and Judith Pinkerton Josephson. Fantastic Flight (Learning Works Preschool Series). Learning Works, 1992.

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Galbraith, Colin. Fringe Fantastic. Lulu.com, 2006.

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Book chapters on the topic "Fantastic works"

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Prater, Mary Anne, and Nancy M. Sileo. "Fantastic Family Collaboration." In What Really Works in Secondary Education. Corwin | A SAGE Company, 2015. http://dx.doi.org/10.4135/9781071800782.n21.

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Spignoli, Teresa. "Il viaggio fantastico di de Chirico, Savinio, Landolfi." In Studi e saggi. Firenze University Press, 2021. http://dx.doi.org/10.36253/978-88-5518-467-0.29.

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The intervention addresses three metaphysical and fantastical exemplary works from the twentieth century - Ebdòmero, La partenza dell’Argonauta, Il Mar delle Blatte – in which the theme of travel finds expression through different textual models. In the first case, De Chirico uses the archetypical model of Ulysses’ journey against a background of fantastic metaphysical imagery. In the second Savinio creates a parodistic rewriting of the Argonautiche by Apollonio Rodio – the mythical trip par excellence, while in the third (Il mar delle blatte) Landolfi recalls the characters of Salgari’s adven
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Grob, Thomas. "Into the Void: Philosophical Fantasy and Fantastic Philosophy in the Works of Stanisław Lem and the Strugatskii Brothers." In Soviet Space Culture. Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230307049_5.

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Thomas, Tashima. "Botanical Monstrosity and Kincentric Ecologies in the Work of Firelei Báez." In Flora Fantastic. Routledge, 2024. http://dx.doi.org/10.4324/9781003240570-17.

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Thomas, Tashima. "Gardening in the Beautiful “Wake” of Empire in the work of Ebony G. Patterson at New York Botanical Gardens." In Flora Fantastic. Routledge, 2024. http://dx.doi.org/10.4324/9781003240570-12.

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SAWICKI, M. "How Film Works." In Filming the Fantastic. Elsevier, 2007. http://dx.doi.org/10.1016/b978-0-240-80915-1.50010-9.

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Potemkin, Sergey B. "Chekhov’s Parody on Jules Verne." In Codex manuscriptus. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2024. http://dx.doi.org/10.22455/cm.2949-0510-2024-4-164-171.

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Despite the relatively small role of fantastic in the works of A.P. Chekhov, some stories can be surely included into the fantastic genre; also the general spirit of his artistic work, though he definitely was a realist, have some air of mystic view of life. At the same time, irony and sober judgment about the surroundings don’t leave him while writing fantastic stories. The article deals with the story “Flying Islands” that combine a fantastic plot with a caricature of Jules Verne’s books. We name the main works of Chekhov having fantastic elements; there are quite a lot of them. Chekhov appr
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Esplin, Emron. "Borges, Anthologizer of the Fantastic." In The Oxford Handbook of Jorge Luis Borges. Oxford University Press, 2023. http://dx.doi.org/10.1093/oxfordhb/9780197535271.013.13.

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Abstract Jorge Luis Borges was the great disseminator of the fantastic in the twentieth century. He wrote and cowrote several fantastic stories, but his most profound effect on the spread of fantastic literature emerged from his work as an anthologizer and editor. Borges co-created various anthologies of fantastic literature throughout his career, directed a literary magazine that published works of fantastic literature, and served as the literary voice behind two multivolume libraries or book series that included works of the fantastic. This chapter approaches Borges the anthologizer as a “re
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"How Film Works." In Filming the Fantastic: A Guide to Visual Effects Cinematography. Routledge, 2012. http://dx.doi.org/10.4324/9780080560991-10.

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Gumerova, Anna L. "From Clairvoyance to Fantasy Literature: Memory as a Method of Learning of the Past in the Early Works of J.R.R. Tolkien and C.S. Lewis." In Codex manuscriptus. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2024. http://dx.doi.org/10.22455/cm.2949-0510-2024-4-51-59.

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Tsvetan Todorov in his monograph, “Introduction à la littérature fantastique”, places fantastic on the line going from miraculous to unusual; from Todorov’s point of view, we can find fantastic as is on the borderline “dividing fantastic-unusual from fantastic-miraculous”, and it is “fully consistent with the nature of fantastic as a boundary between two neighboring genres”. The borderline between fantastic and miraculous is one of the crucial problems in studying fantastic literature. As Christopher Tolkien supposed, this theme had been actively discussed with C. Lewis in 1936, and Tolkien wa
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Conference papers on the topic "Fantastic works"

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Barreto, Ana Cristina Alves by Paula, and Lucas Matos Martins. "The fantastic chocolate factory: Analysis of the illustrations." In V Seven International Multidisciplinary Congress. Seven Congress, 2024. http://dx.doi.org/10.56238/sevenvmulti2024-035.

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In this article, we will analyze the illustrations and work of illustrator Quentin Blake in the work Charlie and the Chocolate Factory , from the perspective of the semiotic experience, since the observer is also an agent, participating in the process of constructing meanings. The functions of children's literature in cognitive development and in encouraging the development of children's learning and knowledge of the world were addressed, and also how the works are characterized, primarily, for this audience, with their own aesthetic characteristics and so vivid. The analysis of the illustrati
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Kozmina, E. "GENRE OF THE STORY IN SOVIET SCIENCE FICTION OF THE 1950S-1970S." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3702.rus_lit_20-21/100-103.

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The article presents the results of a study of Soviet science fiction stories of the 1950s-1970s in the aspect of N.D. Tamarchenko’s genre theory. The analysis methodology presented in the researcher’s works on the structure of the story is used. The genre of the story is considered in three aspects: chronotope and plot scheme; compositional and speech organization of the work; the nature of the relationship between the reality of the author and reader and the world of the character, including the problem of evaluation. Similar features of fantastic and non-fantastic stories are revealed, and
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STEPANOV, Liudmila. "Interpretation of the fantasy novel "The Ickabog" by Joanne K. Rowling." In "Educaţia lingvistică şi literară în contextul dezvoltării valorilor general-umane", conferinţă ştiinţifică internaţională. Ion Creangă Pedagogical State University, 2024. https://doi.org/10.46727/c.10-11-11-2023.p105-112.

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Fantasy literature is a valuable source for creating permanent reading skills, moreover is an indispensable way of competence to learn throughout life. In this article, i intend to analyze the fantastic novel The Ickabog by J. K. Rowling and offer this information as a teaching support for teachers in the discipline. I think fantasy literature is a bridge to more complex reading works. It also greatly develops the students’ imagination and creativity.
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Michkova, E. N. "«FANTASTIC» STORIES BY E.A. POE AND «MYSTERIOUS» STORIES BY I.S. TURGENEV («LIGEIA» AND «THE SONG OF TRIUMPHANT LOVE»)." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. TSU Press, 2023. https://doi.org/10.17223/978-5-907572-02-7-2023-63.

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The article examines short story «Ligeia» by E.A. Poe and «The Song of Triumphant Love» by I.S. Turgenev short story in a comparative way. Based on the comparative analysis, it is possible to identify the artistic community of the two works given: artistic time and space, the system of characters, organizing themes and motives.
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Marinković, Miloš. "Dragutin Gostuški’s Ballet Rummy: From the Award of the Croatian National Theatre to the Premiere at the Music Biennale Zagreb." In Iskošeni ugao Dragutina Gostuškog. Muzikološki institut SANU Beograd, 2024. https://doi.org/10.46793/dgost23.211m.

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One of the most significant works in the opus of Dragutin Gostuški as a composer is Rummy – A Fantastic Ballet Scene (1955). The ballet’s plot is based on the universal theme of the relationship between a woman and a man, and the music, although of neo-Romantic provenance, reveals some of the composer’s modernistic compositional techniques. After winning an award in a competition announced for new drama, opera, and ballet works on the occasion of the centenary of the Croatian National Theatre (1961), this ballet premiered two years later at the Music Biennale Zagreb (MBZ), an international fes
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Oshmarin, Roman, Kirill Isakov, Ignat Chekanov, et al. "Corporate Engineering Center Org. Transformation in Response to New Business Challenges." In SPE Annual Technical Conference and Exhibition. SPE, 2021. http://dx.doi.org/10.2118/206075-ms.

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Abstract Objectives/Scope The world is changing rapidly. In order to response to VUCA conditions, we started the business transformation of GPN scientific and technical center (STC) in the mid 2019, and finished shortly after COVID crisis began (in June 2020). Now we can sum up the ultimate effect: Methods, Procedures, Process GPN STC made a long way since 2007 and became a strong corporate engineering center, providing a full range of services from the basin modeling to the integrated modeling. In 2019, we started the transformation from the description of objectives, and for these purpose, t
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"The Musical Analysis of Piano Works "In the Garden of a Chinese Temple--Oriental Fantasia"." In 2018 4th International Conference on Education & Training, Management and Humanities Science. Clausius Scientific Press, 2018. http://dx.doi.org/10.23977/etmhs.2018.29138.

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Liu, Fang, Zihang Lu, and Yang Liu. "Intelligent Tourist Guide System: Four Seasons Pavilion in Humble Administrator’s Garden." In 2025 Intelligent Human Systems Integration. AHFE International, 2025. https://doi.org/10.54941/ahfe1005827.

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This paper proposes a "Four Seasons Pavilion Wisdom Tourism" platform, which combines fine scene modeling, digital human and artificial intelligent technologies. The system enhances visitors' experiences and understanding of Humble Administrator’s Garden, a classical Chinese garden in Suzhou, China, by providing an immersive and personalized tour. The system focuses on the iconic Four Seasons Pavilion, utilizing technologies like augmented reality (AR), virtual reality (VR), and AI-driven interactive digital guides. This work disrupts traditional tourism models and introduces a new era of pers
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Barreto, Ana Cristina Alves by Paula, and Lucas Matos Martins. "Savages vs Colonists: The semiotic resources present in the fantastic tale Princess Pocahontas that illustrate the indigenous princess immersed in the colonizer's culture." In V Seven International Multidisciplinary Congress. Seven Congress, 2024. http://dx.doi.org/10.56238/sevenvmulti2024-177.

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This work initially intends to study the ancestry of fairy tales, theorizing the oral dimension that a narrative told from generation to generation can reach. Authors such as Charles Perrault, La Fontaine, Brothers Grimm and Hans Christian Andersen make up the circle of notorious writers who gave life to the wondrous tales sown among castes for centuries. Along with the narrated story, illustrative art presents itself to the reader as a way of visually materializing a tale, a legend, contributing to the discernment of a diegesis that often embraces a very significant social, cultural and histo
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"Fake Account Detection on Social Media Using Machine Learning." In International Conference on Recent Trends in Computing & Communication Technologies (ICRCCT’2K24). International Journal of Advanced Trends in Engineering and Management, 2024. http://dx.doi.org/10.59544/rvoy9602/icrcct24p137.

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Online social media is the dominant force in today’s world in many ways, and its user base is expanding daily. Social media usage is rapidly increasing. The main advantage is the ease and effectiveness with which we may communicate with others through online social media. This created a new potential attack vector, including a fake identity, misleading information, and so forth. A new study indicates that there are far more accounts among social media users than there are users themselves. Online social network providers find it challenging to identify these fraudulent accounts. Recognizing th
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Reports on the topic "Fantastic works"

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AKHADOVA, R. A., and M. L. SHTUKKERT. ‘THE DREAM OF A RIDICULOUS MAN’ F.M. DOSTOEVSKY AND A. PETROV: POETICS OF THE FEAR. Science and Innovation Center Publishing House, 2021. http://dx.doi.org/10.12731/978-0-615-67323-3-8-21.

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The purpose of the study is to determine the features of the structure and functioning of the fear motive in F.M. Dostoevsky’s “fantastic story” “The Dream of a Ridiculous Man” and in A. Petrov’s cartoon of the same name. The report first examines the images, details, etc., with which the fear motive is created in the story, and then analyzes the ways of embodying this motive and transmitting a certain frightening atmosphere in the cinema. There is revealed and determined the ontological significance and the main character of fear in the “The Dream of a Ridiculous Man”, which, in our opinion,
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Hartanto, Michelle, Gishi Sashidharan, Lisa Dunn, Nicolas Aldridge, and Liz Lees-Deutsch. Exemplar Case Studies: Nursing & Midwifery Excellence in the Midlands. Coventry University, 2025. https://doi.org/10.18552/chc/2025/0002.

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We are proud to be working in partnership with the National CNO Policy and Strategy Unit at NHS England to support national Excellence ambitions, establishing a collective leadership model and ensuring evidence-based approaches in the development of positive practice environments. Essentially, this work builds on the learning from the CNO Shared Governance: Collective Leadership programme and underpins the delivery of the CNO for England’s Excellence programme. In 2023 we formed the Midlands Nursing and Midwifery Excellence Network to establish a Midlands-wide collective leadership model with
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Making change really happen: inspiration, ideas and information on how to make change in the services and systems we work in - recording. ACAMH, 2022. http://dx.doi.org/10.13056/acamh.19010.

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A fantastic online event presented by the ACAMH Scottish Branch providing up to date info about key change projects in Scotland including the Promise, Fox Grove inpatient unit, trauma-informed implementation and cross service collaborations. Ideas, inspiration and information about how to create real change in your organisation.
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