Relevant bibliographies by topics / Fantasy fiction, German

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Fantasy fiction, German'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 July 2025

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Journal articles on the topic "Fantasy fiction, German"

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Gómez Pato, Rosa Marta. "Paloma Ortiz-de-Urbina (ed.), German Expressionism in the Audiovisual Culture. Myths, Fantasy, Horror, and Science Fiction / Der deutsche Expressionismus in den Audiovisuellen Medien. Mythen, Fantasy, Horror und Science-Fiction, Tübingen, Narr Francke Attempto Verlag, 2022." Matèria. Revista internacional d'Art, no. 22 (November 1, 2023): 180–83. http://dx.doi.org/10.1344/materia2023.22.9.

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Ressenya del llibre: Paloma Ortiz-de-Urbina (ed.), German Expressionism in the Audiovisual Culture. Myths, Fantasy, Horror, and Science Fiction / Der deutsche Expressionismus in den Audiovisuellen Medien. Mythen, Fantasy, Horror und Science-Fiction, Tübingen, Narr Francke Attempto Verlag, 2022.
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Shapirko, Mariia. "Нарративный анализ фэнтези". Новая русистика, № 1 (2024): 35–44. http://dx.doi.org/10.5817/nr2024-1-3.

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The article delves into essential moments in narratologyʼs history that shaped its evolution (Russian formalism, French structuralism, German narratology, Anglo-Saxon literary theory), and explores the plot intrigue within Ricoeurʼs work. Specifically, it focuses on the structural aspects of fantasy using the narrative model of a fantastic story devised by J. Šramek. His model draws from Proppʼs Morphology of the Folktale, in which he describes predetermined functions that are repeated in fairy tales. Šramekʼs model consists of nine functions that follow the logic of a work of fiction. His res
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Scullion, Val, and Marion Treby. "The Romantic Context of E. T. A. Hoffmann’s Fairy Tales, The Golden Pot, The Strange Child and The Nutcracker and the Mouse King." English Language and Literature Studies 10, no. 2 (2020): 40. http://dx.doi.org/10.5539/ells.v10n2p40.

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As diaries, letters and the intensive intertextuality of his prose fiction show, the German Romantic writer and composer, E. T. A. Hoffmann (1776-1822), was an obsessive bibliophile and polymath. The aim of this article is to explore how far three of his literary fairy tales, The Golden Pot: A Modern Fairy Tale (1814), The Strange Child (1816) and The Nutcracker and the Mouse King (1816), use the generic conventions of the fairy tale, and how far they are influenced by his voracious reading, his encyclopaedic knowledge of literature, and his engagement with contemporary debates. We conclude wi
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Gollance, Sonia. "Sir Toggenburg of the Shtetl: Friedrich Schiller in the East European Jewish Imagination." Polin: Studies in Polish Jewry 37 (January 2025): 217–38. https://doi.org/10.3828/polin.2025.37.217.

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The German writer Friedrich Schiller was arguably the most important non-Jewish writer for east European Jews. Although these readers revered him even more than they did his contemporary Goethe, they often treated Schiller’s works as middlebrow fiction that was most appropriate for women—as exemplified by ‘Friedrich Schiller’, a 1919 short story by Galicia-born American Yiddish writer Fradel Shtok, which describes the inner life of a young Jewish woman in Galicia who develops an increasingly elaborate fantasy about her favourite German writer as her quiet life is rocked by the forces of modern
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Pilkevych, Andrii. "«SECONDARY SOURCES» OF CELTIC AND NORSE MODES IN MODERN POPULAR CULTURE THROUGH THE PRISM OF FANTASY." Ethnic History of European Nations, no. 69 (2023): 153–57. http://dx.doi.org/10.17721/2518-1270.2023.69.19.

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The article deals with the main sources of the modern fantasy genre, presented in the form of several blocks of borrowings. First of all, this is the influence of the figures of the «Celtic Revival», who were engaged the search, recording and systematization of mainly Irish, Scottish and Welsh tales, myths and a wide range of folklore material. This legacy was transformed into an original literary tradition characterized by a combination of legendary heritage with fictional art elements and authorial reworking. Examples of pseudo-translations from Celtic languages presented as authentic, such
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Grdešić, Maša. "Asja Bakić’s Feminist Weird Fiction." Umjetnost riječi 68, no. 2 (2024): 187–210. https://doi.org/10.22210/ur.2024.068.2/03.

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Born in Bosnia in 1982, Asja Bakić now lives in Croatia, and publishes both in Croatia and Serbia. A member of a new generation of Balkan and post-Yugoslav writers, Bakić is not only poet and essayist, but also gained international success with her short story collection Mars (2015), which has been translated into English, German, and French. Bakić’s playful poetry, feminist polemical essays, and her genre-bending short stories position her as a subversive author in Croatian literature where neorealist poetics is still dominant. In contrast, Bakić’s short stories can best be described as “weir
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Salnikova, E. V. "Algol. Tragedy of Power (1920) as Futuristic Peplum and the “Rehearsal” of Metropolis." Art & Culture Studies, no. 2 (June 2021): 286–321. http://dx.doi.org/10.51678/2226-0072-2021-2-286-321.

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The article is devoted to the recently found and restored film Algol. The Tragedy of Power (1920) by Hans Werckmeister, combining an adventurous beginning, fantasy, career history and family history. This is one of the earliest stories predicting the processes of globalization. The author examines the visual originality of the picture, which includes both expressionist scenes and out-of-style fragments, dwells in detail on some camera solutions. Analyzes the plot of the film, combining science and unscientific fiction with references to the series of novels (Rougon-Maccara by Zola, The Forsyte
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Domashevich, Yulia. "The Concept of Individual Style and Uniqueness of Author’s Approach to the Narration of V. Moers." Izvestia of Smolensk State University, no. 3 (55) (January 26, 2022): 128–40. http://dx.doi.org/10.35785/2072-9464-2021-55-3-128-140.

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The article considers the problem of using the language in connection with a linguistic identity. The anthropocentric nature of many modern research works is aimed at studying an author’s individual style in fiction, where it is the author who decides on the features of phrases, syntactic construction of the utterance,
 successful language expression. The author seeks to produce the maximum pragmatic effect on the reader and, thus, accurately convey his thoughts to the reader. The article touches on the matter of «individual style», as well as the possibility of definition and interpretat
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Dürst Albaya, Aroa. "Ortiz-de-Urbina, Paloma (Ed.): German Expressionism in the Audiovisual Cul-ture, Myths, Fantasy, Horror and Science Fiction. Tübingen: Narr Francke Attempto 2022. 281 S." Revista de Filología Alemana 31 (November 22, 2023): 179–81. http://dx.doi.org/10.5209/rfal.87593.

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Hageman, Andrew. "Machines, Topography, Organ Dialectic: The Science Fiction Ecology of Metropolis." Ecozon@: European Journal of Literature, Culture and Environment 3, no. 2 (2012): 57–73. http://dx.doi.org/10.37536/ecozona.2012.3.2.472.

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Since 1927, Fritz Lang’s Metropolis has circulated as stills, clips, and a sequence of increasingly more complete cuts in the global social imaginary. Whilst scholars have critiqued this science fiction film from gender, techno-culture, and German socio-political perspectives, this article analyzes the film afresh by reading it ecocritically. The article moves through three key components of Metropolis. The first movement examines the representational and ideological contradictions within the variety of machines inside the diegetic city to deconstruct the common interpretation of the film’s ma
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Dissertations / Theses on the topic "Fantasy fiction, German"

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Perry, Petra. "Möglichkeit am Rande der Wahrscheinlichkeit : die "fantastische Situation" in der Kleistschen Novellistik /." Thesis, Connect to this title online; UW restricted, 1987. http://hdl.handle.net/1773/9940.

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Herzog, Harold R. "Criminalistic fantasy : imagining crime in Weimar Germany /." 2001. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3000415.

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Kim, Chorong. "Storytelling tricksters: a reader’s coming-of-age in young adult fantasy fiction in Germany." Thesis, 2018. https://dspace.library.uvic.ca//handle/1828/9441.

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In this thesis, I examine three works of modern German fantasy fiction for young adults, their common grounding in the Romantic aesthetic framework and in particular the Romantic notion of creativity, and the implication of their unique fantasy fiction paradigm in our modern day. The novels are Michael Ende’s The Neverending Story (1979), Inkheart (2003) by Cornelia Funke and The City of Dreaming Books (2006) by Walter Moers. They represent a Germany-specific narrative paradigm which can be seen in the protagonist readers’ transformation from mere readers into storymakers/storytellers, and in
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Books on the topic "Fantasy fiction, German"

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1947-, Wohlschak Klaus, ed. Brutt liebt dich: Science fiction und Fantasy. Maioli, 1985.

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Freund, Winfried. Literarische Phantastik: Die phantastische Novelle von Tieck bis Storm. W. Kohlhammer, 1990.

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Thomas, Lee. The German. Lethe Press, 2011.

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Schäfer, Harald. Sternenstaub. R.G. Fischer, 1996.

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Jeschke, Wolfgang, and Ralf Boldt. Die Stille nach dem Ton und die anderen preisgekrönten SF-Kurzgeschichten des SFCD-Literaturpreises 1985-1998 und des Deutschen Science-Fiction-Preises 1999-2012. P. Machinery, 2012.

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Illmer, Horst. Bibliographie Science Fiction & Fantasy: Buch-Erstausgaben 1945-1995 : 50 Jahre alternative Weltentwürfe in Deutschland. Harrassowitz, 1998.

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Bemmann, Hans. The stone and the flute. Viking, 1986.

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Scheerbart, Paul. Das graue Tuch und zehn Prozent Weiss: Ein Damenroman. Edition Text + Kritik, 1986.

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1951-, Le Blanc Thomas, and Twrsnick Bettina 1954-, eds. Traumreich und Nachtseite: Die deutschsprachige Phantastik zwischen Décadence und Faschismus ; Tagungsband 1995. Förderkreis Phantastik in Wetzlar, 1995.

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Herbst, Alban Nikolai. Thetis. Anderswelt: Fantastischer Roman. Elfenbein, 2018.

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Book chapters on the topic "Fantasy fiction, German"

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Paver, Chloe E. M. "Max Frisch: Mein Name sei Gantenbein." In Narrative and Fantasy in the Post-War German Novel. Oxford University PressOxford, 1999. http://dx.doi.org/10.1093/oso/9780198159650.003.0003.

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Abstract Frisch’s early prose works, written and published in the I93os and I94os, made no great impact,1 but he returned to prose fiction in the I9 50s, having in the mean time established his reputation as a dramatist, and achieved considerable success with the novel Stiller(I954), in which he shows a mature grasp of the possibilities of narrative: a number of perspectives, each of which is in some way restricted or biased, are juxtaposed in such a way that each serves to highlight the limitations of the others. As Halina Malinowska has pointed out, this ‘Point-of-view-Technik’, in which eac
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Paver, Chloe E. M. "Uwe Johnson: Das Dritte Buch Über Achim." In Narrative and Fantasy in the Post-War German Novel. Oxford University PressOxford, 1999. http://dx.doi.org/10.1093/oso/9780198159650.003.0002.

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Abstract When his first novel, Ingrid Babendererde(published post humously in r 985), was rejected by East German publishers, Uwe Johnson moved to West Berlin to secure the publication of his second novel, Mutma Bungen über Jakob( r 9 59). In this novel the reader is invited to unravel the mystery of the central character’s death with the help of statements from witnesses, whose evidence sometimes conflicts. McHale would classify it as a typical modernist text because it employs both multiple perspectives (which are juxtaposed in such a way as to highlight the limitations of each character’s k
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Loew, Katharina. "Conclusion: Techno-Romantic Cinema from the Silent to the Digital Era." In Special Effects and German Silent Film. Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463725231_concl.

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Techno-romantic thought, which construes machine technology as a means to reach beyond material reality, is still with us today. It is reflected in the vogue of speculative fiction in contemporary moving image media, which has been made possible by radical advances in digital visual effects. Computer-generated imagery has brought into reach the fully malleable photograph, a dream that epitomizes a major triumph of the human mind over outside reality and thus an essentially techno-romantic fantasy. The same ambition already animated German silent filmmakers, who saw special effects as a way to
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Deighan, Samm. "A Murderer Among Us." In M. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781911325772.003.0002.

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This chapter establishes the context for the climate in which Fritz Lang's M was produced, including its historical context within early 1930s Germany during the rise of Nazism. It explores M's connection to Lang's early work, during a period when he radically experimented with genres of romance, science fiction, fantasy and crime thrillers. It also discusses how M marks a turning point in Lang's career, when he began to fixate overwhelmingly on characters in the grip of social paranoia. The chapter talks about how Lang exclusively made crime films and thrillers with similar themes after M. It
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O’Brien, Eugene. "‘Belief shifts’: Ireland’s referendum and the journey from Gemeinschaft to Gesellschaft." In Tracing the Cultural Legacy of Irish Catholicism. Manchester University Press, 2017. http://dx.doi.org/10.7228/manchester/9781526101068.003.0010.

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This chapter examines the implications for Irish Catholicism that the ‘Yes’ vote in the May 2015 referendum on same-sex marriage may have for the social and cultural position of the Catholic church in contemporary Ireland and in the future. His analysis channels the thinking of Ferdinand Tönnies, an early German sociologist and a contemporary of Durkheim and Weber, who used the German words ‘Gemeinschaft’ and ‘Gesellschaft’ to distinguish between two fundamentally different structural paradigms for social relations. O’Brien sees marriage as a core ideological signifier of ideological hegemony,
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Davies, Owen. "Lovecraft, Satan, and Shadows." In Grimoires. Oxford University PressOxford, 2009. http://dx.doi.org/10.1093/oso/9780199204519.003.0009.

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Abstract While the battle over the Sixth and Seventh Books of Moses was being fought in Germany, and as the publications of Gamache and De Claremont spread across the Caribbean, a new genre of grimoire was brewing in the Anglo-Saxon world. The merging of fact and fiction had always been an integral aspect of the grimoire tradition, and in the twentieth century this was given a new twist with the genre of literary fantasy not only being influenced by the magical tradition but also inspiring the creation of new grimoires. They also reached a new audience, attracting the attention of counter-cult
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