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Relevant bibliographies by topics / Fantasy literature, French

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Academic literature on the topic 'Fantasy literature, French'

Author: Grafiati

Published: 4 June 2021

Last updated: 4 February 2022

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Journal articles on the topic "Fantasy literature, French"

1

Nesci, Catherine, Rachael Siciliano, and Rae Beth Gordon. "Ornament, Fantasy, and Desire in Nineteenth-Century French Literature." SubStance 24, no. 3 (1995): 130. http://dx.doi.org/10.2307/3685014.

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Harpham, Geoffrey Galt. "Book Review: Ornament, Fantasy, and Desire in Nineteenth-Century French Literature." Philosophy and Literature 19, no. 2 (1995): 364–65. http://dx.doi.org/10.1353/phl.1995.0069.

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Williams, Alison, and James R. Simpson. "Fantasy, Identity and Misrecognition in Medieval French Narrative." Modern Language Review 99, no. 2 (2004): 485. http://dx.doi.org/10.2307/3738785.

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Murray, Timothy. "Philosophical Antibodies: Grotesque Fantasy in a French Stoic Fiction." Yale French Studies, no. 86 (1994): 143. http://dx.doi.org/10.2307/2930281.

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Roccati, G. Matteo. "James R. Simpson, Fantasy, Identity and Misrecognition in Medieval French Narrative." Studi Francesi, no. 142 (XLVIII | I) (July 1, 2004): 156. http://dx.doi.org/10.4000/studifrancesi.40263.

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Seago, Karen, and Lavinia Springett. "Dzikie bohaterki? Problematyka płci kulturowej i gatunku literackiego w przekładach Northern Lights Philipa Pullmana." Przekładaniec, no. 40 (2020): 22–50. http://dx.doi.org/10.4467/16891864pc.20.002.13165.

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Savage Heroines? The Treatment of Gender and Genre in Translations of Philip Pullman’s Northern Lights Philip Pullman’s Northern Lights is the first instalment of his award-winning trilogy His Dark Materials. In this alternate-worlds fantasy and children’s literature classic, Lyra and her daemon Pan are catapulted from the relative stability of Oxford to negotiate an increasingly threatening world in a quest to protect free will from cataclysmic adult zealotry. According to prophecy, Lyra is the chosen one; she conforms to the tropes of the fantasy quest performing the paradigmatic steps of th

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Skibińska, Elżbieta. "Les quatrièmes de couverture comme lieu d’inscription d’une représentation de la littérature traduite : romans canadiens d’expression française en traduction polonaise (2000-2016)." Między Oryginałem a Przekładem 25, no. 45 (2019): 117–38. http://dx.doi.org/10.12797/moap.25.2019.45.06.

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The Back Cover as a Place for Creating an Image of Translated Literature: Polish Translations of French-Canadian Novels (2000-2016) The back cover of a book contains peritext added by the publisher, with a double function of information (about the author and the work) and invitation to read the book. That is why it also becomes the place where publishers decide on a certain image of the books. For this study, we have collected back cover texts from French-Canadian novels which were published in the Polish translation in the years 2000-2016, and we have considered them as a certain image

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Rodríguez Martínez, Manuel Cristóbal. "La variación fraseológica intencional en traducción de la ciencia ficción como recurso estilístico." Çédille, no. 18 (2020): 649–64. http://dx.doi.org/10.25145/j.cedille.2020.18.26.

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"Phraseology is considered nowadays a well-established and promising field of study. However, phraseological variation is a real phenomenon that, in certain contexts, is a deliberate decision. Therefore, we suggest with this article an approach to phraseological variation as a stylistic device for the translation of fantasy and science fiction literature. To do so, we analyze the cases of phraseological variation drawn from the novel La Plaie, written by the French author Nathalie Henneberg, as a resource that encourages the contextualization of the readers within a fictional universe thanks t

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Mihkelev, Anneli. "Emigration in Estonian Literature: “Self” and “Other” in the Context of European Literature." Interlitteraria 22, no. 2 (2018): 341. http://dx.doi.org/10.12697/il.2017.22.2.12.

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The experience of emigration generated a new paradigm in Estonian culture and literature. After World War II Sweden became a new homeland for many people. Estonian culture and literature suddenly became divided into two parts. The political terror imposed restrictions on literature in homeland and the national ideology limited literature in the initial years of exile. Both were closed communities and were monolingual systems in a cultural sense because these systems avoided dialogue and the influence of other signs. It was a traumatic experience for nation and culture where the totalitarian po

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Kristjanson, Gabrielle. "Meaning in (Translated) Popular Fiction: An Analysis of Hyper-Literal Translation in Clive Barker’s Le Royaume des Devins." TranscUlturAl: A Journal of Translation and Cultural Studies 5, no. 1-2 (2014): 159. http://dx.doi.org/10.21992/t94k9s.

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Most translation theorists agree that source text fidelity results in a translation that aptly transmits the foreign cultural values and meaning embedded within the source language to a target culture. While the preservation of foreignness might be beneficial for the propagation of international artistic diversity, when translating works of popular fiction, domestication is key to a novel’s successful incorporation into the target literary system. In popular fiction translation, the goal is accessibility rather than artistic influence or cultural exchange, yet the necessary domestication can b

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Dissertations / Theses on the topic "Fantasy literature, French"

1

Zamaron, Alain. "Représentation des civilisations disparues dans la littérature d'aventures fantastiques de la fin du XIXe siècle et du début du XXe." Villeneuve d'Ascq, France : Presses universitaires du Septentrion, 1998. http://catalog.hathitrust.org/api/volumes/oclc/40674686.html.

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Hess, Erika E. "Cross-dressers, werewolves, serpent-women, and wild men : physical and narrative indeterminacy in French narrative, medieval and modern /." view abstract or download file of text, 2000. http://wwwlib.umi.com/cr/uoregon/fullcit?p9963445.

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Thesis (Ph. D.)--University of Oregon, 2000.<br>Typescript. Includes vita and abstract. Includes bibliographical references (leaves 245-255). Also available for download via the World Wide Web; free to University of Oregon users. Address: http://wwwlib.umi.com/cr/uoregon/fullcit?p9963445.

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3

Bolding, Sharon Lynn Dunkel. "When worlds collide : structure and fantastic in selected 12th- and 13th- century French narratives." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0002/NQ27109.pdf.

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Granger, Mireille. "Maupassant et le realisme fantastique." Thesis, McGill University, 2001. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=32912.

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Generally labelled as fantastic in nature, Maupassant's short stories pose a serious problem. The very term "fantastic" is itself highly ambiguous; there have been many attemps to define what makes a work of literature "fantastic" in nature, but none of these attempts have managed to capture the essence of the genre in its entirety.<br>What is most striking in Maupassant's narratives is precisely his rejection of the fantastic almost as soon as it occurs. Contrary to the more traditional literature of the fantastic, his narratives remain anchored in a realistic world, rendering the reader's ex

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Dallaire, Julie. "Pour une narratologie relative : la narratologie à l'épreuve de la science-fiction /." Thèse, Chicoutimi : Université du Québec à Chicoutimi, 2004. http://theses.uqac.ca.

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Dehghanipour, Elham. "LA RELATION ENTRE LE MOUVEMENT ET L'ECRITURE CHEZ ASSIA DJEBARVIA CES VOIX QUI M'ASSIEGENT...EN MARGE DE MA FRANCOPHONIE, LOIN DE MEDINE, L'AMOUR, LA FANTASIA ET VASTE EST LA PRISON." Miami University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=miami1438463589.

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Fong, Jessica. "Fantasme, Rébellion, et Féminisme: Le Monde Subversif du Fandom Français de le Hallyu." Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/scripps_theses/194.

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The global phenomenon known as the Hallyu, or the Korean Wave, has brought Korean pop culture to every corner of the Internet. In this paper, I discuss the impact Hallyu has had in France specifically and examine the online subculture of female-created fanfiction that has arisen from it. I postulate that, for a French woman, the act of participating in fandom and/or writing slash fanfiction about Korean pop idols constitutes a political act of rebellion against the patriarchy and gender norms, even if the fan herself is unaware of it.

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Harries, Mark. "Fantasy America: the United States as seen through French and Italian eyes." Thesis, 1998. http://hdl.handle.net/2429/8576.

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For the past two decades, scholars have been reassessing the ways in which Western writers and intellectuals have traditionally misrepresented the non-white world for their own ideological purposes. Orientalism, Edward Said's ground-breaking study of the ways in which Europeans projected their own social problems onto the nations of the Near East in an attempt to take their minds off the same phenomena as they occurred closer to home, was largely responsible for this shift in emphasis. Fantasy America: The United States as Seen Through French and Italian Eyes is an exploration of a pa

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Mladjenovic, Milovan. "Le basculement du réel dans l'œuvre de Négovan Rajic /." 2004.

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Thesis (M.A.)--York University, 2004. Graduate Programme in Études Francaises.<br>Typescript. Includes bibliographical references (leaves 93-100). Also available on the Internet. MODE OF ACCESS via web browser by entering the following URL: http://gateway.proquest.com/openurl?url%5Fver=Z39.88-2004&res%5Fdat=xri:pqdiss &rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:MR11865

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Hutton, Renaud. "Périple aux alentours du fantastique hébertien : tentative de classification et d'organisation du fantastique /." 2000.

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Books on the topic "Fantasy literature, French"

1

Ornament, fantasy, and desire in nineteenth-century French literature. Princeton University Press, 1992.

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Fantasy, identity and misrecognition in medieval French narrative. P. Lang, 2000.

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3

Gómez, Ma Teresa Ramos. Ficción y fascinación: Literatura fantástica prerromántica francesa. Secretariado de Publicaciones, Universidad de Valladolid, 1988.

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Panorama de la littérature fantastique de langue française: Des origines à demain. La Renaissance du livre, 2000.

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Nodier, Charles. Smarra: & Trilby. Dedalus, 1993.

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Gregori, Ilina. Povestirea fantastică: Singura literatură esențială : Balzac, Villiers de l'Isle-Adam, Pieyre de Mandiargues. Editura Du Style, 1996.

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Histoire de la littérature fantastique en France. Fayard, 1985.

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8

Brown, Hélène Diaz. L' effet fantastique, ou, La mise en jeu du sujet. ANMA Libri, 1996.

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9

Lord, Michel. La logique de l'impossible: Aspects du discours fantastique québécois. Nuit blanche, 1995.

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Pozzuoli, Alain. Fantômes du jazz: Anthologie. Belles lettres, 2006.

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Book chapters on the topic "Fantasy literature, French"

1

"CHAPTER FOUR: The Evil Eye: Ornamental Vision as the Sublime." In Ornament, Fantasy, and Desire in Nineteenth-Century French Literature. Princeton University Press, 1992. http://dx.doi.org/10.1515/9781400862665.107.

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"CHAPTER FIVE: Trompe l'Oeil in the Poems of Mallarme." In Ornament, Fantasy, and Desire in Nineteenth-Century French Literature. Princeton University Press, 1992. http://dx.doi.org/10.1515/9781400862665.147.

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"CHAPTER SIX: Aboli Bibelot? Excess, Void, and Objectless Desire." In Ornament, Fantasy, and Desire in Nineteenth-Century French Literature. Princeton University Press, 1992. http://dx.doi.org/10.1515/9781400862665.176.

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"CHAPTER SEVEN: Ornament and Hysteria: Huysmans and Rachilde." In Ornament, Fantasy, and Desire in Nineteenth-Century French Literature. Princeton University Press, 1992. http://dx.doi.org/10.1515/9781400862665.201.

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"CONCLUSION." In Ornament, Fantasy, and Desire in Nineteenth-Century French Literature. Princeton University Press, 1992. http://dx.doi.org/10.1515/9781400862665.240.

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"Appendix." In Ornament, Fantasy, and Desire in Nineteenth-Century French Literature. Princeton University Press, 1992. http://dx.doi.org/10.1515/9781400862665.245.

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"Notes." In Ornament, Fantasy, and Desire in Nineteenth-Century French Literature. Princeton University Press, 1992. http://dx.doi.org/10.1515/9781400862665.249.

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"Index." In Ornament, Fantasy, and Desire in Nineteenth-Century French Literature. Princeton University Press, 1992. http://dx.doi.org/10.1515/9781400862665.281.

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"AN INTRODUCTION TO ORNAMENT." In Ornament, Fantasy, and Desire in Nineteenth-Century French Literature. Princeton University Press, 1992. http://dx.doi.org/10.1515/9781400862665.3.

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"CHAPTER ONE: The Enchanted Hand: Schlegel's Arabesque in Nerval." In Ornament, Fantasy, and Desire in Nineteenth-Century French Literature. Princeton University Press, 1992. http://dx.doi.org/10.1515/9781400862665.31.

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