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Dissertations / Theses on the topic 'Farah'

Author: Grafiati
Published: 4 June 2021
Last updated: 8 May 2022

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1

Moolla, Fatima Fiona. "Individualism in the Novels of Nuruddin Farah." Doctoral thesis, University of Cape Town, 2009. http://hdl.handle.net/11427/8236.

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The subject conceived as 'individual' is a sustained focus across the novels of Somali writer, Nuruddin Farah. This thesis locates a reading of individualism in Farah's novels in the context of the historical and philosophical development of modern identity in the societies of the North-Atlantic. It relies primarily on the analysis of philosopher, Charles Taylor, who proposes that individualism makes modern identity an historically unprecedented mode of conceiving the person. By individualism, Taylor refers to the inward location of moral sources in orientation around which the self is constituted. Nonindividualist conceptions of the self locate moral horizons external to the subject thereby defined. The novel appears to be the most significant cultural form which mutually constitutes modern subjectivity. This is suggested by the centrality of the Bildungsroman sub-genre which fundamentally determines the form of the novel. Farah's work spans the historical development of the novel from the proto-realism of his first publication, through modernism and postmodernism, returning to the 'neo-realism' of his most recent novel. The representation of the subject in the novel suggests transformations in identity which belie the uniformity of the disengaged, autonomous self which is articulated in the novel as a genre. Tension thus is generated between the social commitment Farah expresses as a writer and the limitations of the form which deny representation to the heteronomous subjectivities who are the objects of Farah's concern. The introduction identifies the centrality of individualism to Farah's project. Chapter 1 explores the historical development of individualism and genealogies of alternative conceptions of self. Chapter 2 addresses the articulation of individualism in the classic Bildungsroman, the sub-genre which defines the novel. Chapter 3 interrogates Farah's use of the 'dissensual' Bildungsroman to escape the contradiction of the classic Bildungsroman. Chapter 4 focuses on how modernism in the novels allows aesthetic resolution of individualist contradiction through fragmentation. Chapter 5 explores the resistance encountered when the novel attempts to represent heteronomy rather than autonomy. Chapter 6 suggests the indispensability of coherent subjectivity to Farah's socially committed stance. Within the philosophical matrix of individualism, the 'performative' or 'stylized' subject is the consequential form of identity.
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2

Karim, Farah [Verfasser]. "Compact semantic representations of observational data / Farah Karim." Hannover : Gottfried Wilhelm Leibniz Universität Hannover, 2020. http://d-nb.info/1207469289/34.

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3

Ntalindwa, Raymond. "Nuruddin Farah and the issues of Somali nationalism." Thesis, SOAS, University of London, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.321738.

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4

Cingal, Guillaume. "La dualité dans les deux trilogies de Nuruddin Farah." Dijon, 2001. http://www.theses.fr/2001DIJOL018.

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5

Lawack, Marvin Sylvester. "Warlords in Africa : a comparative study of Jonas Savimbi and Farah Aideed." Thesis, Stellenbosch : Stellenbosch University, 2008. http://hdl.handle.net/10019/2025.

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6

Carbonieri, Divanize. "A compensação da imobilidade nos cronotopos oníricos: uma leitura da trilogia Blood in the sun." Universidade de São Paulo, 2010. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-04022011-091638/.

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Os romances Maps, Gifts e Secrets, pertencentes à trilogia Blood in the sun do escritor somali Nuruddin Farah, apresentam duas camadas narrativas em suas composições: uma dada pelos eventos ficcionais que ocorrem quando os personagens estão despertos e a outra pelos inúmeros sonhos inseridos neles. No espaço da vida de vigília, os protagonistas dessas obras experimentam uma grande imobilidade, estando impossibilitados de alterar a realidade política de seu país, a Somália, e de efetivamente transformar suas próprias vidas. O objetivo deste trabalho é demonstrar que a experiência onírica proporciona, então, uma compensação para a inatividade a que estão condenados. Os sonhos são considerados como lugares especiais de experiência, como cronotopos diferenciados que contestam e invertem o que os personagens vivenciam no mundo dito real. As narrativas oníricas presentes nesses romances operam em dissonância em relação ao restante do que é narrado, oferecendo soluções ficcionais que ainda não parecem possíveis nas outras partes da narração. Dessa forma, o foco da análise se volta para o estudo da estrutura dessas narrativas oníricas, concomitantemente com o procedimento de conferir aos seus signos significados que condigam com o contexto cultural, social e político em que vivem os seus personagens.
The novels Maps, Gifts and Secrets, which belong to the trilogy Blood in the sun by Somali writer Nuruddin Farah, present two narrative levels: one given by the fictional events that take place when the characters are fully awake and the other by the numerous dreams inserted in them. In the space of vigil, the protagonists in these works experience great immobility, being unable to change the political reality of their country, Somalia, and effectively transform their own lives. The aim of this work is to demonstrate that the dream experience provides, then, a form of compensation for the inactivity to which they are doomed. Dreams are considered special places of experience, as different chronotopoi that contest and invert what the characters undergo in the so called real world. The dream narratives that are present in these novels operate in dissonance with the rest of what is being narrated, offering fictional solutions that still do not seem to be possible in other parts of the narrative. Thus, the focus of the analysis turns to the study of the structure of these dream narratives, together with the procedure of giving meanings to their signs that match with the cultural, social and political context in which their characters live.
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7

Aziz, Farah Verfasser], and Ulrich [Akademischer Betreuer] [Stroth. "Ion-acoustic solitons : analytical, experimental and numerical studies / Farah Aziz. Betreuer: Ulrich Stroth." Stuttgart : Universitätsbibliothek der Universität Stuttgart, 2011. http://d-nb.info/1014147670/34.

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8

Mixon, Gloria A. "The social and political status of women in the novels of Nuruddin Farah." DigitalCommons@Robert W. Woodruff Library, Atlanta University Center, 1987. http://digitalcommons.auctr.edu/dissertations/2436.

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The focal point of this study is the social status and the political status of women in Somalia as depicted in the novels of Nuruddin Farah (1945- ). Based on their roles in the novels, the female characters are classified as the traditional Somali woman who symbolizes what is now the status of women in Somalia; the, transitional Somali. woman who symbolizes what is becoming the status of women in Somalia; the liberated modern Somali woman who symbolizes what should be the status of women in Somalia; and the modern Western woman who, because of her Western values and liaisons with Somali males, serves as a contrast to the Somali woman in every classification. The study contends that changes in the status of women in Somalia are related to changing forces in Somali religion, politics and economics, while showing that Farah is justly called a feminist because of his sympathetic treatment of issues raised in African feminism, such as female genital mutilation, forced polygamous marriage, oppression of barren women, and “muledom."
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9

Tarabay, Ghassan. "Philosophie politique et structure de la cité idéale chez Platon et Al-Farah." Paris 4, 1989. http://www.theses.fr/1988PA040098.

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10

Standage, Misty Lynn. "Multiply Voiced, Multiply Heard: Double-Voiced Discourse in Toni Morrison, Maryse Conde, and Nuruddin Farah." OpenSIUC, 2011. https://opensiuc.lib.siu.edu/dissertations/408.

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This dissertation examines the imaginative ways in which three postcolonial writers overcome a fractured collective past by creating a double-voiced discourse narrative framework that allows them to envision a reality that might-have-been while acknowledging the presence of dominant discourses that are. Morrison, Condé, and Farah overlap contradictory forms in order to show that narrative boundaries are self-imposed, mythical, and arbitrary. Intersection among these differing narratives in each text creates dialogism--a balance between dominant and counter-discourse. Because the contrasting viewpoints of dominant and counter-discourse both have a historical perspective, Morrison, Condé, and Farah work to retain a delicate intertextual fabric in their novels--a fabric woven from several narratives to create a text that rests paradoxically on the task of revealing the narrative contradictions while also showing that they can't be completely separated from each other as the singular hegemonic voice argues.
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11

Penziner, Victoria L. "Selective Omission: Inserting Farah Pahlavi and Jehan Sadat into the Women's Movements of Iran and Egypt." Thesis, The University of Arizona, 2006. http://hdl.handle.net/10150/193263.

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Farah Pahlavi and Jehan Sadat have both been described as leaders' wives who were Westernized. While this premise is not untrue, to label them as only demonstrating Western actions and having Western ideas denies Iran's and Egypt's women's movements from having any influence upon their lives. The premise of this work is that Farah Pahlavi and Jehan Sadat engaged the historical legacies of the debates concerning women's role in society. Both women have been omitted from the historical narrative because of their identification as a Westernized element in society. This work explores the legacies of the construction of womanhood in Iran and Egypt (via a discussion of the women's movements) and how Farah Pahlavi and Jehan Sadat interacted with their particular countries experiences during their tenure as leader's wives.
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12

Purwaningrum, Farah [Verfasser]. "Knowledge Governance in an Industrial Cluster : the Collaboration between Academia-Industry-Government in Indonesia / Farah Purwaningrum." Bonn : Universitäts- und Landesbibliothek Bonn, 2012. http://d-nb.info/1042959692/34.

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13

Asif, Farah [Verfasser], Dieter [Akademischer Betreuer] Bender, and Wilhelm [Akademischer Betreuer] Löwenstein. "Impact of foreign affiliation on the livelihood of low-income rural households / Farah Asif. Gutachter: Dieter Bender ; Wilhelm Löwenstein." Bochum : Ruhr-Universität Bochum, 2016. http://d-nb.info/109588400X/34.

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14

Mirmotahari, Emad. "Islam and the Eastern African novel revisiting nation, diaspora, modernity /." Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1666396541&sid=12&Fmt=2&clientId=1564&RQT=309&VName=PQD.

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15

Vafai, Fatameh. "An analytical study of Nuruddin Farah's From a crooked rib and Sardines." Nice, 1986. http://www.theses.fr/1986NICE2038.

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16

Farah, Karim Frédéric [Verfasser], Florian [Akademischer Betreuer] Müller-Plathe, and Nico van der [Akademischer Betreuer] Vegt. "Interphase Formation During Curing Simulated by Reactive Molecular Dynamics / Karim Frédéric Farah. Betreuer: Florian Müller-Plathe ; Nico van der Vegt." Darmstadt : Universitäts- und Landesbibliothek Darmstadt, 2011. http://d-nb.info/1105564533/34.

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17

Mari, Lorenzo <1984&gt. "La resistenza dei legami. Narrazioni e rappresentazioni della famiglia nella trilogia di romanzi “Past Imperfect” (2004-2011) di Nuruddin Farah." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2014. http://amsdottorato.unibo.it/6307/.

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Il presente progetto di ricerca riguarda la terza trilogia di romanzi di Nuruddin Farah, “Past Imperfect” (2004-2011). L’analisi dei tre testi che compongono la trilogia – “Links” (2004), “Knots” (2007) e “Crossbones” (2011) – evidenzia la persistente rilevanza delle narrazioni e delle rappresentazioni della famiglia all’interno di tutta la produzione letteraria dell’autore. Questa prospettiva critica richiede l’impiego di una metodologia che riunisce vari aspetti della critica letteraria di matrice post-strutturalista e, per altri versi, di stampo materialista, assecondando così le due principali tendenze critiche presenti all’interno degli studi postcoloniali. Lo stesso approccio teorico-metodologico può essere applicato anche in altri due ambiti critici chiamati in causa dalla trilogia di Nuruddin Farah: la cosiddetta “world literature” e la cosiddetta “failed-state fiction”. L’analisi delle narrazioni e delle rappresentazioni della famiglia richiede, inoltre, un approccio interdisciplinare molto esteso, stimolando ricerche negli ambiti della semiotica, dell’antropologia, della psicanalisi, dei Gender Studies e dei Trauma Studies.
The research project focuses on Nuruddin Farah’s third trilogy of novels, “Past Imperfect” (2004-2011). The analysis of the three novels included in the series – “Links” (2004), “Knots” (2007) and “Crossbones” (2011) – shows the persistency and the importance of the narrations and representations of the family throughout Nuruddin Farah’s literary production. This specific critical engagement requires a methodology which binds post-structuralist and materialist criticism together, according to the two main critical trends also used in Postcolonial Studies. The same approach can be also applied in two other critical fields which Nuruddin Farah’s trilogy allows reference to: “world literature” and “failed-state fiction”. The analysis of the narrations and the representations of the family, however, calls also for a broader interdisciplinary approach, involving further investigations in semiotics, anthropology, psychoanalysis, Gender and Trauma Studies.
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18

Afzal, Farah Noreen [Verfasser]. "Measurement of the beam and helicity asymmetries in the reactions γp → pπ0 and γp → pη / Farah Noreen Afzal." Bonn : Universitäts- und Landesbibliothek Bonn, 2019. http://d-nb.info/1198933852/34.

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19

Prisco, Mario. "Journeys beyond binaries : storytelling and polyphony in the narratives of Gabriella Ghermandi, Igiaba Scego, Ubax Cristina Ali Farah and Amara Lakhous." Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/11947.

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In the last two decades, in media and political discourses, Italianness has been increasingly represented as a homogeneous and compact entity, which is intruded on and contaminated by immigrants. In this study, the binary opposition between Italians and migrants is investigated from the perspective of writers who inhabit a liminal space, between at least two cultures, with the main intent to problematize the binary itself and to show its nature of fabrication. On the basis of Said's contrapuntal method, the novels by Ghermandi, Scego, Ali Farah and Lakhous are thought to establish a counterpoint with dominant discourses about Italianness. With the firm belief that discourses about postcolonial Italy must address its colonial past, the works analysed are considered as in dialogue with both colonial and postcolonial discourses. A dialogical relation is established, within the study, between Ghermandi's Regina di fiori e di perle and Flaiano's Tempo di uccidere. Written from the perspectives of the colonized and the colonizers respectively, both novels unveil colonial crimes and faults in Ethiopia, thus being counter-narratives about official representations of Italian colonialism. In Scego's Rhoda and Oltre Babilonia and Ali Farah's Madre piccolo, like threads, the individual stories of Somali exiles intertwine to create a fabric, whose pattern reveals the importance of the legacy of colonialism within contemporary Italy. Mainly situated between Italian and Somali cultures, the protagonists experience traumas, suffering and loss but finally attain a contrapuntal awareness between the two cultural poles. They become conscious of how enriching their in-between position is; they affirm the value of their hybrid identity. With a further zoom into postcolonial Italy, Lakhous' Scontro di civiltà per un ascensore a piazza Vittorio and Divorzio all'islamica a viale Marconi analyse the binary ‘us-Italians' versus ‘thosemigrants' in two microcosms in Rome. General polarizations such as Islam and the West emerge as factors which are exploited in order to exacerbate tensions and divisions. In addition, Italianness appears to be an internally fragmented entity, which is imagined as compact and homogeneous, as a reaction to the influx of immigrants. Against any logic of binarism, the novels by Ghermandi, Scego, Ali Farah and Lakhous reveal the constant effort to create a passage between two poles and to uphold a dialogical relation between them; crossings over and hybridity are continuously affirmed. With their highly important affirmation of multiplicity, the works challenge any essentializing notion of identity and any narrow representation of Italianness, within multiethnic contemporary Italy.
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20

Kanani-Sühring, Farah [Verfasser]. "High-resolution large-eddy simulations of scalar transport in forest-edge flows and implications for the interpretation of in-situ micrometeorological measurements / Farah Kanani-Sühring." Hannover : Technische Informationsbibliothek und Universitätsbibliothek Hannover (TIB), 2015. http://d-nb.info/1076060587/34.

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21

Pangestuty, Farah Wulandari [Verfasser], Xiaohua [Akademischer Betreuer] Yu, Stephan [Gutachter] Klasen, and Bernhard [Gutachter] Brümmer. "Essays on Indonesian Undernutrition Vulnerability and Domestic Asymmetric Rice Price Transmission with the World / Farah Wulandari Pangestuty ; Gutachter: Stephan Klasen, Bernhard Brümmer ; Betreuer: Xiaohua Yu." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2019. http://d-nb.info/1199104973/34.

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22

Farah, Philipp Wagih [Verfasser], Wolfgang A. [Akademischer Betreuer] Wall, Wolfgang A. [Gutachter] Wall, and Manfred [Gutachter] Bischoff. "Mortar Methods for Computational Contact Mechanics Including Wear and General Volume Coupled Problems / Philipp Wagih Farah ; Gutachter: Wolfgang A. Wall, Manfred Bischoff ; Betreuer: Wolfgang A. Wall." München : Universitätsbibliothek der TU München, 2017. http://d-nb.info/1160381259/34.

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23

Leafgren, Luke Anthony. "Novelizing the Muslim Wars of Conquests: The Christian Pioneers of the Arabic Historical Novel." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10362.

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During the Arabic cultural renaissance of the nineteenth century known as the nahda, Christian Arabs made a substantial contribution to the development of fiction and journalism. Among these pioneers, Salim al-Bustani, Jurji Zaydan, and Farah Antun were inspired by translations of European fiction to write the first historical novels in Arabic. Their narrations of the Muslim wars of conquest are carefully constructed blends of history and fiction that emphasize the cultural and religious values that Christian and Muslim Arabs hold in common. In their novels, these authors celebrate the historical achievements of the Arabs and seek to inspire a new sense of Arab cultural identity, open to Christians and Muslims alike and based on shared language, history, territory, values, and aspirations for reform. In this way, these authors respond to the sectarian tensions of their time, European imperialism, and the challenges of modernism with ideas that would become central to Arab nationalist discourse in the twentieth century.
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24

Abdel, Rahman Farah [Verfasser], Christian [Akademischer Betreuer] Kupatt-Jeremias, Alessandra [Gutachter] Moretti, and Jürgen [Gutachter] Ruland. "Sphingolipids improve vascular barrier function and systemic blood pressure by reducing pericyte loss during LPS-mediated inflammation / Farah Abdel Rahman ; Gutachter: Alessandra Moretti, Jürgen Ruland ; Betreuer: Christian Kupatt-Jeremias." München : Universitätsbibliothek der TU München, 2020. http://d-nb.info/1220322423/34.

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25

Raad, Farah [Verfasser], Wolfram-Hubertus [Akademischer Betreuer] [Gutachter] Zimmermann, and Lutz [Gutachter] Tietze. "Characterization and Application of Bioengineered Heart Muscle as a New Tool to Study Human Heart Development and Disease / Farah Raad ; Gutachter: Wolfram-Hubertus Zimmermann, Lutz Tietze ; Betreuer: Wolfram-Hubertus Zimmermann." Göttingen : Niedersächsische Staats- und Universitätsbibliothek Göttingen, 2016. http://d-nb.info/1135487642/34.

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Asna, Ashari Farah [Verfasser], Helmut [Gutachter] Karl, and Wilhelm [Gutachter] Löwenstein. "Welfare effects of alternative irrigation water prices on farm households : a case study of Lake Urmia Basin, Iran / Farah Asna Ashari ; Gutachter: Helmut Karl, Wilhelm Löwenstein ; IEE, International Development Studies." Bochum : Ruhr-Universität Bochum, 2019. http://d-nb.info/118268257X/34.

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27

Assemboni, Amatso O. [Verfasser]. "DONS DE VIOLENCE ET VIOLENCES DU DON : Violence et Dons dans les Echanges Nord-Sud. Etude Comparée des Trilogies de Hans Christoph Buch et de Nuruddin Farah / Amatso O Assemboni." Aachen : Shaker, 2007. http://d-nb.info/1166512282/34.

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28

Al-Atrash, Farah Z. [Verfasser], Wagner, and R. T. Hellwig A. [Akademischer Betreuer] Prof. "Adaptive thermal comfort and personal control over office indoor environment in a Mediterranean hot summer climate – the case of Amman, Jordan / Farah Z. Al-Atrash ; A. Wagner, Prof. R. T. Hellwig." Karlsruhe : KIT-Bibliothek, 2018. http://d-nb.info/1174252057/34.

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29

Härgestam, Strandberg Hilda. "Articulable Humanity : Narrative Ethics in Nuruddin Farah's Trilogies." Doctoral thesis, Umeå universitet, Institutionen för språkstudier, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-125010.

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Fokus för avhandlingen, Att uttrycka det mänskliga: narrativ etik i Nuruddin Farah’s trilogier, är de nio romaner publicerade mellan 1979 och 2011 som tillsammans utgör Nuruddin Farah’s tre trilogier: ”Variations on the Theme of an African Dictatorship,” bestående av Sweet and Sour Milk (1979), Sardines (1981), Close Sesame (1983); “Blood in the Sun,” bestående av Maps (1986), Gifts (1993), Secrets (1998); samt “Past Imperfect,” bestående av Links (2003), Knots (2007), Crossbones (2011). Tematiska och stilistiska skillnader till trots så är dessa trilogier och romaner märkbart sammanhängande i sitt fokus. De är inte bara tydligt förankrade i en somalisk verklighet som spänner över mer än tre decennier – en resa som inbegriper landets skifte från kommunisitstyre, via diktatur, till inbördeskrig, och 2010-talets version med islamistiskt styre och pirater som härjar kustregionen – men dessa romaner pekar genomgående bortom sin tydliga socio-politiska kontext mot djupt etiska, tid- och rumsoberoende frågeställningar: Hur förhåller sig individen till kollektivet? Vilket etiskt ansvar har jaget för den andre? Vad utgör grunden för människans gemensamma varande? Hur bevara sin mänsklighet under omänskliga levnadsförhållanden? Hur göra motstånd i en diktatur utan att bli en del i det maskineri av våld och tyranni man söker bekämpa? Trots det tydligt etiska anslaget så har dessa trilogier nästan uteslutande lästs utifrån sina politiska implikationer. Utan att undervärdera decennier av rikt och varierande kritiskt mottagande så har denna tendens till politiska läsningar ofta genererat förvånansvärt entydiga läsningar av verk kända för sin mångtydighet och komplexitet. Avhandlingen avser därför att påvisa djupet och bredden i Farah’s gestaltningar genom att tydligt belysa hur det etiska gestaltar sig på flera nivåer – tematiskt, berättartekniskt, i mötet mellan läsare och text, samt i föreställningar om författarens moraliska ansvar. Därutöver diskuteras även de etiska dimensionerna av litteraturkritik: vad innebär en etiskt hållen läsemetodik? Arbetets unika bidrag kan formuleras i fyra steg. För det första utgör avhandlingen det ända kända arbete – utöver Fiona F. Moola’s Reading Nuruddin Farah: The Individual, the Novel, and the Idea of Home (2014) – som inbegriper Farah’s alla trilogier, vilket möjliggör mer långtgående och genomgripande analyser än vad som hittills publicerats. Avhandlingens fokus på den senaste trilogin fyller dessutom en viktig lucka i det kritiska mottagandet av Farah’s romaner eftersom väldigt lite publicerats utöver recensioner. Förutom nya läsningar av Farah så utgör min emfas på det etiska i Farah’s etisk-politiska skrivande ett viktigt bidrag till det vidare fält av (afrikansk) (postkolonial) litteraturkritik där man ofta betonat det politiska över det etiska, snarare än att läst dessa två som oskiljaktiga entiteter. Trots att anledningarna till politiska läsningar av Farah’s trilogier kan härledas såväl till verkens starkt politiska nerv som författarens egna uttalanden i intervjuer och artiklar, så pekar privilegieringen av det politiska framför det etiska på en mer generell tendens inom postkolonial kritik att inrymma det etiska under det politiska. Trots att kopplingen mellan fiktion, politik och författaransvar inte kan avfärdas, hävdar jag i denna avhandling att ett ensidigt politisk angreppssätt hotar att såväl underskatta komplexiteten i romanernas gestaltningar, som att reducera konceptuellt vad författare som Farah faktiskt åstadkommer. För det andra så vidgar avhandlingen befintlig forskning kring det etiska i Farah’s romaner genom att inte endast fokusera på tematik och berättartekniska grepp, men också diskutera läsandet och skrivandet – det som i avhandlingen beskrivs som fyra sammanlänkande ”ethical moments of the told, the telling, the act of writing, the act of reading.” Utan att undervärdera tidgare kritiska läsningar så tycks många diskussioner kring Farah’s trilogier fokusera författarens centralitet på ett vis som emellanåt tar fokus från i övrigt tankeväckande läsningar av tematik och narrativa strategier. Min högst textcentrerade utgångspunkt visar som kontrast att läsningen av Farah’s trilogier genererar spörsmål som kräver ett mer holistiskt perspektiv, inte minst tydliga diskussioner kring den etiska dialog som uppstår i mötet mellan läsare och text. Förutom att bidra till befintlig forskning på Farah’s författarskap, så bidrar avhandlingens holistiska inställning till narrativ etik med fem sammanlänkade perspektiv till det vidare fältet av etisk litteraturkritik. Dels beror detta på det faktum att en sådan modell förutsätter användandet av multipla tolkningsmodeller; i mitt fall kontinental filosofi, postkolonial teori, samt narratologiska teorier kring läsande och mottagande. Denna interdisciplinära modell för narrativ etik är dock inte begränsad till min specifika sammansättning utan kan fungera som modell även för andra litteraturforskare, med alternativa kombinationer av tänkare och teoretiker. Till sist; trots att det inte varit ett uttalat mål från projektets början så har arbetet med det etiska i Farah’s trilogier generarat många funderingar kring den egna läsningen som efterhand lett till formulering av nya narratologiska perspektiv. Här utgör mötet mellan text och läsare en central del i avhandlingen. Genom att betona de etiska elementen i mötet mellan text och läsare närmar jag mig spörsmål som i förlängningen kan ses som byggstenar i en mera etiskt hållen läsemetodik. I stället för att tolka ”störande” element som exempel på estetiska brister, alternativt brister i författarens moraliska ansvarstagande (!) så menar jag att de aspekter som irriterar läsaren, försvårar eller rent av omöjliggör förståelse mycket väl kan vara de ting i texten som tvingar läsaren till en mera engagerad och därmed etiskt mer välgrundad läsning. Att läsa textens ”krux” i termer av ”ethical resource” utgör ett viktigt bidrag till såväl litteratur-filosofisk som narratologisk litteraturforskning, eftersom man ofta hamnat i endera värderande samtal kring ”god litteratur” eller i resonemang kring vilka narrativa element/strategier som väcker läsarens engagemang, empati, etc – och vilka som inte gör det.
This study explores the multiple ethical dimensions of the nine novels published between 1979 and 2011 that together constitute Nuruddin Farah’s three trilogies Variations on the Theme of an African Dictatorship, including Sweet and Sour Milk (1979), Sardines (1981), and Close Sesame (1983); Blood in the Sun, including Maps (1986), Gifts (1993), and Secrets (1998); and Past Imperfect, including Links (2003), Knots (2007), and Crossbones (2011). For all that separate these trilogies and novels thematically and stylistically, they are remarkably consistent in their enquiry. While firmly rooted in the geo-political particulars of Somalia, these novels stage human experience in ways that cut across time and place, inviting the reader to ponder a plethora of questions of profoundly ethical import: How can one remain human in the face of extreme adversities? How can one resist oppression in all its forms without becoming a perpetrator of that which one seeks to resist? What role may violence or non-violence have in seeking to see justice done? How far does responsibility for the other reach? How may dehumanizing forces be resisted in ways that preserve and even restore human dignity? By privileging the ethical in Farah’s ethico-political writing, the study draws attention to voices and perspectives that have gone unnoticed in previous readings, where political perspectives have dominated. Not only does a sustained analytical focus on how human dignity is valued, protected, preserved and even restored call for re-assessments of concepts such as ‘freedom,’ ‘resistance,’ and ‘moral responsibility.’ but the thesis’ highly text-centered approach has in the process of writing proved that Farah’s trilogies generate questions that demand a fuller exploration than what has hitherto been possible with a more limited emphasis on themes and narrative strategies. The use of a model in which five ‘ethical moments’ are explored thus allows for more extensive conclusions to be drawn, both regarding the ethics emerging in the trilogies themselves (‘ethics of the told,’ ‘ethics of telling’ and ‘ethics of writing’), in reading practices and critical reception (‘ethics of reading’), and my own research practice (‘ethics of method’). Ultimately, the study’s explorations of themes, narrative strategies, author’s responsibilities and critical response elucidate how Farah’s trilogies escape any narrow definition of what (African) (postcolonial) literature is or should be. By privileging the ethical trajectory – without losing sight of the strong political impetus of Farah’s writing – significant stories and perspectives surface that are no less political in their outlook than more conventional readings of “resistance writing.” By drawing on continental philosophy (Lévinas, Cavarero and Butler), narrative theory and postcolonial studies, this study brings fresh perspectives to bear on both familiar and less well-known material, while also contributing to new methodological frameworks within narrative ethics and new theoretical perspectives within narrative theory, not least as reflected in the final chapter’s discussion of imaginative challenges.
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Feroz, Farah Shahnaz [Verfasser], and Christoph [Akademischer Betreuer] Mulert. "Time Course of the Dorsal and Rostral-Ventral Anterior Cingulate Cortex Reveals the Influence of Emotional Valence and Arousal on Cognitive Control in Healthy Subjects and Patients With Schizophrenia / Farah Shahnaz Feroz ; Betreuer: Christoph Mulert." Hamburg : Staats- und Universitätsbibliothek Hamburg, 2018. http://d-nb.info/1168380928/34.

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Zuckerman, Lola, and Layla Zami. "Contemporary PerforMemory." Doctoral thesis, Humboldt-Universität zu Berlin, 2018. http://dx.doi.org/10.18452/18656.

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Die Dissertation von L. Zuckerman (auch bekannt als Layla Zami) erforscht die Wechselbeziehungen zwischen Erinnerung, Bewegung, Diaspora und Zeit/Raum in Tanzproduktionen des 21. Jahrhunderts. In einer innovativen transkulturellen, transdisziplinären und transtemporalen Perspektive setzt die Publikation den Akzent auf die Solo-Arbeiten von sieben zeitgenössischen Choreograph_innen, die in Deutschland, Frankreich, Taiwan, Martinique, Palästina und den USA leben, und Interpret_innen ihrer eigenen Stücke sind. Ausgehend von der Hypothese, dass Körper eine zentrale Rolle in der Aushandlung und Überwindung von Machtverhältnissen spielen, fragt die Forschung was geschehen kann, wenn tanzende Körper die Vergangenheit in die Gegenwart transportieren, im materiellen und im metaphorischen Sinne. Die Autorin leitet ein neues Konzept ein, das im Englischen sowohl Substantiv als auch Verb ist: (to) perforMemory. Sie reflektiert die Besonderheiten der Ausdruckform Tanz in der Darstellung, Herstellung, und Tradierung von kultureller Erinnerung im Bezug auf historische Traumata wie der Holocaust, der Transatlantische Sklavenhandel, die Maafa, die Nakba und zeitgenössische gesellschaftspolitische Herausforderungen. Das als Spirale konzipierte Buch lädt zu einer Wanderung durch diasporische Tanz_schaften, in denen sich Fragestellungen zu Identität, Körperlichkeit, Zugehörigkeit, Räumlichkeit und Zeitlichkeit entfalten, und sich in der Diskussion von bestimmten Tanzsequenzen wechselseitig beleuchten. Die Doktorarbeit basiert auf den Ergebnissen einer vierjährigen internationalen Forschung. Die Quellen schöpfen aus unterschiedlichen Fachrichtungen, u.a. Gender und Queer Studies, Tanz/Performance, Kulturwissenschaften, Erinnerung, Postkoloniale Studien, Literatur, Quantenphysik, und Lyrik. Die Veröffentlichung beinhaltet ebenfalls die vollständigen Transkripte von persönlichen Gesprächen, die die Autorin mit den Künstler_innen Oxana Chi, Zufit Simon, Wan-Chao Chang, André M. Zachery, Farah Saleh, Christiane Emmanuel und Chantal Loïal aufgenommen hat, sowie Links zu Performance-Ausschnitten.
The dissertation by L. Zuckerman (aka Layla Zami) explores the interrelations and interactions between memory, movement, diaspora, and spacetime in 21st century dance productions. In an innovative transcultural, transdisciplinary and transtemporal approach, the publication focuses on solo works by seven contemporary dancers-choreographers based in Germany, France, Taiwan, Martinique, Palestine and the USA. Contending that corporeality is a site and a source of power, the research asks what happens when moving bodies propel the past into the present, metaphorically and materially. The author introduces a new concept: (to) perforMemory, which is both a noun and a verb, and discusses the specificity of dance in the production and transmission of cultural memory in relation to historical trauma such as the Holocaust, the Transatlantic Slave Trade, Maafa, the Nakba and contemporary sociopolitical challenges. Conceived in a spiral-like fashion, the book takes the reader through diasporic dancescapes in which notions of identity, home, embodiment, spatiality and temporality unfold and are brought into resonance with each other in the discussion of specific dance examples. The theoretical references connect such various fields as gender studies, dance and performance studies, cultural memory studies, postcolonial studies, literature, quantum physics, queer studies and poetry. Based on doctoral research conducted across the globe from 2013 to 2017, the electronic publication also features the full interview transcripts of personal conversations recorded by the author with the artists Oxana Chi, Zufit Simon, Wan-Chao Chang, André M. Zachery, Farah Saleh, Christiane Emmanuel and Chantal Loïal, as well as links to audiovisual performance excerpts.
La thèse explore les interrelations et interactions entre mémoire, mouvement, diaspora et espace-temps dans la danse au XXIème siècle. Dans une approche transculturelle, transdisciplinaire et transtemporelle, la publication se concentre sur des pièces solo chorégraphiées et interprétées par sept chorégraphes contemporain.e.s basé.e.s en Allemagne, France, Martinique, Palestine, à Taiwan et aux Etats-Unis. Estimant que les corps humains sont objets et sujets de relations de pouvoir, la thèse étudie ce qui se passe lorsque les corps dansent le passé au temps présent, au sens propre et au sens figuré. L'auteure introduit un nouveau concept: (to) perforMemory, à la fois un substantif et un verbe en anglais. Elle met en relief la spécificité de la danse comme forme de production et transmission de la mémoire culturelle, en relation avec des traumas historiques tels que l'Holocauste, la Traite triangulaire ou Maafa, la Nakba ainsi que des défis sociopolitiques contemporains. Conçu comme une spirale, le livre est une invitation au voyage à travers des paysages diasporiques dansés, dans lequel les notions d'identité, d'appartenance, de spatialité, de temporalité et de représentation émergent tour à tour, et s'illuminent mutuellement dans l'analyse de séquences de danse concrètes. Le corpus théorique puise dans des domaines aussi variés que les études de genre, la danse, les études postcoloniales, la litérature, les Cultural Studies, la physique quantique, les études queer et la poésie. Basée sur des recherches doctorales conduites de 2013 à 2017 à travers le monde, cette publication électronique comprend également les transcriptions intégrales des entretiens personnels menés avec les artistes Oxana Chi, Zufit Simon, Chantal Loïal, Christiane Emmanuel, Farah Saleh, Wan-Chao Chang, et André M. Zachery, ainsi que des liens vers des extraits audiovisuels de spectacles.
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Loudilová, Martina. "Společenský dům - fara." Master's thesis, Vysoké učení technické v Brně. Fakulta architektury, 2009. http://www.nusl.cz/ntk/nusl-215617.

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The theme of the dissertation is design of new building of community center with a vicarage. The building is designed as a flat for a vicar, office of a vicar, new rooms for meeting of the churchgoers and new garden. The vicarage is designed near of church. The vicagareis designed in an area, which is prepare for building of cottages. The old vicacare is in old house in the other part of street Kostelní, than is the church. Existing flat for the vicar is unsuitable. Theobject is designed with one or two floors. The object is designed of tree parts: living part – a flat of the vicar and a flat for visitors, a community center – a parish hall and a hygienic rooms, an office part – an office of a the vicar and a clubroom. All parts of building are divide with fiction, design and used materials. The building is designed with a traditional materials as wood, concrete, masonry. The shape of building is designed from three diferent blocks. An parish hall i designed with rectangle layout, in the hall are designed two windows. The north-west corner of hal lis designed higher than other part sof room, because this corner is situated to church. This window is designed with frame in cross shape. The second window is connection between the garden and hall. The external fasade is designed from smooth concrete with links, that are designed in cross kapes. The links are designe as some crosses, that are designed in gold section. The office of vicar is designed with wood arc beams. The external fasade is designed from titanzinc sheets. The fasade is designed as wall and roof. The end fasades are designed from glass walls, because wood beams are a dominant of this part of building. The living part of building is designed with two floors. Th structure is designed with traditional technologies from masonry and concrete or wood slabs.
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Lindhoff, Anna, Mattias Kristensson, and Andreas Nilsson. "Riskredovisning - fara eller möjlighet?" Thesis, Kristianstad University College, Department of Business Administration, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:hkr:diva-3176.

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The purpose of this essay was to explain the contributory factors that influence the choice of account risk management in the annual report or not. Under the influence of the institutional theory and our frame of reference we constructed our own theory of account risk management. The method we used for the study was a survey method and the data we collected came from companies listed on the Stockholm Stock Exchange. When we analysed the collected data, with Fisher‘s exact probability test, we found a significant connection between company having a risk manager and account risk management. There were also tendencies between account risk management and our two variables “true and fair view” and “openness and credibility”. The report is written in Swedish, which is our mother tongue.

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Kristensson, Mattias, Anna Lindhoff, and Andreas Nilsson. "Riskredovisning - fara eller möjlighet?" Thesis, Kristianstad University College, Department of Business Administration, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:hkr:diva-3264.

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Syftet med uppsatsen var att utvärdera varför företag väljer respektive inte väljer att i sin externa redovisning visa de risker de utsätts för. Uppsatsen har koncentrerats till den redovisning av risk som sker i förvaltningsberättelse och i noter och undersöker endast börsnoterade bolag i branscherna industri och IT.

Vår teori består av egen modell som byggts upp med influenser från den institutionella teorin. Teorin består av tio faktorer som kan påverka valet av att redovisa sin risk eller ej.

Undersökningen har genomförts med en e-mailbaserad surveyundersökning. Genom det empiriska resultatet vi erhöll försökte vi att urskilja tendenser till valet av att redovisa sin risk eller ej. På grund av att vi försökt att påvisa tendenser, och ej förklara samband hos företagen, valde vi att arbeta utifrån en signifikansnivå på 5 %.

För de hypoteser som testades genom Fisher's exakta test var det endast en hypotes som visade att signifikant samband fanns. För vårt urval förelåg signifikant samband mellan att företaget redovisar sin risk och att de inom företaget har en ansvarig för sin riskhantering. Övriga tester av hypoteser presenterades i diagram där eventuella tendenser urskiljdes. De tendenser vi kunde utläsa var att man redovisade sin riskhantering för att visa öppenhet och skapa trovärdighet samt för att man ansåg att det ingår i begreppet rättvisande bild.

Den teori vi byggde upp våra hypoteser ur visade sig stämma på de faktorer som påverkade företag att redovisa sin riskhantering. Vi lyckades dock inte presentera någon faktor som påverkade företaget att redovisa sin riskhantering. Anledningarna till detta kan vara många, men det kan vara så att de som redovisar sin risk väljer att framhäva detta medan de som inte redovisar inte gärna skyltar med de anledningar som ligger bakom.

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Frånberg, Marlene. "Framkallande av fara för annan." Thesis, Stockholms universitet, Juridiska institutionen, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-100561.

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Sýkorová, Michaela. "REVITALIZACE CÍRKEVNÍCH STAVEB - FARA PŘÍTLUKY." Master's thesis, Vysoké učení technické v Brně. Fakulta architektury, 2016. http://www.nusl.cz/ntk/nusl-240861.

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Student Bc. Michaela Ráčková in her diploma thesis will be deal with a phenomenon of revitalization of church buildings, especially design of reconversion of the former vicarage and its surroundings in the village Přítluky in South Moravia. Church buildings as churches, vicarages, convents have always been determining and dominant element in the formation of settlements. Their clear and often privileged position in the structure of settlements was determined by relationship of man to faith. This position remained them despite many ups and downs and church buildings still play an important role in the environment in which we live.
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Rybak, Katarzyna [Verfasser], Farhah [Akademischer Betreuer] [Gutachter] Assaad-Gerbert, and Jörg [Gutachter] Durner. "Tethering complexes required for plant cytokinesis / Katarzyna Rybak ; Gutachter: Jörg Durner, Farhah Assaad-Gerbert ; Betreuer: Farhah Assaad-Gerbert." München : Universitätsbibliothek der TU München, 2014. http://d-nb.info/1120584175/34.

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Cheng, Linda, and Yiliu Chen. "”Ingen fara, ingen fara” : En observationsstudie om barns kamratkulturer i fri lek utifrån Corsaros teorier." Thesis, Stockholms universitet, Barn- och ungdomsvetenskapliga institutionen, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-166241.

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Syftet med vårt examensarbete är att undersöka och öka kunskap om barns kamratkulturer i fri lek med fokus på fysiska artefakter, regler och strategier. För att undersöka detta använder vi oss av Corsaros teorier som teoretiskt perspektiv. Studien utförs i en barngrupp utifrån en svensk förskolekontext i inomhusmiljöer. Genom etnografisk ansats, alltså med en kvalitativ metod, undersöker vi hur barn i kamratkulturer interagerar med varandra, deras användning av fysiska artefakter, strategier och regler under fri lek i form av observationer. Studien betonar också lekens betydelse i förskolan för barns utveckling och lärande med koppling till Lpfö 18 (2018, ss.5–19) där det beskrivs hur leken har en väsentlig roll i förskolans vardag. Resultatet visar på att barn är flitiga aktörer som använder olika strategier både för att skydda sin kamratkultur och för att träda in i pågående aktiviteter med bl.a. artefakter, regler och tillträdesstrategier.
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Issa, Toni. "Skogsbränder, en fara eller icke fara? : En studie om framtidens skogsbränder, dess konsekvenser och bekämpning." Thesis, Karlstads universitet, Institutionen för sociala och psykologiska studier (from 2013), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-78063.

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In 2018, forest fires occurred in Sweden, which put high pressure on rescue services and society. Several parts of the country were subject to a fire ban. The purpose of the document study is to investigate whether forest fires could become a continuous danger for municipalities and their inhabitants in the future. The study also strives to investigate measures to combat forest fires and whether these measures are adequate. In order to work in the right direction and not lose course, three questions were asked, "What patterns do we see overtime regarding forest fires?", "What measures have been taken to combat forest fires?" and "Are measures against forest fires sufficient?". These issues helped to select research evidence and the right empirical material.With critical realism as a scientific approach, the problems with forest fires were highlighted and research work started. By applying applied geography / forest geography, its causes and risks could be studied. With the mapping / mapping, the potential forest fire risk could be mapped in the future. Following a survey of potential forest fire risk in the future, it turned out that Skåne risks being most affected by forest fires due to changing climate in the region. This made the study limited to Skåne. The County Administrative Board of Skåne's risk and vulnerability analysis for 2014 and the Land use plan for Östra Göinge became the documents that were analyzed in this document study. By analyzing the risk and vulnerability analysis, it explains what risks are considered to be a potential danger, how the danger is mitigated and how resources and measures are prioritized. In the overview plan we can see if the forest fire risk was taken into account and if so how. This study shows that the risk of forest fires will increase in the future due to. changing weather conditions. It also shows that risk and vulnerability analysis do not take into account the change, the increased risk and lack a long-term perspective on risk and vulnerability. The study also shows that information on what are forest fire influencing factors such as weather, vegetation and topography are not taken into account. Land use plans need to pay more attention to forest fire risk and report measures to combat it. Keywords: Forest fire, Risk, Fire risk, Physical planning, Risk analysis
2018 förekom skogsbränder i Sverige vilket satte hög press på räddningstjänst och samhället. Flera delar av landet rådde eldningsförbud. Syftet med dokumentstudien är att undersöka om skogsbränderna kan komma att bli en kontinuerlig fara för kommuner och dess invånare i framtiden. Studien strävar även efter att undersöka åtgärder för bekämpning av skogsbränder samt om dessa åtgärder är tillräckliga. För att arbeta mot rätt riktning och inte tappa kurs sattes tre frågeställningar, ”Vilka mönster ser vi övertid gällande skogsbränder?”, ”Vilka åtgärder har vidtagits för att bekämpa skogsbränder?” och ”Är åtgärder mot skogsbränder tillräckliga?”. Dessa frågeställningar hjälpte till med att välja forskningsunderlag och rätt empiriskt material. Med kritisk realism som vetenskapligt angreppssätt uppmärksammades problematiken med skogsbränder och forskningsarbetet påbörjades. Genom att tillämpa applied geography/tillämpad geography kunde skogsbränder, dess orsaker och risker studeras. Med mapping/kartläggning kunde den potentiella skogsbrandsrisken i framtiden kartläggas. Efter kartläggning av potentiell skogsbrandsrisk i framtiden visade det sig att Skåne riskerar att drabbas mest av skogsbränder pga. förändrat klimat i regionen. Detta gjorde att studien avgränsades till Skåne. Länsstyrelsen Skånes risk- och sårbarhetsanalys för 2014 och Översiktsplan för Östra Göinge blev dokumenten som analyserades i denna dokumentstudie. Genom att analysera risk- och sårbarhetsanalysen, förklaras vilka risker som bedöms vara en potentiell fara, hur faran motarbetas samt hur resurser och åtgärder prioriteras. I översiktsplanen kan vi se om skogsbrandsrisken beaktats och i så fall hur. Denna studie påvisar att risken för skogsbränder kommer att öka i framtiden pga. förändrade väderförhållanden. Den visar även att risk- och sårbarhetsanalys inte beaktar förändringen, den ökade risken samt saknar ett långsiktigt perspektiv på risk och sårbarhet. Studien visar även att information om vad som är skogsbrandspåverkande faktorer som väder, vegetation och topografi inte beaktas. Översiktsplaner behöver uppmärksamma skogsbrandsrisken mer och redovisa åtgärder för att bekämpa den. Nyckelord: Skogsbrand, Risk, Brandrisk, Fysisk planering, Riskanalys
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Tibblin, Sara. "En farao - tre versioner : En undersökning i historiebruket kring farao Akhenaten i tre litterära verk från 1980-1990 talen." Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper (KV), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-36076.

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Johansson, Angelika, and Martina Petersson. "Nätdroger : Moralisk panik eller verklig fara?" Thesis, Linnéuniversitetet, Institutionen för socialt arbete (SA), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-27504.

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The aim of the study was to investigate whether the phenomenon of internet drugs should be considered as a moral panic or as a real danger. We have mainly focused on how society perceives young people's use of these drugs. The study is based on a qualitative approach and we have used structured interviews. The interviews were conducted with three different categories of professionals who in different ways have contact with parts of our study in their professional capacity. These are: officials, commentators, and researchers. We chose these respondents to get a chance to see the phenomenon from different perspectives. The study's starting point is moral panic and youth culture. The results and analysis section showed that the professionals had differing opinions on how to consider the phenomenon. The majority of respondents felt that there are elements of both moral panic and real danger; however, there were those who felt it was merely a moral panic, while others felt that it was solely a real danger. With this background, our conclusion is that probably internet drugs should be seen as both - a moral panic and a real danger.
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Starzmann, Maria Theresia. "Archäologie des Raumes : soziale Praxis und kulturelle Bedeutung am Beispiel der Wohnarchitektur von Fara /." Wien [u.a.] : LIT, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2929922&prov=M&dok_var=1&dok_ext=htm.

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Potenza, Daniela. "The kaleidoscope effect. Rewriting in Alfred Faraǧ’s plays as a multifunctional strategy for a multilayered creation." Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCF019/document.

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Plusieurs pièces du dramaturge égyptien Alfred Faraǧ (1929-2005) réécrivent des textes préexistants. Se caractérisant de façon différente selon le genre textuel de son hypotexte, la réécriture se révèle une stratégie variable. Une comparaison entre les genres, les récits, les personnages, le style et les contenus des hypertextes et des hypotextes montre que les pièces réécrivant l’histoire se focalisent sur des aspects privés et font ainsi que le passé se mêle à des questions d’actualité ; la réécriture de la Qiṣṣat al-Zīr Sālim subvertit les valeurs de la légende en les adaptant aux goûts du public ; tandis que les pièces dérivées des Mille et une Nuits encadrent des questions politiques dans une ambiance ludique.Réinvestissant le patrimoine arabe, ces réécritures soutiennent le panarabisme. En même temps, elles encodent des critiques à l’encontre du régime de l’époque. De plus, la réécriture d’Alfred Faraǧ remodèle le patrimoine arabe : elle pourvoit l’histoire d’interprétations nouvelles et positives, adapte les valeurs de la légende et gomme le pouvoir effectif de la magie ainsi que le comique basé sur des préjudices religieux ou raciaux des contes des Nuits. Les personnages tirés de l’histoire et de la légende sont réinterprétés et livrés au public comme des héros. En plus d’être multifonctionnelle, la réécriture produit une création à plusieurs niveaux. Soumise à une double réception (celle de l’hypotexte seul et celle de l’hypertexte dans son ensemble), sa perception est complexement variable. Comme un kaléidoscope, la réécriture replace des éléments pour composer des dessins constamment variables au regard du spectateur qui forment l’esthétique de ces ouvrages
Several of Alfred Faraǧ’s plays rewrite preexistent texts. As each play presents distinctive features depending on the genre of its hypotext, rewriting is a variable strategy. A comparison between the literary genres, the plots, the characters, the style and the contents of the hypertexts and their hypotexts reveals that plays rewriting History focus on private aspects of the events and make the past reflects issues relevant in the present; the rewriting of the Qiṣṣat al-Zīr Sālim subverts its original values adapting them to the contemporary audience’s taste; and plays based on the Arabian Nights frame political issues in cheerful atmospheres.All the plays derived from the rewriting reinvest the Arab heritage and most of them are written in Classical Arabic, and so they contribute to foster the pan-arabist ideology. In the meantime, they contain political ideas which could be expressed because they were encoded through the rewriting. Alfred Faraǧ’s rewritings also reshape the socio-cultural Arab heritage providing History with new, positive interpretations of the events, substituting the values of the legend and erasing the effective power of magic and the comic based on racial or religious prejudices from the tales of the Nights. Similarly, characters taken from History or legend are reinterpreted and delivered to the audience as heroes. Besides being multifunctional, rewriting also produces a multilayered creation. Affected by a double reception (of the hypotext and of the hypertext in its whole), its perception complexly variates. Like a kaleidoscope, the rewriting resettles elements to compose ever-changing viewed patterns shaping the aesthetic of such works
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44

Edvardsson, Angelica. "Vad ska vi tro på? : Om Bisfenol A:s fara eller icke fara och osäkra testmetoder för hormonstörande ämnen." Thesis, Södertörns högskola, Institutionen för kommunikation, medier och it, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-18033.

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- Totalförbjud Bisfenol A helt, enligt miljöbalkens lag omförsiktighetsprincipen, säger Ulrika Dahl på Naturskyddsföreningen. På andra sidan står Europeiska myndigheten för livsmedelssäkerhet, EFSA, och pekar på tester som visar att Bisfenol A inte är skadligt förmänniskan i de mängder vi får i oss. Tester som inte är gjorda för kemikalier som Bisfenol A. Så vad ska vi tro på?
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45

Siddiqui, Zaigham Faraz [Verfasser], and Myra [Akademischer Betreuer] Spiliopoulou. "Mining perennial objects / Zaigham Faraz Siddiqui. Betreuer: Myra Spiliopoulou." Magdeburg : Universitätsbibliothek, 2013. http://d-nb.info/1054136157/34.

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46

Emmerdinger, Dominik. "Die Rolle des Enzyms Fatty Acid Amide Hydrolase (FAAH) und von Varianten des FAAH Gens bei chronisch entzündlichen Darmerkrankungen." Diss., lmu, 2009. http://nbn-resolving.de/urn:nbn:de:bvb:19-106848.

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47

Shafti, Farhad. "Comparative analysis of the Farāhī school of thought : a case study approach." Thesis, University of Edinburgh, 2016. http://hdl.handle.net/1842/23511.

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In the past century a new school of Islamic scholarship has emerged and evolved which this thesis refers to as the Farāhī school of thought, henceforth written as the Farāhīs. Research carried out studying the Farāhīs has been very limited in the sense that it has been heavily focused on differences in conclusions, rather than approaches. Where approaches were discussed, only the main premises, as published by the scholars of the Farāhīs themselves, were covered. This thesis delves deeper, to explore the detailed methodological features of the Farāhīs’ approach that result from such premises. This is done through four case studies: stoning, apostasy, ḥijāb, and the return of Jesus. In each case study, after exploring contested areas, the Farāhīs’ approach to the subject is compared with the shī‘ah and sunnī approaches. Interviews with the current leading figure of the Farāhīs are carried out and reported to provide further insights into their approach. Where applicable, points of disagreement among the scholars of the Farāhīs are also discussed. On the subject of stoning, the Farāhīs highlight their method of deriving principles from the Qur’ān alone; they conclude that the law of stoning is associated with the concept of creating anarchy in the land and not adultery per se. On the subject of apostasy, the Farāhīs use the principle of itmām al-ḥujjah to conclude that the punishment for apostasy was related to the sunnah of God at the time of the messengers only. On the subject of ḥijāb, the Farāhīs attempt to remain loyal to the literal meaning of the Qurānīc words, while also noting the context. They conclude that covering the hair is not an obligation, unless it is embellished. On ‘the return of Jesus’, through literary analysis, they conclude that this belief is not fully in line with the Qur’ān. The findings from these four case studies lead to the identification of a number of methodological features in the approach of the Farāhīs, which are further substantiated by tracing them in other documentations of the Farāhīs. The strengths and challenges that these methodological features can bring to the Farāhīs are discussed. At the end of the thesis the Farāhī school of thought is also compared and positioned with regard to the other contemporary approaches.
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48

Almquist, Matilda, and Camilla Brandt. "Rekrytering 2.0 : - En fara för arbetssökandes personliga integritet?" Thesis, Linnéuniversitetet, Institutionen för organisation och entreprenörskap (OE), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-35022.

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This paper examines how recruiters use social media during their recruitment process. The paper focuses on the staffing industry and will further examine how recruiters are handling jobseekers personal privacy when they are using social media in a recruitment process. The paper are trying to understand the meaning of what personal integrity means and how or if recruiters show consideration to this in a recruitment process when they are using social media as a recruitment tool.   Our result demonstrates that, today recruiters use social media daily to conduct background checks on job applicants. There are no clear instructions and rules on how recruiters should handle background checks through social media. Recruiters believe that job seekers are responsible for the information contained on the their social media. Recruiters do not see anything wrong with their actions when they choose to do background checks on job applicants through social media. If we look at the factors that violates an individual's privacy, can we conclude that recruits approach could be classified as a violation of jobseekers' personal integrity.
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49

Wellton, Fredrik. "Fara och förändring : Sveriges säkerhetspolitiska förhållande till Ryssland." Thesis, Linnéuniversitetet, Institutionen för statsvetenskap (ST), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-95916.

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This essay examines the international relationship of Sweden and Russia in the period after the Cold war and the dissolution of the Sovietunion. Focusing on the period before and after the annexation of Crimea. The essay examines different documents from the Swedish government and uses Realistic thery of international relations to illustrate how the relationship has changed. I conclude that the Swedish relationship to Russia has worsened and that the area in Sweden’s proximity has entered a decline of safety and security with increased chance of aggression from Russia after they have showed being willing to use military force in an offensive capacity in Crimea.
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Gautam, Deepshila, Imdadul Haq, and Aruna Kilaru. "Phenotypic Characterization of FAAH Mutants in Physcomitrella Patens." Digital Commons @ East Tennessee State University, 2020. https://dc.etsu.edu/etsu-works/7733.

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