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1

Mussolini, Casa natale, ed. L'arte per il consenso: Dipinti, manifesti, riviste. New York: Publicity & Print Press, 2001.

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2

Klaus, Behnken, Wagner Frank 1927-, and Neue Gesellschaft für Bildende Kunst., eds. Inszenierung der Macht: Ästhetische Faszination im Faschismus. Berlin: NGBK, 1987.

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3

Klaus, Behnken, Wagner Frank 1927-, and Neue Gesellschaft für Bildende Kunst., eds. Erbeutete Sinne: Nachträge zur Berliner Ausstellung "Inszenierung der Macht, ästhetische Faszination im Faschismus". Berlin: NGBK, 1988.

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4

Aurrekoetxea, Aitor. Futurismo y fascismo: Estéticas y poéticas de la modernidad : 1909-1922. Granada: Editorial Comares, 2019.

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5

Leduc, Alain. Art morbide?: Morbid art. Pantin: Revue commune, 2004.

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6

Giorgio, Di Genova, Duranti Massimo, Caproni Armani Maria Fede, and Arte contemporanea a Palazzo Mediceo (Seravezza, Italy), eds. "L' uomo della Provvidenza": Iconografia del Duce 1923-1945. Bologna: Edizioni Bora, 1997.

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7

Acquarelli, Luca. Le fascisme italien au prisme des arts contemporains: Réinterprétations, remontages, déconstructions. Rennes: Presses universitaires de Rennes, 2021.

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8

Lacroix, Michel. De la beauté comme violence: L'esthétique du fascisme français, 1919-1939. [Montréal]: Presses de l'Université de Montréal, 2004.

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9

Vereniging Dante Alighieri. Afdeling Groningen. and Rijksuniversiteit te Groningen Bibliotheek, eds. Kunst, cultuur, en politiek in Italië, 1920-1940: Studies ter begeleiding van een tentoonstelling van boeken en tijdschriften uit de bibliotheek van de Vereniging Dante Alighieri, afdeling Groningen. Groningen: Universiteitsbibliotheek, 1991.

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10

Epstein, Mark. TOTalitarian ARTs: The visual arts, fascism(s) and mass-society. [Cambridge, England]: Cambridge Scholars Publishing, 2017.

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11

Antliff, Mark. Avant-garde fascism: The mobilization of myth, art, and culture in France, 1909-1939. Durham: Duke University Press, 2007.

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12

Braun, Emily. Mario Sironi and Italian modernism: Art and politics under fascism. New York, N.Y: Cambridge University Press, 2000.

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13

Storia dell'arte, storia della critica, storia politica (Conference) (2018 Perugia, Italy). L'entre-deux-guerres in Italia: Storia dell'arte, storia della critica, storia politica. Perugia: Aguaplano, 2019.

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14

Grundig, Hans. Opfer des Faschismus. Leipzig: Museum der Bildenden Künste, 1986.

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15

Xavier, Barral i. Altet, ed. L' art de la victòria: Belles arts i franquisme a Catalunya. Barcelona: Columna, 1996.

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16

1885-1961, Sironi Mario, ed. Mario Sironi and Italian modernism: Art and politics under fascism. Cambridge: Cambridge University Press, 2000.

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17

Arroyo, Elsa. Baja viscosidad: El nacimiento del fascismo y otras soluciones = Low viscosity: the birth of fascism and other solutions. México, D. F: Universidad Nacional Autónoma de México, Instituto de Investigaciones Estéticas, 2013.

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18

Rossana, Bossaglia, and Trajan's Baths (Rome Italy), eds. Ritratto di un'idea: Arte e architettura nel fascismo : 11 maggio-21 luglio 2002, Palazzo Valentini, Piccole terme traianee, Roma. Milano: G. Mondadori, 2002.

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19

Stone, Marla. The patron state: Culture & politics in fascist Italy. Princeton, N.J: Princeton University Press, 1998.

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20

Acquarelli, Luca. Il fascismo e l'immagine dell'Impero: Retoriche e culture visuali. Roma: Donzelli editore, 2022.

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21

Rivaroli, Giuseppe. Sotto il segno del littorio: Pastelli di Giuseppe Rivaroli (1885-1943) : Latina, Galleria civica d'arte moderna e contemporanea, 26 marzo-26 aprile 1999. Latina [Lazio, Italy]: Comune di Latina, Assessorato alla cultura, 1999.

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22

Rivaroli, Giuseppe. Sotto il segno del littorio: Pastelli di Giuseppe Rivaroli (1885-1943) : Latina, Galleria civica d'arte moderna e contemporanea, 26 marzo-26 aprile 1999. Latina [Lazio, Italy]: Comune di Latina, Assessorato alla cultura, 1999.

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23

Fergonzi, Flavio. La scultura monumentale negli anni del fascismo: Arturo Martini e il monumento al Duca d'Aosta. [Torino]: U. Allemandi, 1992.

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24

Renato, Mammucari, ed. Sotto il segno del littorio: Pastelli di Giuseppe Rivaroli (1885-1943) : Latina, Galleria civica d'arte moderna e contemporanea, 26 marzo-26 aprile 1999. Latina: Comune di Latina, Assessorato alla cultura, 1999.

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25

Attilio, Brilli, and Chieli Francesca, eds. Immagini e retorica di regime: Bozzetti originali di propaganda fascista, 1935- 1942. Milano: F. Motta, 2001.

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26

Llorente, Carlos Villavieja. Arte y autarquía en la crítica de arte valenciano. Valencia: Universidad Politécnica de Valencia, Servicio de Publicaciones, 1995.

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27

Exposition, Council of Europe. Art and power: Europe under the dictators 1930-45 : the XXIII Council of Europe exhibition. London: The South Bank Centre, 1995.

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28

Zappellini, Gabriella Brusa. Dal futurismo al realismo magico: Arte e fascismo in Italia tra rivoluzione e restaurazione. Milano: Archipelago, 1994.

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29

Boschiero, Nicoletta. Il maestro e Margherita: Marinetti, Sarfatti e il Futurismo negli anni di Regime. Rovereto]: MaRT, 2018.

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30

José-Carlos, Mainer, ed. Casticismo, nacionalismo y vanguardia: [Antología, 1927-1935]. [Santander]: Fundación Santander Central Hispano, 2005.

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31

Bartolo, Simone De. Architettura e scultura monumentale del ventennio fascista in Terra di Bari: Acquaviva delle Fonti - Adelfia - Alberobello - Altamura - Andria - Barletta - Binetto - Bisceglie - Bitetto - Bitonto - Bitritto - Canosa di Puglia - Capurso - Carbonara - Casamassima - Cassano Murge - Castellana Grotte - Cellamare - Cisternino - Conversano - Corato - Fasano - Gioia del Colle - Giovinazzo - Gravina in Puglia - Grumo Appula - Locorotondo - Minervino Murge - Modugno - Mola di Bari - Molfetta - Monopoli - Noci - Noicattaro - Palo del Colle - Polignano a Mare - Putignano - Rutigliano - Ruvo di Puglia - Sammichele di Bari - Sannicandro di Bari - Santeramo in Colle - Spinazzola - Terlizzi - Toritto - Torre a Mare - Trani - Triggiano - Turi - Valenzano. Bari: L'arco e la corte, 2015.

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32

Taddeo, Giulia. Un serio spettacolo non serio: Danza e stampa nell'Italia fascista. Milano: Mimesis, 2017.

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33

Attilio, Brilli, Chieli Francesca, and Museo civico di Sansepolcro, eds. Immagini e retorica di regime: Bozzetti originali di propaganda fascista : 1935-1942. Milano: Federico Motta, 2001.

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34

Lauterwein, Andréa. Anselm Kiefer et la poésie de Paul Celan. Paris, France: Regard, 2006.

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35

Françoise, Liffran, ed. Rome, 1920-1945: Le modèle fasciste, son Duce, sa mythologie. Paris: Autrement, 1991.

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36

Schnapp, Jeffrey T. Anno X: La Mostra della rivoluzione fascista del 1932. Pisa: Istituti editoriali e poligrafici internazionali, 2003.

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37

Masi, Alessandro. Un' arte per lo Stato: Dalla nascita della metafisica alla Legge del 2%. Napoli: Marotta & Marotta, 1991.

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38

Giuseppe, Bottai. La politica delle arti: Scritti, 1918-1943. Roma: Editalia, 1992.

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39

1944-, Hahn Peter, Wolsdorff Christian, and Bauhaus-Archiv, eds. Bauhaus Berlin: Auflösung Dessau 1932, Schliessung Berlin 1933, Bauhäusler und Drittes Reich : eine Dokumentation. Weingarten: Kunstverlag Weingarten, 1985.

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40

TK on Fascism. OR Books, LLC, 2023.

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41

TK on Fascism. OR Books, LLC, 2023.

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42

Zox-Weaver, Annalisa. Women Modernists and Fascism. Cambridge University Press, 2011.

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43

Zox-Weaver, Annalisa. Women Modernists and Fascism. Cambridge University Press, 2017.

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44

Zox-Weaver, Annalisa. Women Modernists and Fascism. Cambridge University Press, 2012.

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45

Zox-Weaver, Annalisa. Women Modernists and Fascism. Cambridge University Press, 2011.

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46

Zox-Weaver, Annalisa. Women Modernists and Fascism. Cambridge University Press, 2011.

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47

Vedere il fascismo: Arte e politica nelle esposizioni del regime (1928-1942). Roma: Carocci editore, 2020.

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48

White, Anthony. Italian Modern Art in the Age of Fascism. Taylor & Francis Group, 2019.

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49

Young Person's Illustrated Guide to American Fascism. OR Books, LLC, 2024.

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50

White, Anthony. Italian Modern Art in the Age of Fascism. Taylor & Francis Group, 2019.

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