Relevant bibliographies by topics / Fascism – Italy – History

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  1. Journal articles
  2. Dissertations / Theses
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  4. Book chapters

Academic literature on the topic 'Fascism – Italy – History'

Author: Grafiati
Published: 4 June 2021
Last updated: 11 February 2022

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Journal articles on the topic "Fascism – Italy – History"

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ADAMSON, WALTER L. "Fascism and Political Religion in Italy: A Reassessment." Contemporary European History 23, no. 1 (January 6, 2014): 43–73. http://dx.doi.org/10.1017/s0960777313000519.

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AbstractThis article challenges the currently dominant understanding of Italian Fascism as a ‘political religion’, arguing that this view depends upon an outdated model of secularisation and treats Fascism's sacralisation of politics in isolation from church–state relations, the Catholic Church itself and popular religious experience in Italy. Based upon an historiographical review and analysis of what we now know about secularisation and these other religious phenomena, the article suggests that only when we grasp Italian Fascist political religion in relation to secularisation properly understood, and treat it in the context of religious experience and its history as a whole can the nature of Italian Fascism be adequately grasped.
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Hedinger, Daniel. "Universal Fascism and its Global Legacy. Italy’s and Japan’s Entangled History in the Early 1930s." Fascism 2, no. 2 (2013): 141–60. http://dx.doi.org/10.1163/22116257-00202003.

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In the early 1930s, fascism emerged as a global phenomenon. In Europe, Mussolini’s Italy was the driving force behind this development, whereas in Asia the center of gravity lay in the Japanese Empire. But the relationship between Japan and the mother country of fascism, Italy, in the interwar period has been hardly examined. The following article thus focuses on the process of interaction and exchange between these two countries. Moreover, the question of Japanese fascism has previously been discussed from a comparative perspective and thereby generally with a Eurocentric bias. In contrast, this article adopts a transnational approach. Thus, the question under consideration is not whether Japan ‘correctly’ adopted Italian Fascism, so to speak, but rather the extent to which Japan was involved in the process of fascism’s globalization. I will show that the pattern of influence in the early 1930s was certainly not limited to a single West-East direction and that fascism cannot be understood as a merely European phenomenon. This article begins by describing the rise and fall of universal fascism in the period from 1932 to 1934 from a global perspective. It secondly explores the legacies of fascism’s global moment and its consequences for the subsequent formation of the Tokyo-Rome-Berlin Axis when, following the end of an utopian phase, a more ‘realistic’ phase of global fascist politics began, with all its fatal consequences.
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Henne, Steffen. "Revolution and Eternity." Fascism 3, no. 1 (April 12, 2014): 47–52. http://dx.doi.org/10.1163/22116257-00301003.

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The conference ‘Revolution and Eternity – Fascism’s Temporality’ discussed the complex and meta-historical topic of ‘time and temporality’ with regards to the fascist experience of time, and ways of temporal thinking and acting with reference to German National Socialism, and fascism in Italy and Romania. The various papers examined specific national forms of fascism from the perspective of the concepts of political order and temporality (e.g. fascist interpretations of temporal dimensions – future, present and past). The conference revealed that the fascist view of time was based on specific (chrono)political practices (archaeology, filmmaking etc.) and that the inhumane politics of fascism were embedded in temporal paradigms that combined contradictory ideas of revolutionary acceleration with the eternal standstill of time.
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ROBERTS, DAVID D. "Myth, Style, Substance and the Totalitarian Dynamic in Fascist Italy." Contemporary European History 16, no. 1 (February 2007): 1–36. http://dx.doi.org/10.1017/s0960777306003602.

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AbstractRecent studies of Italian Fascism have focused on ritual, spectacle, commemoration and myth, even as they also take seriously the totalitarian thrust of Fascism. But whereas this new culturalist orientation has usefully pointed beyond earlier reductionist approaches, it has often accented style and myth as opposed to their opposites, which might be summed up as ‘substance’. Some of the aspirations fuelling Fascism, responding to perceived inadequacies in the mainstream liberal and Marxist traditions, pointed beyond myth and style as they helped to shape the Fascist self-understanding – and Fascist practice. This article seeks to show how the interplay of substance, style and myth produced a particular – and deeply flawed – totalitarian dynamic in Fascist Italy.
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Wolff, Elisabetta Cassina. "The meaning and role of the concepts of democracy and corporatism in Italian neo-fascist ideology (1945–1953)." Modern Italy 16, no. 3 (August 2011): 295–313. http://dx.doi.org/10.1080/13532944.2010.524887.

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While caution, tactics and compromise characterised the political practice of the neo-fascist Italian Social Movement in post-war Italy, a section of the Italian press took a less guarded approach to the 20-year regime (Fascism) and to fascism as a political idea (fascism). A lively debate began immediately after the death of Mussolini; Italians sympathetic to fascism opposed the new Italian republican settlement and their opinions were freely expressed in newspapers and magazines. Neo-fascism in Italy was represented by three main ideological currents (left-wing, moderate and right-wing), and this article gives an account of the different views of the issues of democracy and corporatism that were held by fascist loyalists. An extensive number of articles published in the period 1945–1953 are used as primary sources.
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Malone, Hannah. "Legacies of Fascism: architecture, heritage and memory in contemporary Italy." Modern Italy 22, no. 4 (September 18, 2017): 445–70. http://dx.doi.org/10.1017/mit.2017.51.

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This article examines how Italy has dealt with the physical remains of the Fascist regime, as a window onto Italian attitudes to the past. Theventennioleft indelible marks on Italy’s cities in the form of urban projects, individual buildings, monuments, plaques and street names. In effect, the survival of physical traces contrasts with the hazy memories of Fascism that exist within the Italian collective consciousness. Conspicuous, yet mostly ignored, Italy’s Fascist heritage is hidden in plain sight. However, from the 1990s, buildings associated with the regime have sparked a number of debates regarding the public memory of Fascism. Although these debates present an opportunity to re-examine history, they may also be symptomatic of a crisis in the Italian polity and of attempts to rehabilitate Fascism through historical revisionism.
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Severino, Valerio S. "The Irreligiousness of Fascism." Numen 63, no. 5-6 (October 14, 2016): 525–47. http://dx.doi.org/10.1163/15685276-12341437.

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This essay aims to reexamine the debate on the impact of Fascism on religious studies, by reconstructing what Raffaele Pettazzoni, one of the founding fathers of this field of research in Italy in the first half of the twentieth century, meant by “religion of the state.” His research on the origin of the religious state in Iranian history and in the Greek polytheistic prototype of thepolisoffers a key to the interpretation of his further analysis of the religious Fascist phenomenon. Mingling approaches of both political science and history of religions, this study constitutes an introduction to a new understanding — which remained hidden in Pettazzoni’s texts — of Fascism as a degeneration of state religiousness. While Fascism is an example of the sacralization of politics (according to one of the leading historians of Fascist ideology, Emilio Gentile), Pettazzoni showed how in other ways Fascism perpetuated the pre-Christian crisis of the religious state.
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Hamilton, Rosa. "The Very Quintessence of Persecution." Radical History Review 2020, no. 138 (October 1, 2020): 60–81. http://dx.doi.org/10.1215/01636545-8359259.

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Abstract This article argues that a uniquely queer anti-fascism emerged in the early 1970s led by transgender and gender-nonconforming people and cisgender lesbians against postwar fascism in western Europe. In Britain, Germany, France, Italy, and Spain, queer anti-fascists drew on influences from Black Power, Women’s Liberation, and Marxism to connect fascism to everyday oppression under capitalism, white supremacy, and heteropatriarchy. Using oral histories, private collections, and against-the-grain archival research, this article is the first transnational study of queer anti-fascism and the first to view it as a discrete phenomenon. Queer anti-fascists showed what a radical and inclusive anti-fascism should look like, while their structural analysis of everyday fascism demonstrated why anti-fascism must mean social revolution. For them, queerness was necessarily antifascist: queer people’s common experience of oppression enabled them to understand and overthrow fascism and the existing order. Although they never disappeared, their marginalization by cisgender-heterosexual antifascists should warn antifascists today.
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Santomassimo, Gianpasquale. "Metabolizzare il fascismo." PASSATO E PRESENTE, no. 77 (May 2009): 145–50. http://dx.doi.org/10.3280/pass2009-077010.

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- Santomassimo discusses Luca La Rovere's book The Inheritance of Fascism. The A. reconstructs the ample discussions that developed in the immediate postwar period in cultural circles - and among the young - about the responsibilities, consensus and legacies of the regime in the history of the Republic, that refute the widespread image of Italians as opportunistic "turncoats" in the postwar years. What emerges from the study are the limits of the debate on the "metabolization" of Italian fascism in the subsequent period, particularly since the 1960s, in contrast to that in Germany about the responsibilities and collective guilt of the Nazi experience.Key words: Italy, Fascism, Post-fascism, transition, intellectuals.Parole chiave: Italia, fascismo, post-fascismo, transizione, intellettuali.
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Kuck, Jordan. "Renewed Latvia. A Case Study of the Transnational Fascism Model." Fascism 2, no. 2 (2013): 183–204. http://dx.doi.org/10.1163/22116257-00202005.

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This article examines the lesser-known authoritarian regime of Kārlis Ulmanis, the Vadonis [Leader] of Latvia from 1934-1940, as a case study of transnational fascism. Specifically, by investigating the nature of Mazpulki [Latvian 4-H] – an agricultural youth organization modeled on American 4-H which became during the Ulmanis regime a sort of unofficial ‘Ulmanis Youth’ institution – and its international connections, and particularly with Italy, the article contends that we should view the Ulmanis regime as having been part of the transnational fascist wave that swept over Europe in the period between the two world wars. The article also makes the historiographical point that the transnational fascism model offers key analytical methods for interpreting fascism’s syncretic nature, especially in the case of those regimes which had some recognizable features of ‘generic’ fascism but which have previously been categorized as merely authoritarian. Future studies of such regimes will expand our understanding of the nature of and links between the many varied manifestations of interwar fascism.
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Dissertations / Theses on the topic "Fascism – Italy – History"

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Bigalke, Zachary. "“If They Can Die for Italy, They Can Play for Italy!”: Immigration, Italo-Argentine Identity, and the 1934 Italian World Cup Team." Thesis, University of Oregon, 2017. http://hdl.handle.net/1794/22654.

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In 1934, four Argentine-born soccer players participated for the Italian team that won the FIFA World Cup on home soil. As children born to parents who participated in a wave of Italian immigrants that helped reshape Argentine society in the late nineteenth and early twentieth centuries, these four players were part of a larger trend where over one hundred Argentine soccer players of Italian descent were signed by Italian clubs in the late 1920s and through the 1930s. This thesis examines the liminal space between Italian and Argentine identity within the broader context of diaspora formation in Argentina through a look at these four exemplars of the transatlantic talent shift. Utilizing sources that include Italian and Argentinian newspapers and magazines, national federation documents, and census and parish records, the thesis reveals the fluidity and temporality of national identity among Italo-Argentine immigrant offspring during the early twentieth century.
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Di, Lillo Ivano. "Opera and nationalism in Fascist Italy." Thesis, University of Cambridge, 2011. https://www.repository.cam.ac.uk/handle/1810/283883.

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Aguirre, Mariana G. "Artistic collaboration in Fascist Italy : Ardengo Soffici and Giorgio Morandi." View abstract/electronic edition; access limited to Brown University users, 2008. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3318288.

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Litvak, Jennifer Ashley. "The Competition for Influence: Catholic and Fascist Youth Socialization in Interwar Italy." Miami University Honors Theses / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1209428086.

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Antonucci, Ryan J. "Changing Perceptions of il DuceTracing Political Trends in the Italian-American Media during the Early Years of Fascism." Youngstown State University / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ysu1379111698.

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Hogan, Marina. "The fictional Savonarola and the creation of modern Italy." University of Western Australia. European Languages and Studies Discipline Group. Italian Studies, 2009. http://theses.library.uwa.edu.au/adt-WU2010.0035.

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This thesis deals with Girolamo Savonarola and with his place in the imagination and collective memory of Italians from the early nineteenth century to the present. It examines the works of a variety of Italian fictional authors who turned to Savonarola in the belief that he could help them pursue objectives which, in their opinion, Italy and Italians should strive to achieve. At first, he was called upon by nationalist writers of the Risorgimento to inspire a people and convince it of the need for a free, united Italy. Later, as the new nation began to consolidate and Italians came to realize that unification had not delivered all that it had promised, Savonarola was employed in a negative way to show that military action and force were necessary to ensure Italy's progress to the status of great power. As Italians became more aware of the grave social issues facing their nation, he was called upon, once again, to help change social policy and to remind the people of its civic responsibility to the less fortunate members of society. The extent of Savonarola's adaptability is also explored through the analysis of his manipulation by the writers of Fascist Italy. Remarkably, he was used to highlight to Italians their duty to stand by Mussolini and the Fascist Regime during their struggle with the Catholic Church and the Pope. At the same time, however, one writer daringly used Savonarola's apostolate to condemn the Regime and the people's blind adherence to its philosophies. As Fascism fell and Italy began to rebuild after the Second World War, there was no longer a need for Savonarola to be used for political or militaristic ends. In recent times, emphasis has been placed on the human side of the Friar and he has been employed solely to guide Italians in a civic, moral and spiritual sense. From the Risorgimento to the present, the various changes in Italian history have been foreshadowed in the treatment of Savonarola by Italian fictional authors who turned to him in difficult times to help define what it is to be Italian.
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Finn, Sarah. "'Padre della nazione italiana' : Dante Alighieri and the construction of the Italian nation, 1800-1945." University of Western Australia. European Languages and Studies Discipline Group. Italian Studies, 2010. http://theses.library.uwa.edu.au/adt-WU2010.0085.

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Dante Alighieri is, undoubtedly, an enduring feature of the cultural memory of generations of Italians. His influence is such that the mere mention of a ‘dark wood’ or ‘life’s journey’ recalls the poet and his most celebrated work, the Divina Commedia. This study, however, seeks to examine the construction of the medieval Florentine poet, exemplified by the above assertion, as a potent symbol of the Italian nation. From the creation of the idea of the Italian nation during the Risorgimento, to the Liberal ruling elite’s efforts after 1861 to legitimise the new Italian nation state, and more importantly to ‘make Italians’, to the rise of a more imperialist conception of nationalism in the early twentieth century and its most extreme expression under the Fascist regime, Dante was made to play a significant role in defining, justifying and glorifying the Italian nation. Such an exploration of the utilisation of Dante in the construction of Italian national identity during the nineteenth and early twentieth centuries aids considerably in an understanding of the conceptualisation of the Italian nation, of the issues engendered by the establishment of the Italian nation state, and the evolution of these processes throughout the period in question. The various images of Dante revealed by this investigation of his instrumentalisation in the Italian process of nation-building bear only a fleeting resemblance to what is known of the poet in his medieval reality. Dante was born in 1265 to a family of modest means and standing in Florence, at that time the economic centre of Europe, and one of the most important cities of the Italian peninsula. His writings disclosed, however, that he was little impressed by his city’s prestige and wealth, being instead greatly disturbed by its political discord and instability, of which he became an unfortunate victim. The violent partisan conflict in Florence and the turbulent political condition of the Italian peninsula in the late thirteenth century had a decisive influence on Dante’s life and literary endeavours.
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Cuxac, Mario. "Journaux et journalistes au temps du fascisme : Turin 1929-1940." Thesis, Lyon 2, 2015. http://www.theses.fr/2015LYO20022/document.

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Cette thèse a pour objectif d'étudier le monde journalistique turinois sous le régime fasciste, et en particulier lors de la deuxième décennie du régime. Cette période, coïncidant avec la montée et la consolidation du consensus (1929-1936) avant une remise en question progressive (1936-1940), est pour le journalisme italien celle de l'instauration progressive du contrôle de la profession par le régime. La répression, puis la mise au pas de la presse nationale et régionale, la création de structures de contrôle, particulièrement avec le Syndicat national fasciste des journalistes et son albo ou le ministère de la Culture populaire, l'uniformisation et l’institutionnalisation de la presse, notamment pour des usages propagandistes, bouleversent le monde journalistique et ses acteurs. Il s'agit dès lors de se focaliser sur les parcours collectifs et individuels de ces journalistes, en prenant comme laboratoire d'étude la ville de Turin. Les influences politiques, sociales et culturelles font en effet de cette ville un lieu particulier pour le fascisme, difficile à « normaliser ». Turin possède par ailleurs deux des plus importants journaux du pays (la Gazzetta del Popolo et La Stampa). L'étude prosopographique des 278 journalistes identifiés permet de mettre en perspective des caractéristiques sociales particulières, notamment en terme d'origine géographique ou de niveau d'instruction. De même, en s’intéressant aux liens avec le monde politique local et national, elle éclaire les frontières mouvantes entre politique et journalisme et permet de replacer la question du journalisme dans le cadre plus large du régime fasciste et particulièrement de ses ambiguïtés, entre contrôle, surveillance et répression d'un côté et les limites du totalitarisme de l'autre. L'étude prosopographique met également en évidence une continuité certaine, en terme de rédacteurs, entre le journalisme de l'époque libérale et celui de l'époque fasciste, remettant en question l'image d'une « épuration » sévère et totale de la profession. Dès lors, la question de la place nouvelle génération de journalistes, formés techniquement et imprégnés d'idéologie fasciste et dont la création était chère à certains hiérarques fascistes, Ermanno Amicucci en tête, prend tout son sens. Enfin, la seconde partie de la thèse s’intéresse à quelques parcours singuliers et itinéraires comparés, permettant d’illustrer une partie de la diversité des attitudes des journalistes turinois confrontés au régime fasciste et à sa volonté d'instituer un « nouveau modèle de journalisme ». Ces parcours se proposent ainsi d'éclairer plus spécifiquement certains aspects centraux de l'univers journalistique durant le régime, abordant notamment l'épuration des années 1927-1931 (avec par exemple Gino Pestelli, Leo Galetto ou Santi Savarino), les liens avec le monde politique local (Angelo Appiotti, Leo Rea) ou même la question des lois raciales (Deodato Foà). Entre relative résistance et renoncement, entre acceptation et tractations, entre illusions et pragmatisme, ces trajectoires biographiques mettent alors au jour des postures diverses dont les croisements, les stratégies, les contenus s'insèrent dans un cadre bien plus large, celui du ventennio fasciste et de ses tragédies
This work studies the turinese journalistic world during fascist system, especially the second decade. This decade coincide with the rise of the consensus (1929-1936) before the first time of contestation (1936-1940). The italian journalism is more and more controlled by the political authorities. The repression of the national and regional papers, and then the organization, standardization and institutionalization of the press, change drastically the journalism background. In view of this, this work focuses on collective and individual trajectories, with Turin as study place. The political, social and cultural influences of Turin make this city a particular place for the fascism, hard to “normalize”, and which possess two of the principal papers of the country (the Gazzetta del Popolo and La Stampa). The prosopographical study of the 278 identify journalists allows to put in perspective social characteristics (geographical origins, level of schooling etc...). The national and regional political connections light up the moving mark between politic and journalism and allow to replace the journalism question in the ampler setting of fascist regime and his ambiguities (between control, surveillance and repression, on one hand, and limits of totalitarianism of the other hand). The prosopographical study shows also a clear continuity of journalist between liberal and fascist periods, which questions the image of a harsh and total “purge” of the profession. In this context, the question of the place of the new journalistic generation, technically formed and permeated of fascist ideology, like Ermanno Amicucci and other fascist figures wanted, is central. Finally, the second part of the study takes an interest in a few singular trajectories and compared itineraries, which allows to illustrate a part of the diversity of turinese journalist attitudes, confronted with a regime who wants to institute a “new journalism model”. This trajectories intend to light up more specifically some of central aspects of journalistic world during the regime, like the purge of the years 1927-1931 (with for example Gino Pestelli, Leo Galetto or Santi Savarino),, the connections with local politic world (Angelo Appiotti, Leo Rea) or the racial laws and their impact (Deodoato foà). Between opposition and resignation, acceptation and negotiation, illusions and pragmatism, this biographical trajectories expose some varied positions, insert into a ampler context, which is the fascist ventennio, and his tragedies
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Casano, Nicoletta. "Les réseaux unissant francs-maçons et laïques belges et italiens de la fin du XIXe siècle jusqu'à la Deuxième guerre mondiale: prémisses et réalisation de l'accueil en Belgique des fuorusciti italiens." Doctoral thesis, Universite Libre de Bruxelles, 2013. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/209510.

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Ce travail vise à approfondir certains aspects de l’expérience des francs-maçons et laïques italiens qui ont été exilés en Belgique, suite à la persécution opérée contre eux par la dictature de Mussolini.

En effet, les premières associations qui ont été poursuivies légalement par le dictateur italien ont été les associations maçonniques et celles de la Libre Pensée. Jusqu’au il y a quelques années, l’historiographie ne pouvait pas analyser davantage les conséquences de cet exil, faute d’accès aux archives de ces associations.

À présent, il nous a été possible d’étudier cette documentation qui nous a permis de démontrer que certains francs-maçons et libres-penseurs italiens, qui ont pris la décision de quitter leur pays afin suite aux persécutions de la dictature, avaient été des exilés politiques et avaient trouvé asile dans certains pays européens grâce aux réseaux maçonniques et laïques qui y existaient déjà depuis la fin du XIXe siècle. La Belgique a été l’un de ces pays d’accueil, mais en outre elle avait été le pays où ces réseaux étaient nés et s’étaient le plus efficacement développés.

C’est cette généalogie des réseaux maçonniques et laïques qui nous a permis d’expliquer pour quelles raisons, même si la Belgique n’a pas été le principal pays d’accueil des exilés maçons et laïques italiens, un certain nombre d’entre eux y sont passés ou s’y sont installés avec l’aide de la Franc-maçonnerie et de la Libre pensée belges, pendant leur exil./

The aim of my research project is to investigate further into the experience of the Italian free-masons and free-thinkers who had to go on exile as a consequence of their persecution by the Mussolini dictatorship. As a matter of fact, the first associations to be persecuted by the Italian dictator were the free-mason and free-thinkers associations, but till few years ago, the contemporary historiography hadn’t really focused on the consequences of these actions because of the limited access to the Archives of these associations.

It was only at the beginning of this century that these documents were found and have been left at the disposal of the researchers.

The study of part of these documents allows me to demonstrate that these free-masons and free-thinkers who had taken the decision to leave their country, in order not to accept the dictatorship, were political emigrants and

that they found asylum in some European countries thanks to the free-mason and free-thinker networks that they had established since the end of 19th century. Belgium was one of these countries, but more importantly the one

where the relation networks concerned were born and developed.

This fact allows us to explain the reason why a lot of Italian free-masons and free-thinkers passed in Belgium or some of them lived. Even if Belgium wasn't the country to which the most of these people exiled.


Doctorat en Histoire, art et archéologie
info:eu-repo/semantics/nonPublished

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Atkinson, David A. "Geopolitics and the geographical imagination in Fascist Italy." Thesis, Loughborough University, 1995. https://dspace.lboro.ac.uk/2134/10383.

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The thesis provides a critical history of the Italian geopolitical movement of the interwar period and especially its journal Geopolitica (l939-1942). The discourse is situated amidst the wider contexts of the inter-war debates surrounding geopolitics and our anglophone histories of this episode. Similarly, the movement is positioned within the political, academic and cultural contexts of Fascist Italy and the cultures of Italian geography in this era. Substantial chapters consider the origins and development of geopolitical ideas as they-were re-negotiated in Fascist Italy; the regime's promotion of an Italian geographical imagination and its consequent support for Geopolitica; and the programme of Geopolitica itself. The.cartography of the journal, its representations of colonial space in Africa and its analysis of the Mediterranean and Balkan regions are also addressed at length. Finally, the various contestations of geopolitics and its key terms are rehearsed, as is the journal's probable impact and its eventual closure. The legacies and histories ofthis episode are briefly considered.
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Books on the topic "Fascism – Italy – History"

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Fascist Italy. 2nd ed. Arlington Heights, Ill: H. Davidson, 1985.

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Dahl, Ottar. Syndicalism, fascism and post-fascism in Italy, 1900-1950. Oslo: Solum Forlag, 1999.

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Robson, Mark. Italy: Liberalism and fascism, 1870-1945. London: Hodder & Stoughton, 1992.

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Roberts, David D. Historicism and fascism in Modern Italy. Toronto: University of Toronto Press, 2007.

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The historic imaginary: Politics of history in Fascist Italy. Toronto: University of Toronto Press, 2003.

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Robson, Mark. Italy: Liberalism and fascism, 1870-1945. 2nd ed. London: Hodder & Stoughton, 2000.

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Grand, Alexander J. De. Italian fascism: Its origins & development. 2nd ed. Lincoln: University of Nebraska Press, 1989.

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Grand, Alexander J. De. Italian fascism: Its origins & development. 3rd ed. Lincoln: University of Nebraska Press, 2000.

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1945-, Miller Robert L., ed. The Jews in Fascist Italy: A history. New York: Enigma Books, 2001.

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Fascism and the Mafia. New Haven: Yale University Press, 1989.

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Book chapters on the topic "Fascism – Italy – History"

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Lowe, Norman. "Italy 1918–45: The First Appearance of Fascism." In Mastering Modern World History, 94–107. London: Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-19612-8_6.

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Lowe, Norman. "Italy 1918–45: the first appearance of fascism." In Mastering Modern World History, 251–65. London: Macmillan Education UK, 1997. http://dx.doi.org/10.1007/978-1-349-14374-0_12.

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Lowe, Norman. "Italy, 1918–45: the first appearance of fascism." In Mastering Modern World History, 295–308. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-27724-4_13.

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Fantoni, Gianluca. "The Early 1970s: Unitelefilm, the Fascist Threat, and the ‘Historic Compromise’." In Italy through the Red Lens, 179–201. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-69197-4_8.

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Giaconi, Daniela. "The Purging of Fascist Economists in Post-war Italy." In Palgrave Studies in the History of Economic Thought, 243–75. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-38331-2_8.

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Gaudenzi, Bianca. "Dictators for Sale: The Commercialization of the Duce and the Führer in Fascist Italy and Nazi Germany." In Rewriting German History, 267–87. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137347794_15.

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Passmore, Kevin. "3. Italy: ‘making history with the fist’." In Fascism, 44–55. Oxford University Press, 2014. http://dx.doi.org/10.1093/actrade/9780199685363.003.0003.

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Passmore, Kevin. "4. Italy: ‘making history with the fist’." In Fascism, 50–61. Oxford University Press, 2002. http://dx.doi.org/10.1093/actrade/9780192801555.003.0004.

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"The ‘pre-history’ of Italian Fascism." In The Fascist Experience in Italy, 15–32. Routledge, 2005. http://dx.doi.org/10.4324/9780203984772-8.

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"ITALY AND THE RISE OF FASCISM." In A History of the World, 155–62. Routledge, 2004. http://dx.doi.org/10.4324/9780203641767-25.

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